The Laundress (Daumier)
   HOME
*





The Laundress (Daumier)
''The Laundress (La Blanchisseuse)'' (also known in English as ''The Washerwoman'') is an oil-on-panel painted by French artist Honoré Daumier in 1863. It is exhibited at the Musée d'Orsay in Paris. The subject of laundresses, also known as washerwomen, was a popular one in art, especially in France. History Acquired by the Louvre in 1927 and since 1986 exhibited at the Musée d'Orsay, this painting has another two versions, currently housed at the Metropolitan Museum of Art, in New York, and at the Albright-Knox Art Gallery of Buffalo, New York. Daumier lived on the Quai d'Anjou on the Île Saint-Louis in central Paris, and had plenty of opportunities for observing the attitudes of the washerwomen returning from the ''lavoir A lavoir (wash-house) is a public place set aside for the washing of clothes. Communal washing places were common in Europe until industrial washing was introduced, and this process in turn was replaced by domestic washing machines and by laun ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Honoré Daumier
Honoré-Victorin Daumier (; February 26, 1808February 10, 1879) was a French painter, sculptor, and printmaker, whose many works offer commentary on the social and political life in France, from the Revolution of 1830 to the fall of the second Napoleonic Empire in 1870. He earned a living throughout most of his life producing caricatures and cartoons of political figures and satirizing the behavior of his countrymen in newspapers and periodicals, for which he became well known in his lifetime and is still known today. He was a republican democrat who attacked the bourgeoisie, the church, lawyers and the judiciary, politicians, and the monarchy. He was jailed for several months in 1832 after the publication of ''Gargantua'', a particularly offensive and discourteous depiction of King Louis-Philippe. Daumier was also a serious painter, loosely associated with realism. Although he occasionally exhibited his paintings at the Parisian Salons, his work was largely overlooked and ignore ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

ÃŽle Saint-Louis
Île Saint-Louis (), in size, is one of two natural islands in the Seine river, in Paris, France (the other natural island is the Île de la Cité, where Notre-Dame de Paris is located). Île Saint-Louis is connected to the rest of Paris by four bridges to both banks of the river and to the Île de la Cité by the Pont Saint-Louis. The island is located within the 4th arrondissement of Paris and has a population of 4,453. History File:Île aux Vaches & île Notre-Dame, Plan de Vassalieu ca. 1609.jpg, Île aux Vaches and Île Notre-Dame in Vassalieu Plan (1609) File:Islands of Paris, 1618.jpg, The islands Île aux Vaches and Île Notre-Dame in 1618 File:Ile St-Louis Plan de Turgot 1739.jpg, Île Saint-Louis in Turgot Map (1739) The island was first known as the Île Notre-Dame, and was used mostly for grazing cattle, fishing, drying laundry, and occasionally for fighting duels. In 1360 it was cut in half by a canal, at about the current Rue Poulettiere, in order to bring ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Paintings In The Musée D'Orsay
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, Composition (visual arts), composition, gesture (as in gestural painting), narrative, narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, la ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Paintings By Honoré Daumier
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, s ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  



MORE