|
The Latin Bit
''The Latin Bit'' is an album by American jazz guitarist Grant Green featuring performances recorded in 1962 and released on the Blue Note label.Grant Green discography accessed September 16, 2010 It is a loose concept album inspired by Latin American music. It features tenor saxophonist , pianists and |
Grant Green
Grant Green (June 6, 1935 – January 31, 1979) was an American jazz guitarist and composer. Recording prolifically for Blue Note Records as both leader and sideman, Green performed in the hard bop, soul jazz, bebop, and Latin-tinged idioms throughout his career. Critics Michael Erlewine and Ron Wynn write, "A severely underrated player during his lifetime, Grant Green is one of the great unsung heroes of jazz guitar ... Green's playing is immediately recognizable – perhaps more than any other guitarist." Critic Dave Hunter described his sound as "lithe, loose, slightly bluesy and righteously groovy". He often performed in an organ trio, a small group featuring a Hammond organ and drummer. Apart from fellow guitarist Charlie Christian, Green's primary influences were saxophonists, particularly Charlie Parker, and his approach was therefore almost exclusively linear rather than chordal. He thus rarely played rhythm guitar except as a sideman on albums led by other musicia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Penguin Guide To Jazz
''The Penguin Guide to Jazz'' is a reference work containing an encyclopedic directory of jazz recordings on CD which were (at the time of publication) currently available in Europe or the United States. The first nine editions were compiled by Richard Cook and Brian Morton, two chroniclers of jazz resident in the United Kingdom. History The first edition was published in Britain by Penguin Books in 1992. Every subsequent two years, through 2010, a new edition was published with updated entries. The eighth and ninth editions, published in 2006 and 2008, respectively, each included 2,000 new CD listings. The title took on different forms over the lifetime of the work, as audio technology changed. The seventh edition was known as ''The Penguin Guide to Jazz on CD'' while subsequent editions were titled ''The Penguin Guide to Jazz Recordings''. The earliest edition had the title ''The Penguin Guide to Jazz on CD, LP and Cassette''. Richard Cook died in 2007, prior to the comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agustín Lara
Ángel Agustín María Carlos Fausto Mariano Alfonso del Sagrado Corazón de Jesús Lara y Aguirre del Pino (; October 30, 1897 – November 6, 1970), known as Agustín Lara, was a Mexican composer and performer of songs and boleros. He is recognized as one of the most popular songwriters of his era. His work was widely appreciated not only in Mexico but also in Central and South America, the Caribbean and Spain. After his death, he has also been recognized in the United States, Italy and Japan. Notable performers of his work include Pedro Vargas who was a friend, Juan Arvizu, Nestor Mesta Chayres, Pedro Infante, Javier Solís, Julio Iglesias, Manuel Mijares, Vicente Fernandez, Luis Miguel, Perez Prado, Chavela Vargas and Natalia Lafourcade among others. Outside the Spanish speaking world, his most famous songs are '' Granada'', '' Solamente Una Vez (You Belong to My Heart)'' and '' Piensa en mí'', which have both been recorded by numerous international singers, including En ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Granada (song)
"Granada" is a song written in 1932 by Mexican composer Agustín Lara. The song is about the Spanish city of Granada and has become a standard in music repertoire. The most popular versions are the original with Spanish lyrics by Lara (often sung operatically); a version with English lyrics by Australian lyricist Dorothy Dodd; and instrumental versions in jazz, pop, easy listening, flamenco or rock styles. Other versions in English also exist (one with lyrics by Al Stewart, and one with lyrics by Robert Musel and Edward Lisbona) but these are less common. An Italian version was written in 1954 by . There are also versions in German and other languages. The song has been covered many times. It is José Carreras's signature tune. Popular versions include those by Plácido Domingo, Frankie Laine, Jorge Negrete, Juan Arvizu, Nestor Mesta Chayres, Mario Lanza, Pasquale Esposito, Bing Crosby and Frank Sinatra. It has been sung in Italian by Claudio Villa, and in German by Fritz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Parker
Charles Parker Jr. (August 29, 1920 – March 12, 1955), nicknamed "Bird" or "Yardbird", was an American jazz saxophonist, band leader and composer. Parker was a highly influential soloist and leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique, and advanced harmonies. Parker was an extremely brilliant virtuoso and introduced revolutionary rhythmic and harmonic ideas into jazz, including rapid passing chords, new variants of altered chords, and chord substitutions. Primarily a player of the alto saxophone, Parker's tone ranged from clean and penetrating to sweet and somber. Parker acquired the nickname "Yardbird" early in his career on the road with Jay McShann. This, and the shortened form "Bird", continued to be used for the rest of his life, inspiring the titles of a number of Parker compositions, such as "Yardbird Suite", "Ornithology", "Bird Gets the Worm", and "Bird of Paradise". Parker was an icon for the hipster ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zequinha De Abreu
José Gomes de Abreu, better known as Zequinha de Abreu (September 19, 1880 – January 22, 1935), was a Brazilian musician and composer. Abreu was born in Santa Rita do Passa Quatro, São Paulo state. He is best known for the famous choro tune "Tico-Tico no Fubá" (1917), whose original title was "Tico-Tico no Farelo". Other well-known tunes he wrote were "Branca" and "Tardes em Lindóia." Tico-Tico is played in various melodic versions all over the world. Abreu died in São Paulo São Paulo (, ; Portuguese for ' Saint Paul') is the most populous city in Brazil, and is the capital of the state of São Paulo, the most populous and wealthiest Brazilian state, located in the country's Southeast Region. Listed by the Ga ..., aged 54. External links Website Zequinha de Abreu References * 1880 births 1935 deaths People from Santa Rita do Passa Quatro Brazilian composers {{Brazil-composer-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tico-Tico No Fubá
"Tico-Tico no fubá" (; "rufous-collared sparrow in the cornmeal") is a Brazilian choro song written by Zequinha de Abreu in 1917. Its original title was "Tico-Tico no farelo" ("sparrow in the bran"), but since Brazilian guitarist Américo Jacomino "Canhoto" (1889–1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics. Outside Brazil, the song reached its peak popularity in the 1940s, with successful recordings by Ethel Smith, The Andrews Sisters (with English-language lyrics by Ervin Drake), Carmen Miranda and others. Notable recordings The first recording of the work was made by Orquestra Colbaz (Columbia 22029, 1931). Ethel Smith performed it on the Hammond organ in the MGM film ''Bathing Beauty'' (1944), after which her recording reached the U.S. pop charts in November 1944, peaked at No. 14 on January 27, 1945, and sold nearly two million copies worldwide. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ary Barroso
Ary de Resende Barroso (1903–1964), better known as Ary Barroso, was a Brazilian composer, pianist, soccer commentator, and talent-show host on radio and TV. He was one of Brazil's most successful songwriters in the first half of the 20th century. Barroso also composed many songs for Carmen Miranda during her career. Biography Born on November 7, 1903, Ary Barroso was the most influential pre-bossa nova composer in Brazil. Barroso's songs were recorded by a lengthy list of artists including Carmen Miranda and João Gilberto. His 1939 composition ''Aquarela do Brasil'', better known as ''Brazil'', was featured in the 1942 Disney film ''Saludos Amigos'', and has gone on to become one of the 20 most recorded songs of all time. His song ''Na Baixa do Sapateiro'', based on a Brazilian pop tune, was included in the Disney film ''The Three Caballeros'' and popularised as ''Baía''. Barroso's soundtrack for the movie ''Brazil (1944 film), Brazil'' was nominated for an Academy Awards, Os ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aquarela Do Brasil
"Aquarela do Brasil" (, 'Watercolor of Brazil'), written by Ary Barroso in 1939 and known in the English-speaking world simply as "Brazil", is one of the most famous Brazilian songs. Background and composition Ary Barroso wrote "Aquarela do Brasil" in early 1939, when he was prevented from leaving his home one rainy night due to a heavy storm. Its title, a reference to watercolor painting, is a clear reference to the rain. He also wrote "Três lágrimas" (Three Teardrops) on that same night, before the rain ended.About "Aquarela do Brasil" at blog Cifra Antiga Accessed on March 30, 2009. Describing the song in an interview to Marisa Lira, of the newspaper '' |
Eliseo Grenet
Eliseo Grenet Sánchez (12 June 1893 in Havana – 4 December 1950) was a Cuban pianist and a leading composer/arranger of the day. He composed music for stage shows and films, and some famous Cuban dance music.Giro, Radamés 2007. ''Diccionario enciclopédico de la música en Cuba''. La Habana. vol 2, p175 Eliseo was one of three musical brothers, all composers, the others being Emilio (Neno','' 1901–1941) and Ernesto (1908–1981). Emilio went on composing even after having a leg bitten off by a shark in 1930;Sublette, Ned 2004. ''Cuba and its music: from the first drums to the mambo''. Chicago. p406 Ernesto was a drummer who became leader of the Tropicana's orchestra. Life & work Eliseo studied music under Mercedes Valenzuela and Leandro Simón Guergué, the father of Moisés Simons. In 1905 he played piano in the silent film theatre ''La Caricatura'', and in 1909 directed the orchestra of the ''Politeama Habanero'' theatre, which mostly showed zarzuelas. Later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Consuelo Velázquez
Consuelo Velázquez Torres (August 21, 1916 in Ciudad Guzmán, Jalisco – January 22, 2005, Mexico City), also popularly known as Consuelito Velázquez, was a Mexican concert pianist and composer. She was the composer of famous Mexican ballads such as "Bésame mucho", "Amar y vivir", and " Cachito". Beginning Years Originally from Ciudad Guzmán, Mexico, she was the youngest of five daughters born to the soldier and poet Isaac Velázquez de Valle and his wife, María de Jesús Torres Ortíz. At four years old she started to demonstrate a good ear and an aptitude for music, and at barely six years old she began studying music and piano at the Académia de Música Serratos in Guadalajara. After several years of study, when she was eleven, she moved to Mexico City, where she continued her studies and obtained a degree in teaching music and concert piano at the National Conservatory of Music. Her first public concert was held in the Palacio de Bellas Artes in the capital, and soon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bésame Mucho
"Bésame Mucho" (; "Kiss Me A Lot") is a bolero song written in 1940 by Mexican songwriter Consuelo Velázquez. It is one of the most popular songs of the 20th century and one of the most important songs in the history of Latin music. It was recognized in 1999 as the most recorded and covered song in Spanish of all time. Famous versions were sung by Trio Los Panchos and female vocalist Gigliola Cinquetti in 1968, and by Dalida in 1976. English lyrics to it were written by Sunny Skylar. The song appeared in the film '' Follow the Boys'' (5 May 1944) when it was played by Charlie Spivak and his Orchestra and in '' Cowboy and the Senorita'' (13 May 1944) with vocal by Dale Evans. Inspiration According to Velázquez herself, she wrote this song even though she had never been kissed yet at the time, and kissing, as she heard, was considered a sin. She was inspired by the piano piece " Quejas, o la Maja y el Ruiseñor", from the 1911 suite ''Goyescas'' by Spanish composer Enrique G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_(cropped).jpg "Click for more on -> Consuelo Velázquez")
