The Last Supper (da Vinci)
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The Last Supper (da Vinci)
''The Last Supper'' ( it, Il Cenacolo or ) is a mural painting by the Italian High Renaissance artist Leonardo da Vinci, dated to . The painting represents the scene of the Last Supper of Jesus with the Twelve Apostles, as it is told in the Gospel of Johnspecifically the moment after Jesus announces that one of his apostles will betray him. Its handling of space, mastery of perspective, treatment of motion and complex display of human emotion has made it one of the Western world's most recognizable paintings and among Leonardo's most celebrated works. Some commentators consider it pivotal in inaugurating the transition into what is now termed the High Renaissance. The work was commissioned as part of a plan of renovations to the church and its convent buildings by Leonardo's patron Ludovico Sforza, Duke of Milan. In order to permit his inconsistent painting schedule and frequent revisions, it is painted with materials that allowed for regular alterations: tempera on gesso ...
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Leonardo Da Vinci
Leonardo di ser Piero da Vinci (15 April 14522 May 1519) was an Italian polymath of the High Renaissance who was active as a painter, Drawing, draughtsman, engineer, scientist, theorist, sculptor, and architect. While his fame initially rested on his achievements as a painter, he also became known for #Journals and notes, his notebooks, in which he made drawings and notes on a variety of subjects, including anatomy, astronomy, botany, cartography, painting, and paleontology. Leonardo is widely regarded to have been a genius who epitomized the Renaissance humanism, Renaissance humanist ideal, and his List of works by Leonardo da Vinci, collective works comprise a contribution to later generations of artists matched only by that of his younger contemporary, Michelangelo. Born Legitimacy (family law), out of wedlock to a successful Civil law notary, notary and a lower-class woman in, or near, Vinci, Tuscany, Vinci, he was educated in Florence by the Italian painter and sculptor ...
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Refectory
A refectory (also frater, frater house, fratery) is a dining room, especially in monasteries, boarding schools and academic institutions. One of the places the term is most often used today is in graduate seminaries. The name derives from the Latin ''reficere'' "to remake or restore," via Late Latin ''refectorium'', which means "a place one goes to be restored" (''cf.'' "restaurant"). Refectories and monastic culture Communal meals are the times when all monks of an institution are together. Diet and eating habits differ somewhat by monastic order, and more widely by schedule. The Benedictine rule is illustrative. The Rule of St Benedict orders two meals. Dinner is provided year-round; supper is also served from late spring to early fall, except for Wednesdays and Fridays. The diet originally consisted of simple fare: two dishes, with fruit as a third course if available. The food was simple, with the meat of mammals forbidden to all but the sick. Moderation in all aspects of ...
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Oil Painting
Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied. The oldest known oil paintings were created by Buddhist artists in Afghanistan and date back to the 7th century AD. The technique of binding pigments in oil was later brought to Europe in the 15th century, about 900 years later. The adoption of oil paint by Europeans began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of tempera paints in the majority ...
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James The Less
James the Less ( grc-gre, Ἰάκωβος ὁ μικρός ) is a figure of early Christianity, one of the Twelve chosen by Jesus. He is also called "the Minor", "the Little", "the Lesser", or "the Younger", according to translation. He is not to be confused with James the Great (also called "James the Elder"). He is identified by some as James, son of Alphaeus and as James, brother of Jesus, thought of by Jerome and others as really the cousin of Jesus. James the Less has traditionally been commemorated along with Philip the Apostle, St. Philip in the Western Christian calendars. Their feast day was observed on May 1 until 1955, when it was moved to May 11 to accommodate the Feast of St Joseph the Worker on May 1. A General Roman Calendar of 1969, later revision of the calendar moved the feast back to May 3. New Testament In the New Testament, the name "James" identifies multiple men. James the Less is named only in connection with his mother "Mary (mother of James the Less), M ...
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James The Greater
James the Great, also known as James, son of Zebedee, Saint James the Great, Saint James the Greater, Saint James the Elder, or Saint Jacob (Aramaic ܝܥܩܘܒ ܒܪ ܙܒܕܝ, Arabic يعقوب, Hebrew בן זבדי , '' Yaʿăqōḇ'', Latin ''Iacobus Maior'', Greek Ἰάκωβος τοῦ Ζεβεδαίου ''Iákōbos tû Zebedaíou''; died AD 44), was one of the Twelve Apostles of Jesus, the first apostle to be martyred according to the New Testament. Saint James is the patron saint of Spain and, according to tradition, his remains are held in Santiago de Compostela in Galicia. In the New Testament The son of Zebedee and Salome, James is styled "the Greater" to distinguish him from the Apostle James "the Less", with "greater" meaning older or taller, rather than more important. James the Great was the brother of John the Apostle. James is described as one of the first disciples to join Jesus. The Synoptic Gospels state that James and John were with their father by the s ...
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Bernardo Zenale
Bernardo (or Bernardino) Zenale (c. 1460 – 1526) was an Italian painter and architect. Biography Zenale was born in Treviglio, Lombardy, where in 1485 he finished the great polyptych for the church of St. Martin, together with his fellow Bernardino Butinone. Like Butinone, he is said to have trained with Vincenzo Civerchio. Later he collaborated to the decoration of the Certosa di Pavia. Subsequently, he was engaged by Ludovico Sforza, Duke of Milan, to paint a room in the Castello Sforzesco of that city. Also with Butinone, he frescoed the Grifi Chapel in the church of San Pietro in Gessate. After circa 1500, Zenale seemed to abandon the Ferrarese-expressionist style of Butinone, a strong influence from Leonardo da Vinci starting to appear in his works. This is manifest in the polyptych that he painted for the Confraternity of the Immaculate Conception of Cantù (1502Now divided between the J. Paul Getty Museum of
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Gian Paolo Lomazzo
Gian Paolo Lomazzo (26 April 1538 – 27 January 1592; his first name is sometimes also given as "Giovan" or "Giovanni") was an Italian artist and writer on art. Praised as a painter, Lomazzo wrote about artistic practice and art theory after blindness compelled him to pursue a different professional path by 1571. Lomazzo's written works were especially influential to second generation Mannerism in Italian art and architecture. Early life Gian Paolo Lomazzo was born in Milan from a family who had emigrated from the town of Lomazzo. His early training was with Giovan Battista della Cerva in Milan. He painted a large ''Allegory of the Lenten Feast'' for ''San Agostino'' in Piacenza (1567). Other works by his hand include an elaborate dome with ''Glory of Angels'' for the Capella Foppa in San Marco in Milan, and the ''Fall of Simon Magus'' in the wall of the chapel. Lomazzo was depicted on a ca. 1560 medal by Annibale Fontana that described him as having been introduced by Merc ...
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Giovanni Donato Da Montorfano
Giovanni Donato da Montorfano (c. 1460–1502/03) was an Italian painter of the Renaissance who was born, lived, and worked in Milan. Giovanni Donato comes from a family of painters. His grandfather, Abramo, and father, Alberto da Montorfano worked in the Milan Cathedral as painters and were members of the Milan painter's guild. Both Giovanni Donato and his brother Vincenzo were pupils of their father. Giovanni Donato is best known for his fresco depicting the ''Crucifixion'' (1495) in the refectory of the convent of Santa Maria delle Grazie in Milan. It is painted on the wall facing Leonardo da Vinci's masterpiece of ''The Last Supper''. This fresco is said to have some of the figures of the Duke and his family painted by Leonardo. Giovanni Battista da Montorfano is documented as part of a team of artists, including Vincenzo Foppa and Cristoforo Moretti Cristoforo Moretti (documented in Lombardy and Piedmont 1451 – 1475) was a Lombard painter of the quattrocento who work ...
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Crucifixion
Crucifixion is a method of capital punishment in which the victim is tied or nailed to a large wooden cross or beam and left to hang until eventual death from exhaustion and asphyxiation. It was used as a punishment by the Persians, Carthaginians and Romans, among others. Crucifixion has been used in parts of the world as recently as the twentieth century. The crucifixion of Jesus of Nazareth is central to Christianity, and the cross (sometimes depicting Jesus nailed to it) is the main religious symbol for many Christian churches. Terminology Ancient Greek has two verbs for crucify: (), from (which in today's Greek only means "cross" but which in antiquity was used of any kind of wooden pole, pointed or blunt, bare or with attachments) and () "crucify on a plank", together with ( "impale"). In earlier pre-Roman Greek texts usually means "impale". The Greek used in the Christian New Testament uses four verbs, three of them based upon (), usually translated "cross". T ...
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Coat Of Arms
A coat of arms is a heraldry, heraldic communication design, visual design on an escutcheon (heraldry), escutcheon (i.e., shield), surcoat, or tabard (the latter two being outer garments). The coat of arms on an escutcheon forms the central element of the full achievement (heraldry), heraldic achievement, which in its whole consists of a shield, supporters, a crest (heraldry), crest, and a motto. A coat of arms is traditionally unique to an individual person, family, state, organization, school or corporation. The term itself of 'coat of arms' describing in modern times just the heraldic design, originates from the description of the entire medieval chainmail 'surcoat' garment used in combat or preparation for the latter. Roll of arms, Rolls of arms are collections of many coats of arms, and since the early Modern Age centuries, they have been a source of information for public showing and tracing the membership of a nobility, noble family, and therefore its genealogy across tim ...
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House Of Sforza
The House of Sforza () was a ruling family of Renaissance Italy, based in Milan. They acquired the Duchy of Milan following the extinction of the Visconti family in the mid-15th century, Sforza rule ending in Milan with the death of the last member of the family's main branch in 1535. History The first son of Muzio Attendolo Sforza, Francesco I Sforza, married Bianca Maria (1425–1468) in 1441. She was the daughter and only heir of the last Duke of Milan, ( Filippo Maria Visconti). He thus acquired the title of Duke of Milan (1450–1466), ruled Milan for 16 years, and made the Sforzas the heirs of the house of Visconti. The family also held the seigniory of Pesaro, starting with Muzio Attendolo's second son, Alessandro (1409–1473). The Sforza held Pesaro until 1512, after the death of Costanzo II Sforza. Muzio's third son, Bosio (1411–1476), founded the branch of Santa Fiora, who held the title of count of Cotignola; the Sforza ruled the small county of Santa ...
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Lunette
A lunette (French ''lunette'', "little moon") is a half-moon shaped architectural space, variously filled with sculpture, painted, glazed, filled with recessed masonry, or void. A lunette may also be segmental, and the arch may be an arc taken from an oval. A lunette window is commonly called a ''half-moon window'', or fanlight when bars separating its panes fan out radially. If a door is set within a round-headed arch, the space within the arch above the door, masonry or glass, is a lunette. If the door is a major access, and the lunette above is massive and deeply set, it may be called a tympanum. A lunette is also formed when a horizontal cornice transects a round-headed arch at the level of the imposts, where the arch springs. If the top of the lunette itself is bordered by a hood mould it can also be considered a pediment. The term is also employed to describe the section of interior wall between the curves of a vault and its springing line. A system of intersectin ...
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