The Last Judgment (Bosch Triptych, Bruges)
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The Last Judgment (Bosch Triptych, Bruges)
''The Last Judgment'' is a triptych of disputed authorship, either by Hieronymus Bosch, his workshop, or a collaboration between artist and workshop. It was created after 1486. The triptych currently resides at the Groeningemuseum in Bruges, Belgium. The outside of the shutters are painted in grisaille, while the inside shutters and center are oil on panel. History The work belonged to E. Gravet's collection, and then to that of Seligman, in Paris. In 1907 it was acquired by A. Bernaert, who donated it to the city of Bruges. In 1936 it was cleaned and was restored again in 1959. On that occasion, the grisaille painting of the external shutters was discovered, although damaged. The painting above the internal frames is lost. The attribution of the work is dubious, due to its mediocre quality. Dendrochronologic analysis dated it from not before 1486. The 2008 movie ''In Bruges'' features the work in a scene where the main characters visit the Groeningemuseum. Description The p ...
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Hieronymus Bosch
Hieronymus Bosch (, ; born Jheronimus van Aken ;  – 9 August 1516) was a Dutch/Netherlandish painter from Brabant. He is one of the most notable representatives of the Early Netherlandish painting school. His work, generally oil on oak wood, mainly contains fantastic illustrations of religious concepts and narratives. Within his lifetime his work was collected in the Netherlands, Austria, and Spain, and widely copied, especially his macabre and nightmarish depictions of hell. Little is known of Bosch's life, though there are some records. He spent most of it in the town of 's-Hertogenbosch, where he was born in his grandfather's house. The roots of his forefathers are in Nijmegen and Aachen (which is visible in his surname: Van Aken). His pessimistic fantastical style cast a wide influence on northern art of the 16th century, with Pieter Bruegel the Elder being his best-known follower. Today, Bosch is seen as a hugely individualistic painter with deep insight into ...
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Flemish Art
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Collections Of The Groeningemuseum
Collection or Collections may refer to: * Cash collection, the function of an accounts receivable department * Collection (church), money donated by the congregation during a church service * Collection agency, agency to collect cash * Collections management (museum) ** Collection (museum), objects in a particular field forms the core basis for the museum ** Fonds in archives ** Private collection, sometimes just called "collection" * Collection (Oxford colleges), a beginning-of-term exam or Principal's Collections * Collection (horse), a horse carrying more weight on his hindquarters than his forehand * Collection (racehorse), an Irish-bred, Hong Kong based Thoroughbred racehorse * Collection (publishing), a gathering of books under the same title at the same publisher * Scientific collection, any systematic collection of objects for scientific study Collection may also refer to: Computing * Collection (abstract data type), the abstract concept of collections in computer science ...
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1480s Paintings
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Paintings By Hieronymus Bosch
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, sy ...
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Triptych
A triptych ( ; from the Greek language, Greek adjective ''τρίπτυχον'' "''triptukhon''" ("three-fold"), from ''tri'', i.e., "three" and ''ptysso'', i.e., "to fold" or ''ptyx'', i.e., "fold") is a work of art (usually a panel painting) that is divided into three sections, or three Wood carving, carved panels that are hinged together and can be folded shut or displayed open. It is therefore a type of polyptych, the term for all multi-panel works. The middle panel is typically the largest and it is flanked by two smaller related works, although there are triptychs of equal-sized panels. The form can also be used for pendant jewelry. Beyond its association with art, the term is sometimes used more generally to connote anything with three parts, particularly if integrated into a single unit. In art The triptych form appears in early Christian art, and was a popular standard format for altar paintings from the Middle Ages onwards. Its geographical range was from the easter ...
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Early Netherlandish Art
Early Netherlandish painting, traditionally known as the Flemish Primitives, refers to the work of artists active in the Burgundian and Habsburg Netherlands during the 15th- and 16th-century Northern Renaissance period. It flourished especially in the cities of Bruges, Ghent, Mechelen, Leuven, Tournai and Brussels, all in present-day Belgium. The period begins approximately with Robert Campin and Jan van Eyck in the 1420s and lasts at least until the death of Gerard David in 1523,Spronk (1996), 7 although many scholars extend it to the start of the Dutch Revolt in 1566 or 1568– Max J. Friedländer's acclaimed surveys run through Pieter Bruegel the Elder. Early Netherlandish painting coincides with the Early and High Italian Renaissance, but the early period (until about 1500) is seen as an independent artistic evolution, separate from the Renaissance humanism that characterised developments in Italy. Beginning in the 1490s, as increasing numbers of Netherlandish and ...
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The Last Judgment (Bosch Triptych Fragment)
''The Last Judgment'' is a triptych created by a follower of Hieronymus Bosch. Unlike the other two triptychs with the same name, in Vienna and in Bruges, only a fragment of this one exists today. It resides at the Alte Pinakothek in Munich Munich ( ; german: München ; bar, Minga ) is the capital and most populous city of the States of Germany, German state of Bavaria. With a population of 1,558,395 inhabitants as of 31 July 2020, it is the List of cities in Germany by popu ....http://www.hieronymus-bosch.org/Last-Judgement-%28fragment%29-1506-08.html After being damaged, this fragment was heavily repainted, then the paint was removed in 1936. References {{DEFAULTSORT:Last Judgment (Bosch Triptych Fragment) 1500s paintings Paintings by Hieronymus Bosch Collection of the Alte Pinakothek ...
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The Haywain Triptych
The ''Haywain Triptych'' is a panel painting by Hieronymus Bosch, now in the Museo del Prado, Madrid, Spain. A date of around 1516 has been established by means of dendrochronological research. The central panel, signed "Jheronimus Bosch", measures and the wings measure . The outside shutters feature a version of Bosch's '' The Wayfarer''. History The painting was part of a group of six acquired by King Philip II of Spain in 1570, and shipped to El Escorial four years later. It was later sold to the Marquis of Salamanca, and divided into three paintings. In 1848, the central panel was bought by Isabella II of Spain and brought to Aranjuez, the right one was returned to Escorial and the left went to the Prado. The triptych was finally recomposed in 1914 in the latter museum. A copy exists at the Escorial. 240px, The closed triptych Description Shutters The exterior of the shutters, like most contemporary Netherlandish triptychs, was also painted, although in this case Bosch u ...
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Netherlandish Proverbs
''Netherlandish Proverbs'' ( nl, Nederlandse Spreekwoorden; also called ''Flemish Proverbs'', ''The Blue Cloak'' or ''The Topsy Turvy World'') is a 1559 oil-on-oak-panel painting by Pieter Bruegel the Elder that depicts a scene in which humans and, to a lesser extent, animals and objects, offer literal illustrations of Dutch-language proverbs and idioms. Running themes in Bruegel's paintings that appear in ''Netherlandish Proverbs'' are the absurdity, wickedness and foolishness of humans. Its original title, ''The Blue Cloak or The Folly of the World'', indicates that Bruegel's intent was not just to illustrate proverbs, but rather to catalogue human folly. Many of the people depicted show the characteristic blank features that Bruegel used to portray fools. His son, Pieter Brueghel the Younger, specialised in making copies of his father's work and painted at least 16 copies of ''Netherlandish Proverbs''. Not all versions of the painting, by father or son, show exactly the same ...
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The Garden Of Earthly Delights
''The Garden of Earthly Delights'' is the modern title given to a triptych oil painting on oak panel painted by the Early Netherlandish master Hieronymus Bosch, between 1490 and 1510, when Bosch was between 40 and 60 years old. It has been housed in the Museo del Prado in Madrid, Spain since 1939. As little is known of Bosch's life or intentions, interpretations of his artistic intent behind the work range from an admonition of worldly fleshy indulgence, to a dire warning on the perils of life's temptations, to an evocation of ultimate sexual joy. The intricacy of its symbolism, particularly that of the central panel, has led to a wide range of scholarly interpretations over the centuries. Twentieth-century art historians are divided as to whether the triptych's central panel is a moral warning or a panorama of paradise lost. Bosch painted three large triptychs (the others are '' The Last Judgment'' of 1482 and ''The Haywain Triptych'' of 1516) that can be read from le ...
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