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The Laily Worm And The Machrel Of The Sea
"The Laily Worm and the Machrel of the Sea" is Child ballad number 36. Synopsis A young man, transformed into a laily (loathly, or loathsome) worm, tells his story: his father married an evil woman as his stepmother, and she transformed him into a worm and his sister into a mackerel. His sister combed his hair every Saturday. He has killed seven knights, and if the man he was speaking to was not his father, he would be the eighth. His father sends for the stepmother, who claims his children are at court. He makes her use her silver wand to turn his son back, and then her magic horn to summon the fish, although the daughter holds back rather than let the stepmother transform her again. The father burns the stepmother at the stake. Motifs This ballad has motifs in common with "The Laidly Worm of Spindleston Heugh", "Kemp Owyne", and more with "Allison Gross", but is an independent one, and a traditional one, unretouched by literary forms. The sister can comb the hair in "All ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Child Ballad
The Child Ballads are 305 traditional ballads from England and Scotland, and their American variants, anthologized by Francis James Child during the second half of the 19th century. Their lyrics and Child's studies of them were published as ''The English and Scottish Popular Ballads''. The tunes of most of the ballads were collected and published by Bertrand Harris Bronson in and around the 1960s. History Age and source of the ballads The ballads vary in age; for instance, the manuscript of "Judas" dates to the thirteenth century and a version of " A Gest of Robyn Hode" was printed in the late fifteenth or early sixteenth century. The majority of the ballads, however, date to the seventeenth and eighteenth centuries. Although some are claimed to have very ancient influences, only a handful can be definitively traced to before 1600. Moreover, few of the tunes collected are as old as the words. Nevertheless, Child's collection was far more comprehensive than any previous col ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stepfamily
A stepfamily is a family where at least one parent has children that are not biologically related to their spouse. Either parent, or both, may have children from previous relationships or marriages. Two known classifications for stepfamilies include "simple" stepfamilies, where only one member of the family's couple has a prior child or children and the couple does not have any children together, and "complex" or "blended" families, where both members of the couple have at least one pre-existing child. Etymology The earliest recorded use of the prefix ''step-'', in the form ''steop-'', is from an 8th-century glossary of Latin-Old English words meaning "orphan". is given for the Latin word and for . Similar words recorded later in Old English include , , and . The words are used to denote a connection resulting from the remarriage of a widowed parent and are related to the word meaning 'bereaved', with and occasionally used simply as synonyms for ''orphan''. Words such a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shapeshifting
In mythology, folklore and speculative fiction, shape-shifting is the ability to physically transform oneself through an inherently superhuman ability, divine intervention, demonic manipulation, Magic (paranormal), sorcery, Incantation, spells or having inherited the ability. The idea of shape-shifting is in the oldest forms of totemism and shamanism, as well as the oldest existent literature and Epic poetry, epic poems such as the ''Epic of Gilgamesh'' and the ''Iliad''. The concept remains a common literary device in modern fantasy, children's literature and popular culture. Folklore and mythology Popular shape-shifting creatures in folklore are werewolf, werewolves and vampires (mostly of European, Canadians, Canadian, and Native Americans in the United States, Native American/early American origin), Ichchadhari naag and naagin (shape-shifting cobra), ichchadhari naag and ichchadhari naagin (shape-shifting cobras) of India, the huli jing of East Asia (including the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magic Wand
A wand is a thin, light-weight rod that is held with one hand, and is traditionally made of wood, but may also be made of other materials, such as metal or plastic. Long versions of wands are often styled in forms of staves or sceptres, which could have large ornamentation on the top. In modern times, wands are usually associated with stage magic or supernatural magic, but there have been other uses, all stemming from the original meaning as a synonym of rod and virge. A stick that is used for reaching, pointing, drawing in the dirt, and directing other people, is one of the earliest and simplest of tools. History It is possible that wands were used by pre-historic peoples. It is mentioned that 'rods' (as well as rings) were found with Red Lady of Paviland in Britain. It is mentioned by the author in ''Gower - A Guide to Ancient and Historic Monuments on the Gower Peninsula'' that these might have been wands and are depicted as such in a reconstruction drawing of the burial o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Laidly Worm Of Spindleston Heugh
''The Laidly Worm of Spindleston Heugh'', also known as ''The Laidly Worm of Bamborough'', is a Northumbrian ballad about a princess who is changed into a dragon (the "laidly worm" of the title). Synopsis In the Kingdom of Northumbria, a kind king in Bamburgh Castle takes a beautiful but cruel witch as his queen after his wife's death. The King's son, Childe Wynd, has gone across the sea and the witch, jealous of the beauty of the king’s daughter, Princess Margaret, and quick to take advantage of Wynd’s absence, turns her into a dragon. The enchantment used is usually: ::::''I weird ye to be a Laidly Worm,'' ::::''And borrowed shall ye never be,'' ::::''Until Childe Wynd, the King's own son'' ::::''Come to the Heugh and thrice kiss thee;'' ::::''Until the world comes to an end,'' ::::''Borrowed shall ye never be.'' Later in the story, the prince returns and, instead of fighting the dragon, kisses it, restoring the princess to her natural form. He then turns the witch-queen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kemp Owyne
"Kemp Owyne" (or "Kempion") is Child Ballads, Child Ballad number 34. Synopsis The heroine is Shapeshifting#Usurpation, turned into a European dragon, worm (dragon), usually by her Stepmother#In fiction, stepmother, who curses her to remain so until the king's son comes to kiss her three times. When he arrives, she offers him a belt, a ring, and a sword to kiss her, promising the things would magically protect him; the third time, she turns back into a woman. In some variants, he asks who enchanted her, a werewolf or mermaid; she says it was her stepmother and curses her into a monstrous creature, permanently. Variants The hero of the story appears to be Ywain, from Arthurian legend. It is not clear how he came to be attached to this story, although many other Arthurian knights appear in other ballads with as little connection to their roles in the Arthurian legend, for instance Sir Lionel, who appears in a ballad of the same name. Joseph Jacobs has suggested that "The Laidly Worm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allison Gross
"Allison Gross" (also known as Alison Cross) is a traditional ballad, catalogued as Child Ballad #35. It tells the story of "the ugliest witch in the north country" who tries to persuade a man to become her lover and then punishes him by a transformation. Synopsis Allison Gross, a hideous witch, tries to bribe the narrator to be her "leman". She combed his hair, first. When a scarlet mantle, a silk shirt with pearls, and a golden cup all fail, she blows on a horn three times, making an oath to make him regret it; she then strikes him with a silver wand, turning him into a wyrm ( dragon) bound to a tree. His sister Maisry comes to him to comb his hair. One day the Seelie Court comes by, and a queen strokes him three times, turning him back into his proper form. Motifs The horn motif is not clear. In "The Laily Worm and the Machrel of the Sea", the witch uses it after the transformation to summon her victim, but nothing appears to stem from it here.Francis James Child, ''The E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francis James Child
Francis James Child (February 1, 1825 – September 11, 1896) was an American scholar, educator, and folklorist, best known today for his collection of English and Scottish ballads now known as the Child Ballads. Child was Boylston professor of rhetoric and oratory at Harvard University, where he produced influential editions of English poetry. In 1876 he was named Harvard's first Professor of English, a position which allowed him to focus on academic research. It was during this time that he began work on the Child Ballads. The Child Ballads were published in five volumes between 1882 and 1898. While Child was primarily a literary scholar with little interest in the music of the ballads, his work became a major contribution to the study of English-language folk music. Biography Francis James Child was born in Boston, Massachusetts. His lifelong friend, scholar and social reformer Charles Eliot Norton, described Child's father, a sailmaker, as "one of that class of intelligent a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of The Child Ballads
The Child Ballads is the colloquial name given to a collection of 305 ballads collected in the 19th century by Francis James Child Francis James Child (February 1, 1825 – September 11, 1896) was an American scholar, educator, and folklorist, best known today for his collection of English and Scottish ballads now known as the Child Ballads. Child was Boylston professor of ... and originally published in ten volumes between 1882 and 1898 under the title ''The English and Scottish Popular Ballads.'' The ballads Following are synopses of the stories recounted in the ballads in Child's collection. Since Child included multiple versions of most ballads, the details of a story can vary widely. The synopses presented here reflect the summaries in Child's text, but also rely on other sources as well as the ballads themselves. References {{Francis James Child Child Ballads Murder ballads ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laidly Worm Of Spindleston Heugh
''The Laidly Worm of Spindleston Heugh'', also known as ''The Laidly Worm of Bamborough'', is a Northumbrian ballad about a princess who is changed into a dragon (the "laidly worm" of the title). Synopsis In the Kingdom of Northumbria, a kind king in Bamburgh Castle takes a beautiful but cruel witch as his queen after his wife's death. The King's son, Childe Wynd, has gone across the sea and the witch, jealous of the beauty of the king’s daughter, Princess Margaret, and quick to take advantage of Wynd’s absence, turns her into a dragon. The enchantment used is usually: ::::''I weird ye to be a Laidly Worm,'' ::::''And borrowed shall ye never be,'' ::::''Until Childe Wynd, the King's own son'' ::::''Come to the Heugh and thrice kiss thee;'' ::::''Until the world comes to an end,'' ::::''Borrowed shall ye never be.'' Later in the story, the prince returns and, instead of fighting the dragon, kisses it, restoring the princess to her natural form. He then turns the witch-queen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Child Ballads
The Child Ballads are 305 traditional ballads from England and Scotland, and their American variants, anthologized by Francis James Child during the second half of the 19th century. Their lyrics and Child's studies of them were published as ''The English and Scottish Popular Ballads''. The tunes of most of the ballads were collected and published by Bertrand Harris Bronson in and around the 1960s. History Age and source of the ballads The ballads vary in age; for instance, the manuscript of "Judas" dates to the thirteenth century and a version of " A Gest of Robyn Hode" was printed in the late fifteenth or early sixteenth century. The majority of the ballads, however, date to the seventeenth and eighteenth centuries. Although some are claimed to have very ancient influences, only a handful can be definitively traced to before 1600. Moreover, few of the tunes collected are as old as the words. Nevertheless, Child's collection was far more comprehensive than any previous coll ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fiction About Shapeshifting
Fiction is any creative work, chiefly any narrative work, portraying individuals, events, or places that are imaginary, or in ways that are imaginary. Fictional portrayals are thus inconsistent with history, fact, or plausibility. In a traditional narrow sense, "fiction" refers to written narratives in prose often referring specifically to novels, novellas, and short stories. More broadly, however, fiction encompasses imaginary narratives expressed in any medium, including not just writings but also live theatrical performances, films, television programs, radio dramas, comics, role-playing games, and video games. Definition Typically, the fictionality of a work is publicly marketed and so the audience expects the work to deviate in some ways from the real world rather than presenting, for instance, only factually accurate portrayals or characters who are actual people. Because fiction is generally understood to not fully adhere to the real world, the themes and context of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
