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The King Of Jazz
'' King of Jazz'' is a 1930 American pre-Code color musical film starring Paul Whiteman and his orchestra. The film title refers to Whiteman's popular cultural appellation. At the time the film was made, "jazz", to the general public, meant jazz-influenced syncopated dance music heard on phonograph records, on radio broadcasts, and in dance halls. In the 1920s Whiteman signed and featured white jazz musicians including Joe Venuti and Eddie Lang (both are seen and heard in the film), Bix Beiderbecke (who had left before filming began), Frank Trumbauer, and others. ''King of Jazz'' was filmed in the early two-color Technicolor process and was produced by Carl Laemmle Jr. for Universal Pictures. The film featured several songs sung on camera by the Rhythm Boys (Bing Crosby, Al Rinker and Harry Barris), as well as off-camera solo vocals by Crosby during the opening credits and, very briefly, during a cartoon sequence. ''King of Jazz'' still survives in a near-complete color print ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Murray Anderson
John Murray Anderson (September 20, 1886 – January 30, 1954) was a Canadian theatre director and producer, songwriter, actor, screenwriter, dancer and lighting designer, who made his career in the United States, primarily in New York City and Hollywood. He worked in almost every genre of show business, including vaudeville, Broadway, and film. He also directed plays in London. Early life and education John Murray Anderson was born in 1886 in St. John's, Newfoundland, the son of Hon. John Anderson and his wife. His brother was Hugh Abercrombie Anderson. Anderson received his early education at Bishop Feild College in St. John's. He was sent to Europe for additional studies at Edinburgh Academy in Scotland. He entered college at the University of Lausanne in Switzerland. Later, he also studied singing with Sir Charles Stanley and art with Sir Herbert Beerbohm Tree in London. Career After completing studies in Europe, Anderson moved to New York City, where he became an antique ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jack Yellen
Jack Selig Yellen (Jacek Jeleń; July 6, 1892 – April 17, 1991) was an American lyricist and screenwriter. He is best remembered for writing the lyrics to the songs "Happy Days Are Here Again", which was used by Franklin Roosevelt as the theme song for his successful 1932 presidential campaign, and "Ain't She Sweet", a Tin Pan Alley standard. Early life and education Born to a Jewish family in Poland, Yellen emigrated with his family to the United States when he was five years old. The oldest of seven children, he was raised in Buffalo, New York and began writing songs in high school. He graduated with honors from the University of Michigan in 1913 where he was a member of the Pi Lambda Phi fraternity. After graduating he became a reporter for the ''Buffalo Courier'', continuing to write songs on the side. Career Yellen's first collaborator on a song was George L. Cobb, with whom he wrote a number of Dixie songs including " Alabama Jubilee", " Are You From Dixie?", and "All Abo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lost Film
A lost film is a feature or short film that no longer exists in any studio archive, private collection, public archive or the U.S. Library of Congress. Conditions During most of the 20th century, U.S. copyright law required at least one copy of every American film to be deposited at the Library of Congress at the time of copyright registration, but the Librarian of Congress was not required to retain those copies: "Under the provisions of the act of March 4, 1909, authority is granted for the return to the claimant of copyright of such copyright deposits as are not required by the Library." A report created by Library of Congress film historian and archivist David Pierce claims: * 75% of original silent-era films have perished. * 14% of the 10,919 silent films released by major studios exist in their original 35 mm or other formats. * 11% survive only in full-length foreign versions or film formats of lesser image quality. Of the American sound films made from 1927 to 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Rhythm Boys
The Rhythm Boys were an American male singing trio consisting of Bing Crosby, Harry Barris and Al Rinker. Crosby and Rinker began performing together in 1925 and were recruited by Paul Whiteman in late 1926. Pianist/singer/songwriter Barris joined the team in 1927. They made a number of recordings with the Whiteman Orchestra and released singles in their own right with Barris on piano. They appeared with the Whiteman orchestra in the film ''King of Jazz'' (Universal Pictures, 1930), in which they sang "Mississippi Mud", "So the Bluebirds and the Blackbirds Got Together", "A Bench in the Park", and "Happy Feet". They are best remembered for launching Crosby's solo career, one that would make him the greatest song charting act in history and one of the most influential entertainers of the twentieth century. Beginnings Al Rinker's high school band called the ''Musicaladers'' (''musical aiders'') had to let go of their drummer. Coincidentally, Crosby had bought a set of drums and learn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Trumbauer
Orie Frank Trumbauer (May 30, 1901 – June 11, 1956) was an American jazz saxophonist of the 1920s and 1930s. His main instrument was the C-melody saxophone, a now-uncommon instrument between an alto and tenor saxophone in size and pitch. He also played alto saxophone, bassoon, clarinet and several other instruments. He was a composer of sophisticated sax melodies, one of the major small group jazz bandleaders of the 1920s and 1930s. His landmark recording of "Singin' the Blues" with Bix Beiderbecke and Eddie Lang in 1927, was inducted into the Grammy Hall of Fame in 1977. His major recordings included "Krazy Kat", "Red Hot", "Plantation Moods", "Trumbology", "Tailspin", "Singin' the Blues", "Wringin' an' Twistin'", and "For No Reason at All in C" with Bix Beiderbecke and Eddie Lang, and the first hit recording of "Georgia On My Mind" in 1931. "Tram" was described as one of the most influential and important jazz saxophonists of the 1920s and 1930s, particularly influencin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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