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The King Crimson Collectors' Club
The discography of King Crimson consists of 13 studio albums, 15 live albums, 13 compilation albums, 3 extended plays, 10 singles, 6 video albums and 9 major box sets. Albums Studio albums Live albums King Crimson Collectors' Club Collectable King Crimson DGM Live Additional releases along the lines of the Collector's Club are being made available at DGM Live. This is the new Discipline Global Mobile website including King Crimson/Robert Fripp news, online diaries from Robert Fripp and The Vicar, and ongoing releases available for download in MP3 and FLAC formats. The releases include extensive King Crimson and Robert Fripp live recordings, in addition to some previously unreleased studio material. Since the launch of the site, some shows have been made available sometimes within days or weeks of the performance. It has been noted that the Collector's Club releases will eventually be made available as downloads on the site as well. As of 1 November 2007 there are 11 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Crimson
King Crimson are a progressive rock band formed in 1968 in London, England. The band draws inspiration from a wide variety of music, incorporating elements of classical, jazz, folk, heavy metal, gamelan, industrial, electronic, experimental music and new wave. They exerted a strong influence on the early 1970s progressive rock movement, including on contemporaries such as Yes and Genesis, and continue to inspire subsequent generations of artists across multiple genres. The band has earned a large cult following. Founded by Robert Fripp, Michael Giles, Greg Lake, Ian McDonald and lyricist Peter Sinfield, the band initially focused on a dramatic sound layered with Mellotron, McDonald's saxophone and flute, and Lake's powerful lead vocals. Their debut album, '' In the Court of the Crimson King'' (1969), remains their most commercially successful and influential release, with a potent mixture of jazz, classical and experimental music. Following the sudden simultaneous de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polish Music Charts
The Polish music charts are provided by ZPAV, the Polish Society of the Phonographic Industry (Polish: Związek Producentów Audio-Video). Albums charts In the 1970s and the 1980s, Polish music monthly ''Non Stop'' published a year-end list of the best selling albums in Poland. In the mid-1990s, two monthly sales lists were launched and published in music magazines. The first one was a top 50 compiled by ZPAV, based on shipment, not sales, which continues to be published to date. The other was a top 100 called Gorąca Setka (English: Hot 100), printed monthly in ''Gazeta Muzyczna''. This chart was compiled from actual sale figures as reported by over 130 music shops across Poland and included both albums and singles. From autumn 1994 to September 1997, journalist Artur Orzech presented a top 20 albums list on Radio Bis which was later extended to 25 and 30 positions. This chart was also based on actual sales data obtained from about 150 music shops, including albums as well as s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Red (King Crimson Album)
''Red'' is the seventh studio album by English progressive rock band King Crimson. It was released on 6 October 1974 through Island Records in the United Kingdom and Atlantic Records in North America and Japan. The album was recorded at Olympic Studios in London in July and August 1974, and produced by the band themselves. The track "Providence" was a free improvisation recorded at their 30 June 1974 concert at the Palace Theater in the city of the same name. Parts of some of the pieces were conceived during previous improvisations performed by the band live. " Starless" was originally considered for their previous album, ''Starless and Bible Black'' (1974), but was deemed incomplete at the time. The lengthy version included on this album was refined and performed during concerts throughout 1974. ''Red'' is a progressive rock album with a noticeably heavier sound than their previous albums; it was later called one of the 50 "heaviest albums of all time" by '' Q''. This was achi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Starless And Bible Black
''Starless and Bible Black'' is the sixth studio album by English progressive rock band King Crimson, released in March 1974 by Island Records in the United Kingdom and by Atlantic Records in the United States. It carries over most of the same lineup which appeared on the preceding album, ''Larks' Tongues in Aspic'', with only percussionist Jamie Muir not returning. In order to more faithfully capture the band's live energy, much of the material on this album was tracked in concert and edited together with studio recordings. Background and production King Crimson's previous album, ''Larks' Tongues in Aspic'' (on which they had moved decisively away from a more traditional progressive rock sound drawing on American jazz, and towards the influence of European free improvisation), had been recorded by a quintet lineup of the band, including experimental percussionist Jamie Muir. Early in 1973, Muir abruptly left the band, ostensibly due to an onstage injury, but in fact due to an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Larks' Tongues In Aspic
''Larks' Tongues in Aspic'' is the fifth studio album by the English progressive rock group King Crimson, released on 23 March 1973 through Island Records in the UK and Atlantic Records in the United States and Canada. This album is the debut of King Crimson's third incarnation, featuring co-founder and guitarist Robert Fripp along with four new members: bass guitarist and vocalist John Wetton, violinist and keyboardist David Cross, percussionist Jamie Muir, and drummer Bill Bruford. It is a key album in the band's evolution, drawing on Eastern European classical music and European free improvisation as central influences. Background At the end of the tour to promote King Crimson's previous album, ''Islands'', Fripp had parted company with the three other members of the band (Mel Collins, Boz Burrell and Ian Wallace). Collins has stated that he was asked to stay on with the new lineup of the band, but that he decided not to continue. The previous year had also seen the ous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Islands (King Crimson Album)
''Islands'' is the fourth studio album by English band King Crimson, released in December 1971 on the record label Island. ''Islands'' is the only studio album to feature the 1971-1972 touring line-up of Robert Fripp, Mel Collins, Boz Burrell and Ian Wallace. This would be the last album before an entirely new group (except for Fripp) would record the trilogy of ''Larks' Tongues in Aspic'', '' Starless and Bible Black'' and ''Red'' between 1973-1974. This is also the last album to feature the lyrics of co-founding member Peter Sinfield. Musically, the album expands on the improvisational jazz leanings of King Crimson's previous album, ''Lizard''. It received a mixed response from critics and fans. Content The harmonic basis for the tune "The Letters" is derived from the Giles, Giles and Fripp song "Why Don't You Just Drop In", available on ''The Brondesbury Tapes'' compilation. The bridge section is also taken from the King Crimson version of the song, performed by the origi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lizard (album)
''Lizard'' is the third studio album by British progressive rock band King Crimson, released in December 1970 by Island Records in the UK, and in January 1971 by Atlantic Records in the United States and Canada. It was the second consecutive King Crimson album recorded by transitional line-ups of the group that did not perform live, following ''In the Wake of Poseidon''. This is the only album by the band to feature singer and bass guitarist Gordon Haskell (apart from his appearance singing "Cadence and Cascade" on the previous album) and drummer Andy McCulloch as official members of the band. Background and production Haskell was previously a classmate of Robert Fripp at Queen Elizabeth's grammar school in Wimborne near Bournemouth, the pair having subsequently played together in the local band The League of Gentlemen. Haskell later contributed vocals to the King Crimson track "Cadence and Cascade" on ''In the Wake of Poseidon'', after Greg Lake left the band to join Emerso ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
In The Wake Of Poseidon
''In the Wake of Poseidon'' is the second studio album by English progressive rock group King Crimson, released in May 1970 by Island Records in Europe, Atlantic Records in the United States, Philips Records in Australia, and Vertigo Records in New Zealand. To date the album is their highest-charting in the UK, reaching number 4. The album was recorded during a period of instability within the band owing a fluctuating lineup. It follows a very similar musical style and track sequence to their first album, ''In the Court of the Crimson King''. The album was well-received by contemporary critics, who commended the overall execution and production quality as an improvement over that of the band's debut. However, later assessments have faulted its heavy reliance on the template established by its predecessor, and generally deem the album inferior. Background Ian McDonald and Michael Giles left the band following their first American tour in 1969. Around the same time Greg Lake w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recording Industry Association Of America
The Recording Industry Association of America (RIAA) is a trade organization that represents the music recording industry in the United States. Its members consist of record labels and distributors that the RIAA says "create, manufacture, and/or distribute approximately 85% of all legally sold recorded music in the United States". RIAA is headquartered in Washington, D.C. RIAA was formed in 1952. Its original mission was to administer recording copyright fees and problems, work with trade unions, and do research relating to the record industry and government regulations. Early RIAA standards included the RIAA equalization curve, the format of the stereophonic record groove and the dimensions of 33 1/3, 45, and 78 rpm records. RIAA says its current mission includes: #to protect intellectual property rights and the First Amendment rights of artists #to perform research about the music industry #to monitor and review relevant laws, regulations, and policies Between 2001 and 202 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Phonographic Industry
British Phonographic Industry (BPI) is the British recorded music industry's Trade association. It runs the BRIT Awards, the Classic BRIT Awards, National Album Day, is home to the Mercury Prize, and co-owns the Official Charts Company with the Entertainment Retailers Association, and awards UK music sales through the BRIT Certified Awards. Structure Its membership comprises hundreds of music companies including all three "major" record companies in the UK (Warner Music UK, Sony Music UK, & Universal Music UK), and over 450 independent record labels and small to medium-sized music businesses. The BPI council is the management and policy forum of the BPI. It is chaired by the chair of BPI, and includes the chief executive, chief operating officer (COO) and the general counsel. In addition it includes 12 representatives from the recorded music sector, six from major labels, two each from the three major companies, and six from the independent sector, which are selected by votin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Island Records
Island Records is a multinational record label owned by Universal Music Group. It was founded in 1959 by Chris Blackwell, Graeme Goodall, and Leslie Kong in Jamaica, and was eventually sold to PolyGram in 1989. Island and A&M Records, another label recently acquired by PolyGram, were both at the time the largest independent record labels in history, with Island having exerted a major influence on the progressive music scene in the United Kingdom in the early 1970s. Island Records operates four international divisions: Island US, Island UK, Island Australia, and Island France (known as Vertigo France until 2014). Current key people include Island US president Darcus Beese, OBE and MD Jon Turner. Partially due to its significant legacy, Island remains one of UMG's pre-eminent record labels. Artists who have signed to Island Records include Bob Marley, Nick Drake, Queen, Jethro Tull, Grace Jones, Steve Winwood, King Crimson, Emerson, Lake & Palmer, Brian Eno, Demi Lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
In The Court Of The Crimson King
''In the Court of the Crimson King'' (subtitled ''An Observation by King Crimson'') is the debut studio album by English rock band King Crimson, released on 10 October 1969 by Island Records. The album is one of the earliest and most influential of the progressive rock genre, where the band combined the musical influences that rock music was founded upon with elements of jazz, classical, and symphonic music. The album reached number five on the UK Albums Chart and number 28 on the US ''Billboard'' 200, where it was certified Gold by the Recording Industry Association of America. Production Composition The song "I Talk to the Wind" was written for King Crimson predecessor group Giles, Giles and Fripp (the only song on the album for which this was the case), but was retained by King Crimson in order to show the group's soft side. According to lyricist Peter Sinfield, the song was influenced by Joni Mitchell; in a 1997 interview, he said it is still his favourite lyric that h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
