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The Key Of Dreams
''The Key of Dreams'' is the second studio album by English post-punk band Section 25, released in 1982 by record label Factory Benelux. It was reissued in 1991 with extra tracks by LTM Recordings. Reception Andy Kellman for ''AllMusic'' described it as "influenced by dub, Krautrock, and '60s psychedelia (and, yes, probably Joy Division as well)" and "sunken in a glum, mid-tempo pit of dejection." Steve Grant and Ira Robbins in ''Trouser Press'' describe it as "nine examinations of paranoia and anxiety, using lurking glissandi, curious touches of Doorsish piano and Oriental philosophy." Track listing All tracks composed by Section 25 ;Side 1 #"Always Now" 1:50 #"Visitation" 3:22 #"Regions" 3:55 #"The Wheel" 4:07 #"No Abiding Place" 5:25 #"Once Before" 2:48 ;Side 2 #"There Was a Time" 5:26 #"Wretch" 1:55 #"Sutra" 15:00 ;Bonus tracks #"The Beast" 8:04 #"Sakura" 3:46 produced by Be Music ( New Order) #"Je Veux Ton Amour" 5:16 produced by Martin Hannett James Martin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Section 25 (band)
Section 25 are an English post-punk and electronic band, best known for the 1984 single "Looking from a Hilltop", associated with Manchester record label Factory Records. History Early recordings 1977–1982 (''Always Now'' to ''Key of Dreams'') Section 25 formed in Poulton-le-Fylde near Blackpool, Lancashire, in November 1977. Initially the band was a duo, consisting of brothers Larry Cassidy (bass, vocals) and Vincent Cassidy (drums). In June 1978 they made their live debut with Phil Denton on guitar. Denton was replaced in November by Paul Wiggin. June 1979 saw the Cassidy brothers promote a charity gig in aid of International Year of the Child at Blackpool Imperial Hotel, featuring Section 25 and other local bands as well as Joy Division and Orchestral Manoeuvres in the Dark. As a result, Section 25 were invited to play at the Russell Club in Manchester, and joined Factory Records. Their debut 7″, "Girls Don't Count", was released in July 1980 on Factory Records, produc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-punk
Post-punk (originally called new musick) is a broad genre of punk music that emerged in the late 1970s as musicians departed from punk's traditional elements and raw simplicity, instead adopting a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and DIY ethic but determined to break from rock cliches, artists experimented with styles like funk, electronic music, jazz, and dance music; the production techniques of dub and disco; and ideas from art and politics, including critical theory, modernist art, cinema and literature. These communities produced independent record labels, visual art, multimedia performances and fanzines. The early post-punk vanguard was represented by groups including Siouxsie and the Banshees, Wire, Public Image Ltd, the Pop Group, Cabaret Voltaire, Magazine, Pere Ubu, Joy Division, Talking Heads, Devo, Gang of Four, the Slits, the Cure, and the Fall. The movement was closely related to the development of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
