The Jumpin' Blues
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The Jumpin' Blues
''The Jumpin' Blues'' is an album by saxophonist Dexter Gordon which was recorded in 1970 and released on the Prestige label.Dexter Gordon discography
accessed March 20, 2013


Reception

Scott Yanow of states, "Although tenor saxophonist Dexter Gordon seemed to have been largely forgotten in the U.S. during his long residence in Europe, he was playing in prime form during the period and made occasional trips back to America".Yanow, S
Allmusic Review ...
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Dexter Gordon
Dexter Gordon (February 27, 1923 – April 25, 1990) was an American jazz tenor saxophonist, composer, bandleader, and actor. He was among the most influential early bebop musicians, which included other greats such as Charlie Parker, Dizzy Gillespie, and Bud Powell. Gordon's height was , so he was also known as "Long Tall Dexter" and "Sophisticated Giant". His studio and performance career spanned more than 40 years. Gordon's sound was commonly characterized as being "large" and spacious and he had a tendency to play behind the beat. He was known for inserting musical quotes into his solos, with sources as diverse as " Happy Birthday" and well known melodies from the operas of Wagner. This is not unusual in jazz improvization, but Gordon did it frequently enough to make it a hallmark of his style. One of his major influences was Lester Young. Gordon, in turn, was an early influence on John Coltrane and Sonny Rollins. Rollins and Coltrane then influenced Gordon's playing as he ...
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Rhythm-a-Ning
This is a list of compositions by jazz musician Thelonious Monk. 0-9 52nd Street Theme A contrafact based loosely on rhythm changes in C, and was copyrighted by Monk under the title "Nameless" in April 1944. The tune was also called "Bip Bop" by Monk, and he claims that the tune's latter title was the origin of the genre-defining name bebop. It quickly became popular as an opening and closing tune on the clubs on 52nd Street on Manhattan where Dizzy Gillespie and Charlie Parker played. It was first recorded by Dizzy Gillespie's sextet on February 22, 1946, under the title "52nd Street Theme". Leonard Feather claims he gave the latter title. A Ask Me Now A tonally ambiguous ballad in D first recorded on July 23, 1951, for the '' Genius of Modern Music'' sessions. It also appears on '' 5 by Monk by 5'', and '' Solo Monk''. Jon Hendricks wrote lyrics to the tune and called it ”How I Wish”; it was first recorded by Carmen McRae on ''Carmen Sings Monk''. Mark Murphy sings a ve ...
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Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player (drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral music sett ...
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Roy Brooks
Roy Brooks (March 9, 1938 – November 15, 2005) was an American jazz drummer. Biography Early life Brooks was born in Detroit and drummed since childhood, his earliest experiences of music coming through his mother, who sang in church. He was an outstanding varsity basketball player as a teenager and was offered a scholarship to the Detroit Institute of Technology; he attended the school for three semesters and then dropped out to tour with Yusef Lateef. Roy Brooksat Allmusic Career After time with Lateef and Barry Harris, he played with Beans Bowles and with the Four Tops in Las Vegas.Leonard Feather and Ira Gitler, ''The Biographical Encyclopedia of Jazz''. Oxford, 1999, p. 82. He played with Horace Silver from 1959 to 1964, including on the album '' Song for My Father''; in 1963 he released his first album as a leader. Following this he freelanced in New York City through the 1960s and early 1970s, playing with Lateef again (1967–70), Sonny Stitt, Lee Morgan, Dexter Go ...
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Double Bass
The double bass (), also known simply as the bass () (or by other names), is the largest and lowest-pitched bowed (or plucked) string instrument in the modern symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the , and is featured in concertos, solo, and

Sam Jones (musician)
Samuel Jones (November 12, 1924 – December 15, 1981) was an American jazz double bassist, cellist, and composer. Background Sam Jones was born in Jacksonville, Florida, United States, to a musical family. His father played piano and drums and his aunt played organ in church. In 1955, he moved to New York City and began his recording career with Tiny Bradshaw, before working with Bill Evans, Bobby Timmons, Les Jazz Modes, Kenny Dorham, Illinois Jacquet, Freddie Hubbard, Dizzy Gillespie (1958–59), and Thelonious Monk. He is probably best known for his work with Cannonball Adderley, performing in his quintet from 1955 to 1956 and then again from 1959 to 1964, and recording extensively for Riverside Records as both a leader and sideman. He later spent several years working with Oscar Peterson (1966-1970) and Cedar Walton (1972-1977). In the 1970s, Jones recorded several albums as a bandleader for the Xanadu and SteepleChase labels. Jones wrote the jazz standards "Del Sasse ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and '' fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the gr ...
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Wynton Kelly
Wynton Charles Kelly (December 2, 1931 – April 12, 1971) was an American jazz pianist and composer. He is known for his lively, blues-based playing and as one of the finest accompanists in jazz. He began playing professionally at the age of 12 and was pianist on a No. 1 R&B hit at the age of 16. His recording debut as a leader occurred three years later, around the time he started to become better known as an accompanist to singer Dinah Washington, and as a member of trumpeter Dizzy Gillespie's band. This progress was interrupted by two years in the United States Army, after which Kelly worked again with Washington and Gillespie, and played with other leaders. Over the next few years, these included instrumentalists Cannonball Adderley, John Coltrane, Hank Mobley, Wes Montgomery, and Sonny Rollins, and vocalists Betty Carter, Billie Holiday, and Abbey Lincoln. Kelly attracted the most attention as part of Miles Davis' band from 1959, including an appearance on the trumpe ...
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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recogniz ...
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Charlie Parker
Charles Parker Jr. (August 29, 1920 – March 12, 1955), nicknamed "Bird" or "Yardbird", was an American jazz saxophonist, band leader and composer. Parker was a highly influential soloist and leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique, and advanced harmonies. Parker was an extremely brilliant virtuoso and introduced revolutionary rhythmic and harmonic ideas into jazz, including rapid passing chords, new variants of altered chords, and chord substitutions. Primarily a player of the alto saxophone, Parker's tone ranged from clean and penetrating to sweet and somber. Parker acquired the nickname "Yardbird" early in his career on the road with Jay McShann. This, and the shortened form "Bird", continued to be used for the rest of his life, inspiring the titles of a number of Parker compositions, such as "Yardbird Suite", "Ornithology", "Bird Gets the Worm", and "Bird of Paradise". Parker was an icon for the hipste ...
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Jay McShann
James Columbus "Jay" McShann (January 12, 1916 – December 7, 2006) was an American jazz pianist, vocalist, composer, and bandleader. He led bands in Kansas City, Missouri, that included Charlie Parker, Bernard Anderson, Walter Brown, and Ben Webster. Early life and education McShann was born in Muskogee, Oklahoma, and was nicknamed Hootie. During his youth he taught himself how to play the piano through observing his sister's piano lessons and trying to practicing tunes he heard off the radio. He was also heavily influenced by late-night broadcasts of pianist Earl Hines from Chicago's Grand Terrace Cafe: "When 'Fatha' (''Hines'') went off the air, I went to bed". He began working as a professional musician in 1931 at the age of 15, performing around Tulsa, Oklahoma, and neighboring Arkansas. Career 1936–44 McShann moved to Kansas City, Missouri, in 1936, and set up his own big band which variously featured Charlie Parker (1937–42), Al Hibbler, Ben Webster, Paul Quin ...
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Carl Sigman
Carl Sigman (September 24, 1909 – September 26, 2000) was an American songwriter. Early life Born in Crown Heights, Brooklyn, New York to a Jewish-American family, Sigman graduated from law school and passed his bar exams to practice in the state of New York. Instead of law, encouraged by his friend Johnny Mercer, he embarked on a songwriting career, that saw him become one of the most prominent and successful songwriters in American music history. He was awarded the Bronze Star for his efforts in Africa, during World War II. Career Although Sigman wrote many song melodies, he was primarily a lyricist who collaborated with songwriters such as Bob Hilliard, Bob Russell, Jimmy van Heusen, and Duke Ellington. He also wrote English language lyrics to many songs which were originally composed in other languages, such as "Answer Me", "Till", " The Day the Rains Came", "You're My World", and " What Now My Love?". During the big band era, Sigman composed works used by top band le ...
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