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The Jazz Soul Of Oscar Peterson
''The Jazz Soul of Oscar Peterson'' is a 1959 album by the Oscar Peterson Trio, described by AllMusic as "a swinging, straight-ahead affair featuring superb playing throughout." The 1996 Verve CD reissue of the album (and many subsequent digital releases) includes the 1962 Oscar Peterson Trio album ''Affinity'' in its entirety. Alternately, some reissues instead include the entirety of the 1961 album ''Very Tall''. Track listing # " Liza (All the Clouds'll Roll Away)" (George Gershwin, Ira Gershwin, Gus Kahn) – 4:29 # " Con Alma" (Dizzy Gillespie) – 6:55 # " Close Your Eyes" (Bernice Petkere) – 5:42 # "The Maidens of Cadiz" (Léo Delibes) – 7:40 # "My Heart Stood Still" (Lorenz Hart, Richard Rodgers) – 5:40 # " Woody'n You" ( Gillespie) - 3:50 Personnel *Oscar Peterson – piano * Ray Brown – double bass * Ed Thigpen – drums A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other Percussion instrument, auxi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Con Alma
"Con Alma" is a jazz standard written by Dizzy Gillespie, appearing on his 1954 album ''Afro''. The tune incorporates aspects of bebop jazz and Latin rhythm, and is known for its frequent changes in key centers (occurring every two bars), while still maintaining a singable melody. Notable recordings It has been noted that "As good as Dizzy's versions of his own tune are, it's probably not too crazy to say that 'Con Alma' really took off in the hands of other musicians."Ben Gray"Con Alma: A Critical Analysis of Covers" Nextbop.com Among those who have recorded versions are: * Sonny Rollins * Sonny Stitt * Hal McKusick ('' Triple Exposure'', 1957) * Oscar Peterson (''The Jazz Soul of Oscar Peterson'', 1959; ''Swinging Brass with the Oscar Peterson Trio'', 1959) * Roy Haynes ('' Just Us'', 1960) * The Jazztet ('' Big City Sounds'', 1960) * Ray Bryant (''Con Alma'', 1961) * Wes Montgomery ('' Bumpin''', 1965) * Charles McPherson ('' Con Alma!'', 1965) * Ed Bickert * Brian Bennett (' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ed Thigpen
Edmund Leonard Thigpen (December 28, 1930 – January 13, 2010) was an American jazz drummer, best known for his work with the Oscar Peterson trio from 1959 to 1965. Thigpen also performed with the Billy Taylor trio from 1956 to 1959. Biography Born in Chicago, Illinois, United States, Thigpen was raised in Los Angeles, California, and attended Thomas Jefferson High School, where Art Farmer, Dexter Gordon and Chico Hamilton also attended. After majoring in sociology at Los Angeles City College, Thigpen returned to East St. Louis for one year to pursue music while living with his father who had been playing with Andy Kirk's Clouds of Joy. His father, Ben Thigpen, was a drummer who played with Andy Kirk for sixteen years during the 1930s and 1940s. Thigpen first worked professionally in New York City with the Cootie Williams orchestra from 1951 to 1952 at the Savoy Ballroom. During this time he played with musicians such as Dinah Washington, Gil Mellé, Oscar Pettiford, Eddie V ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ray Brown (musician)
Raymond Matthews Brown (October 13, 1926 – July 2, 2002) was an American jazz double bassist, known for his extensive work with Oscar Peterson and Ella Fitzgerald. He was also a founding member of the group that would later develop into the Modern Jazz Quartet. Biography Early life Ray Brown was born October 13, 1926, in Pittsburgh, Pennsylvania, and took piano lessons from the age of eight. After noticing how many pianists attended his high school, he thought of taking up the trombone, but was unable to afford one. With a vacancy in the high school jazz orchestra, he took up the upright bass. Career A major early influence on Brown's bass playing was Jimmy Blanton, the bassist in the Duke Ellington band. As a young man Brown became increasingly well known in the Pittsburgh jazz scene, with his first experiences playing in bands with the Jimmy Hinsley Sextet and the Snookum Russell band. After graduating high school, having heard stories about the burgeoning jazz scene ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woody'n You
"Woody 'n' You", is a 1942 jazz standard written by Dizzy Gillespie as an homage to Woody Herman. It was one of three arrangements Gillespie made for Herman's big band, although it was not used at the time; the other two were "Swing Shift" and "Down Under". It was introduced on record in 1944 by Coleman Hawkins initiated by Budd Johnson, Hawkins' musical director of his 12-man orchestra that included the bebop pioneers Oscar Pettiford, Max Roach and Gillespie. Structure The 32-bar composition is in AABA form. The A section "consists of three two-measure sequences on ii-V chords, ending on the tonic (D)": Gm7(5) – C7(9) – Fm7(5) – B7(9) – Em7(5) – A7(9) – Dmaj9 Covers *Miles Davis recorded the song three times, ''Miles Davis Volume 1'', '' Relaxin' with the Miles Davis Quintet'', and the rare ''Amsterdam Concert''. *Hampton Hawes played it in 1956 in his '' All Night Session! Vol. 2''. *Sonny Rollins played the song on his ''A Night at the Village Vanguard'' live album in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Rodgers
Richard Charles Rodgers (June 28, 1902 – December 30, 1979) was an American Musical composition, composer who worked primarily in musical theater. With 43 Broadway musicals and over 900 songs to his credit, Rodgers was one of the most well-known American composers of the 20th century, and his compositions had a significant influence on popular music. Rodgers is known for his songwriting partnerships, first with lyricist Lorenz Hart and then with Oscar Hammerstein II. With Hart he wrote musicals throughout the 1920s and 1930s, including ''Pal Joey (musical), Pal Joey'', ''A Connecticut Yankee (musical), A Connecticut Yankee'', ''On Your Toes'' and ''Babes in Arms.'' With Hammerstein he wrote musicals through the 1940s and 1950s, such as ''Oklahoma!'', ''Flower Drum Song'', ''Carousel (musical), Carousel'', ''South Pacific (musical), South Pacific'', ''The King and I'', and ''The Sound of Music''. His collaborations with Hammerstein, in particular, are celebrated for brin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenz Hart
Lorenz Milton Hart (May 2, 1895 – November 22, 1943) was an American lyricist and half of the Broadway songwriting team Rodgers and Hart. Some of his more famous lyrics include " Blue Moon", " The Lady Is a Tramp", "Manhattan", "Bewitched, Bothered and Bewildered", and "My Funny Valentine". Life and career Hart was born in Harlem, New York City, the elder of two sons, to Jewish immigrant parents, Max M. and Frieda (Isenberg) Hart, of German background. Through his mother, he was a great-grandnephew of the German poet Heinrich Heine. His father, a business promoter, sent Hart and his brother to private schools. (His brother, Teddy Hart, also went into theatre and became a musical comedy star. Teddy Hart's wife, Dorothy Hart, wrote a biography of Lorenz Hart.) Hart received his early education from Columbia Grammar School and entered Columbia College in 1913, before switching to Columbia University School of Journalism, where he attended for two years. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
My Heart Stood Still
"My Heart Stood Still" is a 1927 popular song composed by Richard Rodgers, with lyrics by Lorenz Hart. It was written for the Charles Cochran revue ''One Dam' Thing after Another'', which opened at the London Pavilion on May 19, 1927. The show starred Jessie Matthews, Douglas Byng, Lance Lister, and Richard Dolman, running for 237 performances. Background In March 1927, Rodgers and Hart had traveled to Paris from London to meet with the arranger Robert Russell Bennett, also an American, to try to persuade him to orchestrate the songs for their upcoming London revue, One Dam' Thing After Another. On their way back to Paris from a sightseeing expedition to Versailles, a truck came within a hair of demolishing the cab the two songwriters, along with their two female companions, were riding in. As the truck rattled by, one of the young women cried out in apparent fright, “Oh! My heart stood still!” Without losing a beat, Hart, apparently unaffected by what must have been a nerv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Léo Delibes
Clément Philibert Léo Delibes (; 21 February 1836 – 16 January 1891) was a French Romantic composer, best known for his ballets and operas. His works include the ballets ''Coppélia'' (1870) and '' Sylvia'' (1876) and the opera ''Lakmé'' (1883), which includes the well-known "Flower Duet". Born into a musical family, Delibes enrolled at France's foremost music academy, the Conservatoire de Paris, when he was twelve, studying under several professors including Adolphe Adam. After composing light comic opérettes in the 1850s and 1860s, while also serving as a church organist, Delibes achieved public recognition for his music for the ballet '' La Source'' in 1866. His later ballets ''Coppélia'' and ''Sylvia'' were key works in the development of modern ballet, giving the music much greater importance than previously. He composed a small number of mélodies, some of which are still performed frequently. Delibes had several attempts at writing more serious operas, and a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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