The Jazz KENnection
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The Jazz KENnection
''The Jazz KENnection'' is an album by clarinetist Kenny Davern and saxophonist Ken Peplowski with guitarist Howard Alden. Track listing # I'm Satisfied With My Gal (Sharkey Bonano) # Mama's Gone, Goodbye (Peter Bocage) # I'll See You in My Dreams (1924 song) (Isham Jones, Gus Kahn) # Georgia on My Mind (Hoagy Carmichael, Stuart Gorrell) # Careless Love (W.C. Handy, Martha E. Koenig, Spencer Williams) # Creole Love Call (Duke Ellington) # Chicago Rhythm (Transvestite Dance from the Apex Club) (Ben Kanter) # All of Me (Gerald Marks, Seymour Simons) # A Porter's Love Song to a Chambermaid (James P. Johnson, Andy Razaf) Personnel * Kenny Davern – clarinet * Ken Peplowski – alto saxophone, clarinet * Howard Alden – guitar * John Bunch – piano * Tony DeNicola – drums * Greg Cohen Greg Cohen (born July 13, 1953) is an American jazz bassist who has been a member of John Zorn's Masada quartet and worked with numerous other noted musicians for over four decades. Caree ...
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Kenny Davern
John Kenneth Davern (January 7, 1935 – December 12, 2006) was an American jazz clarinetist. Biography He was born in Huntington, Long Island, to a family of mixed Jewish and Irish-Catholic ancestry. His mother's family originally came from Vienna, Austria, where his great-grandfather Alfred Roth had been a colonel in the Austro-Hungarian cavalry, the highest rank accessible to a Jew in the Habsburg Imperial army. After hearing Pee Wee Russell the first time, he was convinced that he wanted to be a jazz musician, too; and at the age of 16 he joined the musician's union, first as a baritone saxophone player. In 1954 he joined Jack Teagarden's Band, and after only a few days with the band he made his first jazz recordings. Later on, he worked with bands led by Phil Napoleon and Pee Wee Erwin before joining the Dukes of Dixieland in 1962. The late 1960s found him freelancing with, among others, Red Allen, Ralph Sutton, Yank Lawson and his lifelong friend Dick Wellstood. At this ...
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Stuart Gorrell
Stuart Graham Steven Gorrell (September 17, 1901 – August 10, 1963) was best known for writing the lyrics for the song "Georgia on My Mind". Born in Knox, Indiana, Gorrell attended Indiana University; there he became friends with fellow student Hoagy Carmichael Hoagland Howard Carmichael (November 22, 1899 – December 27, 1981) was an American musician, composer, songwriter, actor and lawyer. Carmichael was one of the most successful Tin Pan Alley songwriters of the 1930s, and was among the first .... After hearing Carmichael play the newly composed melody at a party, Gorrell stayed up all night with Carmichael working on the song and ended up writing lyrics for it. Gorrell became a banker and never wrote another lyric in his life.http://www.national-anthems.org/history.php National Anthems.Org entry for "Georgia on My Mind" References SourcesAllmusic External links * * Indiana University alumni American male songwriters American male composers 1963 deaths ...
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Dixieland Albums
Dixieland jazz, also referred to as traditional jazz, hot jazz, or simply Dixieland, is a style of jazz based on the music that developed in New Orleans at the start of the 20th century. The 1917 recordings by the Original Dixieland Jass Band (which shortly thereafter changed the spelling of its name to "Original Dixieland Jazz Band"), fostered awareness of this new style of music. A revival movement for traditional jazz began in the 1940s, formed in reaction to the orchestrated sounds of the swing era and the perceived chaos of the new bebop sounds (referred to as "Chinese music" by Cab Calloway), Led by the Assunto brothers' original Dukes of Dixieland, the movement included elements of the Chicago style that developed during the 1920s, such as the use of a string bass instead of a tuba, and chordal instruments, in addition to the original format of the New Orleans style. That reflected that virtually all of the recorded repertoire of New Orleans musicians was from the period ...
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Dixieland Revival Albums
Dixieland jazz, also referred to as traditional jazz, hot jazz, or simply Dixieland, is a style of jazz based on the music that developed in New Orleans at the start of the 20th century. The 1917 recordings by the Original Dixieland Jass Band (which shortly thereafter changed the spelling of its name to "Original Dixieland Jazz Band"), fostered awareness of this new style of music. A revival movement for traditional jazz began in the 1940s, formed in reaction to the orchestrated sounds of the swing era and the perceived chaos of the new bebop sounds (referred to as "Chinese music" by Cab Calloway), Led by the Assunto brothers' original Dukes of Dixieland, the movement included elements of the Chicago style that developed during the 1920s, such as the use of a string bass instead of a tuba, and chordal instruments, in addition to the original format of the New Orleans style. That reflected that virtually all of the recorded repertoire of New Orleans musicians was from the perio ...
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Ken Peplowski Albums
Ken or KEN may refer to: Entertainment * ''Ken'' (album), a 2017 album by Canadian indie rock band Destroyer. * ''Ken'' (film), 1964 Japanese film. * ''Ken'' (magazine), a large-format political magazine. * Ken Masters, a main character in the ''Street Fighter'' franchise. People * Ken (given name), a list of people named Ken * Ken (musician) (born 1968), guitarist of the Japanese rock band L'Arc-en-Ciel * Ken (SB19 musician) (born 1997), stage name of Felip Jhon Suson of the Filipino boy group, SB19 * Ken (VIXX singer) (born 1992), stage name of Lee Jae-hwan of the South Korean boy group, VIXX * Naoko Ken (born 1953), Japanese singer and actress (Ken as surname) * Thomas Ken (1637–1711), English cleric and composer * Tjungkara Ken (born 1969), Aboriginal Australian artist * Ken Zheng (born April 5, 1995) is an Indonesian actor, screenwriter and martial artist Other * Kèn, a musical instrument from Vietnam. * Ken (doll), a product by Mattel. * ''Ken'' (unit) (間), a Jap ...
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Kenny Davern Albums
Kenny is a surname, a given name, and a diminutive of several different given names. In Ireland, the surname is an Anglicisation of the Irish ''Ó Cionnaith'', also spelt ''Ó Cionnaoith'' and ''Ó Cionaodha'', meaning "descendant of Cionnaith". It was once popular in the 16th-century in Leinster, Munster, parts of Connacht and in County Tyrone in Ulster, and was Anglicised as O'Kenna, O'Kenny, O'Kinney, Kenna, Kenny, and Kinney amongst other variations. One bearer of the name was Cainnech of Aghaboe, better known in English as Saint Canice - a sixth-century Irish priest and missionary from near Dungiven, after whom the city and county of Kilkenny is also named. The Irish form ''Cill Chainnigh'' means "Church of Canice". It is thought that the ''Ó Cionnaith'' sept was part of the Uí Maine kingdom, based in Connacht. Within this area, the name is associated traditionally with counties Galway and Roscommon. Kenny is ranked at number 76 in the list of the most common surnames ...
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2001 Albums
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by  2, although by other definitions 1 is the second natural number, following  0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the ...
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Greg Cohen
Greg Cohen (born July 13, 1953) is an American jazz bassist who has been a member of John Zorn's Masada quartet and worked with numerous other noted musicians for over four decades. Career Cohen plays traditional jazz and other styles, including work with Ken Peplowski, Kenny Davern, Marty Grosz, and Woody Allen. He has also worked with Tom Waits, David Byrne, Elvis Costello, Dagmar Krause, David Sanborn, Susana Baca, Gal Costa, Marisa Monte, Laurie Anderson, Willie Nelson, Bill Frisell, Norah Jones, Dave Douglas, Tricky, Jesse Harris, Keith Richards and Charlie Watts, Joey Baron, Donovan, Crystal Gayle, Bob Dylan, Nina Nastasia, Alan Watts, Lee Konitz, Richie Havens, Dino Saluzzi, Lou Reed, Marianne Faithfull, Odetta, Vesna Pisarović, Danny Barker, Tim Sparks, and Antony and the Johnsons. In August 2006 he was musical director of the Century of Song series at the German arts festival RuhrTriennale. He invited songwriters and performers such as David Byrne, Holly Cole ...
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Tony DeNicola
Antonio Emedio, known as Tony DeNicola (September 2, 1927 – September 2, 2006) was an American jazz drummer most associated with Kenny Davern, although he also had his own quartet. Early life and education Born in Pennington, New Jersey, DeNicola was a longtime resident of the Lawrenceville section of Lawrence Township, Mercer County, New Jersey. He earned a Bachelor of Science and Master of Science from Trenton State College (now the College of New Jersey). Career DeNicola began his career playing drums in firehouse bands, polka bands, and nightclubs. He served in the United States Army Air Forces in 1946 and 1947. In 1948, he toured the Midwest with Donn Trenner and later performed at venues in San Francisco. After returning to New Jersey to help his grandparents run their tavern, he continued touring and performing with jazz musicians, including Freddy Martin, Harry James, Billy Butterfield, and Charlie Shavers. DeNicola also taught music in the Trenton Public Schools. A ...
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John Bunch
John Bunch (December 1, 1921 – March 30, 2010) was an American jazz pianist. Early life Born and raised in Tipton, Indiana, a small farming community, Bunch studied piano with George Johnson, a Hoosier jazz pianist. By the age of 14, he was already playing with adult bands in central Indiana. Later life and career During World War II, he enlisted in the Army Air Forces and became a bombardier on a B17 Flying Fortress. He and his ten-man crew were transferred to combat duty in England, flying bombing missions over Germany. His plane was shot down on November 2, 1944, and Bunch was taken prisoner. In the prison camp, he learned to arrange for big bands. After the war, he applied for university training as a music major, but was refused because he could not sight read classical music. He worked later in factories and insurance. In 1956, he moved to Los Angeles where he immediately was accepted by jazz musicians such as Georgie Auld and Jimmie Rowles, who later recommended ...
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All Of Me (Ruth Etting Song)
"All of Me" is a popular song and jazz standard written by Gerald Marks and Seymour Simons in 1931. Composition and characteristics Gerald Marks and Seymour Simons wrote the words and music of "All of Me" in 1931. It has an ABAC structure, and is written in the key of B-flat major. There is a 20-bar introductory verse, but this is routinely omitted. "The melody ..combines the contradictory possibilities of the song. The downward thrusts of the opening phrases hint at emotional despair while the closing line, with its repeated high notes, seems almost jubilant." It is usually performed at a medium tempo. The harmony is relatively straightforward, and has served as the basis for Lennie Tristano's "Line Up", Warne Marsh's "Background Music", and Bill Dobbins's "Lo Flame". Successful recordings "All of Me" first came to public awareness when a performance by Belle Baker was broadcast over the radio in 1931. Paul Whiteman and His Orchestra recorded the song on December 1 that year, w ...
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Creole Love Call
"Creole Love Call" is a jazz standard, most associated with the Duke Ellington band and Adelaide Hall. It entered the '' Billboard'' USA song charts in 1928 at No. 29.USA song chart entry
for "Creole Love Call" (1928). In 1988, during a radio interview with the journalist and radio host Max Jones, Hall explained how she came up with the counter-melody in "Creole Love Call". An excerpt from the interview can be heard in the article (published 17 December 2020) on the
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