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The Iron Icon
''The Iron Icon'' is the second EP by The Clay People, released in August 1995 by record label Re-Constriction Records. Packaging The Japanese porcelain artwork was chosen by Re-Constriction Records label owner Chase. Reception Jason Anderson of allmusic gave ''The Iron Icon'' four out of five stars, calling the music "extremely loud and abusive industrial noise" and "repetitive in sonic texture, lyrical concept, and also in its bludgeoning tone." ''Aiding & Abetting'' gave the album a positive review and praised the band's change in artistic direction towards a more heavy metal sound. ''Sonic Boom'' credited Daniel Neet's vocals and the album's unique vocal mix as being among the highpoints of the album. Track listing Personnel Adapted from ''The Iron Icon'' liner notes. Clay People * Alex Eller – keyboards, programming, pre-production * Brian McGarvey – electric guitar * Daniel Neet – lead vocals, production * Will Nivens – drums Production ...
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Clay People
The Clay People are an American heavy rock band based in Albany, New York. Singer Daniel Neet has been the only constant member throughout the band's history, providing lyrics and a frontman persona. Guitarist Brian McGarvey and drummer Dan Dinsmore joined in '94 and '96 respectively. These three formed the core unit that would include an ever-changing lineup of musicians, as its style evolved from American coldwave to post-grunge rock and metal. Biography Forming in 1989 as "Clay People", the band debuted with the 1991 EP '' Toy Box'' before signing to Re-Constriction Records and issuing their debut album ''Firetribe'' in May 1993. Clay People's second EP '' The Iron Icon'' and studio album '' Stone-Ten Stitches'' followed in 1995 and 1996 respectively. The group added "The" to their name with the release of their 1998 self-titled album, marking a change in direction from their dance club roots to a live rock band with a lineup featuring Neet, Brian McGarvey (guitar), Mike Guz ...
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Will Nivens
The Clay People are an American heavy rock band based in Albany, New York. Singer Daniel Neet has been the only constant member throughout the band's history, providing lyrics and a frontman persona. Guitarist Brian McGarvey and drummer Dan Dinsmore joined in '94 and '96 respectively. These three formed the core unit that would include an ever-changing lineup of musicians, as its style evolved from American coldwave to post-grunge rock and metal. Biography Forming in 1989 as "Clay People", the band debuted with the 1991 EP '' Toy Box'' before signing to Re-Constriction Records and issuing their debut album ''Firetribe'' in May 1993. Clay People's second EP ''The Iron Icon'' and studio album '' Stone-Ten Stitches'' followed in 1995 and 1996 respectively. The group added "The" to their name with the release of their 1998 self-titled album, marking a change in direction from their dance club roots to a live rock band with a lineup featuring Neet, Brian McGarvey (guitar), Mike Guzz ...
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Discogs
Discogs (short for discographies) is a database of information about audio recordings, including commercial releases, promotional releases, and bootleg or off-label releases. While the site was originally created with a goal of becoming the largest online database of electronic music, the site now includes releases in all genres on all formats. After the database was opened to contributions from the public, rock music began to become the most prevalent genre listed. , Discogs contains over 15.7 million releases, by over 8.3 million artists, across over 1.9 million labels, contributed from over 644,000 contributor user accounts – with these figures constantly growing as users continually add previously unlisted releases to the site over time. The Discogs servers, currently hosted under the domain name discogs.com, are owned by Zink Media, Inc. and located in Portland, Oregon, United States. History The discogs.com domain name was registered in August 2000, and Discogs itself ...
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Audio Mastering
Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device (the master), the source from which all copies will be produced (via methods such as pressing, duplication or replication). In recent years digital masters have become usual, although analog masters—such as audio tapes—are still being used by the manufacturing industry, particularly by a few engineers who specialize in analog mastering. Mastering requires critical listening; however, software tools exist to facilitate the process. Results depend upon the intent of the engineer, the skills of the engineer, the accuracy of the speaker monitors, and the listening environment. Mastering engineers often apply equalization and dynamic range compression in order to optimize sound translation on all playback systems. It is standard practice to make a copy of a master recording—known as a safety copy—in cas ...
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Burton C
Burton, Burtons, or Burton's may refer to: Companies * Burton (retailer), a clothing retailer ** Burton's, Abergavenny, a shop built for the company in 1937 **The Montague Burton Building, Dublin a shop built for the company between 1929 and 1930 *Burton Brewery Company *Burton Snowboards * Burton's Biscuit Company People *Burton (name) (includes list of people with the name) Places Australia * Burton, Queensland * Burton, South Australia Canada * Burton, British Columbia * Burton, New Brunswick * Burton Parish, New Brunswick * Burton, Prince Edward Island * Burtons, Nova Scotia United Kingdom England * Burton (near Neston), on the Wirral Peninsula, Cheshire * Burton (near Tarporley), in the area of Cheshire West and Chester, Cheshire * Burton-in-Kendal, Cumbria * Burton, Dorset * Burton on the Wolds, Leicestershire * Burton, Lincolnshire * Burton-upon-Stather, North Lincolnshire * Burton in Lonsdale, North Yorkshire * Burton-on-Yore, North Yorkshire * Burto ...
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Sampler (musical Instrument)
A sampler is an electronic or digital musical instrument which uses sound recordings (or " samples") of real instrument sounds (e.g., a piano, violin, trumpet, or other synthesizer), excerpts from recorded songs (e.g., a five-second bass guitar riff from a funk song) or found sounds (e.g., sirens and ocean waves). The samples are loaded or recorded by the user or by a manufacturer. These sounds are then played back by means of the sampler program itself, a MIDI keyboard, sequencer or another triggering device (e.g., electronic drums) to perform or compose music. Because these samples are usually stored in digital memory, the information can be quickly accessed. A single sample may often be pitch-shifted to different pitches to produce musical scales and chords. Often samplers offer filters, effects units, modulation via low frequency oscillation and other synthesizer-like processes that allow the original sound to be modified in many different ways. Most samplers have Mult ...
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Loop (music)
In music, a loop is a repeating section of sound material. Short sections can be repeated to create ostinato patterns. Longer sections can also be repeated: for example, a player might loop what they play on an entire verse of a song in order to then play along with it, accompanying themselves. Loops can be created using a wide range of music technologies including turntables, digital samplers, looper pedals, synthesizers, sequencers, drum machines, tape machine An audio tape recorder, also known as a tape deck, tape player or tape machine or simply a tape recorder, is a sound recording and reproduction device that records and plays back sounds usually using magnetic tape for storage. In its present- ...s, and digital delay, delay units, and they can be Programming (music), programmed using computer music software. The feature to loop a section of an audio track or video footage is also referred to by electronics vendors as ''A–B repeat''. Royalty-free loops can be ...
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Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ...
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Programming (music)
Programming is a form of music production and performance using electronic devices and computer software, such as sequencers and workstations or hardware synthesizers, sampler and sequencers, to generate sounds of musical instruments. These musical sounds are created through the use of music coding languages. There are many music coding languages of varying complexity. Music programming is also frequently used in modern pop and rock music from various regions of the world, and sometimes in jazz and contemporary classical music. It gained popularity in the 1950s and has been emerging ever since. Music programming is the process in which a musician produces a sound or "patch" (be it from scratch or with the aid of a synthesizer/ sampler), or uses a sequencer to arrange a song. Coding languages Music coding languages are used to program the electronic devices to produce the instrumental sounds they make. Each coding language has its own level of difficulty and function. Alda ...
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Spit (The Clay People Song)
''The Iron Icon'' is the second EP by The Clay People, released in August 1995 by record label Re-Constriction Records. Packaging The Japanese porcelain artwork was chosen by Re-Constriction Records label owner Chase. Reception Jason Anderson of allmusic gave ''The Iron Icon'' four out of five stars, calling the music "extremely loud and abusive industrial noise" and "repetitive in sonic texture, lyrical concept, and also in its bludgeoning tone." ''Aiding & Abetting'' gave the album a positive review and praised the band's change in artistic direction towards a more heavy metal sound. ''Sonic Boom'' credited Daniel Neet's vocals and the album's unique vocal mix as being among the highpoints of the album. Track listing Personnel Adapted from ''The Iron Icon'' liner notes. Clay People * Alex Eller – keyboards, programming, pre-production * Brian McGarvey – electric guitar * Daniel Neet – lead vocals, production * Will Nivens – drums Production ...
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Rusted Iron Turning Wheel
''The Iron Icon'' is the second EP by The Clay People, released in August 1995 by record label Re-Constriction Records. Packaging The Japanese porcelain artwork was chosen by Re-Constriction Records label owner Chase. Reception Jason Anderson of allmusic gave ''The Iron Icon'' four out of five stars, calling the music "extremely loud and abusive industrial noise" and "repetitive in sonic texture, lyrical concept, and also in its bludgeoning tone." ''Aiding & Abetting'' gave the album a positive review and praised the band's change in artistic direction towards a more heavy metal sound. ''Sonic Boom'' credited Daniel Neet's vocals and the album's unique vocal mix as being among the highpoints of the album. Track listing Personnel Adapted from ''The Iron Icon'' liner notes. Clay People * Alex Eller – keyboards, programming, pre-production * Brian McGarvey – electric guitar * Daniel Neet – lead vocals, production * Will Nivens – drums Production ...
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Victims (The Clay People Song)
''The Iron Icon'' is the second EP by The Clay People, released in August 1995 by record label Re-Constriction Records. Packaging The Japanese porcelain artwork was chosen by Re-Constriction Records label owner Chase. Reception Jason Anderson of allmusic gave ''The Iron Icon'' four out of five stars, calling the music "extremely loud and abusive industrial noise" and "repetitive in sonic texture, lyrical concept, and also in its bludgeoning tone." ''Aiding & Abetting'' gave the album a positive review and praised the band's change in artistic direction towards a more heavy metal sound. ''Sonic Boom'' credited Daniel Neet's vocals and the album's unique vocal mix as being among the highpoints of the album. Track listing Personnel Adapted from ''The Iron Icon'' liner notes. Clay People * Alex Eller – keyboards, programming, pre-production * Brian McGarvey – electric guitar * Daniel Neet – lead vocals, production * Will Nivens – drums Production ...
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