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The Invisible Invasion
''The Invisible Invasion'' is the fourth studio album by English rock band the Coral. It was released on 23 May 2005, through Deltasonic. Following on from the stop-gap release of the mini album ''Nightfreak and the Sons of Becker'' (2004), the band began recording their next album with Geoff Barrow and Adrian Utley of Portishead as producers. Sessions were mainly held at Monnow Valley Studio, with additional recording being done at Elevator Studios. Described as a psychedelia album, it had more of a stripped-down sound compared to their past releases. "In the Morning" was released as the lead single to ''The Invisible Invasion'' on 9 May 2005. The Coral supported with performances at the Glastonbury and T in the Park festivals, alongside a support slot for three Oasis gigs; guitarist Bill Ryder-Jones was absent due to a stress-related illness. The album's second single "Something Inside of Me" was released on 22 August 2005, which was followed by an appearance at the Reading an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Coral
The Coral are an English rock band, formed in 1996 in Hoylake on the Wirral Peninsula, Merseyside. The band emerged during the early 2000s. Their 2002 debut album ''The Coral'', from which came the single " Dreaming of You", was nominated for the Mercury Music Prize and listed as the fourth best album of the year by ''NME''. Their second album, ''Magic and Medicine'' (2003), produced four UK Top 20 singles, including " Pass It On". In 2008, after guitarist Bill Ryder-Jones left the band, they continued as a five-piece. History 1996–2000: Early years and breakthrough In 1996, school-friends Ian Skelly and Paul Duffy began jamming together in the basement of Flat Foot Sams pub in Hoylake. Over the following months they were joined by Bill Ryder-Jones on lead guitar, Ian's older brother James Skelly on vocals and main songwriting duties, and then Lee Southall on rhythm guitar. The band were known briefly as Hive before choosing the name "The Coral", and the line-up was complet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Journalism
Music journalism (or music criticism) is media criticism and reporting about music topics, including popular music, classical music, and traditional music. Journalists began writing about music in the eighteenth century, providing commentary on what is now regarded as classical music. In the 1960s, music journalism began more prominently covering popular music like rock and pop after the breakthrough of The Beatles. With the rise of the internet in the 2000s, music criticism developed an increasingly large online presence with music bloggers, aspiring music critics, and established critics supplementing print media online. Music journalism today includes reviews of songs, albums and live concerts, profiles of recording artists, and reporting of artist news and music events. Origins in classical music criticism Music journalism has its roots in classical music criticism, which has traditionally comprised the study, discussion, evaluation, and interpretation of music that has be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Porcupine (album)
''Porcupine'' is the third studio album by the English post-punk band Echo & the Bunnymen. First released on 4 February 1983, it became the band's highest-charting release when it reached number two on the UK Albums Chart despite initially receiving poor reviews. It also reached number 137 on the American ''Billboard'' 200, number 85 on the Canadian ''RPM'' 100 Albums and number 24 on the Swedish chart. In 1984, the album was certified gold by the British Phonographic Industry. The album includes the singles " The Back of Love" and "The Cutter." ''Porcupine'' was recorded at Trident Studios in London, Rockfield Studios in South Wales and Amazon Studios in Liverpool. It was produced by Ian Broudie (credited as "Kingbird"), who had co-produced the band's first album, 1980's ''Crocodiles'', and their second single, "Rescue." After being rejected by the band's label, the album was rerecorded with Shankar providing strings. It was originally released as an LP in 1983 before being ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exclaim!
''Exclaim!'' is a Canadian music and entertainment publisher based in Toronto, which features in-depth coverage of new music across all genres with a special focus on Canadian and emerging artists. The monthly Exclaim! print magazine publishes 7 issues per year, distributing over 103,000 copies to over 2,600 locations across Canada. The magazine has an average of 361,200 monthly readers and their website, exclaim.ca, has an average of 675,000 unique visitors a month. History ''Exclaim!'' began as a discussion among campus and community radio programmers at Ryerson's CKLN-FM in 1991. It was started by then-CKLN programmer Ian Danzig, together with other programmers and Toronto musicians. The goal of the publication was to support great Canadian music that was otherwise going unheralded. The group worked through 1991 to produce their first issue in April 1992, with monthly issues being produced since. Ian Danzig has been the publisher of the magazine since its start. James Keast ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Wave Music
New wave is a loosely defined music genre that encompasses pop-oriented styles from the late 1970s and the 1980s. It was originally used as a catch-all for the various styles of music that emerged after punk rock, including punk itself. Later, critical consensus favored "new wave" as an umbrella term involving many popular music styles of the era, including power pop, synth-pop, ska revival, and more specific forms of punk rock that were less abrasive. It may also be viewed as a more accessible counterpart of post-punk. Common characteristics of new wave music include a humorous or quirky pop approach, the use of electronic sounds, and a distinctive visual style in music videos and fashion. In the early 1980s, virtually every new pop/rock act – and particularly those that employed synthesizers – were tagged as "new wave". Although new wave shares punk's do-it-yourself philosophy, the artists were more influenced by the styles of the 1950s along with the lighter s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folk-pop
Folk-pop is a musical style that may be 1) contemporary folk songs with large, sweeping pop arrangements, or 2) pop songs with intimate, acoustic-based folk arrangements. Recording production values created a unblemished style that appealed to a mass audience, and thus led to commercial success as measured by high record sales, particularly as illustrated by hit records reaching the Top 40 on AM radio in the United States. Folk-pop developed during the 1960s folk music and folk rock boom. Key example of folk-pop artists include The Kingston Trio and Peter, Paul and Mary with contracts with major record labels (Capitol Records and Warner Brothers Records, respectively). The commercially successful artists stood in contrast to more politically charged and uncompromising folk music performers such as Joan Baez, Barbara Dane, Odetta, Phil Ochs, Nina Simone and The Weavers, or in more recent decades Tracy Chapman Tracy Chapman (born March 30, 1964) is an American singer-songwri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Can (band)
Can (stylised as CAN) was a German experimental rock band formed in Cologne in 1968 by Holger Czukay (bass, tape editing), Irmin Schmidt (keyboards), Michael Karoli (guitar), and Jaki Liebezeit (drums). The group used several vocalists, most prominently the American Malcolm Mooney (1968–70) and the Japanese Damo Suzuki (1970–73). They have been widely hailed as pioneers of the German krautrock scene. Coming from backgrounds in the avant-garde and jazz, Can blended elements of psychedelic rock, funk, and musique concrète on influential albums such as ''Tago Mago'' (1971), ''Ege Bamyasi'' (1972) and ''Future Days'' (1973). Can also had commercial success with singles such as "Spoon" (1971) and " I Want More" (1976) reaching national singles charts. Their work has influenced rock, post-punk, ambient, and electronic acts. History Origins: 1966–1968 The roots of Can can be traced back to Irmin Schmidt and a trip that he made to New York City in 1966. While Schmidt initial ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shuffle Beat
In music, the term ''swing'' has two main uses. Colloquially, it is used to describe the propulsive quality or "feel" of a rhythm, especially when the music prompts a visceral response such as foot-tapping or head-nodding (see pulse). This sense can also be called "groove". It is also known as shuffle. The term swing, as well as ''swung note(s)'' and ''swung rhythm'', is also used more specifically to refer to a technique (most commonly associated with jazz but also used in other genres) that involves alternately lengthening and shortening the first and second consecutive notes in the two part pulse-divisions in a beat. Overview Like the term "groove", which is used to describe a cohesive rhythmic "feel" in a funk or rock context, the concept of "swing" can be hard to define. Indeed, some dictionaries use the terms as synonyms: "Groovy ... denotes music that really swings." The ''Jazz in America'' glossary defines ''swing'' as, "when an individual player or ensemble performs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bowed Guitar
Bowed guitar is a method of playing a guitar, acoustic or electric, in which the guitarist uses a bow, rather than the more common plectrum, to vibrate the instruments' strings, similar to playing a viola da gamba. Unlike traditionally bowed instruments such as violins, the guitar generally has a relatively flat bridge radius and closely positioned strings, making it difficult to bow individual notes on the middle strings. The technique is often associated with Jimmy Page of Led Zeppelin and the Yardbirds, as well as Jónsi of Sigur Rós. Eddie Phillips of the British group the Creation was one of the first rock guitarists to use a bow in their 1966 song "Making Time". Bowed guitar players * Eddie Phillips was one of the first 20th century guitarists to use a bow. His bowed guitar can be heard on The Creation's "Making Time". * Jimmy Page, of Led Zeppelin and The Yardbirds, is perhaps one of the most famous bowed guitar players. His bowed guitar can be heard on the son ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Skelly
James Alexander Skelly (born August 1980) is an English musician, singer-songwriter and record producer. Best known as the frontman of The Coral, he embarked on a solo career when the band went on indefinite hiatus in 2012. The band regrouped in 2015. Skelly is the cousin of Miles Kane Skelly released his debut solo album, ''Love Undercover'', in June 2013 on Skeleton Key Records, a label he co-founded with Neville Skelly and brother Ian. Skelly was backed by The Intenders, made up of Ian Skelly, Paul Duffy, Nick Power and former members of Tramp Attack and The Sundowners. Skelly has also gone into record production, work with artists including Blossoms, She Drew The Gun, Cut Glass Kings (previously The Circles) and The Sundowners. Discography Albums * ''Love Undercover ''Love Undercover'' (新紮師妹) is a 2002 Hong Kong film directed by Joe Ma Wai-Ho. The film was followed by two sequels, also directed by Joe Ma: '' Love Undercover 2: Love Mission'' (2003) and '' Lov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
