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The Intimate Ellington
''The Intimate Ellington'' is a studio album by the American pianist, composer and bandleader Duke Ellington, compiled from sessions recorded in 1969, 1970 and 1971, and released on the Pablo label in 1977.A Duke Ellington Panorama accessed June 11, 2010 Reception The AllMusic review by states: "Even this late in his life, Duke Ellington had a great deal to say musically and his band continued to rank near the top".Yanow, S. AllMusic Reviewaccessed June 11, 2010 Trac ...
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Duke Ellington
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life. Born and raised in Washington, D.C., Ellington was based in New York City from the mid-1920s and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become standards. He also recorded songs written by his bandsmen, such as Juan Tizol's " Caravan", which brought a Spanish tinge to big band jazz. At the end of the 1930s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed multipl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wild Bill Davis
Wild Bill Davis (November 24, 1918 – August 17, 1995) was the stage name of American jazz pianist, organist, and arranger William Strethen Davis. He is best known for his pioneering jazz electric organ recordings and for his tenure with the Tympany Five, the backing group for Louis Jordan. Prior to the emergence of Jimmy Smith in 1956, Davis (whom Smith had reportedly first seen playing organ in the 1930s) was the pacesetter among organists. Biography Davis was born in Glasgow, Missouri and grew up in Parsons, Kansas. He first learned music from his father who was a professional singer. He received further musical training at the Tuskegee Institute (now Tuskegee University) in Alabama, and at Wiley College in Marshall, Texas. In his early career he took inspiration from Fats Waller and Art Tatum. Davis moved to Chicago, where he originally played guitar and wrote arrangements for Milt Larkin's big band from 1939 through 1942; a band which included Arnett Cobb, Illinoi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norris Turney
Norris Turney (September 8, 1921, Wilmington, Ohio, United States – January 17, 2001, Kettering, Ohio) was an American jazz flautist and saxophonist. Biography Turney began his career in the American Midwest, Midwest, playing in territory bands such as the Jeter-Pillars Orchestra. He played with Tiny Bradshaw in Chicago before moving to New York City, where he performed with the Billy Eckstine Orchestra in 1945-1946. Turney had little luck in New York, however, and returned to Ohio to play in local ensembles through the 1950s. He toured with Ray Charles in 1967 traveling to the Far East and Australia, then was hired by Duke Ellington, in whose orchestra he played from 1969 to 1973. He was hired to play alto saxophone as an "insurance policy" due to the declining health of Johnny Hodges. He was the first flute soloist to ever play in Ellington's orchestra. He also played tenor saxophone in the band. Amongst his own compositions was "Chequered Hat", written in tribute to Hodges. Fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Hodges
Cornelius "Johnny" Hodges (July 25, 1907 – May 11, 1970) was an American alto saxophonist, best known for solo work with Duke Ellington's big band. He played lead alto in the saxophone section for many years. Hodges was also featured on soprano saxophone, but refused to play soprano after 1946. Along with Benny Carter, Hodges is considered to be one of the definitive alto saxophone players of the big band era. After beginning his career as a teenager in Boston, Hodges began to travel to New York and played with Lloyd Scott, Sidney Bechet, Luckey Roberts and Chick Webb. When Ellington wanted to expand his band in 1928, Ellington's clarinet player Barney Bigard recommended Hodges. His playing became one of the identifying voices of the Ellington orchestra. From 1951 to 1955, Hodges left the Duke to lead his own band, but returned shortly before Ellington's triumphant return to prominence – the orchestra's performance at the 1956 Newport Jazz Festival. Biography Early life Ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Trombone
The bass trombone (german: Bassposaune, it, trombone basso) is the bass instrument in the trombone family of brass instruments. Modern instruments are pitched in the same B♭ as the tenor trombone but with a larger bore, bell and mouthpiece to facilitate low register playing, and usually two valves to fill in the missing range immediately above the pedal tones. History The earliest bass trombones were the bass sackbuts, usually pitched in G, F, or E♭ below the B♭ tenor. They had a smaller bore and less flared bell than modern instruments, and a longer slide with an attached handle to allow slide positions otherwise beyond the reach of a fully outstretched arm. The earliest known surviving specimen is an instrument in G built in Germany in 1593. This instrument matches descriptions and illustrations by Praetorius from his 1614–20 ''Syntagma Musicum''. These bass sackbuts were sometimes called , , and (Old German, , referring to intervals below B♭), though sometimes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Booty Wood
Mitchell W. Wood, better known as Booty Wood (December 27, 1919 – June 10, 1987) was an American jazz trombonist. Career Wood played professionally on trombone from the late 1930s. He worked with Tiny Bradshaw and Lionel Hampton in the 1940s before joining the Navy during World War II. While there he played in a band with Clark Terry, Willie Smith, and Gerald Wilson. After his service ended he returned to play with Hampton, then worked with Arnett Cobb (1947–48), Erskine Hawkins (1948-50), and Count Basie (1951). He spent a few years outside music, then played with Duke Ellington in 1959-60 and again in 1963; he returned once more early in the 1970s. He again played with the Count Basie Orchestra from 1979 into the middle of the following decade. Discography As leader * ''Chelsea Bridge'' (Black and Blue, 1998) As sideman With Count Basie * ''Digital III at Montreux'' with Ella Fitzgerald, Joe Pass (Pablo, 1979) – first two tracks only * '' Kansas City Shout'' (Pablo, 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julian Priester
Julian Priester (born June 29, 1935) is an American jazz trombonist and occasional euphoniumist. He is sometimes credited "Julian Priester Pepo Mtoto". He has played with Sun Ra, Max Roach, Duke Ellington, John Coltrane, and Herbie Hancock. Biography He was born in Chicago, Illinois, United States. Priester attended Chicago's DuSable High School, where he studied under Walter Dyett. In his teens he played with blues and R&B artists such as Muddy Waters, and Bo Diddley, and had the opportunity to jam with jazz players such as the saxophonist Sonny Stitt. In the early 1950s, Priester was a member of Sun Ra's big band, recording several albums with the group, before leaving Chicago in 1956 to tour with Lionel Hampton, and he then joined Dinah Washington in 1958. The following year he settled in New York and joined the group led by drummer Max Roach, who heard him playing on the Philly Joe Jones album, "Blues for Dracula" (1958). While playing in Roach's group, Priester also record ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lawrence Brown (jazz Trombonist)
Lawrence Brown (August 3, 1907 – September 5, 1988) was a jazz trombonist from California best remembered for his work with the Duke Ellington orchestra. He was a session musician throughout his career, and also recorded albums under his own name. Early life Lawrence Brown was born on August 3, 1907, in Lawrence, Kansas. When Brown was about six or seven years old in 1914 his family moved to Oakland, California. He began playing the violin at a young age, but quickly grew tired of it and turned to playing the tuba in his school's band. Brown came from a musical background. His father was a preacher at the African Methodist Episcopal Church, where he often sang as a part of his sermons. Brown’s mother played the organ and the piano. Brown discovered the trombone while doing janitorial work at his father’s church. He stated that he wanted to replicate the sound of cello on a trombone. Career Brown began his career with Charlie Echols and Paul Howard. In 1932, Brown ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Williams (musician)
Richard Gene Williams (May 4, 1931 – November 4, 1985) was an American jazz trumpeter. Biography Williams was born in Galveston, Texas, and played tenor saxophone early in his life before picking up trumpet as a teenager. He played in local Texas bands and attended Wiley College, where he majored in music. After serving in the Air Force from 1952–56, he toured Europe with Lionel Hampton, and upon his return took a master's degree at the Manhattan School of Music. Williams played with Charles Mingus at the Newport Jazz Festival in 1959, and recorded with Mingus starting in that year. He recorded his only session as a leader, ''New Horn in Town'' (1960) for Candid Records, and featuring Reggie Workman, Leo Wright, Richard Wyands, and Bobby Thomas. Williams was a sideman on many releases for Blue Note, Impulse!, New Jazz, Riverside, and Atlantic in the 1960s. Among the musicians he worked with, apart from Mingus, are Oliver Nelson, Grant Green, Lou Donaldson, Yusef Lateef, Gig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cootie Williams
Charles Melvin "Cootie" Williams (July 10, 1911 – September 15, 1985) was an American jazz, jump blues, and rhythm and blues trumpeter. Biography Born in Mobile, Alabama, Williams began his professional career at the age of 14 with the Young Family band, which included saxophonist Lester Young. According to Williams he acquired his nickname as a boy when his father took him to a band concert. When it was over his father asked him what he'd heard and he replied, "Cootie, cootie, cootie." In 1928, he made his first recordings with pianist James P. Johnson in New York, where he also worked briefly in the bands of Chick Webb and Fletcher Henderson. Williams rose to prominence as a member of Duke Ellington's orchestra when the band was playing at the Cotton Club, with which he first performed from 1929 to 1940. He also recorded his own sessions during this time, both freelance and with other Ellington sidemen. Williams was renowned for his "jungle"-style trumpet playing (in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Money Johnson
Harold "Money" Johnson (February 23, 1918 – March 28, 1978) was an American jazz trumpeter. Early life Johnson was born in Tyler, Texas, on February 23, 1918. He first played trumpet at age 15. Primarily a trumpeter, he also recorded with the trombone in a few instances and subsequently the flugelhorn and flute, respectively. Later life and career He moved to Oklahoma City in 1936 and jammed with Charlie Christian and Henry Bridges before joining Nat Towles's band. He played with Horace Henderson and Bob Dorsey before returning to Towles's band in 1944 in Chicago. He also played with Count Basie, Cootie Williams, Lucky Millinder, and Bull Moose Jackson in the 1940s. His associations in the 1950s included Louis Jordan (1951), Lucky Thompson (1953), Sy Oliver, Buddy Johnson, Cozy Cole, Mercer Ellington, Little Esther (1956), and Panama Francis (for performances in Uruguay in 1953). In the 1960s Johnson played in the house band at the Apollo Theater in New York, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mercer Ellington
Mercer Kennedy Ellington (March 11, 1919 – February 8, 1996) was an American musician, composer, and arranger. His father was Duke Ellington, whose band Mercer led for 20 years after his father's death. Biography Early life and education Ellington was born in Washington, D.C., United States. He was the only child of the composer, pianist, and bandleader Duke Ellington and his high school sweetheart Edna Thompson (d. 1967). Ellington grew up primarily in Harlem from the age of eight. By the age of eighteen, Ellington had written his first piece to be recorded by his father ("Pigeons and Peppers"). Ellington attended New College for the Education of Teachers at Columbia University, New York University and the Juilliard School. Career In 1939, 1959, and 1946 through 1949, Ellington led his own bands, many of whose members later performed with his father, or achieved a successful career in their own right (including Dizzy Gillespie, Kenny Dorham, Idrees Sulieman, Chico Hamilto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
