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The Insect Trust
The Insect Trust was an American jazz-based rock band that formed in New York, United States, in 1967. Background The members of the band were Nancy Jeffries on vocals, Bill Barth on guitar, Luke Faust, formerly of the Holy Modal Rounders, on guitar, banjo, fiddle, and harmonica, Trevor Koehler on saxophone, and Robert Palmer (1945–1997) on clarinet and alto saxophone. Elvin Jones and Bernard Purdie both drummed with the group at times. Bill Folwell, who had played with Albert Ayler (and later an original member of The Mystic Knights of the Oingo Boingo), on bass and trumpet; as well as Warren Gardner on trumpet and clarinet, were part of the band by the time they recorded their second album. According to ''The New York Times'', the band took its name from William S. Burroughs's novel ''Naked Lunch'', detailing a race of giant insects bent on world domination. However, according to Bill Barth, the name came from the poetry journal '' Insect Trust Gazette'', published by Will ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Levy (author)
William Levy (January 10, 1939 – April 22, 2019), also known as the Talmudic Wizard of Amsterdam, was an American writer, editor, and former radio personality, plus the author of such works as ''The Virgin Sperm Dancer'', ''Wet Dreams'', ''Certain Radio Speeches of Ezra Pound'' and ''Natural Jewboy''. Before leaving the U.S. in the autumn of 1966 aboard the R.M.S Queen Mary, Levy attended the University of Maryland, College Park and Temple University, and taught in the literature department at Shippensburg State College, in Pennsylvania. In the Sixties and Seventies, he was founder and chief editor of many magazines, including the '' Insect Trust Gazette'', '' International Times'', ''Suck'', and ''The Fanatic''. Later, he served as European Editor for American glossy magazines ''High Times'' and ''Penthouse'', and as an associate editor of Amsterdam zines ''Het Gewicht'', ''Ins & Outs'', ''La Linea'' and ''Atom Club''. Levy was a regular contributor to Andrei Codrescu's '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Collectors' Choice Music
Collectors' Choice Music (CCM) is an Itasca, Illinois, company originally primarily in two businesses, but since 2010 only in the second. CCM was best known for reissuing albums originally recorded in LP record form as compact discs. , its catalog had reached over 600 titles and by 2009 it had issued around 60 new titles a year.About CCM Its own releases were also sold through all other online dealers that sell CDs. By the end of 2010, however, Collectors' Choice had stopped releasing recordings. CCM's second business line is the sale of CDs
The compact disc (CD) is a digital optical disc data storage format that was co-developed by Philips and Sony to store and play digital ...
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Robert Palmer (writer)
Robert Franklin Palmer Jr. (June 19, 1945 – November 20, 1997) was an American writer, musicologist, clarinetist, saxophonist, and blues producer. He is best known for his books, including ''Deep Blues''; his music journalism for ''The New York Times'' and ''Rolling Stone'' magazine; his work producing blues recordings and the soundtrack of the film ''Deep Blues''; and his clarinet playing in the 1960s band the Insect Trust. A collection of his writings, ''Blues & Chaos: The Music Writing of Robert Palmer'', edited by Anthony DeCurtis, was published by Simon & Schuster on November 10, 2009. Early career Palmer was born in Little Rock, Arkansas, the son of a musician and school teacher, Robert Palmer Sr. A civil rights and peace activist with the Student Nonviolent Coordinating Committee in the 1960s, the younger Palmer graduated from Little Rock University (later called the University of Arkansas at Little Rock) in 1964. Soon afterwards he and fellow musicians Nancy Jeff ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elektra Records
Elektra Records (or Elektra Entertainment) is an American record label owned by Warner Music Group, founded in 1950 by Jac Holzman and Paul Rickolt. It played an important role in the development of contemporary folk and rock music between the 1950s and 1970s. In 2004, it was consolidated into WMG's Atlantic Records Group. After five years of dormancy, the label was revived as an imprint of Atlantic in 2009. In October 2018, Elektra was detached from the Atlantic Records umbrella and reorganized into Elektra Music Group, once again operating as an independently managed frontline label of Warner Music. In June 2022, Elektra Music Group was merged with 300 Entertainment to create the umbrella label 300 Elektra Entertainment (3EE), though both Elektra and 300 will continue to maintain their separate identities as labels. History 1950–1971: Founding and early history Elektra was formed in 1950, as the ''Elektra-Stratford Record Corporation'', with a singles label called Stratford R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Virgin Records
Virgin Records is a record label owned by Universal Music Group. It originally founded as a British independent record label in 1972 by entrepreneurs Richard Branson, Simon Draper, Nik Powell, and musician Tom Newman. It grew to be a worldwide success over time, with the success of platinum performers Paula Abdul, Janet Jackson, Devo, Tangerine Dream, Genesis, Phil Collins, OMD, the Human League, Culture Club, Simple Minds, Lenny Kravitz, the Sex Pistols, and Mike Oldfield among others, meaning that by the time it was sold, it was regarded as a major label, alongside other large international independents such as A&M and Island Records. Virgin Records was sold to EMI in 1992. EMI was in turn taken over by Universal Music Group (UMG) in 2012 with UMG creating the Virgin EMI Records division. The Virgin Records name continues to be used by UMG in certain markets such as Germany and Japan. Virgin Records America Virgin Records America, Inc. was the company's North American ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A&M Records
A&M Records was an American record label founded as an independent company by Herb Alpert and Jerry Moss in 1962. Due to the success of the discography A&M released, the label garnered interest and was acquired by PolyGram in 1989 and began distributing releases from Polydor Ltd. from the UK. Throughout its operations, A&M housed well-known acts such as Alpert himself, Squeeze, Gin Blossoms, Dishwalla, Joe Cocker, Procol Harum, Captain & Tennille, Sting, Sergio Mendes, Ozark Mountain Daredevils, Supertramp, Bryan Adams, Burt Bacharach, Liza Minnelli, The Carpenters, Paul Williams, Quincy Jones, Janet Jackson, Cat Stevens, Peter Frampton, Elkie Brooks, Carole King, Styx (band), Styx, Dennis DeYoung, Extreme (band), Extreme, Amy Grant, Joan Baez, The Police, Jann Arden, CeCe Peniston, Shanice, Blues Traveler, Soundgarden, Duffy (singer), Duffy, Phil Ochs, Sheryl Crow, Yellow Magic Orchestra, and Nazareth_(band), Nazareth. PolyGram was acquired by Seagram and dissolved into Un ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modernist Music
In music, modernism is an aesthetic stance underlying the period of change and development in musical language that occurred around the turn of the 20th century, a period of diverse reactions in challenging and reinterpreting older categories of music, innovations that led to new ways of organizing and approaching harmonic, melodic, sonic, and rhythmic aspects of music, and changes in aesthetic worldviews in close relation to the larger identifiable period of modernism in the arts of the time. The operative word most associated with it is "innovation". Its leading feature is a "linguistic plurality", which is to say that no one music genre ever assumed a dominant position. Examples include the celebration of Arnold Schoenberg's rejection of tonality in chromatic post-tonal and twelve-tone works and Igor Stravinsky's move away from symmetrical rhythm. Authorities typically regard musical modernism as an historical period or era extending from about 1890 to 1930, and apply the t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Postmodern Music
Postmodern music is music in the art music tradition produced in the postmodern era. It also describes any music that follows aesthetical and philosophical trends of postmodernism. As an aesthetic movement it was formed partly in reaction to modernism but is not primarily defined as oppositional to modernist music. Postmodernists question the tight definitions and categories of academic disciplines, which they regard simply as the remnants of modernity. The postmodernist musical attitude Postmodernism in music is not a distinct musical style, but rather refers to music of the postmodern era. Postmodernist music, on the other hand, shares characteristics with postmodernist art—that is, art that comes after and reacts against modernism (see Modernism in Music). Rebecca Day, Lecturer in Music Analysis, writes "within music criticism, postmodernism is seen to represent a conscious move away from the perceptibly damaging hegemony of binaries such as aestheticism/formalism, subjec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Patty Donahue
Patricia Jean Donahue (March 29, 1956 – December 9, 1996) was the lead singer of the 1980s new wave group the Waitresses. She is best known for the band’s singles " I Know What Boys Like" and "Christmas Wrapping". Early life Patricia Jean Donahue was born on March 29, 1956, in Akron, Ohio. Her parents divorced when she was two years old. She told an interviewer that her mother raised her to be an independent woman. Like her mother and sister, Donahue attended St. Joseph Academy in Cleveland. She studied at Ohio State University but dropped out for financial reasons. She tried to finish at Cleveland State University but left there too, dissatisfied with the school. She eventually graduated from Kent State University. In her early 20s, before joining The Waitresses, she worked as a waitress. Music career Donahue met Chris Butler while at Kent State. Butler was in the art rock band Tin Huey but he had written a number of songs that were not used in their repertoire. As ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Waitresses
The Waitresses were an American new wave band from Akron, Ohio, best known for their singles " I Know What Boys Like" and "Christmas Wrapping." They released two albums, ''Wasn't Tomorrow Wonderful?'' and ''Bruiseology'', and two EPs, '' I Could Rule the World If I Could Only Get the Parts'' and ''Make the Weather''. The group was led by guitarist-songwriter Chris Butler with lead vocals performed by Patty Donahue. Source states The Waitresses were based in Kent, Ohio, rather than Akron. History The Waitresses were formed by Butler (formerly of the Numbers Band) in 1978 as a side project while he was still a member of Tin Huey. He wrote and recorded "I Know What Boys Like" that year, with guest vocals by friend Donahue (as "Patty Darling") and saxophone from Tin Huey member Ralph Carney, although the song remained unreleased at the time. A debut single, ''In "Short Stack"'' (featuring the songs "Slide" and "Clones"), recorded solely by Butler, was issued by Clone Records in 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tom Hull (critic)
Tom Hull is an American music critic, web designer, and former software developer. Hull began writing criticism for ''The Village Voice'' in the mid 1970s under the mentorship of its music editor Robert Christgau, but left the field to pursue a career in software design and engineering during the 1980s and 1990s, which earned him the majority of his life's income. In the 2000s, he returned to music reviewing and wrote a jazz column for ''The Village Voice'' in the manner of Christgau's "Consumer Guide", alongside contributions to ''Seattle Weekly'', ''The New Rolling Stone Album Guide'', NPR Music, and the webzine ''Static Multimedia''. Hull's jazz-focused database and blog ''Tom Hull – on the Web'' hosts his reviews and information on albums he has surveyed, as well as writings on books, politics, and movies. It shares a functional, low-graphic design with Christgau's website, which Hull also created and maintains as its webmaster. Career In the mid 1970s, Hull accepted a jo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
