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The Innocents (1961 Film)
''The Innocents'' is a 1961 gothic psychological horror film directed and produced by Jack Clayton, and starring Deborah Kerr, Michael Redgrave, and Megs Jenkins. Based on the 1898 novella ''The Turn of the Screw'' by the American novelist Henry James, the screenplay was adapted by William Archibald and Truman Capote, who used Archibald's own 1950 stage play—also titled ''The Innocents''—as a primary source text. Its plot follows a governess who watches over two children and comes to fear that their large estate is haunted by ghosts and that the children are being possessed. Archibald's original screenplay for ''The Innocents'' was based on the premise that the paranormal events depicted were legitimate. Displeased with Archibald's take on the material, director Jack Clayton appointed American writer Truman Capote to rework the script. Capote's rewrites incorporated psychological themes, resulting in a final work that suggests other alternatives to the plot. Filming took pl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jack Clayton
Jack Isaac Clayton (1 March 1921 – 26 February 1995) was a British film director and producer who specialised in bringing literary works to the screen. Overview Starting out as a teenage studio "tea boy" in 1935, Clayton worked his way up through British film industry in a career that spanned nearly sixty years. He rapidly rose through a series of increasingly important roles in British film production, before shooting to international prominence as a director with his Oscar-winning feature film debut, the drama '' Room at the Top'' (1959). This was followed by the much-lauded horror film '' The Innocents'' (1961), based on Henry James' ''The Turn of the Screw''. Clayton looked set for a brilliant future, and he was highly regarded by peers and critics alike, but a number of overlapping factors hampered his career. He was a notably 'choosy' director, who by his own admission "never made a film I didn't want to make", and he repeatedly turned down films (including ''Alien'') ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psychological Horror
Psychological horror is a genre, subgenre of horror fiction, horror and psychological fiction with a particular focus on mental, emotional, and Mental state, psychological states to frighten, disturb, or unsettle its audience. The subgenre frequently overlaps with the related subgenre of psychological thriller, and often uses mystery fiction, mystery elements and characters with unstable, unreliable, or disturbed psychological states to enhance the suspense, drama, action (narrative), action, and paranoia of the setting and plot and to provide an overall unpleasant, unsettling, or distressing Mood (literature), atmosphere. Characteristics Psychological horror usually aims to create discomfort or dread by exposing common or universal psychological and emotional vulnerabilities/fears and revealing the darker parts of the human psyche that most people may repress or deny. This idea is referred to in analytical psychology as the Jungian archetypes, archetypal Shadow (psychology), shad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghost
A ghost is the soul or spirit of a dead person or animal that is believed to be able to appear to the living. In ghostlore, descriptions of ghosts vary widely from an invisible presence to translucent or barely visible wispy shapes, to realistic, lifelike forms. The deliberate attempt to contact the spirit of a deceased person is known as necromancy, or in spiritism as a ''séance''. Other terms associated with it are apparition, haunt, phantom, poltergeist, shade, specter or spectre, spirit, spook, wraith, demon, and ghoul. The belief in the existence of an afterlife, as well as manifestations of the spirits of the dead, is widespread, dating back to animism or ancestor worship in pre-literate cultures. Certain religious practices—funeral rites, exorcisms, and some practices of spiritualism and ritual magic—are specifically designed to rest the spirits of the dead. Ghosts are generally described as solitary, human-like essences, though stories of ghostly armies and th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horror Film
Horror is a film genre that seeks to elicit fear or disgust in its audience for entertainment purposes. Horror films often explore dark subject matter and may deal with transgressive topics or themes. Broad elements include monsters, apocalyptic events, and religious or folk beliefs. Cinematic techniques used in horror films have been shown to provoke psychological reactions in an audience. Horror films have existed for more than a century. Early inspirations from before the development of film include folklore, religious beliefs and superstitions of different cultures, and the Gothic and horror literature of authors such as Edgar Allan Poe, Bram Stoker, and Mary Shelley. From origins in silent films and German Expressionism, horror only became a codified genre after the release of ''Dracula'' (1931). Many sub-genres emerged in subsequent decades, including body horror, comedy horror, slasher films, supernatural horror and psychological horror. The genre has been produ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Theory
Film theory is a set of scholarly approaches within the academic discipline of film or cinema studies that began in the 1920s by questioning the formal essential attributes of motion pictures; and that now provides conceptual frameworks for understanding film's relationship to reality, the other arts, individual viewers, and society at large. Film theory is not to be confused with general film criticism, or film history, though these three disciplines interrelate. Although some branches of film theory are derived from linguistics and literary theory, it also originated and overlaps with the philosophy of film. History Early theory, before 1945 French philosopher Henri Bergson's ''Matter and Memory'' (1896) anticipated the development of film theory during the birth of cinema in the early twentieth century. Bergson commented on the need for new ways of thinking about movement, and coined the terms "the movement-image" and "the time-image". However, in his 1906 essay ''L' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christmas Day
Christmas is an annual festival commemorating the birth of Jesus Christ, observed primarily on December 25 as a religious and cultural celebration among billions of people around the world. A feast central to the Christian liturgical year, it is preceded by the season of Advent or the Nativity Fast and initiates the season of Christmastide, which historically in the West lasts twelve days and culminates on Twelfth Night. Christmas Day is a public holiday in many countries, is celebrated religiously by a majority of Christians, as well as culturally by many non-Christians, and forms an integral part of the holiday season organized around it. The traditional Christmas narrative recounted in the New Testament, known as the Nativity of Jesus, says that Jesus was born in Bethlehem, in accordance with messianic prophecies. When Joseph and Mary arrived in the city, the inn had no room and so they were offered a stable where the Christ Child was soon born, with angels proclaim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lambert Williamson
Lambert Williamson (1907–1975) was a British composer and conductor known for his work on film scores.Lochner p.310 During the late 1940s he worked for the Rank Organisation. Selected filmography * ''Excuse My Glove'' (1936) * ''The Edge of the World'' (1937) * '' The End of the River'' (1947) * '' One Night with You'' (1948) * '' Woman Hater'' (1948) * ''Good-Time Girl'' (1948) * ''Cardboard Cavalier'' (1949) * ''Don't Ever Leave Me'' (1949) * ''They Were Not Divided'' (1950) * '' Green Grow the Rushes'' (1951) * '' Stryker of the Yard'' (1953) * ''Cosh Boy'' (1953) * '' Beat the Devil'' (1953) * ''The Good Die Young'' (1954) * ''Forbidden Cargo'' (1954) * ''To Dorothy a Son'' (1954) * ''The Green Carnation'' (1954) * ''Secret Venture'' (1955) * '' Track the Man Down'' (1955) * ''Abdulla the Great'' (1955) * '' Cross Channel'' (1955) * ''Dry Rot'' (1956) * '' Sailor Beware!'' (1956) * ''The Story of Esther Costello'' (1957) * ''The Spaniard's Curse'' (1958) * '' This Other Ed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Guardian
''The Guardian'' is a British daily newspaper. It was founded in 1821 as ''The Manchester Guardian'', and changed its name in 1959. Along with its sister papers ''The Observer'' and ''The Guardian Weekly'', ''The Guardian'' is part of the Guardian Media Group, owned by the Scott Trust. The trust was created in 1936 to "secure the financial and editorial independence of ''The Guardian'' in perpetuity and to safeguard the journalistic freedom and liberal values of ''The Guardian'' free from commercial or political interference". The trust was converted into a limited company in 2008, with a constitution written so as to maintain for ''The Guardian'' the same protections as were built into the structure of the Scott Trust by its creators. Profits are reinvested in journalism rather than distributed to owners or shareholders. It is considered a newspaper of record in the UK. The editor-in-chief Katharine Viner succeeded Alan Rusbridger in 2015. Since 2018, the paper's main news ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daphne Oram
Daphne Blake Oram (31 December 1925 – 5 January 2003) was a British composer and electronic musician. She was one of the first British composers to produce electronic sound, and was an early practitioner of musique concrète in the UK. As a co-founder of the BBC Radiophonic Workshop, she was central to the development of British electronic music. Her uncredited scoring work on the 1961 film '' The Innocents'' helped to pioneer the electronic soundtrack. Oram was the creator of the Oramics technique for creating electronic sounds using drawn sound. Besides being a musical innovator, she was the first woman to independently direct and set up a personal electronic music studio, and the first woman to design and construct an electronic musical instrument. In her book ''An Individual Note of Music, Sound and Electronics'' (1971) she explored philosophical themes related to the physics of sound. Early life and education Oram was born to James and Ida Oram on 31 December 1925 in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deep Focus
Deep focus is a photographic and cinematographic technique using a large depth of field. Depth of field is the front-to-back range of focus in an image, or how much of it appears sharp and clear. In deep focus, the foreground, middle ground, and background are all in focus. Deep focus is normally achieved by choosing a small aperture. Since the aperture of a camera determines how much light enters through the lens, achieving deep focus requires a bright scene or long exposure. A wide-angle lens also makes a larger portion of the image appear sharp. It is also possible to achieve the illusion of deep focus with optical tricks (split-focus diopter) or by compositing two or more images together. The opposite of deep focus is shallow focus, in which the plane of the image that is in focus is very shallow. For example, the foreground might be in focus while the middle-ground and background are out-of-focus. When avoiding deep focus is used specifically for aesthetic effect—especiall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
CinemaScope
CinemaScope is an anamorphic lens series used, from 1953 to 1967, and less often later, for shooting widescreen films that, crucially, could be screened in theatres using existing equipment, albeit with a lens adapter. Its creation in 1953 by Spyros P. Skouras, the president of 20th Century Fox, marked the beginning of the modern anamorphic format in both principal 2.55:1, almost twice as wide as the previously common Academy format's 1.37:1 ratio. Although the technology behind the CinemaScope lens system was made obsolete by later developments, primarily advanced by Panavision, CinemaScope's anamorphic format has continued to this day. In film-industry jargon, the shortened form, 'Scope, is still widely used by both filmmakers and projectionists, although today it generally refers to any 2.35:1, 2.39:1, 2.40:1, or 2.55:1 presentation or, sometimes, the use of anamorphic lensing or projection in general. Bausch & Lomb won a 1954 Oscar for its development of the CinemaScope l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shepperton Studios
Shepperton Studios is a film studio located in Shepperton, Surrey, England, with a history dating back to 1931. It is now part of the Pinewood Studios Group. During its early existence, the studio was branded as Sound City (not to be confused with the Californian recording studio of the same name). History 1930s–1960s Shepperton Studios was built on the grounds of Littleton Park, which was built in the 17th century by local nobleman Thomas Wood. The old mansion still stands on the site. Scottish businessman Norman Loudon purchased Littleton Park in 1931 for use by his new film company, Sound Film Producing & Recording Studios; the facility opened in 1932. The studios, which produced both short and feature films, expanded rapidly. Proximity to the Vickers-Armstrongs aircraft factory at Brooklands, which attracted German bombers, disrupted filming during the Second World War, as did the requisitioning of the studios in 1941 by the government, who first used it for sugar stora ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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