The Impossible Voyage
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The Impossible Voyage
''The Impossible Voyage'' (french: Le Voyage à travers l'impossible), also known as ''An Impossible Voyage'' and ''Whirling the Worlds'', is a 1904 French silent film directed by Georges Méliès. Inspired by Jules Verne's play '' Journey Through the Impossible'', and modeled in style and format on Méliès's earlier, highly successful ''A Trip to the Moon'', the film is a satire of scientific exploration in which a group of geographically minded tourists attempt a journey to the sun using various methods of transportation. The film was a significant international success at the time of its release, and has been well received by film historians. Plot Note: ''Since the film is silent and has no intertitles, the proper names and quotations below are taken from the English-language description of the film published by Méliès in the catalog of the Star Film Company's New York Branch.'' A society of geographical enthusiasts, the Institute of Incoherent Geography, plans to make a ...
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Georges Méliès
Marie-Georges-Jean Méliès (; ; 8 December 1861 – 21 January 1938) was a French illusionist, actor, and film director. He led many technical and narrative developments in the earliest days of cinema. Méliès was well known for the use of special effects, popularizing such techniques as substitution splices, multiple exposures, time-lapse photography, dissolves, and hand-painted colour. He was also one of the first filmmakers to use storyboards. His films include ''A Trip to the Moon'' (1902) and '' The Impossible Voyage'' (1904), both involving strange, surreal journeys somewhat in the style of Jules Verne, and are considered among the most important early science fiction films, though their approach is closer to fantasy. The 2011 film '' Hugo'' was inspired by the life and work of Méliès. Early life and education Marie-Georges-Jean Méliès was born 8 December 1861 in Paris, son of Jean-Louis Méliès and his Dutch wife, Johannah-Catherine Schuering. His father ...
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Paris Exposition Of 1900
The Exposition Universelle of 1900, better known in English as the 1900 Paris Exposition, was a world's fair held in Paris, France, from 14 April to 12 November 1900, to celebrate the achievements of the past century and to accelerate development into the next. It was held at the esplanade of Les Invalides, the Champ de Mars, the Trocadéro and at the banks of the Seine between them, with an additional section in the Bois de Vincennes, and it was visited by more than 50 million people. Many international congresses and other events were held within the framework of the Exposition, including the 1900 Summer Olympics. Many technological innovations were displayed at the Fair, including the ''Grande Roue de Paris'' ferris wheel, the ''Rue de l'Avenir'' moving sidewalk, the first ever regular passenger trolleybus line, escalators, diesel engines, electric cars, dry cell batteries, electric fire engines, talking films, the telegraphone (the first magnetic audio recorder), the galal ...
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1904 Films
The year 1904 in film involved some significant events. __TOC__ Events * As shown in the film series '' Westinghouse Works'', some filmmakers begin to move away from eye-level filmmaking and use the camera to explore spaces from an angle usually inaccessible to the average person. * William Fox purchases his first Nickelodeon. * 23 June: Marcus Loew founds the theatre chain, the People's Vaudeville Company, which later was renamed Loews Theatres which was the oldest theatre chain operating in North America when it was merged with AMC Theatres in 2006 Films released in 1904 A * ''Audley Range School, Blackburn'', produced by Mitchell and Kenyon – ( GB) * ''Automobile Race for the Vanderbilt Cup'', directed by Billy Bitzer and A.E. Weed – ( US) B * ''The Bewitched Traveller'', directed by Lewin Fitzhamon and Cecil Hepworth – ( GB) * ''Blackpool Victoria Pier'', produced by Mitchell and Kenyon – ( GB) * '' The Bold Bank Robbery'', directed by Jack Frawley – ( US) * ' ...
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Films Directed By Georges Méliès
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitiz ...
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Lewis Jacobs
Lewis Jacobs (1904 – February 11, 1997) was an American screenwriter, film director and critic. He authored several books, including ''The Rise of the American Film''. Early life Jacobs was born in 1904 in Philadelphia, Pennsylvania. He graduated from the Pennsylvania Academy of the Fine Arts. Career Jacobs began his career as a screenwriter for Metro-Goldwyn-Mayer and Columbia Pictures in Hollywood. He moved to New York, where he directed several experimental short films modeled after the Soviet social and political cinema and he was fond of and drew inspirations from the likes of Dziga Vertov and Hans Richter. In 1930, Jacobs founded the magazine ''Experimental Cinema'', which was one of the first publications to view film as art. He spent time with noted early pioneers such as Sergei Eisenstein. He lived in Hollywood gaining acclaim as a film scholar, taking jobs such as advising and working on a draft with Orson Welles on his first feature film ''Citizen Kane'' and ...
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The Kingdom Of The Fairies
''The Kingdom of the Fairies'' (french: Le Royaume des fées), initially released in the United States as ''Fairyland, or the Kingdom of the Fairies'' and in Great Britain as ''The Wonders of the Deep, or Kingdom of the Fairies'', is a 1903 French silent film directed by Georges Méliès. Production The film historian Georges Sadoul suggested that the film was freely adapted from ''La Biche au Bois'', a popular ''féerie'' by the brothers Goignard, which had been first produced in March 1845 at the Théâtre de la Porte Saint-Martin and which was frequently revived throughout the nineteenth century. A publication on Méliès's films by the Centre national du cinéma cites Charles Perrault's story "Sleeping Beauty" as the most direct inspiration for the film, with the seven fairies in that tale reduced to four. The film's cast includes Georges Méliès as Prince Bel-Azor, Marguerite Thévenard as Princess Azurine, and Bleuette Bernon as the fairy Aurora. Sadoul, examining a p ...
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Czech Film Archive
The National Film Archive (, abb. NFA) is a film archive located in Prague, Czech Republic. It was established in 1943 (From 1943 to 1945 known as Filmový archiv, from 1945 to 1989 Československý filmový ústav, then from 1990 to 1992 Český filmový archiv) and in 1946 it became a member of the International Federation of Film Archives. In 1997 it became a founding member of the Association of European Film Archives and Cinematheques, ACE (Association des Cinémathèques Européenes). History In the Czech Republic, the NFA is one of the major memory institutions; in addition to performing the archival role it manages Czech films and is engaged in scientific and publishing activities, exhibition and promotion of film heritage and support of contemporary Czech cinema. Since 2011, the NFA has been involved in major digitisation projects ('' Markéta Lazarová'', '' The Firemen’s Ball'', '' All My Compatriots'', ''Closely Watched Trains'', '' Voyage to the End of the Universe'', ...
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Film Colorization
Film colorization (American English; or colourisation [British English], or colourization [Canadian English and Oxford English]) is any process that adds color to black-and-white, sepia, or other monochrome moving-picture images. It may be done as a special effect, to "modernize" black-and-white films, or to restore color films. The first examples date from the early 20th century, but colorization has become common with the advent of digital image processing. Early techniques Hand colorization The first film colorization methods were hand done by individuals. For example, at least 4% of George Méliès' output, including some prints of ''A Trip to the Moon'' from 1902 and other major films such as ''The Kingdom of the Fairies'', '' The Impossible Voyage'', and ''The Barber of Seville'' were individually hand-colored by Elisabeth Thuillier's coloring lab in Paris. Thuillier, a former colorist of glass and celluloid products, directed a studio of two hundred peo ...
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Library Of Congress
The Library of Congress (LOC) is the research library that officially serves the United States Congress and is the ''de facto'' national library of the United States. It is the oldest federal cultural institution in the country. The library is housed in three buildings on Capitol Hill in Washington, D.C.; it also maintains a conservation center in Culpeper, Virginia. The library's functions are overseen by the Librarian of Congress, and its buildings are maintained by the Architect of the Capitol. The Library of Congress is one of the largest libraries in the world. Its "collections are universal, not limited by subject, format, or national boundary, and include research materials from all parts of the world and in more than 470 languages." Congress moved to Washington, D.C., in 1800 after holding sessions for eleven years in the temporary national capitals in New York City and Philadelphia. In both cities, members of the U.S. Congress had access to the sizable collec ...
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Impossible Voyage 1
Impossible, Imposible or Impossibles may refer to: Music * ''ImPossible'' (album), a 2016 album by Divinity Roxx * ''The Impossible'' (album) Groups * The Impossibles (American band), a 1990s indie-ska group from Austin, Texas * The Impossibles (Australian band), an Australian band * The Impossibles (Thai band), a 1970s Thai rock band Songs * "Impossible" (Captain Hollywood Project song) (1993) * "The Impossible" (song), a country music song by Joe Nichols (2002) * "Impossible" (Edyta song) (2003) * "Impossible" (Kanye West song) (2006) * "Impossible" (Daniel Merriweather song) (2009) * "Impossible" (Måns Zelmerlöw song) (2009) * "Impossible" (Anberlin song) (2010) * "Impossible" (Shontelle song) (2010) * "Impossible", from Rodgers and Hammerstein's 1957 musical ''Cinderella'' * "Impossible", a song written by Steve Allen and recorded by Nat King Cole for his 1958 album ''The Very Thought of You'' * "Impossible", from the 1994 album ''The Screaming Jets'' by The Screa ...
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Dissolve (filmmaking)
In the post-production process of film editing and video editing, a dissolve (sometimes called a lap dissolve) is a type of film transition in which one sequence fades over another. The terms fade-out (also called fade to black) and fade-in are used to describe a transition to and from a blank image. This is in contrast to a cut, where there is no such transition. A dissolve overlaps two shots for the duration of the effect, usually at the end of one scene and the beginning of the next, but may be used in montage sequences also. Generally, but not always, the use of a dissolve is held to indicate that a period of time has passed between the two scenes. Also, it may indicate a change of location or the start of a flashback. Creation of effect In film, this effect is usually created with an optical printer by controlled double exposure from frame to frame. In linear video editing or a live television production, the same effect is created by interpolating voltages of the ...
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Substitution Splice
The substitution splice or stop trick is a cinematic special effect in which filmmakers achieve an appearance, disappearance, or transformation by altering one or more selected aspects of the mise-en-scène between two shots while maintaining the same framing and other aspects of the scene in both shots. The effect is usually polished by careful editing to establish a seamless cut and optimal moment of change. It has also been referred to as stop motion substitution or stop-action. The pioneering French filmmaker Georges Méliès claimed to have accidentally developed the stop trick, as he wrote in ''Les Vues Cinématographiques'' in 1907 (translated from French): According to the film scholar Jacques Deslandes, it is more likely that Méliès discovered the trick by carefully examining a print of the Edison Manufacturing Company's 1895 film ''The Execution of Mary Stuart'', in which a primitive version of the trick appears. In any case, the substitution splice was both the fir ...
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