The Immaculate Conception Of El Escorial
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The Immaculate Conception Of El Escorial
''The Immaculate Conception of El Escorial'' is a circa 1660–1665 oil religious painting by the Spanish Baroque artist Bartolomé Esteban Murillo, now in the Museo del Prado in Madrid. Murillo's many artistic depictions of the immaculate conception of the Virgin Mary were enormously influential on later art. This painting is regarded as one of his best. It was earlier identified as the ''Immaculate Conception of the Granja'' due to a mistaken understanding of its history. Background Although the doctrine that Mary was conceived without sin was not dogmatically defined in the Catholic Church until 1854, that she was sinless was declared in 1661 by Pope Alexander VII, a declaration for which the Spanish church and the Franciscan order had long been strong proponents. To the Spanish Marian cult, not just Mary's purity but the concept that she had been conceived without sin was essential. This was the belief held by Spain and the Franciscans; by contrast, the Dominican o ...
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Circa
Circa is a word of Latin origin meaning 'approximately'. Circa or CIRCA may also refer to: * CIRCA (art platform), art platform based in London * Circa (band), a progressive rock supergroup * Circa (company), an American skateboard footwear company * Circa (contemporary circus), an Australian contemporary circus company * Circa District, Abancay Province, Peru * Circa, a disc-binding notebook system * Circa Theatre, in Wellington, New Zealand * Clandestine Insurgent Rebel Clown Army, a UK activist group * Circa News, an online news and entertainment service * Circa Complex, twin skyscrapers in Los Angeles, California * ''Circa'' (album), an album by Michael Cain * Circa Resort & Casino Circa Resort & Casino is a casino and hotel resort in downtown Las Vegas, Nevada, on the Fremont Street Experience. The property was previously occupied by the Las Vegas Club hotel-casino, the Mermaids Casino, and the Glitter Gulch strip club. Ci ...
, a hotel in downtown Las Vegas ...
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Francisco Pacheco
Francisco Pacheco del Río (bap. 3 November 1564 – 27 November 1644) was a Spanish painter, best known as the teacher and father-in-law of Diego Velázquez and Alonzo Cano, and for his textbook on painting, entitled ''Art of Painting'', that is an important source for the study of 17th-century practice in Spain. He is described by some as the "Vasari of Seville": vocal and didactic about his theories of painting and thoughts about painters, conventional and uninspired in his executions.The Paintings of Francisco de Herrera, The Elder, by John S. Thacher. The Art Bulletin (1937); page 328. Early life He was born at Sanlúcar de Barrameda, son of Juan Pérez and wife Leonor del Río, and moved to Seville at a young age. He was a student of Luis Fernandez, and did much of his learning by copying works of the Italian masters. He visited Madrid and Toledo in 1611, studying the work of El Greco, then returned to Seville and opened an art school. He married a daughter of de Mi ...
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Paintings Of The Immaculate Conception By Bartolomé Esteban Murillo
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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Paintings By Bartolomé Esteban Murillo In The Museo Del Prado
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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1660s Paintings
Year 166 ( CLXVI) was a common year starting on Tuesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Pudens and Pollio (or, less frequently, year 919 '' Ab urbe condita''). The denomination 166 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Dacia is invaded by barbarians. * Conflict erupts on the Danube frontier between Rome and the Germanic tribe of the Marcomanni. * Emperor Marcus Aurelius appoints his sons Commodus and Marcus Annius Verus as co-rulers (Caesar), while he and Lucius Verus travel to Germany. * End of the war with Parthia: The Parthians leave Armenia and eastern Mesopotamia, which both become Roman protectorates. * A plague (possibly small pox) comes from the East and spreads throughout the Roman Empire, lasting for roughly twenty years. * ...
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Ecce Homo (Martínez And Giménez)
The ''Ecce Homo'' (Latin: "''Behold the Man"'') in the Sanctuary of Mercy church in Borja, Spain, is a fresco painted circa 1930 by the Spanish painter Elías García Martínez depicting Jesus crowned with thorns. Both the subject and style are typical of traditional Catholic art."Un hecho incalificable"
(in Spanish). Noticias y actividades. ''Centro de Estudios Borjanos'' (Institución Fernando El Católico). 7 August 2012.
While press accounts agree that the original painting was artistically unremarkable, its current fame derives from a good faith attempt to
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Accidental Damage Of Art
Accidental damage of art refers to damage or destruction of an artwork as a result of various types of accidents. Damage accidents sometimes occur during exhibition or transportation. Attempts at restoration have also damaged artworks, either by expert restorers using techniques that are found decades later to be unsuitable or harmful, or simple botches by unskilled people. Transportation accidents A large body of work by the German Renaissance master Mathis Nithart Gothart, called Grünewald, was captured by the Swedes during the Thirty Years' War but was lost when the ships transporting war booty were sunk in the Baltic by Imperial forces. On 2 September 1998, Swissair Flight 111 crashed near Halifax, Nova Scotia, Canada, killing 229 people. Pablo Picasso's 1963 work ''Le Peintre'' (''The Painter'') was part of the flight's cargo and was destroyed in the crash. Human error In October 2006, business magnate Steve Wynn agreed to sell the 1932 painting '' Le Rêve'' by Picasso. ...
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Casita Del Príncipe (El Escorial)
The Casita del Príncipe () is an eighteenth-century building located in San Lorenzo de El Escorial, Spain. It was designed by the neoclassical architect Juan de Villanueva for the private use of the heir to the Spanish throne Charles, Prince of Asturias, and his wife Maria Luisa. It was constructed in the 1770s and extended in the 1780s. The word ''casita'' is the diminutive of the Spanish word for "house". The building was designed without bedrooms, as its owners slept in the palace which had been built two centuries earlier for Philip II. Such buildings gave their royal occupants the opportunity to escape some of the formalities of court life. The Petit Trianon at Versailles offers a French example of the phenomenon. Setting The building is set in a formal garden. The garden is in turn set in a walled park. The garden, which is on several levels, is delineated by box hedges in 18th century style. It also features some exotic conifers, such as ''Sequoiadendron giganteum'', ...
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Charles IV Of Spain
, house = Bourbon-Anjou , father = Charles III of Spain , mother =Maria Amalia of Saxony , birth_date =11 November 1748 , birth_place =Palace of Portici, Portici, Naples , death_date = , death_place =Palazzo Barberini, Rome, Papal States , burial_place =El Escorial , religion =Roman Catholic , signature =Charles IV of Spain signature.svg Charles IV (Carlos Antonio Pascual Francisco Javier Juan Nepomuceno José Januario Serafín Diego) 11 November 1748 – 20 January 1819) was King of Spain and ruler of the Spanish Empire from 1788 to 1808. The Spain inherited by Charles IV gave few indications of instability, but during his reign, Spain entered a series of disadvantageous alliances and his regime constantly sought cash to deal with the exigencies of war. He detested his son and heir Ferdinand, who led the unsuccessful El Escorial Conspiracy and later forced Charles's abdication after the Tumult of Aranjuez in Marc ...
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Francisco Herrera The Younger
Francisco Herrera the Younger ("el Mozo"; 1622 – 25 August 1685) was a Spanish painter and architect. Life Born in Seville, he was the second son of Francisco Herrera the Elder ("el Viejo"), and began his career under his father's instruction; but the father's violent temper at last became so intolerable that the youth fled to Rome. For six years the younger Herrera devoted himself to the study of architecture, perspective, and the antique, his aim being fresco painting. He excelled in still life. He already painted '' bodegones'', fish so cleverly done that the Romans called him ''lo Spagnuolo dei pesci'' ("the Spaniard of the Fish"). In 1656 he returned to Seville, founded the Seville Academy, and in 1660 became its sub-director under Bartolomé Esteban Murillo. He is said to have been vain, suspicious, hot-tempered, and jealous; at any rate he resented his subordinate post and went to Madrid about 1661 (Cean Bermúdez). Before leaving his native city he painted tw ...
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Peter Paul Rubens
Sir Peter Paul Rubens (; ; 28 June 1577 – 30 May 1640) was a Flemish artist and diplomat from the Duchy of Brabant in the Southern Netherlands (modern-day Belgium). He is considered the most influential artist of the Flemish Baroque tradition. Rubens's highly charged compositions reference erudite aspects of classical and Christian history. His unique and immensely popular Baroque style emphasized movement, colour, and sensuality, which followed the immediate, dramatic artistic style promoted in the Counter-Reformation. Rubens was a painter producing altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. He was also a prolific designer of cartoons for the Flemish tapestry workshops and of frontispieces for the publishers in Antwerp. In addition to running a large workshop in Antwerp that produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically educated humanist scholar and diploma ...
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Anthony Van Dyck
Sir Anthony van Dyck (, many variant spellings; 22 March 1599 – 9 December 1641) was a Brabantian Flemish Baroque artist who became the leading court painter in England after success in the Southern Netherlands and Italy. The seventh child of Frans van Dyck, a wealthy Antwerp silk merchant, Anthony painted from an early age. He was successful as an independent painter in his late teens, and became a master in the Antwerp guild in 1618. By this time he was working in the studio of the leading northern painter of the day, Peter Paul Rubens, who became a major influence on his work. Van Dyck worked in London for some months in 1621, then returned to Flanders for a brief time, before travelling to Italy, where he stayed until 1627, mostly in Genoa. In the late 1620s he completed his greatly admired ''Iconography'' series of portrait etchings, mostly of other artists. He spent five years in Flanders after his return from Italy, and from 1630 was court painter for the arch ...
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