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The Hustle (song)
"The Hustle" is a disco song by songwriter/arranger Van McCoy and the Soul City Symphony. It went to No. 1 on the U.S. ''Billboard'' Hot 100 and Hot Soul Singles charts during the summer of 1975. It also peaked at No. 1 on the Canadian ''RPM'' charts, No. 9 on the Australian Singles Chart (Kent Music Report) and No. 3 in the UK. It would eventually sell over one million copies. The song won the Grammy Award for Best Pop Instrumental Performance early in 1976 for songs recorded in 1975. History While in New York City to make an album, McCoy composed the song after his music partner, Charles Kipps, watched patrons do a dance known as " the Hustle" in the nightclub Adam's Apple. The sessions were done at New York's Mediasound studio with pianist McCoy, bassist Gordon Edwards, drummer Steve Gadd, keyboardist Richard Tee, guitarists Eric Gale and John Tropea, and orchestra leader Gene Orloff. Producer Hugo Peretti contracted multi-woodwind player Phil Bodner to play the piccolo lead me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Van McCoy
Van Allen Clinton McCoy (January 6, 1940 – July 6, 1979) was an American musician, record producer, arranger, songwriter, singer and orchestra conductor. He is known for his 1975 internationally successful song " The Hustle". He has approximately 700 song copyrights to his credit, and produced songs by such recording artists as Gladys Knight & the Pips, The Stylistics, Aretha Franklin, Brenda & the Tabulations, David Ruffin, Peaches & Herb, Lesley Gore and Stacy Lattisaw. Biography Early life Van McCoy was born in Washington, D.C., the second child of Norman S. McCoy, Sr. and Lillian Ray. He learned to play piano at a young age and sang with the Metropolitan Baptist Church choir as a youngster. By the age of 12, he had begun writing his own songs, in addition to performing in local amateur shows alongside his older brother, Norman Jr. The two brothers formed a doo-wop combo named the Starlighters with two friends while in Theodore Roosevelt High School. In 1956, they recorde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steve Gadd
Stephen Kendall Gadd (born April 9, 1945) is an American drummer, percussionist, and session musician. Gadd is one of the best-known and highly regarded session and studio drummers in the industry, recognized by his induction into the ''Modern Drummer'' Hall of Fame in 1984. Gadd's performances on Paul Simon's "50 Ways to Leave Your Lover" and "Late in the Evening" and Steely Dan's "Aja (song), Aja" are examples of his style. He has worked with other popular musicians from many genres including Simon & Garfunkel, Paul McCartney, James Taylor, Harry Chapin, Joe Cocker, Bonnie Raitt, Grover Washington Jr., Michael Brecker, Chick Corea, Lee Ritenour, Paul Desmond, Kate Bush, Chet Baker, Al Di Meola, Chuck Mangione, Kenny Loggins, Eric Clapton, Pino Daniele, Michel Petrucciani, and Toshiki Kadomatsu. Early life Gadd grew up in Irondequoit, New York. He started playing the drums at a very early age. At age 11, he entered the Mickey Mouse National Talent Round Up contest and was one of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moog Synthesizer
The Moog synthesizer is a modular synthesizer developed by the American engineer Robert Moog. Moog debuted it in 1964, and Moog's company R. A. Moog Co. (later known as Moog Music) produced numerous models from 1965 to 1981, and again from 2014. It was the first commercial synthesizer, and is credited with creating the analog synthesizer as it is known today. The Moog synthesizer consists of separate modules which create and shape sounds, which are connected via patch cords. Modules include voltage-controlled oscillators, amplifiers, filters, envelope generators, noise generators, ring modulators, triggers, and mixers. The synthesizer can be played using controllers including keyboards, joysticks, pedals, and ribbon controllers, or controlled with sequencers. Its oscillators can produce waveforms of different timbres, which can be modulated and filtered to shape their sounds (subtractive synthesis). By 1963, Robert Moog had been designing and selling theremins for several ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pollard Syndrum
The Pollard Syndrum is the first commercially available electronic drum, invented by Joe Pollard and Mark Barton in 1976. There were 3 major types: The Syndrum 1, the Syndrum TwinDrum, and the Syndrum Quad, the last being the most famous. At the time of its conception, Pollard was a session drummer working for the Beach Boys and the Grass Roots. In 1976, he met Barton, who had designed and built some working prototypes which were previewed to some prominent drummers. Their reactions were encouraging, so Joe, Mark and Donald Stone incorporated Pollard Industries and starting selling Syndrums in Culver City, California. There were two models sold at the time, the single drum 177 and the four drum 477. Syndrums were a musical success with a surplus of endorsees, but a financial failure for the young company. Legacy Although the Syndrum was capable of many different sounds, the one favored by most recording artists was a sine wave that pitch-bends down; it can be heard at the beginni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard (magazine)
''Billboard'' (stylized as ''billboard'') is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events, and style related to the music industry. Its music charts include the Hot 100, the 200, and the Global 200, tracking the most popular albums and songs in different genres of music. It also hosts events, owns a publishing firm, and operates several TV shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs, and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox, phonograph, and radio became commonplace. Many topics it covered were spun-off ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Label
A record label, or record company, is a brand or trademark of music recordings and music videos, or the company that owns it. Sometimes, a record label is also a publishing company that manages such brands and trademarks, coordinates the production, manufacture, distribution, marketing, promotion, and enforcement of copyright for sound recordings and music videos, while also conducting talent scouting and development of new artists, and maintaining contracts with recording artists and their managers. The term "record label", derives from the circular label in the center of a vinyl record which prominently displays the manufacturer's name, along with other information. Within the mainstream music industry, recording artists have traditionally been reliant upon record labels to broaden their consumer base, market their albums, and promote their singles on streaming services, radio, and television. Record labels also provide publicists, who assist performers in gaining positi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hugo & Luigi
Hugo & Luigi were an American record producing team, made up of songwriters and producers Hugo Peretti and Luigi Creatore, who shared an office in New York's Brill Building. Besides their working relationship, they were cousins. Background First coming to attention with singles released on Mercury Records in the mid-1950s, they went on to produce Perry Como, Sam Cooke and several other RCA Victor artists, including the hit records "Twistin' the Night Away", "Another Saturday Night", "The Lion Sleeps Tonight" by the Tokens, " Shout", a classic by the Isley Brothers, and "I Will Follow Him" by Little Peggy March. They co-wrote Elvis Presley's hit " Can't Help Falling in Love", with George David Weiss. They also produced albums by Della Reese including ''The Classic Della'', a collection of pop songs based on classical themes and ''Waltz With Me, Della'', a collection of popular songs in 3/4 time. Their track, "La Plume de Ma Tante" (written by Al Hoffman and Dick Manning), reached ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UK Singles Chart
The UK Singles Chart (currently titled Official Singles Chart, with the upper section more commonly known as the Official UK Top 40) is compiled by the Official Charts Company (OCC), on behalf of the British record industry, listing the top-selling Single (music), singles in the United Kingdom, based upon physical sales, paid-for downloads and music streaming, streaming. The Official Chart, broadcast on BBC Radio 1 and MTV (Official UK Top 40), is the UK music industry's recognised official measure of singles and albums popularity because it is the most comprehensive research panel of its kind, today surveying over 15,000 retailers and digital services daily, capturing 99.9% of all singles consumed in Britain across the week, and over 98% of albums. To be eligible for the chart, a Single (music), single is currently defined by the Official Charts Company (OCC) as either a 'single bundle' having no more than four tracks and not lasting longer than 25 minutes or one digital audio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard Year-End Hot 100 Singles Of 1975
This is a list of ''Billboard'' magazine's Top Hot 100 songs of 1975. '''', Talent In Action Section, December 27, 1975. p. 10. Retrieved December 6, 2020. The Top 100, as revealed in the year-end edition of ''Billboard'' dated December 27, 1975, is based on Hot 100 charts from the issue dates of November 2, 1974 through November 1, 1975. See also * * |
Piccolo
The piccolo ( ; Italian for 'small') is a half-size flute and a member of the woodwind family of musical instruments. Sometimes referred to as a "baby flute" the modern piccolo has similar fingerings as the standard transverse flute, but the sound it produces is an octave higher. This has given rise to the name ottavino (), by which the instrument is called in Italian and thus also in scores of Italian composers. Piccolos are often orchestrated to double the violins or the flutes, adding sparkle and brilliance to the overall sound because of the aforementioned one-octave transposition upwards. The piccolo is a standard member in orchestras, marching bands, and wind ensembles. History Since the Middle Ages, evidence indicates the use of octave transverse flutes as military instruments, as their penetrating sound was audible above battles. In cultured music, however, the first piccolos were used in some of Jean Philippe Rameau's works in the first half of the 18th century. Sti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phil Bodner
Philip L. Bodner (June 13, 1917 – February 24, 2008) was an American jazz clarinetist and studio musician who also played flute, oboe, saxophone, and English horn. Career A native of Waterbury, Connecticut, Bodner worked as a studio musician in the 1940s and 1950s in New York City. He recorded with Benny Goodman in 1958 and with Miles Davis and Gil Evans in 1958. In the 1960s he played with Oliver Nelson and J.J. Johnson, and organized The Brass Ring, a group modeled after Herb Alpert and the Tijuana Brass. The Brass Ring released nine albums between 1966 and 1972. Associations in the 1970s included Oscar Peterson, Yusef Lateef, Peanuts Hucko, Wild Bill Davison, and Ralph Sutton. Bodner played the signature piccolo part on the disco hit " The Hustle" by Van McCoy. Other work in the 1970s included playing with Ralph Sutton and Johnny Varro, working with Mingus Epitaph, and arranging Louie Bellson's tribute to Duke Ellington's ''Black, Brown and Beige''. He worked in a swing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gene Orloff
Gene Orloff (June 14, 1921 – March 23, 2009) was an American violinist, concertmaster, arranger, contractor and session musician. Background The son of a Russian immigrant violin maker, Orloff would try and get his father's violin down from the piano and try to play it. He was only three at the time. By the time he was five, he was playing recitals in his home city of Boston. Later, he was playing concerts at venues which included performances at Carnegie Hall and with the Boston Symphony. Having won a scholarship at the Curtis Institute of Music, he left due to the schedule and found work as a commercial musician and, on occasion, was working for 15 hours work per day. During his time, the artists that Orloff performed with included Meat Loaf, The Bee Gees, Aretha Franklin, Frank Sinatra and Barbra Streisand. Orloff's daughter Marcy said that one of his favorites was Van McCoy. Career In the late 1940s, he was in Neal Hefti's orchestra, together with, among others, Curle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
