The Holy Trinity (Romas)
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The Holy Trinity (Romas)
The Holy Trinity is a tempera painting created by Spyridon Romas. He was a Greek painter from Corfu. He was a prominent member of the Heptanese School. He was active from 1745 to 1786. He traveled all over the world. He painted in Corfu, Lecce, Livorno, and London. According to the Hellenic Institute over 25 of his works survived. He is one of the few Greek painters to completely adopt a new style of painting. He traveled to London, England around 1770 and remained in the country until his death. He painted several portraits but also maintained artwork in the region. An iconostasis with most of his works is superlatively preserved in Livorno, Italy at the Museo della Città di Livorno (Museum of the City of Livorno). The Trinity is an integral part of the Christian religion. There have been many interpretations and debates about the subject. The Trinity historically refers to the Father (God), Son (Jesus), and the Holy Spirit. Countless Greek and Italian painters a ...
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Spiridione Roma
Spiridione Roma ( – 15 June 1786), also known as Spiridon or Spyridon Romas ( el, Σπυρίδων Ρώμας), was a Greek painter from Corfu.  He was a prominent member of the Heptanese School.   His contemporary was Spyridon Sperantzas.  He was another painter from Corfu.  He also painted all over Italy and settled in Triste.  Romas painted on the Ionian Islands, Sicily, and Livorno before settling in England. He was one of the few Greek painters to travel to a foreign country outside of the Greek or Italian world. The other two were El Greco and Efstathios Altinis. He was also a British painter during the last decades of his life.  He was active in the region from 1770 to 1786.  According to the Hellenic Institute, over twenty-five of his works survived.  He was the British El Greco.  His most popular work is a painting entitled '' The East Offering its Riches to Britannia''. History Spyridon Romas was born in Corfu. His wife’s name was Margarita ...
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Elias Moskos
Ilias or Elias Moskos ( el, Ηλίας Μόσκος, 1620/1629- January 26, 1687) was a Greek educator, shipping merchant and painter from Crete. The last name Moskos was associated with three famous painters of the Cretan School alive during the same period, along with Ioannis Moskos and Leos Moskos, possibly his relatives. Elias incorporated Italo-Byzantine, maniera greca with the Venetian style. Theodore Poulakis and Moskos brought the art and style of Crete into the Heptanese School (painting), Heptanese School of the Ionian Islands. Some of his work was inspired by Angelos Akotantos. He was affiliated with other artists such as Philotheos Skoufos. He is often confused with Leos Moskos. His son was not Ioannis Moskos although they were probably related. Elias most popular painting is ''Christ Pantocrator''. Fifty-two of his paintings survived. History Elias was born in Rethymno Crete. His father's name was Ioannis. He was a painter, shipping merchant, and teacher. He e ...
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18th-century Paintings
The 18th century lasted from January 1, 1701 ( MDCCI) to December 31, 1800 ( MDCCC). During the 18th century, elements of Enlightenment thinking culminated in the American, French, and Haitian Revolutions. During the century, slave trading and human trafficking expanded across the shores of the Atlantic, while declining in Russia, China, and Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in human society and the environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th century may be defined as 1715–1789, denoting the period of time between the death of Louis XIV of France and the start of the French Revolution, with an emphasis on directly interconnected events. To historians who expan ...
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Masaccio
Masaccio (, , ; December 21, 1401 – summer 1428), born Tommaso di Ser Giovanni di Simone, was a Florentine artist who is regarded as the first great Italian painter of the Quattrocento period of the Italian Renaissance. According to Vasari, Masaccio was the best painter of his generation because of his skill at imitating nature, recreating lifelike figures and movements as well as a convincing sense of three-dimensionality. He employed nudes and foreshortenings in his figures. This had seldom been done before him.Vasari, Giorgio, "The Lives of the Artists" Translated by Julia Conaway Bondanella and Peter Bondanella, Oxford World Classics. The name Masaccio is a humorous version of Maso (short for Tommaso), meaning "clumsy" or "messy" Tom. The name may have been created to distinguish him from his principal collaborator, also called Maso, who came to be known as Masolino ("little/delicate Tom"). Despite his brief career, he had a profound influence on other artists and is co ...
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Michael Damaskenos
Michael Damaskenos or Michail Damaskenos ( el, Μιχαήλ Δαμασκηνός, 1530/35–1592/93) was a leading post-Byzantine Crete, Cretan Painting, painter. He is a major representative of the Cretan School of painting that flourished in the 16th and 17th centuries. Painters Georgios Klontzas and Damaskenos were major contributors to the Cretan School during the same period. Damaskinos traveled all over the Venetian Empire painting. He remained loyal to his Greek roots stylistically but incorporated some Italian elements in his work. He was strongly influenced by the Venetian painting, Venetian school. He painted parts of the Cathedral of San Giorgio dei Greci. Damaskenos has 100 known works. He influenced the works of Theodore Poulakis. Life and work Damaskinos was born in Candia (Herakleion), his father was George Damaskinos. According to legend, Damaskinos spent some time living and working in Vrontisi Monastery, where six of his icons were kept until 1800 ...
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Seraph
A seraph (, "burning one"; plural seraphim ) is a type of celestial or heavenly being originating in Ancient Judaism. The term plays a role in subsequent Judaism, Christianity, and Islam. Tradition places seraphim in the highest rank in Christian angelology and in the fifth rank of ten in the Jewish angelic hierarchy. A seminal passage in the Book of Isaiah () used the term to describe six-winged beings that fly around the Throne of God crying "holy, holy, holy". This throne scene, with its triple invocation of holiness, profoundly influenced subsequent theology, literature and art. Its influence is frequently seen in works depicting angels, heaven and apotheosis. Seraphim are mentioned as celestial beings in the non-canonical Book of Enoch and the canonical Book of Revelation. Origins and development In Hebrew, the word ''saraph'' means "burning", and is used seven times throughout the text of the Hebrew Bible as a noun, usually to denote "serpent", twice in the Book o ...
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Sign Of The Cross
Making the sign of the cross ( la, signum crucis), or blessing oneself or crossing oneself, is a ritual blessing made by members of some branches of Christianity. This blessing is made by the tracing of an upright cross or + across the body with the right hand, often accompanied by spoken or mental recitation of the Trinitarian formula: "In the name of the Father, and of the Son, and of the Holy Spirit. Amen." The use of the sign of the cross traces back to early Christianity, with the second century ''Apostolic Tradition'' directing that it be used during the Minor exorcism in Christianity, minor exorcism of baptism, during ablution in Christianity, ablutions before praying at fixed prayer times, and in times of temptation. The movement is the tracing of the shape of a cross in the air or on one's own body, echoing Instrument of Jesus' crucifixion, the traditional shape of the Christian cross, cross of the Christianity, Christian crucifixion of Jesus, crucifixion narrative. Wher ...
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Iconostasis
In Eastern Christianity, an iconostasis ( gr, εἰκονοστάσιον) is a wall of icons and religious paintings, separating the nave from the sanctuary in a Church (building), church. ''Iconostasis'' also refers to a portable icon stand that can be placed anywhere within a church. The iconostasis evolved from the Byzantine architecture, Byzantine templon, a process complete by the 15th century. A direct comparison for the function of the main iconostasis can be made to the layout of the great Temple in Jerusalem. That Temple was designed with three parts. The holiest and inner-most portion was that where the Ark of the Covenant was kept. This portion, the Holy of Holies, was separated from the second larger part of the building's interior by a curtain, the "parochet, veil of the temple". Only the High Priest (Judaism), High Priest was allowed to enter the Holy of Holies. The third part was the entrance court. This architectural tradition for the two main parts can be seen ...
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Tribute To The Eucharist (Damaskinos)
'' Tribute to the Eucharist'' was a painting made of egg tempera and gold leaf on a wood panel. The portable icon is attributed to Greek painter Michael Damaskinos. Damaskino's existing catalog features over 100 known works. He was a member of the Cretan school of painting. He was from the island of Crete. His contemporaries were Georgios Klontzas and El Greco. Damaskinos traveled all over Italy for over twenty years. He spent a significant amount of time in Venice. He adopted Italian mannerisms. He applied these new attributes to his paintings. He was friends with sculptor Alessandro Vittoria. He had a collection of drawings obtained from other Italian artists. Namely the Mannerist Parmigianino. He was also exposed to the magnificent works of Italian painter Raphael. One of the most spectacular works of art created by Raphael was the ''Disputation of the Holy Sacrament''. The work is a fresco of church figures debating Transubstantiation. The work is located in ...
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Emmanuel Tzanes
Emmanuel Tzanes ( el, Εμμανουήλ Τζάνες, 1610 – 28 March 1690), also known as Bounialis ( el, Μπουνιαλής) Emmanuel Tzane-Bounialis, Emmanuel Zane, and Emmanuel Tzane. He was a Greek Renaissance painter. He was an author, clergyman, painter, and educator. He was the parish priest of the church of San Giorgio dei Greci. An important Greek church in Venice. He was affiliated with the Flanginian School of the Greek Confraternity in Venice. He was a prominent painter. His known works number over 130 pieces. His works can be found in public foundations, private collections, churches and monasteries in Greece. He collaborated with many artists namely Philotheos Skoufos. Both artists were members of the Cretan School. He was influenced by the Venetian school. Emmanuel's brothers were famous painter Konstantinos Tzanes and poet Marinos Tzanes. His most popular work is ''The Holy Towel'' finished in 1659. History Tzanes was born in Rethymno, Cre ...
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Michael Damaskinos
Michael Damaskenos or Michail Damaskenos ( el, Μιχαήλ Δαμασκηνός, 1530/35–1592/93) was a leading post-Byzantine Cretan painter. He is a major representative of the Cretan School of painting that flourished in the 16th and 17th centuries. Painters Georgios Klontzas and Damaskenos were major contributors to the Cretan School during the same period. Damaskinos traveled all over the Venetian Empire painting. He remained loyal to his Greek roots stylistically but incorporated some Italian elements in his work. He was strongly influenced by the Venetian school. He painted parts of the Cathedral of San Giorgio dei Greci. Damaskenos has 100 known works. He influenced the works of Theodore Poulakis. Life and work Damaskinos was born in Candia (Herakleion), his father was George Damaskinos. According to legend, Damaskinos spent some time living and working in Vrontisi Monastery, where six of his icons were kept until 1800. Damaskinos moved to Venice in ...
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Heptanese School (painting)
The Heptanese School of painting ( el, Επτανησιακή Σχολή, , The School of the Seven Islands, also known as the Ionian Islands School) succeeded the Cretan School as the leading school of Greek post-Byzantine painting after Crete fell to the Ottomans in 1669. Like the Cretan school, it combined Byzantine traditions with an increasing Western European artistic influence and also saw the first significant depiction of secular subjects. The school was based in the Ionian Islands, which were not part of Ottoman Greece, from the middle of the 17th century until the middle of the 19th century. The center of Greek art migrated urgently to the Ionian islands but countless Greek artists were influenced by the school including the ones living throughout the Greek communities in the Ottoman Empire and elsewhere in the world. The early Heptanese school was influenced by Flemish, French, Italian and German engravings. Artists representative of that era were Theodore Poulakis ...
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