The Hollies' Greatest Hits (1967 Album)
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The Hollies' Greatest Hits (1967 Album)
''The Hollies' Greatest Hits'' was the first greatest hits collection by English pop group the Hollies. The album was released by Imperial Records in the US in May 1967 and by Capitol Records in Canada, under the title ''The Hits of the Hollies'' and with two different tracks, in July 1967. It was the Hollies' highest charting album in the US, peaking at number eleven during a chart stay of forty weeks. When Imperial was dissolved into United Artists Records in 1971, this album went out of print, prompting Epic (the group's then-current label) to issue its own "Greatest Hits" album two years later. The album was available in both mono and stereo formats. A little over half of the songs on the stereo version were electronically altered (e), meaning that the mono tapes were used. The Canadian version of the album deleted the songs "Memphis" and "Tell Me to My Face", substituting early Hollies hits "Stay" and "(Ain't That) Just Like Me". Neither Capitol Records, which assumed contr ...
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The Hollies
The Hollies are a British pop rock band, formed in 1962. One of the leading British groups of the 1960s and into the mid-1970s, they are known for their distinctive three-part vocal harmony style. Allan Clarke (singer), Allan Clarke and Graham Nash founded the band as a Merseybeat-type group in Manchester, although some of the band members came from towns further north in East Lancashire. Nash left the group in 1968 to form Crosby, Stills & Nash, though he has reunited with the Hollies on occasion. They enjoyed considerable popularity in the UK and Europe during the mid-1960s with a string of hit singles that included "Just One Look (song), Just One Look" (1964), "Here I Go Again (The Hollies song), Here I Go Again" (1964), "I'm Alive (The Hollies song), I'm Alive" (1965; their first of two UK number-ones), "Look Through Any Window" (1965) and "I Can't Let Go" (1966), although they did not achieve US chart success until "Bus Stop (song), Bus Stop" was released in 1966. The grou ...
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Bus Stop (album)
''Bus Stop'' is the fourth U.S. album by the British pop band the Hollies, released on Imperial Records in mono (LP-9330) and rechanneled stereo (LP-12330) in October 1966. It features songs ranging from both sides of the band's then-current hit single to material recorded in the Hollies' early days on the UK's Parlophone Records in 1963, 1964 and 1965. The song "Oriental Sadness" had previously been issued in the U.S. on the Hollies' album '' Beat Group!'' earlier in 1966. ''Bus Stop'' was also the fourth Canadian album by The Hollies, released on Capitol Records in mono and stereo ((S)T-6195) on November 7, 1966. Unlike its American counterpart, it did not include any material from before the 1965 recording sessions for the ''Hollies'' album. Instead, the album combined the current single with generally unissued tracks from the UK albums ''Hollies'' and ''Would You Believe?''. Three songs ("Oriental Sadness", "That's How Strong My Love Is" and "I Take What I Want") had pr ...
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Stay With The Hollies
''Stay with The Hollies'', also known by its American release title ''Here I Go Again'', is the debut album by the British rock band the Hollies and was released in January 1964 on Parlophone Records (''see'' 1964 in music). In Canada, it was released on Capitol in July 1964, with a different track listing. In the US, Imperial Records issued the album under the title ''Here I Go Again'' in June 1964 to capitalize on the moderate success of the singles "Here I Go Again" (No. 107) and " Just One Look" (No. 98). It also features covers of well-known R&B songs, not unusual for Beat groups of the day. Background After the success of the Liverpool-based group The Beatles, many artists and repertoire men from London-based record labels went to Liverpool in search of other beat groups. When Ron Richards from Parlophone visited Liverpool in early 1963, the group playing that night at the Cavern Club was The Hollies, who were actually from Manchester. Richards promptly signed them to ...
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Just One Look (song)
"Just One Look" is a song co-written by American R&B singers Doris Troy and Gregory Carroll. The recording by Doris Troy was a hit in 1963. The Hollies, Anne Murray and Linda Ronstadt each achieved great success with the song. There have also been many other versions. Doris Troy version Background Details vary as to how the Doris Troy version came to be released on Atlantic Records. According to the book ''Billboard Book of One-Hit Wonders'', James Brown saw Troy performing in a nightclub (under her then-stage name Doris Payne), and introduced her to Atlantic. According to a more recent and detailed story in ''Soulful Divas'', Payne recorded a studio demo of the song and took it to Sue Records first, but their lack of response led her to offer it to Jerry Wexler at Atlantic, where the label released the demo unchanged. The personnel included Ernie Hayes on piano, Wally Richardson on guitar, Bob Bushnell on bass and Bernard Purdie on drums.Bernard "Pretty" Purdie, Let The Drums ...
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Gregory Carroll (R&B Singer)
John Wayne Carroll (December 19, 1929 – January 25, 2013), usually known as Gregory Carroll or Greg Carroll, Badger Funeral Home, obituary
Retrieved 1 February 2013
was an American R&B singer, songwriter, and record producer. He was a member of several successful or " doo-wop" groups including The Four Buddies and

Doris Troy
Doris Troy (born Doris Elaine Higginsen; January 6, 1937 – February 16, 2004) was an American R&B singer and songwriter, known to her many fans as "Mama Soul". Her biggest hit was " Just One Look", a top 10 hit in 1963. Life and career She was born as Doris Elaine Higginsen, in the Bronx, the daughter of a Barbadian Pentecostal minister. She later took her grandmother's name and grew up as Doris Payne. Her parents disapproved of "subversive" forms of music like rhythm & blues, so she cut her teeth singing in her father's choir. At age 16, she was working as an usherette at the Apollo where she was discovered by James Brown. Under the name Doris Payne, she began songwriting and earned $100 in 1960 for the Dee Clark hit "How About That". Going into the recording industry, Troy worked as a backup vocalist for Atlantic Records alongside Dionne and Dee Dee Warwick. She was also part of the original lineup of The Sweet Inspirations in 1963, with Cissy Houston and the two Warwi ...
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Stop Stop Stop
"Stop Stop Stop" is a song by British pop group the Hollies that was written by group members Allan Clarke, Tony Hicks, and Graham Nash. The song was the band's first to credit Clarke, Nash and Hicks as songwriters, as all their previous original songs had been published under the collective pseudonym "L. Ransford" (or simply "Ransford"). It later appeared on the album '' For Certain Because'' in the United Kingdom. The song was released as a single by the Parlophone label in October 1966 and was released around the same time in the United States by Imperial Records. It was the last single that The Hollies released that year (see 1966 in music) and became a worldwide hit reaching the top 10 of the singles charts in 8 countries, including at #1 in Canada. There is also an Italian version, made by Rita Pavone. The song was covered by Minneapolis Celtic-punk group Boiled in Lead on their 1989 album '' From the Ladle to the Grave'', also interpolating a traditional Egyptian melody ...
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Look Through Any Window
"Look Through Any Window" is a song by the British beat group The Hollies. It was their follow-up single to their first UK chart-topper, " I'm Alive", and reached No.4 in the UK Singles Chart at the beginning of October 1965. "Look Through Any Window" was The Hollies' first American Billboard Top 40 hit, peaking at No.32 on 22 January 1966 (" Just One Look" in 1964 had been the band's first American chart hit). It made No.3 in Canada in the RPM Magazine charts, as well as in South Africa. Written by songwriters Graham Gouldman and Charles Silverman, it features a distinctive 12-string guitar riff, soaring harmonies and Bobby Elliott’s explosive drumming. They also recorded a version in French (titled "Regardez par des fenêtres") that was not officially released at the time but was included on the 1988 compilation ''Rarities''. ''Cash Box'' described it as a "medium-paced laconic teen-slanted ditty with a contagious repeating rhythmic riff." First released as a single in ...
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Hear! Here!
''Hollies'' is the Hollies' third studio album for Parlophone. It is also referred to as ''Hollies '65'' to differentiate it from the similarly titled 1974 album. It went to No. 8 in the UK album charts. Originally available in mono only, it was reissued in stereo under the title ''Reflection'' in 1969. In 1997, British EMI put both mono and stereo versions of this album onto a single CD. Of the twelve tracks on this album, only "So Lonely" was issued on 45 in Great Britain; even then, it was the B-side to the 1965 hit " Look Through Any Window", a song recorded concurrent with the rest of this album. On the original album, only five of the twelve songs are band originals, attributed at the time to the pseudonym "L. Ransford" but actually written by Allan Clarke, Tony Hicks and Graham Nash. The rest were covers. In Scandinavia "Very Last Day" and "Too Many People" were issued on 45, with the former becoming a major hit in Sweden. The song "Put Yourself in My Place" (written ...
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Clint Ballard Jr
Clint is both a given name and a surname. Notable people with the name include: Given name: *Clint Alberta (1970–2002), Canadian filmmaker *Clint Albright (1926–1999), Canadian ice hockey player *Clint Alfino (born 1968), South African baseball player *Clint Amos (born 1983), Australian rugby league player * Clint Auty (born 1969), Australian cricketer * Clint Bajada (born 1982), Maltese presenter *Clint Barmes (born 1979), American baseball player *Clint Benedict (born 1892), Canadian ice hockey goaltender *Clint Black (born 1962), American country singer and musician *Clint Boon (born 1959), English musician and radio presenter *Clint Boulton (1948–2021), English footballer *Clint Bowyer (born 1979), NASCAR racecar driver *Clint Capela (born 1994), Swiss basketball player *Clint Catalyst (born 1971), American author, actor, model, and spoken word performer *Clint Daniels (born 1974), American singer *Clint Dempsey (born 1983), American soccer player *Clint Eastwood (born 19 ...
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I'm Alive (The Hollies Song)
"I'm Alive" is a 1965 number-one UK hit single by The Hollies, written for them by American songwriter Clint Ballard Jr. However they originally passed the song over to another Manchester band, the Toggery Five, before changing their minds and recording the song, which became their first No. 1 hit in the UK Singles Chart. It spent three weeks at number one in the UK and was also a No. 1 hit in Ireland. The song was released as a single in the US, entering the Cash Box singles chart on July 17, 1965, and peaking at No. 84 week of August 14, 1965; it also appears on the US version of the 1965 ''Hollies'' album, ''Hear! Here!''. ''Cash Box'' described it as "a low-key, rhythmic romancer about a lad whose on cloud since he met the girl of his dreams." Charts Cover Versions *Syndicate of Sound covered this song on their only album ''Little Girl'' in 1966. *The song was covered by Gamma in 1979 on their debut album, ''Gamma 1'', whose version peaked at #60 on the Hot 100. *In 1983 t ...
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Here I Go Again (album)
''Stay with The Hollies'', also known by its American release title ''Here I Go Again'', is the debut album by the British rock band the Hollies and was released in January 1964 on Parlophone Records (''see'' 1964 in music). In Canada, it was released on Capitol in July 1964, with a different track listing. In the US, Imperial Records issued the album under the title ''Here I Go Again'' in June 1964 to capitalize on the moderate success of the singles "Here I Go Again" (No. 107) and " Just One Look" (No. 98). It also features covers of well-known R&B songs, not unusual for Beat groups of the day. Background After the success of the Liverpool-based group The Beatles, many artists and repertoire men from London-based record labels went to Liverpool in search of other beat groups. When Ron Richards from Parlophone visited Liverpool in early 1963, the group playing that night at the Cavern Club was The Hollies, who were actually from Manchester. Richards promptly signed them to P ...
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