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The History Of Sir Francis Drake
''The History of Sir Francis Drake'' was a hybrid theatrical entertainment, a masque or "operatic tableau" with an English libretto written by Sir William Davenant and music by Matthew Locke. The masque was most likely first performed in 1659 and produced by Davenant. As with his earlier ''The Siege of Rhodes'' (1656) and ''The Cruelty of the Spaniards in Peru'' (1658), Davenant cast ''The History of Sir Francis Drake'' as a musical drama to avoid the Puritan prohibition of stage plays during the English Commonwealth era. The three Davenant works were important in the evolution of English opera and musical theatre, and heralded the coming revival of drama with the Restoration of 1660. History and propaganda Like ''The Cruelty'', Davenant's ''Drake'' was not only tolerated but even encouraged by Lord Protector Oliver Cromwell, for its value as anti-Spanish propaganda. (The English had been at war with Spain since 1655.) Davenant exploited Drake as an English national hero and a sy ...
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Masque
The masque was a form of festive courtly entertainment that flourished in 16th- and early 17th-century Europe, though it was developed earlier in Italy, in forms including the intermedio (a public version of the masque was the pageant). A masque involved music, dancing, singing and acting, within an elaborate stage design, in which the architectural framing and costumes might be designed by a renowned architect, to present a deferential allegory flattering to the patron. Professional actors and musicians were hired for the speaking and singing parts. Masquers who did not speak or sing were often courtiers: the English queen Anne of Denmark frequently danced with her ladies in masques between 1603 and 1611, and Henry VIII and Charles I of England performed in the masques at their courts. In the tradition of masque, Louis XIV of France danced in ballets at Versailles with music by Jean-Baptiste Lully. Development The masque tradition developed from the elaborate pageants and cour ...
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Oliver Cromwell
Oliver Cromwell (25 April 15993 September 1658) was an English politician and military officer who is widely regarded as one of the most important statesmen in English history. He came to prominence during the 1639 to 1651 Wars of the Three Kingdoms, first as a senior commander in the Parliamentarian army and then as a politician. A leading advocate of the execution of Charles I in January 1649, which led to the establishment of the Republican Commonwealth of England, Scotland and Ireland, he ruled as Lord Protector from December 1653 until his death in September 1658. Cromwell nevertheless remains a deeply controversial figure in both Britain and Ireland, due to his use of the military to first acquire, then retain political power, and the brutality of his 1649 Irish campaign. Educated at Sidney Sussex College, Cambridge, Cromwell was elected MP for Huntingdon in 1628, but the first 40 years of his life were undistinguished and at one point he contemplated emigration ...
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Operas By Matthew Locke
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of sin ...
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Masques By William Davenant
The masque was a form of festive courtly entertainment that flourished in 16th- and early 17th-century Europe, though it was developed earlier in Italy, in forms including the intermedio (a public version of the masque was the pageant). A masque involved music, dancing, singing and acting, within an elaborate stage design, in which the architectural framing and costumes might be designed by a renowned architect, to present a deferential allegory flattering to the patron. Professional actors and musicians were hired for the speaking and singing parts. Masquers who did not speak or sing were often courtiers: the English queen Anne of Denmark frequently danced with her ladies in masques between 1603 and 1611, and Henry VIII and Charles I of England performed in the masques at their courts. In the tradition of masque, Louis XIV of France danced in ballets at Versailles with music by Jean-Baptiste Lully. Development The masque tradition developed from the elaborate pageants and c ...
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1659 Plays
Events January–March * January 14 – In the Battle of the Lines of Elvas, fought near the small city of Elvas in Portugal during the Portuguese Restoration War, the Spanish Army under the command of Luis Méndez de Haro suffers heavy casualties, with over 11,000 of its nearly 16,000 soldiers killed, wounded or taken prisoner; the smaller Portuguese force of 10,500 troops, commanded by André de Albuquerque Ribafria (who is killed in the battle) suffers less than 900 casualties. * January 24 – Pierre Corneille's ''Oedipe'' premieres in Paris. * January 27 – The third and final session of the Parliament of the Commonwealth of England, Scotland and Ireland is opened by Lord Protector Richard Cromwell, with Chaloner Chute as the Speaker of the House of Commons, with 567 members. "Cromwell's Other House", which replaced the House of Lords during the last years of the Protectorate, opens on the same day, with Richard Cromwell as its speaker. * Ja ...
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1659 Operas
Events January–March * January 14 – In the Battle of the Lines of Elvas, fought near the small city of Elvas in Portugal during the Portuguese Restoration War, the Spanish Army under the command of Luis Méndez de Haro suffers heavy casualties, with over 11,000 of its nearly 16,000 soldiers killed, wounded or taken prisoner; the smaller Portuguese force of 10,500 troops, commanded by André de Albuquerque Ribafria (who is killed in the battle) suffers less than 900 casualties. * January 24 – Pierre Corneille's ''Oedipe'' premieres in Paris. * January 27 – The third and final session of the Parliament of the Commonwealth of England, Scotland and Ireland is opened by Lord Protector Richard Cromwell, with Chaloner Chute as the Speaker of the House of Commons, with 567 members. "Cromwell's Other House", which replaced the House of Lords during the last years of the Protectorate, opens on the same day, with Richard Cromwell as its speaker. * Jan ...
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English-language Operas
English is a West Germanic language of the Indo-European language family, with its earliest forms spoken by the inhabitants of early medieval England. It is named after the Angles, one of the ancient Germanic peoples that migrated to the island of Great Britain. Existing on a dialect continuum with Scots, and then closest related to the Low Saxon and Frisian languages, English is genealogically West Germanic. However, its vocabulary is also distinctively influenced by dialects of France (about 29% of Modern English words) and Latin (also about 29%), plus some grammar and a small amount of core vocabulary influenced by Old Norse (a North Germanic language). Speakers of English are called Anglophones. The earliest forms of English, collectively known as Old English, evolved from a group of West Germanic (Ingvaeonic) dialects brought to Great Britain by Anglo-Saxon settlers in the 5th century and further mutated by Norse-speaking Viking settlers starting in the 8th and 9th ...
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Surinam (Dutch Colony)
Surinam ( nl, Suriname), also unofficially known as Dutch Guiana, was a Dutch plantation colony in the Guianas, bordered by the equally Dutch colony of Berbice to the west, and the French colony of Cayenne to the east. It later bordered British Guiana from 1831 to 1966. History The colonization of Suriname Surinam was a Dutch colony from 26 February 1667, when Dutch forces captured Francis Willoughby's English colony during the Second Anglo-Dutch War, until 15 December 1954, when Surinam became a constituent country of the Kingdom of the Netherlands. The status quo of Dutch sovereignty over Surinam, and English sovereignty over New Netherland, which it had conquered in 1664, was kept in the Treaty of Breda of 31 July 1667, and again confirmed in the Treaty of Westminster of 1674. After the other Dutch colonies in the Guianas, i.e., Berbice, Essequibo, Demerara, and Pomeroon, were lost to the British in 1814, the remaining colony of Surinam was often referred to a ...
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Maroon (people)
Maroons are descendants of Africans in the Americas who escaped from slavery and formed their own settlements. They often mixed with indigenous peoples, eventually evolving into separate creole cultures such as the Garifuna and the Mascogos. Etymology ''Maroon'', which can have a more general sense of being abandoned without resources, entered English around the 1590s, from the French adjective , meaning 'feral' or 'fugitive'. (Despite the same spelling, the meaning of 'reddish brown' for ''maroon'' did not appear until the late 1700s, perhaps influenced by the idea of maroon peoples.) The American Spanish word is also often given as the source of the English word ''maroon'', used to describe the runaway slave communities in Florida, in the Great Dismal Swamp on the border of Virginia and North Carolina, on colonial islands of the Caribbean, and in other parts of the New World. Linguist Lyle Campbell says the Spanish word ' means 'wild, unruly' or 'runaway slave'. In ...
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English Restoration
The Restoration of the Stuart monarchy in the kingdoms of England, Scotland and Ireland took place in 1660 when King Charles II returned from exile in continental Europe. The preceding period of the Protectorate and the civil wars came to be known as the Interregnum (1649–1660). The term ''Restoration'' is also used to describe the period of several years after, in which a new political settlement was established. It is very often used to cover the whole reign of King Charles II (1660–1685) and often the brief reign of his younger brother King James II (1685–1688). In certain contexts it may be used to cover the whole period of the later Stuart monarchs as far as the death of Queen Anne and the accession of the Hanoverian King George I in 1714. For example, Restoration comedy typically encompasses works written as late as 1710. The Protectorate After Richard Cromwell, Lord Protector from 1658 to 1659, ceded power to the Rump Parliament, Charles Fleetwood and J ...
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Libretto
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass, requiem and sacred cantata, or the story line of a ballet. ''Libretto'' (; plural ''libretti'' ), from Italian, is the diminutive of the word '' libro'' ("book"). Sometimes other-language equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15 to 40 page books which were on sale to 19th century ballet audiences in Paris and contained a very detailed description of the ballet's story, scene by ...
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