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The Heavenly Kings
''The Heavenly Kings'' (四大天王) is a 2006 Hong Kong film directed by Daniel Wu. Background In 2005, Chinese media began to report that Daniel Wu had formed a boyband, Alive, with Terence Yin, Andrew Lin and Conroy Chan. Wu and his band mates posted information, updates, personal thoughts (including slamming Hong Kong Disneyland, for which they were spokespersons) and the band's music, at their official website. In 2006, Wu made his writing and directorial debut with ''The Heavenly Kings'', which chronicles Alive's formation and exploits. After the film's release, however, it was revealed that ''The Heavenly Kings'' was actually a mockumentary of the Hong Kong pop music industry and Alive was constructed purely as a vehicle to make the movie; the film's characters represented only 10-15% of their real-life counterparts and much of the footage blurred the line between fiction and reality. Wu admitted his own singing voice "sucked really bad," and the band had their voic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daniel Wu
Daniel Ng Neh-Tsu (, born September 30, 1974) is an American actor, director and producer based in Hong Kong. He is known as a "flexible and distinctive" leading actor in the Chinese language film industry. Since his film debut in 1998, he has been featured in over 60 films. He also starred in the AMC martial arts drama series '' Into the Badlands''. Early life Daniel N Wu was born in Berkeley, California, and raised in Orinda, California. His parents, Diana (née Liu), a college professor, and George Wu, a retired engineer, are natives of Shanghai, China. His father immigrated to the United States from China and met his mother in New York, where she was a student. After marrying, they settled in California. Wu has two older sisters, Greta and Gloria, and an older brother who died when he was two. Wu developed an interest in martial arts when he saw Jet Li in '' The Shaolin Temple'' and Donnie Yen in '' Iron Monkey'', and consequently began studying wushu at age 11. His child ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stephen Fung
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Hong Kong Films
The cinema of Hong Kong ( zh, t=香港電影) is one of the three major threads in the history of Chinese language cinema, alongside the cinema of China and the cinema of Taiwan. As a former British colony, Hong Kong had a greater degree of political and economic freedom than mainland China and Taiwan, and developed into a filmmaking hub for the Chinese-speaking world (including its worldwide diaspora). For decades, Hong Kong was the third largest motion picture industry in the world following US cinema and Indian cinema and the second largest exporter. Despite an industry crisis starting in the mid-1990s and Hong Kong's transfer to Chinese sovereignty in July 1997, Hong Kong film has retained much of its distinctive identity and continues to play a prominent part on the world cinema stage. In the West, Hong Kong's vigorous pop cinema (especially Hong Kong action cinema) has long had a strong cult following, which is now arguably a part of the cultural mainstream, widely ava ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
