The Harlettes
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The Harlettes
The Harlettes, also known as The Staggering Harlettes, is a trio of backup singers who support Bette Midler during her live musical performances. The Harlettes' line-up has changed many times since their inception. History Bette Midler's stage act grew out of her early 1970s performances at the Continental Baths, a gay bathhouse in Manhattan which offered entertainment on the weekends. With her powerful singing voice, her outrageous costumes and her biting wit, Midler became a favorite of the bathhouse crowd. Inspired in part by the Theatre of the Ridiculous,McDonald, Marcie: "A new singing rage: The Divine Miss M", ''The Toronto Star'', Feb 24, 1973Slavo, Patrick and Barbara, "Bette Midler Had To Kill The Divine Miss M", ''In Touch'', July, 1974 Midler's stage show evolved into a bawdy and flamboyant mixture of stand-up comedy, Vaudeville and burlesque. It was during this time that Midler cultivated her stage persona, “The Divine Miss M”. "The more outrageous I was, th ...
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Backup Singers
A backing vocalist is a singer who provides vocal harmony with the lead vocalist or other backing vocalists. A backing vocalist may also sing alone as a lead-in to the main vocalist's entry or to sing a counter-melody. Backing vocalists are used in a broad range of popular music, traditional music, and world music styles. Solo artists may employ professional backing vocalists in studio recording sessions as well as during concerts. In many Rock music, rock and Heavy metal music, metal bands (e.g., the power trio), the musicians doing backing vocals also play instruments, such as guitar, electric bass, drums or keyboards. In Music of Latin America, Latin or Afro-Cuban groups, backing singers may play percussion instruments or shakers while singing. In some pop music, pop and Hip hop music, hip hop groups and in musical theater, they may be required to perform dance routines while singing through headset microphones. Styles of background vocals vary according to the type of song a ...
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Big Noise From Winnetka
"Big Noise from Winnetka" is a jazz song co-written by composer and bass player Bob Haggart and drummer Ray Bauduc with lyrics by Gil Rodin and Bob Crosby, who were members of a sub-group of the Bob Crosby Orchestra called "The Bobcats". They also were the first to record it, in 1938. That recording is remarkable for its unusual duet feature: Haggart whistles the melody and plays the bass, while only Bauduc accompanies him on the drums. Halfway through the solo, Bauduc starts drumming on the strings of the double bass, while Haggart continues to play with his left hand, creating a percussive bass solo. The original version was just bass and drums (with the bass player whistling), but many other arrangements have been performed, including one by the Bob Crosby big band with the band's vocal group. After the success of the initial recording, Haggart and Bauduc performed the song frequently for the rest of their careers, including in several films, most notably in 1941's ''Let's Make ...
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LP Album
The LP (from "long playing" or "long play") is an analog sound storage medium, a phonograph record format characterized by: a speed of  rpm; a 12- or 10-inch (30- or 25-cm) diameter; use of the "microgroove" groove specification; and a vinyl (a copolymer of vinyl chloride acetate) composition disk. Introduced by Columbia in 1948, it was soon adopted as a new standard by the entire record industry. Apart from a few relatively minor refinements and the important later addition of stereophonic sound, it remained the standard format for record albums (during a period in popular music known as the album era) until its gradual replacement from the 1980s to the early 2000s, first by cassettes, then by compact discs, and finally by digital music distribution. Beginning in the late 2000s, the LP has experienced a resurgence in popularity. Format advantages At the time the LP was introduced, nearly all phonograph records for home use were made of an abrasive shellac compound ...
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Sharon Redd
Sharon Redd (October 19, 1945 – May 1, 1992) was an American singer from New York City. She was the half sister of Snap! singer Penny Ford. Life and career Sharon Redd was born on October 19, 1945 in Norfolk, Virginia, to Gene and Katherine Redd. Gene Redd was a producer and musical director at King Records, and her stepfather performed with Benny Goodman's orchestra. Her brother Gene Redd Jr. was a songwriter and producer for Kool & the Gang and the band BMP. Her half-sister Penny Ford is also a singer with two solo albums to her credit and known for her work as the main singer for Snap!, Soul II Soul, and the S.O.S. Band. She began her recording career with four singles in 1968 for the United Artists label, three written and all four produced by songwriter and record producer Bobby Susser. Susser chose the Hank Williams song "Half as Much" to be Redd's first single. Redd's vocals, against Susser's heavy-bass track, made her presence very quickly known to R&B radio station ...
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Barry Manilow II
''Barry Manilow II'' is the second studio album by Barry Manilow released in 1974. Propelled by the major success of its lead single "Mandy" and featuring a further international hit in " It's a Miracle", the album was a commercial breakthrough for Manilow. First issued by Bell Records, it was reissued after the company was reorganized into Arista Records. The album's success spawned a notable parody in the picture sleeve of Ray Stevens' 1979 single, " I Need Your Help Barry Manilow". Track listing Side 1 #"I Want To Be Somebody's Baby" (Barry Manilow, Enoch Anderson) - 4:18 #"Early Morning Strangers" (Barry Manilow, Hal David) - 3:24 #"Mandy" (Scott English, Richard Kerr) - 3:32 #"The Two of Us" (Barry Manilow, Marty Panzer) - 3:05 #"Something's Comin' Up" (Barry Manilow) - 2:51 Side 2 #" It's a Miracle" (Barry Manilow, Marty Panzer) - 3:58 #"Avenue C" (Buck Clayton, Jon Hendricks, Dave Lambert) - 2:37 #" My Baby Loves Me" (Ivy Hunter, Sylvia Moy, William "Mickey" Stevenson) - ...
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Linda Hart
Linda Hart (born July 5, 1950) is an American singer, musician, and actress, mainly appearing in musical theatre. Life and career Hart was born in Dallas, Texas, United States. As a child, Hart sang in her church choir; at age seven, she joined her father, the late Rev. Ralph L. Hart, (a preacher) and the rest of the family in ''The Harts'', a weekly gospel television series. Her father and uncle, the Rev. Doyle Hart, visited Detroit in 1954 and cut a 45 of "Ain't No Grave Gonna Hold My Body Down", later released by Ralph Hart and The Texas Musical Harts. Hart attended Los Angeles City College as a theatre major. During college, however, her family received a recording contract with Columbia Records; Hart joined them and moved to Nashville for the job. The group recorded several gospel albums, many nominated for Grammy Awards and one a winner. Solo work included appearances with ''The New Christy Minstrels'' as their only female leader, a stint on Johnny Cash's ABC television s ...
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Mermaid
In folklore, a mermaid is an aquatic creature with the head and upper body of a female human and the tail of a fish. Mermaids appear in the folklore of many cultures worldwide, including Europe, Asia, and Africa. Mermaids are sometimes associated with perilous events such as floods, storms, shipwrecks, and drownings. In other folk traditions (or sometimes within the same traditions), they can be benevolent or beneficent, bestowing boons or falling in love with humans. The male equivalent of the mermaid is the merman, also a familiar figure in folklore and heraldry. Although traditions about and sightings of mermen are less common than those of mermaids, they are generally assumed to co-exist with their female counterparts. The male and the female collectively are sometimes referred to as merfolk or merpeople. The Western concept of mermaids as beautiful, seductive singers may have been influenced by the Sirens of Greek mythology, which were originally half-birdlike, but ca ...
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Sequin
A sequin () is a small, typically shiny, generally disk-shaped ornament. Sequins are also referred to as paillettes, spangles, or ''diamanté'' (also spelled ''diamante''). Although the words sequins, paillettes, lentejuelas, and spangles can be used interchangeably, ''diamanté'' (literally "set with diamonds") is both an adjective and a plural-only noun, which specifically refers to diamond-shaped sequins and can also be used to mean "artificial diamonds", which serve the same purpose as sequins. In costuming, sequins have a center hole, while spangles have the hole located at the top. Paillettes are typically very large and flat. Sequins may be stitched flat to the fabric, so they do not move, and are less likely to fall off; or they may be stitched at only one point, so they dangle and move easily, catching more light. Some sequins are made with multiple facets, to increase their reflective ability, while others are stamped out with lobes resembling flower petals. Etymo ...
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Da Doo Ron Ron
"Da Doo Ron Ron" is a song written by Jeff Barry, Ellie Greenwich and Phil Spector. It first became a popular top five hit single for the American girl group The Crystals in 1963. American teen idol Shaun Cassidy covered the song in 1977 and his version hit number one on the ''Billboard'' Hot 100 chart. There have also been many other cover versions of this song, including one by the songwriters Jeff Barry and Ellie Greenwich themselves, performing as The Raindrops. Composition The song is the first collaboration in songwriting by Jeff Barry, Ellie Greenwich and Phil Spector. The song was composed over two days in Spector's office in New York. The title "Da Doo Ron Ron" was initially just nonsense syllables used as dummy line to separate each stanza and chorus until proper lyrics could be written, but Spector liked it so much that he kept it. Phil Spector did not want lyrics that were too cerebral and would interfere with a simple boy-meets-girl story line. The rhymes of the op ...
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Chapel Of Love
"Chapel of Love" is a song written by Jeff Barry, Ellie Greenwich and Phil Spector, and made famous by The Dixie Cups in 1964, spending three weeks at number one on the ''Billboard'' Hot 100.Whitburn, Joel (2009). ''Top Pop Singles 1955-2008'' (12th ed.). Menomonee Falls, Wisconsin: Record Research Inc. p. 282. The song tells of the happiness and excitement the narrator feels on her wedding day, for she and her love are going to the "chapel of love", and "we'll never be lonely anymore." Many other artists have recorded the song. It was originally recorded by Darlene Love in April 1963, but her version was not released until 1991. The Dixie Cups' version was the debut release of the new Red Bird Records run by Jerry Leiber and Mike Stoller along with George Goldner.Betrock, Alan (1982). ''Girl Groups The Story of a Sound'' (1st ed.). New York: Delilah Books. pgs. 90-94. The Ronettes included the song on their debut album released in November 1964 with production by Phil Spector ...
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Leader Of The Pack
"Leader of the Pack" is a song written by George "Shadow" Morton, Jeff Barry, and Ellie Greenwich. It was a number one pop hit in 1964 for the American girl group the Shangri-Las. The single is one of the group's best known songs as well as a popular cultural example of a "teenage tragedy song". The song was covered in 1985 by the heavy metal band Twisted Sister, who had a more modest hit with their version (no. 57 in the US). Background and composition The tune of "Leader of the Pack" is credited to pop impresario George "Shadow" Morton together with Jeff Barry and Ellie Greenwich. According to Morton, he wrote the song for the Goodies (also known as the Bunnies), but instead it was needed as a follow-up to the Shangri-Las hit "Remember (Walking in the Sand)". Lyrical content The song is about a girl named Betty, who is asked by friends to confirm that she is dating Jimmy, the leader of a motorcycle gang, whose ring they see on Betty's finger. After singing of love at firs ...
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Pop Music
Pop music is a genre of popular music that originated in its modern form during the mid-1950s in the United States and the United Kingdom. The terms ''popular music'' and ''pop music'' are often used interchangeably, although the former describes all music that is popular and includes many disparate styles. During the 1950s and 1960s, pop music encompassed rock and roll and the youth-oriented styles it influenced. ''Rock'' and ''pop'' music remained roughly synonymous until the late 1960s, after which ''pop'' became associated with music that was more commercial, ephemeral, and accessible. Although much of the music that appears on record charts is considered to be pop music, the genre is distinguished from chart music. Identifying factors usually include repeated choruses and hooks, short to medium-length songs written in a basic format (often the verse-chorus structure), and rhythms or tempos that can be easily danced to. Much pop music also borrows elements from other styles ...
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