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The Guy Who Didn't Like Musicals
''The Guy Who Didn't Like Musicals'' is a horror comedy musical with music and lyrics by Jeff Blim and a book by Matt and Nick Lang. The show acted as the first installment in StarKid's Hatchetfield Series. Loosely inspired by ''Invasion of the Body Snatchers'', it is the 11th stage show produced by StarKid Productions. The show follows Paul, an average guy “who doesn’t like musicals,” as his town is overcome by a musical alien hive mind. The show ran from October 11, 2018, to November 4, 2018, at the Matrix Theater in Los Angeles, California. A recording of the musical was uploaded to YouTube on December 24, 2018, which has since amassed over 6.7 million views as of January 2023. Funding for the show was done through Kickstarter, similarly to StarKid's most recent shows. The project raised US$127,792 through 3,419 backers out of its $60,000 goal. Synopsis Act 1 A group of singing "zombies" addresses the audience, setting the scene in the small town of Hatchetfield and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Matrix Theatre Company
The Matrix Theatre Company is a theatre company located in Los Angeles, California. The Matrix was opened in 1977 by producer Joseph Stern. In 2018 it hosted The Guy Who Didn't Like Musicals by Starkid Productions StarKid Productions, also known as Team StarKid, is an American musical theatre company founded in 2009 at the University of Michigan by Darren Criss, Brian Holden, Matt Lang, and Nick Lang. Originally known for the viral success of their fi .... Awards and nominations References External links * Theatres in Los Angeles Theatres completed in 1977 {{LosAngeles-struct-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Human Extinction
Human extinction, also known as omnicide, is the hypothetical end of the human species due to either natural causes such as population decline from sub-replacement fertility, an asteroid impact, or large-scale volcanism, or to anthropogenic (human) causes. For the latter, some of the many possible contributors include climate change, global nuclear annihilation, biological warfare, and ecological collapse. Other scenarios center on emerging technologies, such as advanced artificial intelligence, biotechnology, or self-replicating nanobots. The scientific consensus is that there is a relatively low risk of near-term human extinction due to natural causes. The likelihood of human extinction through humankind's own activities, however, is a current area of research and debate. History of thought Early history of thinking about human extinction Before the 18th and 19th centuries, the possibility that humans or other organisms could become extinct was viewed with s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musicals Set In The 21st Century
Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals. Although music has been a part of dramatic presentations since ancient times, modern Western musical theatre emerged during the 19th century, with many structural elements established by the works of Gilbert and Sullivan in Britain and those of Harrigan and Hart in America. These were followed by the numerous Edwardian musical comedies and the musical theatre w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musicals Set In The United States
Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals. Although music has been a part of dramatic presentations since ancient times, modern Western musical theatre emerged during the 19th century, with many structural elements established by the works of Gilbert and Sullivan in Britain and those of Harrigan and Hart in America. These were followed by the numerous Edwardian musical comedies and the musical theatre w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Original Musicals
Originality is the aspect of created or invented works that distinguish them from replica, reproductions, clones, forgery, forgeries, or substantially derivative works. The modern idea of originality is according to some scholars tied to Romanticism, by a notion that is often called romantic originality.Smith (1924)Waterhouse (1926)Macfarlane (2007) The validity of "originality" as an operational concept has been questioned. For example, there is no clear boundary between "derivative" and "inspired by" or "in the tradition of." The concept of originality is both culturally and historically contingent. For example, unattributed reiteration of a published text in one culture might be considered plagiarism but in another culture might be regarded as a convention of veneration. At the time of Shakespeare, it was more common to appreciate the similarity with an admired classical work, and Shakespeare himself avoided "unnecessary invention".Royal Shakespeare Company (2007) ''The RSC ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horror Plays
Horror may refer to: Arts, entertainment, and media Genres *Horror fiction, a genre of fiction **Japanese horror, Japanese horror fiction **Korean horror, Korean horror fiction *Horror film, a film genre *Horror comics, comic books focusing on horror *Horror punk, a music genre *Horrorcore, a subgenre of hip hop music based on horror *Horror game, a video game genre **Survival horror, a video game subgenre of horror and action-adventure *Horror podcast, a podcast genre Films *Horror (2002 film), ''Horror'' (2002 film), an American film by Dante Tomaselli *Hashtag Horror, ''#Horror'', a 2015 American film by Tara Subkoff *''Horror'', Italian title for the 1963 Italian-Spanish film ''The Blancheville Monster'' Fictional characters *Horror (Garo), Horror (''Garo''), fictional monsters in the Tokusatsu series ''Garo'' *Horror icon, a significant person or fictional character in a horror genre Music Groups and labels * Ho99o9 (pronounced Horror), an American hip hop group * The Hor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
