The Guerilla Band
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The Guerilla Band
''The Guerilla Band'' is an album by American pianist Hal Galper released on the Mainstream label in 1971.Mainstream Records discography
accessed November 21, 2016

accessed November 21, 2016


Critical reception

The review by Jim Todd states "While not one of the classics of the jazz fusion movement of the early '70s, ''The Guerilla Band'' does attempt to say something substantial and avoids the genre's commercial pitfalls ... Galper writes long, impressionistic lines that are played over busy, skittering, rhythms – imagin ...
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Hal Galper
Harold Galper (born April 18, 1938) is an American jazz pianist, composer, arranger, bandleader, educator, and writer. Biography He was born in Salem, Massachusetts, United States. Galper studied classical piano as a boy, but switched to jazz which he studied at the Berklee College of Music from 1955 to 1958. He hung out at Herb Pomeroy's club, the Stable, hearing local Boston musicians such as Jaki Byard, Alan Dawson and Sam Rivers. Galper started sitting in and became the house pianist at the Stable and later on, at Connelly's and Lenny's on the Turnpike. He went on to work in Pomeroy's band. Later on he worked with Chet Baker and Stan Getz and accompanied vocalists Joe Williams, Anita O'Day, and Chris Connor. Between 1973 and 1975, Galper played in the Cannonball Adderley Quintet replacing George Duke. He performed in New York and Chicago jazz clubs in the late 1970s. Around this time, Galper recorded several times with guitarist John Scofield for the Enja label. For 10 y ...
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Flugelhorn
The flugelhorn (), also spelled fluegelhorn, flugel horn, or flügelhorn, is a brass instrument that resembles the trumpet and cornet but has a wider, more conical bore. Like trumpets and cornets, most flugelhorns are pitched in B, though some are in C. It is a type of valved bugle, developed in Germany in the early 19th century from a traditional English valveless bugle. The first version of a valved bugle was sold by Heinrich Stölzel in Berlin in 1828. The valved bugle provided Adolphe Sax (creator of the saxophone) with the inspiration for his B soprano (contralto) saxhorns, on which the modern-day flugelhorn is modeled. Etymology The German word ''Flügel'' means ''wing'' or ''flank'' in English. In early 18th century Germany, a ducal hunt leader known as a ''Flügelmeister'' blew the ''Flügelhorn'', a large semicircular brass or silver valveless horn, to direct the wings of the hunt. Military use dates from the Seven Years' War, where this instrument was employed as a pre ...
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Hal Galper Albums
HAL may refer to: Aviation * Halali Airport (IATA airport code: HAL) Halali, Oshikoto, Namibia * Hawaiian Airlines (ICAO airline code: HAL) * HAL Airport, Bangalore, India * Hindustan Aeronautics Limited an Indian aerospace manufacturer of fighter aircraft and helicopters Businesses * HAL Allergy, a Dutch pharmaceutical company * HAL Computer Systems, a defunct computer manufacturer * HAL Laboratory, a Japanese video game developer * Halliburton's New York Stock Exchange ticker symbol * Hamburg America Line, a shipping company * Hindustan Aeronautics Limited, an Indian aerospace manufacturer of fighter aircraft and helicopters * Hindustan Antibiotics Limited, an Indian public sector pharmaceutical manufacturer * Holland America Line, a cruise ship operator * HAL FM, or CHNS-FM, a classic rock station in Halifax, Nova Scotia Computing * Hardware abstraction layer, a layer of software that hides hardware differences from higher level programs * HAL (software), an implementation of ...
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Mainstream Records Albums
Mainstream may refer to: Film * ''Mainstream'' (film), a 2020 American film Literature * ''Mainstream'' (fanzine), a science fiction fanzine * Mainstream Publishing, a Scottish publisher * ''Mainstream'', a 1943 book by Hamilton Basso Music * Mainstream jazz, a term coined in the 1950s to describe the form of jazz which was a continuation of the Swing era * ''Mainstream'' (band), a late-1990s British shoegazer band, or their first album * ''Mainstream'' (Fullerton College Jazz Band album), 1994 * ''Mainstream'' (Lloyd Cole and the Commotions album), 1987 * ''Mainstream'' (Quiet Sun album), 1975 * ''Mainstream EP'', by Metric, 1998 * Mainstream Records, an American record label * "Mainstream", a song by Thea Gilmore from the 2003 album ''Avalanche'' See also *Mainstreaming (other) *Mainstream media *Mainline Protestant, a group of American denominations *Mainstream Renewable Power, an Irish renewable energy development company *Mainstream Energy Corporation ...
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Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ...
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Don Alias
Charles "Don" Alias (December 25, 1939 in New York City – March 28, 2006 in New York City) was an American jazz percussionist. Alias was best known for playing congas and other hand drums. He was, however, a capable drum kit performer: for example, Alias played drums on the song "Miles Runs the Voodoo Down" from trumpeter Miles Davis's album '' Bitches Brew'' (1969) when neither Lenny White nor Jack DeJohnette was able to play the marching band-inspired rhythm requested by Davis.see the notes for ''The Complete Bitches Brew Sessions'' (1998) Alias performed on hundreds of recordings and was perhaps best known for his associations with Miles Davis and saxophonist David Sanborn, though he also performed or recorded with the group Weather Report, singer Joni Mitchell, pianist Herbie Hancock, the Brecker Brothers, Jaco Pastorius, Pat Metheny, Nina Simone and many others. Alias was born in New York City and arrived in Boston in the early 1960s intending to study medicine but, afte ...
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Electric Bass
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck The neck is the part of the body on many vertebrates that connects the head with the torso. The neck supports the weight of the head and protects the nerves that carry sensory and motor information from the brain down to the rest of the body. In ... and Scale length (string instruments), scale length, and typically four to six string (music), strings or Course (music), courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a plectrum, pick. To be heard ...
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Victor Gaskin
Roderick Victor Gaskin (November 23, 1934 – July 14, 2012) was an American jazz bassist. Gaskin was born in The Bronx, New York and moved to Los Angeles in 1962. He started playing with Paul Horn and Red Mitchell and went on to become one of many bass players for the Jazz Crusaders. He also recorded with Curtis Amy and Dupree Bolton, before becoming a part of the West Coast jazz scene, accompanying Buddy Collette, Shelly Manne, and Bud Shank. Between 1966 and 1970, he was a member of Cannonball Adderley's groups, and in 1970 recorded with Duke Ellington's octet, quintet, quartet and trio. He started playing with the Billy Taylor Trio in the late 1970s, continuing until 1993, as well as with Johnny Hartman and Hank Jones. Between 1994 and 2001 Victor Gaskin was in Singapore and performed regularly at The Four Seasons Hotel with Boni de Souza & Friends for the iconic Sunday Jazz Brunch. They were pioneers of the Sunday Jazz Brunch scene in Singapore, setting the trend for ot ...
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Electric Guitar
An electric guitar is a guitar that requires external amplification in order to be heard at typical performance volumes, unlike a standard acoustic guitar (however combinations of the two - a semi-acoustic guitar and an electric acoustic guitar exist). It uses one or more pickups to convert the vibration of its strings into electrical signals, which ultimately are reproduced as sound by loudspeakers. The sound is sometimes shaped or electronically altered to achieve different timbres or tonal qualities on the amplifier settings or the knobs on the guitar from that of an acoustic guitar. Often, this is done through the use of effects such as reverb, distortion and "overdrive"; the latter is considered to be a key element of electric blues guitar music and jazz and rock guitar playing. Invented in 1932, the electric guitar was adopted by jazz guitar players, who wanted to play single-note guitar solos in large big band ensembles. Early proponents of the electric guitar on ...
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Soprano Saxophone
The soprano saxophone is a higher-register variety of the saxophone, a woodwind instrument invented in the 1840s. The soprano is the third-smallest member of the saxophone family, which consists (from smallest to largest) of the soprillo, sopranino, soprano, alto, tenor, baritone, bass, contrabass saxophone and tubax. Soprano saxophones are the smallest and thus highest-pitched saxophone in common use. The instrument A transposing instrument pitched in the key of B, modern soprano saxophones with a high F key have a range from concert A3 to E6 (written low B to high F) and are therefore pitched one octave above the tenor saxophone. There is also a soprano saxophone pitched in C, which is uncommon; most examples were produced in America in the 1920s. The soprano has all the keys of other saxophone models (with the exception of the low A on some baritones and altos). Soprano saxophones were originally keyed from low B to high E, but a low B mechanism was patented in 1887 and ...
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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ...
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Michael Brecker
Michael Leonard Brecker (March 29, 1949 – January 13, 2007) was an American jazz saxophonist and composer. He was awarded 15 Grammy Awards as both performer and composer. He was awarded an Honorary Doctorate from Berklee College of Music in 2004, and was inducted into the ''DownBeat'' Jazz Hall of Fame in 2007. Biography Early life and career Michael Brecker was born in Philadelphia and raised in Cheltenham Township, a local suburb. He was raised in a Jewish—and artistic—family: his father, Bob (Bobby), was a lawyer who played jazz piano and his mother, Sylvia, was a portrait artist. Michael Brecker was exposed to jazz at an early age by his father. He grew up as part of the generation of jazz musicians who saw rock music not as the enemy but as a viable musical option. Brecker began studying clarinet at age 6, then moved to alto saxophone in eighth grade, settling on the tenor saxophone as his primary instrument in his sophomore year. He graduated from Chelte ...
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