The Great Brain Robbery (album)
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The Great Brain Robbery (album)
''The Great Brain Robbery'' is the second and final studio album by British indie rock band The Crocketts. Recorded at Chapel Studios, Monnow Valley Studio and Ridge Farm Studio with producers Charlie Francis and Bird & Bush, the album was released by Blue Dog Records in conjunction with V2 Records on 17 April 2000. "Host", "On Something" and " 1939 Returning/Chicken vs. Macho" were released as singles in 2000, all of which reached the top 100 on the UK Singles Chart. Promotion The first single from the album, "Host", reached number 82 on the UK Singles Chart. The second single, "On Something", reached number 90. The third and final single, " 1939 Returning/Chicken vs. Macho", reached number 94. Critical reception Positive A review in the magazine ''Welsh Bands Weekly'' described ''The Great Brain Robbery'' as "fucking amazing", praising the performance of vocalist Davey MacManus as well as the "perfect harmony between voices and instruments". Songs such as "Mrs Playing Dead" ...
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The Crocketts
The Crocketts were a British-Irish indie rock band from Aberystwyth. Formed in 1996, the band featured Irish vocalist Davey MacManus, English guitarist Daniel Harris, English bassist Richard Carter and Welsh drummer Owen Hopkin. The Crocketts were signed to Blue Dog Records and released two studio albums: ''We May Be Skinny & Wirey'' in 1998 and ''The Great Brain Robbery (album), The Great Brain Robbery'' in 2000. After the band split up in 2002, MacManus and Hopkin went on to form The Crimea (band), the Crimea. History 1996–1999: Formation and debut album The Crocketts formed in late 1996 while band members Davey MacManus, Daniel Harris, Richard Carter and Owen Hopkin were attending Aberystwyth University. An early lineup of the band known as the Crocketts 20th Century Vikings, featuring second vocalist Hannah Fowler and Graham Salisbury in place of Hopkin, released an EP in 1996 entitled ''Frog on a Stick''. Shortly after forming the band, each member also created a nickname b ...
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Indie Rock
Indie rock is a Music subgenre, subgenre of rock music that originated in the United States, United Kingdom and New Zealand from the 1970s to the 1980s. Originally used to describe independent record labels, the term became associated with the music they produced and was initially used interchangeably with alternative rock or "Pop rock, guitar pop rock". One of the primary scenes of the movement was Dunedin, where Dunedin sound, a cultural scene based around a convergence of noise pop and jangle became popular among the city's University of Otago, large student population. Independent labels such as Flying Nun Records, Flying Nun began to promote the scene across New Zealand, inspiring key college rock bands in the United States such as Pavement (band), Pavement, Pixies (band), Pixies and R.E.M. Other notable scenes grew in Madchester, Manchester and Hamburger Schule, Hamburg, with many others thriving thereafter. In the 1980s, the use of the term "independent music, indie" (or " ...
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Audio Engineering
Audio most commonly refers to sound, as it is transmitted in signal form. It may also refer to: Sound * Audio signal, an electrical representation of sound *Audio frequency, a frequency in the audio spectrum * Digital audio, representation of sound in a form processed and/or stored by computers or digital electronics *Audio, audible content (media) in audio production and publishing *Semantic audio, extraction of symbols or meaning from audio * Stereophonic audio, method of sound reproduction that creates an illusion of multi-directional audible perspective * Audio equipment Entertainment *AUDIO (group), an American R&B band of 5 brothers formerly known as TNT Boyz and as B5 * ''Audio'' (album), an album by the Blue Man Group * ''Audio'' (magazine), a magazine published from 1947 to 2000 *Audio (musician), British drum and bass artist * "Audio" (song), a song by LSD Computing *, an HTML element, see HTML5 audio See also *Acoustic (other) *Audible (other) *A ...
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Audio Mixing (recorded Music)
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo (or surround) field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product. Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production. Audio mixing may be performed on a mixing ...
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Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ...
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Mary Hopkin
Mary Hopkin (born 3 May 1950), credited on some recordings as Mary Visconti from her marriage to Tony Visconti, is a Welsh singer-songwriter best known for her 1968 UK number 1 single "Those Were the Days". She was one of the first artists to be signed to The Beatles' Apple label. Biography Early singing career Hopkin was born into a Welsh-speaking family in Pontardawe, Wales; her father worked as a housing officer. She took weekly singing lessons as a child and began her musical career as a folk singer with a local group called the Selby Set and Mary. She released an EP of Welsh-language songs for a local record label called Cambrian, based in her hometown, before signing to Apple Records, owned by the Beatles, one of the first artists to do so. The model Twiggy saw her winning the ITV television talent show '' Opportunity Knocks'' and recommended her to Paul McCartney. Her debut single, "Those Were the Days", produced by McCartney, was released in the UK on 30 August 196 ...
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Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ...
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Bass Guitar
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck and scale length, and typically four to six strings or courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a pick. To be heard at normal performance volumes, electric basses require external amplification. Terminology According to the ''New Grove Dictionary of Music and Musicians'', an "Electric bass guitar sa Guitar, usually with four heavy strings tuned E1'–A1'–D2–G2." It also defines ''bass'' as "Bass (iv). A contraction of Double bas ...
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Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the ...
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Singing
Singing is the act of creating musical sounds with the voice. A person who sings is called a singer, artist or vocalist (in jazz and/or popular music). Singers perform music (arias, recitatives, songs, etc.) that can be sung with or without accompaniment by musical instruments. Singing is often done in an ensemble of musicians, such as a choir. Singers may perform as soloists or accompanied by anything from a single instrument (as in art song or some jazz styles) up to a symphony orchestra or big band. Different singing styles include art music such as opera and Chinese opera, Indian music, Japanese music, and religious music styles such as gospel, traditional music styles, world music, jazz, blues, ghazal, and popular music styles such as pop, rock, and electronic dance music. Singing can be formal or informal, arranged, or improvised. It may be done as a form of religious devotion, as a hobby, as a source of pleasure, comfort, or ritual as part of music education or ...
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Melody Maker
''Melody Maker'' was a British weekly music magazine, one of the world's earliest music weeklies; according to its publisher, IPC Media, the earliest. It was founded in 1926, largely as a magazine for dance band musicians, by Leicester-born composer, publisher Lawrence Wright; the first editor was Edgar Jackson. In January 2001, it was merged into "long-standing rival" (and IPC Media sister publication) ''New Musical Express''. 1950s–1960s Originally the ''Melody Maker'' (''MM'') concentrated on jazz, and had Max Jones, one of the leading British proselytizers for that music, on its staff for many years. It was slow to cover rock and roll and lost ground to the ''New Musical Express'' (''NME''), which had begun in 1952. ''MM'' launched its own weekly singles chart (a top 20) on 7 April 1956, and an LPs charts in November 1958, two years after the ''Record Mirror'' had published the first UK Albums Chart. From 1964, the paper led its rival publications in terms of approac ...
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Kerrang!
''Kerrang!'' is a British weekly magazine devoted to rock, punk and heavy metal music, currently published by Wasted Talent (the same company that owns electronic music publication ''Mixmag''). It was first published on 6 June 1981 as a one-off supplement in the ''Sounds'' newspaper. Named after the onomatopoeic word that derives from the sound made when playing a power chord on a distorted electric guitar, ''Kerrang!'' was initially devoted to the new wave of British heavy metal and the rise of hard rock acts. In the early 2000s, it became the best-selling British music weekly. History ''Kerrang!'' was founded in 1981. The editor of the weekly music magazine ''Sounds'', Alan Lewis, suggested that Geoff Barton edit a one-off special edition focusing on the new wave of British heavy metal phenomenon and on the rise of other hard rock acts.
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