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The Grateful Dead Movie
''The Grateful Dead Movie'', released in 1977 and directed by Jerry Garcia, is a film that captures live performances from rock band the Grateful Dead during an October 1974 five-night run at Winterland Ballroom, Winterland in San Francisco, California, San Francisco. These concerts marked the beginning of a hiatus, with the October 20, 1974, show billed as "The Last One". The band would return to touring in 1976. The film features the "Wall of Sound (Grateful Dead), Wall of Sound" concert sound system that the Dead used for all of 1974. The movie also portrays the burgeoning Deadhead scene. Two albums have been released in conjunction with the film and the concert run: ''Steal Your Face'' and ''The Grateful Dead Movie Soundtrack''. Documenting the Grateful Dead experience "There is nothing like a Grateful Dead concert" was a fan epithet, coined by Dead family member and building manager Willy Legate. In performance, the Dead emphasized musical improvisation and jam band, jamming, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerry Garcia
Jerome John Garcia (August 1, 1942 – August 9, 1995) was an American musician best known for being the principal songwriter, lead guitarist, and a vocalist with the rock band Grateful Dead, which he co-founded and which came to prominence during the counterculture of the 1960s. Although he disavowed the role, Garcia was viewed by many as the leader of the band. He was inducted into the Rock and Roll Hall of Fame in 1994 as a member of the Grateful Dead. As one of its founders, Garcia performed with the Grateful Dead for the band's entire 30-year career (1965–1995). Garcia also founded and participated in a variety of side projects, including the Saunders–Garcia Band (with longtime friend Merl Saunders), the Jerry Garcia Band, Old & In the Way, the Garcia/ Grisman and Garcia/Kahn acoustic duos, Legion of Mary, and New Riders of the Purple Sage (which he co-founded with John Dawson and David Nelson). He also released several solo albums, and contributed to a number of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jam Band
A jam band is a musical group whose concerts (and live albums) are characterized by lengthy improvisational "jams." These include extended musical improvisation over rhythmic grooves and chord patterns, and long sets of music which often cross genre boundaries. Most jam band sets will consist of variations on songs that have already been released as studio recordings. Jam bands are known for having a very fluid structure, often having one song lead into another without any interruption. The jam-band musical style, spawned from the psychedelic rock movement of the 1960s, was a feature of nationally famed groups such as the Grateful Dead and The Allman Brothers Band, whose regular touring schedules continued into the 1990s. The style influenced a new wave of jam bands who toured the United States with jam band-style concerts in the late 1980s and early '90s, such as Phish, Blues Traveler, Widespread Panic, Dave Matthews Band, The String Cheese Incident, and Col. Bruce Hampto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-production
Post-production is part of the process of filmmaking, video production, audio production, and photography. Post-production includes all stages of production occurring after principal photography or recording individual program segments. The first part of the post-production process is the traditional non-linear (analog) film editing at the outset of post-production has mostly been replaced by digital or video editing software that operates as a non-linear editing (NLE) system. The advantage of being able to have this non-linear capacity is in the flexibility for editing scenes out of order, making creative changes at will, carefully shaping the film in a thoughtful, meaningful way for emotional effect. Once the production team is satisfied with the picture editing, the picture editing is said to be "locked." At this point begins the turnover process, where the picture is prepared for lab and color finishing and the sound is "spotted" and turnover to the composer and sound de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sequential Circuits Prophet-5
The Prophet-5 is an analog synthesizer manufactured by the American company Sequential. It was designed by Dave Smith and John Bowen in 1977, who used microprocessors, then a new technology, to create the first polyphonic synthesizer with fully programmable memory. This allowed users to store sounds and recall them instantly rather than having to reprogram them manually; whereas synthesizers had once created unpredictable sounds, the Prophet-5 moved synthesizers to producing "a standard package of familiar sounds". Between 1978 and 1984, about 6,000 units were produced across three revisions. In 1981, Sequential released a 10-voice, double-keyboard version, the Prophet-10. Sequential introduced new versions in 2020, and it has been emulated in software synthesizers and hardware. The Prophet-5 has been widely used in popular music and film soundtracks. Development The Prophet-5 was created in 1977 by Dave Smith and John Bowen at Sequential Circuits. At the time, Smith had ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oberheim Polyphonic
The Oberheim Polyphonic Synthesizer is a range of analog music synthesizers that was produced from 1975 to 1979 by Oberheim Electronics. It was developed by Tom Oberheim, and was the first production synthesizer capable of playing chords. Specification Oberheim took the idea and electronics of a Minimoog synthesizer and put them in a small box, making a few changes, and in 1974 introduced the SEM (Synthesizer Expander Module), which became the building block of his polyphonic synths. By strapping two, four, or eight of these SEMs together under keyboard control, he was able to create practical, albeit large, synthesizers that could play two, four, or eight notes simultaneously. The Oberheim Polyphonic Synthesizer was born. Each SEM in an Oberheim Polyphonic generates one voice (or note). There was an optional Polyphonic Synthesizer Programmer module (PSP-1) for the four- and eight-voice models with 16 memories, which allowed the user to store and recall some sound settings of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
E-mu Systems
E-mu Systems was a software synthesizer, audio interface, MIDI interface, and MIDI keyboard manufacturer. Founded in 1971 as a synthesizer maker, E-mu was a pioneer in samplers, sample-based drum machines and low-cost digital sampling music workstations. After its acquisition in 1993, E-mu Systems was a wholly owned subsidiary of Creative Technology, Ltd.About E-MU Creative.com In 1998, E-mu was combined with Ensoniq, another synthesizer and sampler manufacturer previously acquired by Creative Technology. E-mu was last based in , on the outskirts of |
Interdata
Interdata, Inc., was a computer company, founded in 1966 by a former Electronic Associates engineer, Daniel Sinnott, and was based in Oceanport, New Jersey. The company produced a line of 16- and 32-bit minicomputers that were loosely based on the IBM 360 instruction set architecture but at a cheaper price. In 1974, it produced one of the first 32-bit minicomputers, the Interdata 7/32. The company then used the parallel processing approach, where multiple tasks were performed at the same time, making real-time computing a reality. Some real-time applications Interdata computers were used for included: Core Protection Calculator, used in some later Combustion Engineering designed nuclear power plants; lottery systems manufactured by GTech; the NexRad weather radar system. Many companies used them for internal high speed laboratory data capture, such as United Technologies Research Center in East Hartford, Connecticut wind tunnel, General Electric R&D in Schenectady, New York, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ARP Odyssey
The ARP Odyssey is an analog synthesizer introduced by ARP Instruments in 1972. History ARP developed the Odyssey as a direct competitor to the Moog Minimoog and an answer to the demand for more affordable, portable, and less complicated "performance" synthesizers. ARP produced several versions of the Odyssey from 1972 to 1980. In early 2015, Korg reissued the Odyssey in cooperation with the original designer and ARP co-founder, David Friend. Design The Odyssey is a two-oscillator analog synthesizer, and one of the first with duophonic capabilities (the ability to play two notes at the same time). All parameters, including a resonant low-pass filter, a non-resonant high-pass filter, ADSR and AR envelopes, a sine and square wave LFO, and a sample-and-hold function are controllable with sliders and switches on the front panel. Features *Switchable between sawtooth, square, and pulse waveforms with oscillator sync, a "ring modulator", and pink or white noise. (As with the Kor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fender Rhodes
The Rhodes piano (also known as the Fender Rhodes piano) is an electric piano invented by Harold Rhodes, which became popular in the 1970s. Like a conventional piano, the Rhodes generates sound with keys and hammers, but instead of strings, the hammers strike thin metal tines, which vibrate next to an electromagnetic pickup. The signal is then sent through a cable to an external keyboard amplifier and speaker. The instrument evolved from Rhodes's attempt to manufacture pianos while teaching recovering soldiers during World War II. Development continued after the war and into the following decade. In 1959, Fender began marketing the Piano Bass, a cut-down version; the full-size instrument did not appear until after Fender's sale to CBS in 1965. CBS oversaw mass production of the Rhodes piano in the 1970s, and it was used extensively through the decade, particularly in jazz, pop, and soul music. It was less used in the 1980s because of competition with polyphonic and digital ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ned Lagin
Ned Lagin (born March 17, 1948) is an American artist, photographer, scientist, composer, and keyboardist.Ned Lagin interview with David Gans, August 2001 in: Gans, David. Conversations with the Dead, The Grateful Dead Interview Book, Da Capo Press, Cambridge, Massachusetts 2002. pp. 343–389. Lagin is considered a pioneer in the development and use of minicomputers and personal computers in real-time stage and studio music composition and performance. He is known for his electronic music composition '' Seastones'', for performing with the Grateful Dead, and for his photography and art. Early years Ned Lagin was born in New York City and raised on Long Island in Roslyn Heights, New York. Growing up, Lagin was influenced by classical and jazz music, and the modern music and art cultures of New York City in the 1960s. He started photography with a Kodak Baby Brownie Special at the age of five, and piano lessons and science, natural history, and electronic projects at the age o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
United Artists Records
United Artists Records was an American record label founded by Max E. Youngstein of United Artists in 1957 to issue movie soundtracks. The label expanded into other genres, such as easy listening, jazz, pop, and R&B. History Genres In 1959, United Artists released ''Forest of the Amazons,'' a cantata by Brazilian composer Heitor Villa-Lobos adapted from the music he composed for MGM's ''Green Mansions'', with the composer conducting the Symphony of the Air. Brazilian soprano Bidu Sayão was the featured soloist on the unusual recording, which was released on both LP and reel-to-reel tape. United Artists releases included soundtracks and cover versions from the James Bond movies, ''It's a Mad, Mad, Mad, Mad World'' (1963), '' A Hard Day's Night'' starring the Beatles (1964), ''The Greatest Story Ever Told'' (1965), '' A Funny Thing Happened on the Way to the Forum'' (1966), '' Fiddler on the Roof'' (1971), and '' Man of La Mancha'' (1972). The soundtrack album of United Art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Last Waltz
''The Last Waltz'' was a concert by the Canadian-American rock group The Band, held on American Thanksgiving Day, November 25, 1976, at Winterland Ballroom in San Francisco. ''The Last Waltz'' was advertised as The Band's "farewell concert appearance",Concert poster on the first page of the 2002 album booklet and in the DVD photo gallery states: "The Band in their farewell concert appearance." and the concert had The Band joined by more than a dozen special guests, including their previous employers Ronnie Hawkins and Bob Dylan, as well as Paul Butterfield, Bobby Charles, Eric Clapton, Neil Diamond, Emmylou Harris, Dr. John, Joni Mitchell, Van Morrison, Ringo Starr, Muddy Waters, Ronnie Wood, and Neil Young. The musical director for the concert was The Band's original record producer, John Simon. The concert was produced and managed by Bill Graham and was filmed by director Martin Scorsese, who made it into a documentary of the same title, released in 1978. Jo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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