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The Gondoliers
''The Gondoliers; or, The King of Barataria'' is a Savoy Opera, with music by Arthur Sullivan and libretto by W. S. Gilbert. It premiered at the Savoy Theatre on 7 December 1889 and ran for a very successful 554 performances (at that time the fifth longest-running piece of musical theatre in history), closing on 30 June 1891. This was the twelfth comic opera collaboration of fourteen between Gilbert and Sullivan. The story of the opera concerns the young bride of the heir to the throne of the fictional kingdom of Barataria who arrives in Venice to join her husband. It turns out, however, that he cannot be identified, since he was entrusted to the care of a drunken gondolier who mixed up the prince with his own son. To complicate matters, the King of Barataria has just been killed. The two young gondoliers must now jointly rule the kingdom until the nurse of the prince can be brought in to determine which of them is the rightful king. Moreover, when the young queen arrives ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Command Performance
A Royal Command Performance is any performance by actors or musicians that occurs at the direction or request of a reigning monarch of the United Kingdom. Although English monarchs have long sponsored their own theatrical companies and commissioned theatrical performances, the first Royal Command Performance to bear that name was staged at Windsor Castle in 1848 by order of Queen Victoria. From then on, command performances were frequently staged, often calling upon the leading actors from the London theatres, until the death of Albert, Prince Consort, Prince Albert in 1861. There were no further command performances until they recommenced in 1881. These included plays, revues, comic operas and other musical theatre. King Edward VII called for several performances each year. In 1911 a Great "Gala" performance was given by the theatrical profession at Her Majesty's Theatre, His Majesty's Theatre in London in celebration of the Coronation of George V and Mary, coronation of King ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1907 Gondoliers
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album ''Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipknot. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percy Anderson (designer)
Percy Anderson (22 March 185130 October 1928) was an English stage designer and painter, best known for his work for the D'Oyly Carte Opera Company, Sir Herbert Beerbohm Tree's company at His Majesty’s Theatre and Edwardian musical comedies. Life and career Anderson was born on 22 March 1851 at Willesden, North West London. His first significant production was the comic opera ''Lady of the Locket'', composed by William Fullerton Jr. with a libretto by Henry Hamilton. Beginning with ''The Yeomen of the Guard'' (1888), Anderson designed the costumes for all the original productions of the Savoy Operas. He continued to design costumes for D'Oyly Carte revivals in the early twentieth century, including for ''Trial by Jury, H.M.S. Pinafore, The Pirates of Penzance, Patience, Iolanthe, Princess Ida, Ruddigore, The Yeomen of the Guard,'' and ''The Gondoliers.'' For Herbert Beerbohm Tree at His Majesty's Theatre, Anderson designed ''Twelfth Night, The Merry Wives of Windsor, Rich ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bab Ballads
''The Bab Ballads'' is a collection of light verses by W. S. Gilbert (1836–1911), illustrated with his own comic drawings. The book takes its title from Gilbert's childhood nickname. He later began to sign his illustrations "Bab". Gilbert wrote the "ballads" collected in the book before he became famous for his comic opera librettos with Arthur Sullivan. In writing these verses Gilbert developed his "topsy-turvy" style in which the humour is derived by setting up a ridiculous premise and working out its logical consequences, however absurd. The ballads also reveal Gilbert's cynical and satirical approach to humour. They became famous on their own, as well as being a source for plot elements, characters and songs that Gilbert recycled in the Gilbert and Sullivan operas. They were read aloud at private dinner-parties, at public banquets and even in the House of Lords. The ballads have been much published, and some have been recorded or otherwise adapted. Early history Gi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Illustrated London News
''The Illustrated London News'' appeared first on Saturday 14 May 1842, as the world's first illustrated weekly news magazine. Founded by Herbert Ingram, it appeared weekly until 1971, then less frequently thereafter, and ceased publication in 2003. The company continues today as Illustrated London News Ltd, a publishing, content, and digital agency in London, which holds the publication and business archives of the magazine. History 1842–1860: Herbert Ingram ''The Illustrated London News'' founder Herbert Ingram was born in Boston, Lincolnshire, in 1811, and opened a printing, newsagent, and bookselling business in Nottingham around 1834 in partnership with his brother-in-law, Nathaniel Cooke.Isabel Bailey"Ingram, Herbert (1811–1860)" ''Oxford Dictionary of National Biography'', Oxford University Press, 2004 accessed 17 September 2014] As a newsagent, Ingram was struck by the reliable increase in newspaper sales when they featured pictures and shocking stories. Ingram beg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barcarolle
A barcarolle (; from French, also barcarole; originally, Italian barcarola or barcaruola, from ''barca'' 'boat') is a traditional folk song sung by Venetian gondoliers, or a piece of music composed in that style. In classical music, two of the most famous barcarolles are Jacques Offenbach's "Belle nuit, ô nuit d'amour", from his opera ''The Tales of Hoffmann''; and Frédéric Chopin's Barcarolle in F-sharp major for solo piano. Description A barcarolle is characterized by a rhythm reminiscent of the gondolier's stroke, almost invariably in 6/8 meter at a moderate tempo. While the most-famous barcarolles are from the Romantic period, the genre was known well enough in the 18th century for Burney to mention, in ''The Present State of Music in France and Italy'' (1771), that it was a celebrated form cherished by "collectors of good taste". Notable examples The barcarolle was a popular form in opera, where the apparently artless sentimental style of the folklike song could b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tarantella
() is a group of various southern Italian folk dances originating in the regions of Calabria, Campania and Puglia. It is characterized by a fast upbeat tempo, usually in time (sometimes or ), accompanied by tambourines. It is among the most recognized forms of traditional southern Italian music. The specific dance-name varies with every region, for instance ''Sonu a ballu'' in Calabria, ''tammurriata'' in Campania, and ''pizzica'' in Salento. Tarantella is popular in Southern Italy and Argentina. The term may appear as in a linguistically masculine construction. History In the Italian province of Taranto, Apulia, the bite of a locally common type of wolf spider, named "tarantula" after the region, was popularly believed to be highly venomous and to lead to a hysterical condition known as tarantism. This became known as the "tarantella". R. Lowe Thompson proposed that the dance is a survival from a "Dianic or Dionysiac cult", driven underground. John Compton later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saltarello
The ''saltarello'' is a musical dance originally from Italy. The first mention of it is in Add MS 29987, a late-fourteenth- or early fifteenth-century manuscript of Tuscan origin, now in the British Library. It was usually played in a fast triple meter and is named for its peculiar leaping step, after the Italian verb ''saltare'' ("to jump"). This characteristic is also the basis of the German name ''Hoppertanz'' or ''Hupfertanz'' ("hopping dance"); other names include the French ''pas de Brabant'' and the Spanish ''alta'' or ''alta danza''. History The saltarello enjoyed great popularity in the courts of medieval Europe. During the 14th century, the word saltarello became the name of a particular dance step (a double with a hop on the final or initial upbeat), and the name of a meter of music (a fast triple), both of which appear in many choreographed dances. Entire dances consisting of only the saltarello step and meter are described as being improvised dances in 15th-cen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cachucha
Cachucha is a Spanish solo dance in or time, similar to the bolero. Cachucha is danced to an Andalusian national song with castanet accompaniment. Etymology From Spanish , small boat. Possibly from diminutive of ', shard, saucepan, probably from vulgar Latin ', alteration of Latin ', pot, from Greek ', a small container. History The Cachucha was created in Cuba though it is now considered a Spanish dance. Fanny Elssler (1810-1884, Vienna) popularized this dance when she introduced it to the public in the ballet from Rossini's opera ''La donna del lago'' in 1830s London, and cemented its fame in Jean Coralli's ballet '' Le Diable boiteux'' (1836, Vienna). Gilbert and Sullivan sets the dance for the entire company in Act 2 of the Savoy Opera ''The Gondoliers ''The Gondoliers; or, The King of Barataria'' is a Savoy Opera, with music by Arthur Sullivan and libretto by W. S. Gilbert. It premiered at the Savoy Theatre on 7 December 1889 and ran for a very successful 554 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gavotte
The gavotte (also gavot, gavote, or gavotta) is a French dance, taking its name from a folk dance of the Gavot, the people of the Pays de Gap region of Dauphiné in the southeast of France, where the dance originated, according to one source. According to another reference, the word ''gavotte'' is a generic term for a variety of French folk dances, and most likely originated in Lower Brittany in the west, or possibly Provence in the southeast or the French Basque Country in the southwest of France. It is notated in or time and is usually of moderate tempo, though the folk dances also use meters such as and . In late 16th-century Renaissance dance, the gavotte is first mentioned as the last of a suite of branles. Popular at the court of Louis XIV, it became one of many optional dances in the classical suite of dances. Many were composed by Lully, Rameau and Gluck, and the 17th-century cibell is a variety. The dance was popular in France throughout the 18th century and spread w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francis Burnand
Sir Francis Cowley Burnand (29 November 1836 – 21 April 1917), usually known as F. C. Burnand, was an English comic writer and prolific playwright, best known today as the librettist of Arthur Sullivan's opera ''Cox and Box''. The son of a prosperous family, he was educated at Eton and Cambridge and was expected to follow a conventional career in the law or in the church, but he concluded that his vocation was the theatre. From his schooldays he had written comic plays, and from 1860 until the end of the 19th century, he produced a series of more than 200 Victorian burlesques, farces, pantomimes and other stage works. His early successes included the burlesques ''Ixion'', ''or the Man at the Wheel'' (1863) and ''The Latest Edition of Black-Eyed Susan''; ''or'', ''the Little Bill that Was Taken Up'' (1866). Also in 1866, he adapted the popular farce '' Box and Cox'' as a comic opera, ''Cox and Box'', with music by Sullivan. The piece became a popular favourite and was later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Punch (magazine)
''Punch, or The London Charivari'' was a British weekly magazine of humour and satire established in 1841 by Henry Mayhew and wood-engraver Ebenezer Landells. Historically, it was most influential in the 1840s and 1850s, when it helped to coin the term " cartoon" in its modern sense as a humorous illustration. From 1850, John Tenniel was the chief cartoon artist at the magazine for over 50 years. After the 1940s, when its circulation peaked, it went into a long decline, closing in 1992. It was revived in 1996, but closed again in 2002. History ''Punch'' was founded on 17 July 1841 by Henry Mayhew and wood-engraver Ebenezer Landells, on an initial investment of £25. It was jointly edited by Mayhew and Mark Lemon. It was subtitled ''The London Charivari'' in homage to Charles Philipon's French satirical humour magazine ''Le Charivari''. Reflecting their satiric and humorous intent, the two editors took for their name and masthead the anarchic glove puppet, Mr. Punch, of Punc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
