The Golden Sword (album)
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The Golden Sword (album)
''The Golden Sword'' (subtitled ''Torero Impressions in Jazz'') is an album by the Gerald Wilson Orchestra recorded in 1966 and released on the Pacific Jazz label.Pacific Jazz Records Catalog: 10100/20100 series
accessed January 29, 2016


accessed January 29, 2016


Music

The ten tracks "pay tribute to aspects of Mexico". "Carlos" is a tribute to bullfighter .


Release and reception

''The Golden Sword'' was released by
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Gerald Wilson
Gerald Stanley Wilson (September 4, 1918 – September 8, 2014) was an American jazz trumpeter, big band bandleader, composer, arranger, and educator. Born in Mississippi, he was based in Los Angeles from the early 1940s. In addition to being a band leader, Wilson wrote arrangements for Duke Ellington, Sarah Vaughan, Ray Charles, Julie London, Dizzy Gillespie, Ella Fitzgerald, Benny Carter, Lionel Hampton, Billie Holiday, Dinah Washington, and Nancy Wilson. Early life Wilson was born in Shelby, Mississippi, and at the age of 16 moved to Detroit, Michigan, where he graduated from Cass Technical High School (one of his classmates was saxophonist Wardell Gray).Peter Vacher"Gerald Wilson obituary" ''The Guardian'', 15 September 2014. He joined the Jimmie Lunceford orchestra in 1939, replacing its trumpeter and arranger, Sy Oliver. While with Lunceford, Wilson contributed songs to the band, including "Hi Spook" and "Yard-dog Mazurka", the first influenced by Ellington's recording o ...
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Conte Candoli
Secondo "Conte" Candoli (July 12, 1927 – December 14, 2001) was an American jazz trumpeter based on the West Coast. He played in the big bands of Woody Herman, Stan Kenton, Benny Goodman, and Dizzy Gillespie, and in Doc Severinsen's NBC Orchestra on ''The Tonight Show Starring Johnny Carson''. He played with Gerry Mulligan, and on Frank Sinatra's TV specials. He also recorded with Supersax, a Charlie Parker tribute band that consisted of a saxophone quintet, the rhythm section, and either a trumpet or trombone. Music career Conte was the younger brother of trumpeter Pete Candoli. He was born in Mishawaka, Indiana, United States. During the summer of 1943, while at Mishawaka High School, Secondo "Conte" Candoli sat in with Woody Herman's First Herd. After graduating in 1945, he joined the band full-time, where he sat side by side with his brother Pete in the trumpet section. Conte immediately went on the road, where he stayed for the next ten years, with Herman, Stan Kenton, B ...
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Teddy Edwards
Theodore Marcus Edwards (April 26, 1924 – April 20, 2003) was an American jazz tenor saxophonist. Biography Edwards was born in Jackson, Mississippi, United States. He learned to play at a very early age, first on alto saxophone and then clarinet. His uncle sent for him to come to Detroit to live because he felt opportunities were better. Due to illness in the family, he went back to Jackson and ventured to Alexandria, Louisiana. He was persuaded by Ernie Fields to join his band after going to Tampa, Florida. Edwards had planned to go to New York City, but Fields convinced him he could get there by way of Washington, D.C., if he worked with his band. Edwards ended up at the "Club Alabam" on Central Avenue in Los Angeles, which later became his city of residence. Edwards played with many jazz musicians, including his personal friend Charlie Parker, Roy Milton, Wynonie Harris, Vince Guaraldi, Joe Castro and Ernie Andrews. A 1947 recording with Dexter Gordon, '' The Duel' ...
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Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick ...
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Soprano Saxophone
The soprano saxophone is a higher-register variety of the saxophone, a woodwind instrument invented in the 1840s. The soprano is the third-smallest member of the saxophone family, which consists (from smallest to largest) of the soprillo, sopranino, soprano, alto, tenor, baritone, bass, contrabass saxophone and tubax. Soprano saxophones are the smallest and thus highest-pitched saxophone in common use. The instrument A transposing instrument pitched in the key of B, modern soprano saxophones with a high F key have a range from concert A3 to E6 (written low B to high F) and are therefore pitched one octave above the tenor saxophone. There is also a soprano saxophone pitched in C, which is uncommon; most examples were produced in America in the 1920s. The soprano has all the keys of other saxophone models (with the exception of the low A on some baritones and altos). Soprano saxophones were originally keyed from low B to high E, but a low B mechanism was patented in 1887 and ...
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Jimmy Woods
Jimmy Woods (born October 29, 1934, in St. Louis, Missouri; died March 29, 2018, in Anchorage, Alaska) was an American jazz alto saxophonist. Woods played with the R&B band of Homer Carter in 1951, and served in the Air Force from 1952 to 1956. He played with Roy Milton after his discharge, and was with Horace Tapscott in 1960 and Joe Gordon in 1961. Following this he played with Gerald Wilson (1963) and Chico Hamilton (1964-1965). Woods is remembered primarily for two albums he released on Contemporary Records in the early 1960s. The second of these albums, ''Conflict'', featured Elvin Jones, Harold Land, Carmell Jones, Andrew Hill, and George Tucker. Discography As a leader *''Awakening!!'' (Contemporary, 1962) *''Conflict'' (Contemporary, 1963) As a sideman With Teddy Edwards *''Back to Avalon'' (Contemporary, 1960 995 With Joe Gordon *''Lookin' Good!'' (Contemporary, 1961) With Chico Hamilton *''Chic Chic Chico'' (Impulse, 1965) *'' The Dealer'' (Impulse!, 1966) With Ge ...
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Piccolo
The piccolo ( ; Italian for 'small') is a half-size flute and a member of the woodwind family of musical instruments. Sometimes referred to as a "baby flute" the modern piccolo has similar fingerings as the standard transverse flute, but the sound it produces is an octave higher. This has given rise to the name ottavino (), by which the instrument is called in Italian and thus also in scores of Italian composers. Piccolos are often orchestrated to double the violins or the flutes, adding sparkle and brilliance to the overall sound because of the aforementioned one-octave transposition upwards. The piccolo is a standard member in orchestras, marching bands, and wind ensembles. History Since the Middle Ages, evidence indicates the use of octave transverse flutes as military instruments, as their penetrating sound was audible above battles. In cultured music, however, the first piccolos were used in some of Jean Philippe Rameau's works in the first half of the 18th century. Sti ...
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Flute
The flute is a family of classical music instrument in the woodwind group. Like all woodwinds, flutes are aerophones, meaning they make sound by vibrating a column of air. However, unlike woodwind instruments with reeds, a flute is a reedless wind instrument that produces its sound from the flow of air across an opening. According to the instrument classification of Hornbostel–Sachs, flutes are categorized as edge-blown aerophones. A musician who plays the flute is called a flautist or flutist. Flutes are the earliest known identifiable musical instruments, as paleolithic examples with hand-bored holes have been found. A number of flutes dating to about 53,000 to 45,000 years ago have been found in the Swabian Jura region of present-day Germany. These flutes demonstrate that a developed musical tradition existed from the earliest period of modern human presence in Europe.. Citation on p. 248. * While the oldest flutes currently known were found in Europe, Asia, too, has ...
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Bass Trombone
The bass trombone (german: Bassposaune, it, trombone basso) is the bass instrument in the trombone family of brass instruments. Modern instruments are pitched in the same B♭ as the tenor trombone but with a larger bore, bell and mouthpiece to facilitate low register playing, and usually two valves to fill in the missing range immediately above the pedal tones. History The earliest bass trombones were the bass sackbuts, usually pitched in G, F, or E♭ below the B♭ tenor. They had a smaller bore and less flared bell than modern instruments, and a longer slide with an attached handle to allow slide positions otherwise beyond the reach of a fully outstretched arm. The earliest known surviving specimen is an instrument in G built in Germany in 1593. This instrument matches descriptions and illustrations by Praetorius from his 1614–20 ''Syntagma Musicum''. These bass sackbuts were sometimes called , , and (Old German, , referring to intervals below B♭), though sometimes ...
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Trombone
The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the Brass instrument, brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the Standing wave, air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the Pitch (music), pitch instead of the brass instrument valve, valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide. The word "trombone" derives from Italian ''tromba'' (trumpet) and ''-one'' (a suffix meaning "large"), so the name means "large trumpet". The trombone has a predominantly cylindrical bore like the trumpet, in contrast to the more conical brass instruments like the cornet, the euphonium, and the French horn. The most frequently encountered trombones are the tenor trombone and bass trombone. These are treated as trans ...
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Streamline Ewing
John Richard "Streamline" Ewing (January 19, 1917 – February 1, 2002) was an American jazz trombonist. Career In 1934, Ewing began his career when he was seventeen. Four years later he was with Horace Henderson, then with Earl Hines live and on record from 1938 to 1939 and from 1941 to 1942. He worked for short spans with Louis Armstrong and Lionel Hampton in the 1940s, in addition to Jimmie Lunceford (1943–45), Cab Calloway (1946, 1949), Jay McShann (1948), Cootie Williams (1950), Louis Jordan, and Earl Bostic. In the early 1950s he moved to California and played with George Jenkins and in the studio with T-Bone Walker and Gerald Wilson. He began playing with Teddy Buckner in 1956; the two would play together on and off into the 1980s. He led his band the Streamliners for recording sessions in 1958 and 1960. In 1962 he toured with Henderson again and with Rex Stewart in 1967. Late in the 1960s he played in the Young Men of New Orleans band. In 1983 he played with the Eagle B ...
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Mike Barone
Mike Barone (born December 27, 1936) is an American jazz trombonist, composer, arranger and big band leader. Mike was born in Detroit and raised in Cleveland. His brother, Gary Barone, was a trumpeter. Discography As leader * 1981 ''Blues & Other Happy Moments'', Barone Brothers (Palo Alto Jazz) * 1998 ''Live at Donte's 1968'', Mike Barone Big Band (VSOP) * 2005 ''Live 2005!'', Mike Barone Big Band (Rhubarb) * 2006 ''Metropole'', Mike Barone Big Band (Rhubarb) As sideman * Dizzy Gillespie, ''The New Continent'' (Limelight, 1962) * Shelly Manne, ''My Fair Lady with the Un-original Cast'' (Capitol, 1964) * Pete Jolly, ''Pete Jolly and Friends'' ( Äva, 1964) * Oliver Nelson, ''Sound Pieces'' (Impulse!, 1966) * Gerald Wilson Orchestra'', The Golden Sword'' (Pacific Jazz, 1966) * Johnny Hartman, ''I Love Everybody'' (ABC, 1967) * Harvey Mandel, ''Righteous'' (Philips, 1969) * Supersax, ''Supersax Plays Bird'' (Capitol, 1973) * Keith Carradine, ''I'm Easy'' (Asylum Asylum may refer t ...
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