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The Golden Scarab
''The Golden Scarab'' is the debut studio album by former Doors member Ray Manzarek as a solo artist. It was recorded in 1973 and released in 1974 on the Mercury label, one year after the Doors breakup (at that time a trio formed of the surviving members of the band, more specifically Manzarek himself, Robby Krieger, and John Densmore). Reception Joe Viglione of AllMusic gave ''The Golden Scarab'' a rating of three out of five stars. He considered it to be the "best embodiment of the Doors by one of the three surviving members", concluding: In contrast, ''Uncut'' magazine wrote a scathing review, ridiculing, "It sucks... Even Jim at his dumbest, stinkiest drunk would have pissed himself laughing." Track listing All tracks composed by Ray Manzarek except where indicated: CD Bonus tracks # "Whirling Dervish" (Manzarek, Paul Davis) * # "I Wake Up Screaming" (Manzarek, Danny Sugerman) * # "Bicentennial Blues (Love It or Leave It)" * *Bonus tracks taken from Manzarek's 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ray Manzarek
Raymond Daniel Manzarek Jr. (né Manczarek; February 12, 1939 – May 20, 2013) was an American keyboardist. He is best known as a member of the Doors, co-founding the band with singer and lyricist Jim Morrison in 1965. Manzarek was inducted into the Rock and Roll Hall of Fame in 1993 as a member of the Doors. He was a co-founding member of Nite City from 1977 to 1978, and of Manzarek–Krieger from 2001 until his death in 2013. ''USA Today'' described him as "one of the best keyboardists ever". Biography Early life Raymond Daniel Manczarek Jr. was born and raised on the South Side of Chicago, Illinois. He was born to parents of Polish descent, Helena Kolenda (1918–2012) and Raymond Manczarek Sr. (1914–1987). His grandparents emigrated from Poland in the 1890s. Upon graduating from St. Rita of Cascia High School in 1956, Manzarek matriculated at DePaul University, where he played piano in his fraternity's jazz band (the Beta Pi Mu Combo), participated in intramu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uncut (magazine)
''Uncut'' is a monthly magazine based in London. It is available across the English-speaking world, and focuses on music, but also includes film and books sections. A DVD magazine under the ''Uncut'' brand was published quarterly from 2005 to 2006. The magazine was acquired in 2019 by Singaporean music company BandLab Technologies, and has been published by NME Networks since December 2021. ''Uncut'' (main magazine) ''Uncut'' was launched in May 1997 by IPC as "a monthly magazine aimed at 25- to 45-year-old men that focuses on music and movies", edited by Allan Jones (former editor of ''Melody Maker''). Jones has stated that " e idea for Uncut came from my own disenchantment about what I was doing with ''Melody Maker''. There was a publishing initiative to make the audience younger; I was getting older and they wanted to take the readers further away from me", specifically referring to the then dominant Britpop genre. According to IPC Media, 86% of the magazine's readers are mal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milt Holland
Milton Holland (born Milton Olshansky; February 7, 1917 – November 4, 2005) was an American drummer, percussionist, ethnomusicologist, and writer in the Los Angeles music scene. He pioneered the use of African, South American, and Indian percussion styles in jazz, pop and film music, traveling extensively in those regions to collect instruments and learn styles of playing them. Early life Holland was born Milton Olshansky in Chicago, Illinois, where he attended Theodore Roosevelt High School. His first instrument was the violin. He pursued a passion for percussion, playing in clubs and shows and on CBS Radio in Chicago. By the age of twelve, he was playing at speakeasies for the likes of Al Capone. Career In the early 1940s, Holland toured and recorded with The Raymond Scott Orchestra. He studied tabla at University of California, Los Angeles and from 1963 through 1978 with tabla master Chatur Lal, Ramnad Easwaran and others. He traveled through India extensively in the ea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Congas
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga (hence their name) and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son (when played by conjuntos), descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock. Although the exact origins of the conga drum are unknown, researchers agree that it was developed by Cuban people of African descent during the late 19th century or early 20th century. Its direct ancestors are thought to b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bongos
Bongos ( es, bongó) are an Afro-Cuban percussion instrument consisting of a pair of small open bottomed hand drums of different sizes. They are struck with both hands, most commonly in an eight-stroke pattern called ''martillo'' (hammer). The larger drum is called a hembra (Spanish for female) and the smaller drum is called the macho (Spanish for male). They are mainly employed in the rhythm section of son cubano and salsa ensembles, often alongside other drums such as the larger congas and the stick-struck timbales. This brought bongos into our cultural vocabulary, from Beatniks to Mambo to the current revival of Cuban folkloric music. Bongo drummers (''bongoseros'') emerged as the only drummers of son cubano ensembles in eastern Cuba toward the end of the 19th century. It is believed that Bongos evolved from the Abakua Drum trio 'Bonko' and its lead drum 'Bonko Enmiwewos'. These drums are still a fundamental part of the Abakua Religion in Cuba. If joined with a wooden peck ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woodblock (instrument)
A woodblock (also spelled as two words, wood block) is a small slit drum made from a single piece of wood. The term generally signifies the Western orchestral instrument, though it is descended from the Chinese woodblock. Alternative names sometimes used in ragtime and jazz are clog box and tap box. In orchestral music scores, woodblocks may be indicated by the French ''bloc de bois'' or ''tambour de bois'', German ''Holzblock'' or ''Holzblocktrommel'', or Italian ''cassa di legno''. The orchestral woodblock of the West is generally made from teak or another hardwood. The dimensions of this instrument vary, although it is either a rectangular or cylindrical block of wood with one or sometimes two longitudinal cavities. It is played by striking it with a stick, which produces a sharp crack. Alternatively, a rounder mallet, soft or hard, may be used, which produces a deeper-pitched and fuller "knocking" sound. On a drum kit, a woodblock is traditionally mounted on a clamp fixed t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mayuto Correa
Mayuto Correa (born 9 March 1943) is a Brazilian percussionist, guitarist, and composer. Life and career Correa was born in São Gonçalo, Rio de Janeiro and began playing in local bands from the age of 12 when he became a member of the big band Rapazes da Alvorada. At age 16 he formed the ensemble Samba Show with musicians from Niterói and made several recordings for the CBS label with them. He also played for the under-17 squad of the Brazil national football team. In the 1960s Correa was the artistic director of Pontifical Catholic University of Rio de Janeiro where he wrote and directed several plays. During this time, he also made several recordings in Brazil and worked as the musical director for the shows of Maria Bethânia, Elza Soares, and Eliana Pittman as well as playing in Roberto Carlos's ensemble RC-7 and performing in Chacrinha's television shows.''Dicionário Cravo Albin da Música Popular Brasileira''"Mayuto Correa" Instituto Cultural Cravo Albi. Retrieved 28 July 2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oscar Brashear
Oscar Brashear (born August 18, 1944) is an American jazz trumpeter Oxford University Press: 2007 , Google books and from , . ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tony Williams (drummer)
Anthony Tillmon Williams (December 12, 1945 – February 23, 1997) was an American jazz drummer. Williams first gained fame as a member of Miles Davis' " Second Great Quintet", and later pioneered jazz fusion with Davis' group and his own combo, the Tony Williams Lifetime. In 1970, music critic Robert Christgau described him as "probably the best drummer in the world". Williams was inducted into the ''Modern Drummer'' Hall of Fame in 1986. Life and career Williams was born in Chicago and grew up in Boston. He is of African, Portuguese, and Chinese descent. He studied with drummer Alan Dawson at an early age, and began playing professionally at the age of 13 with saxophonist Sam Rivers. Saxophonist Jackie McLean hired Williams when he was 16. At 17 in 1963 Williams gained attention by joining Miles Davis in what was later dubbed Davis's Second Great Quintet. Williams was a vital element of the group, called by Davis in his autobiography "the center that the group's sou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Larry Carlton
Larry Eugene Carlton (born March 2, 1948) is an American guitarist who built his career as a studio musician in the 1970s and 1980s for acts such as Steely Dan and Joni Mitchell. He has participated in thousands of recording sessions, recorded on hundreds of albums in many genres, for television and movies, and on more than 100 gold records. He has been a member of the jazz fusion group the Crusaders, the smooth jazz band Fourplay, and has maintained a long solo career. Music career Session work Carlton was born in Torrance, California, United States, and at the age of six began guitar lessons. His interest in jazz came from hearing guitarist Joe Pass on the radio, after which he moved on to jazz guitarists Barney Kessel and Wes Montgomery, and blues guitarist B.B. King. He went to junior college and Long Beach State College while playing professionally at clubs in Los Angeles. During the 1970s, he found steady work as a studio musician on electric and acoustic guitar in a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Danny Sugerman
Daniel Stephen Sugerman (October 11, 1954 – January 5, 2005) was the second manager of the Los Angeles-based rock band the Doors. He wrote several books about Jim Morrison and the Doors, including ''No One Here Gets Out Alive'' (co-authored with Jerry Hopkins), and the autobiography '' Wonderland Avenue: Tales of Glamour and Excess''. Early life Sugerman grew up in Beverly Hills, his neighbors were Fred Astaire, Steve McQueen and Raquel Welch. At eleven, his Jewish-American parents divorced and his mother Harriet moved Danny and his siblings to Westchester, Los Angeles where she lived with a prosecuting attorney who was a harsh disciplinarian. He attended Westchester High School in Los Angeles, where he regularly authored articles about The Doors in the student newspaper. He attended summer camp near Lakeshore City, California with Todd Fisher, Steven Crane Jr. and sons of Ken Venturi and Don Knotts. He graduated in 1972. Career He began working with the Doors when he was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chuck Berry
Charles Edward Anderson Berry (October 18, 1926 – March 18, 2017) was an American singer, songwriter and guitarist who pioneered rock and roll. Nicknamed the " Father of Rock and Roll", he refined and developed rhythm and blues into the major elements that made rock and roll distinctive with songs such as " Maybellene" (1955), "Roll Over Beethoven" (1956), "Rock and Roll Music" (1957) and " Johnny B. Goode" (1958). Writing lyrics that focused on teen life and consumerism, and developing a music style that included guitar solos and showmanship, Berry was a major influence on subsequent rock music.Campbell, M. (ed.) (2008). ''Popular Music in America: And the Beat Goes On''. 3rd ed. Cengage Learning. pp. 168–169. Born into a middle-class black family in St. Louis, Berry had an interest in music from an early age and gave his first public performance at Sumner High School. While still a high school student, he was convicted of armed robbery and was sent to a reformator ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
