The Golden Road (1965–1973)
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The Golden Road (1965–1973)
''The Golden Road (1965–1973)'' is a twelve- CD box set of the Grateful Dead's studio and live albums released during their time with Warner Bros. Records, from 1965 to 1973. After 1973, the band went on to create its own label, Grateful Dead Records. Also included in the box set is a two-disc bonus album, ''Birth of the Dead'', containing very early recordings of the band. ''The Golden Road'' contains expanded and remastered versions of all of the albums released during the band's time on contract with Warner Bros. Also included are numerous studio outtakes and live tracks. In 2003 these bonus tracks were appended to the individual releases of the respective albums, and ''Birth of the Dead'' was also given independent release. The albums included in the box set are ''Birth of the Dead'', ''The Grateful Dead'', ''Anthem of the Sun'', ''Aoxomoxoa'', ''Live/Dead'', ''Workingman's Dead'', '' American Beauty'', ''Grateful Dead'' (also known as ''Skull and Roses''), ''Europe '72'' ...
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Grateful Dead
The Grateful Dead was an American rock music, rock band formed in 1965 in Palo Alto, California. The band is known for its eclectic style, which fused elements of rock, Folk music, folk, country music, country, jazz, bluegrass music, bluegrass, blues, rock and roll, gospel music, gospel, reggae, world music, and psychedelic music, psychedelia; for Concert, live performances of lengthy jam session, instrumental jams that typically incorporated mode (music), modal and tonality, tonal musical improvisation, improvisation; and for its devoted fan base, known as "Deadheads". "Their music", writes Lenny Kaye, "touches on ground that most other groups don't even know exists." These various influences were distilled into a diverse and psychedelic whole that made the Grateful Dead "the pioneering Godfathers of the jam band world". The band was ranked 57th by ''Rolling Stone'' magazine in its "Rolling Stone's 100 Greatest Artists of All Time, The Greatest Artists of All Time" issue. The ...
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The Grateful Dead (album)
''The Grateful Dead'' is the debut album of the Grateful Dead. It was released by Warner Bros. Records in March 1967. According to the biographies of both bassist Phil Lesh and drummer Bill Kreutzmann, the band released the album as ''San Francisco's Grateful Dead''. History The album was primarily recorded at RCA's Studio A, in Los Angeles, in only four days. The band had wanted to record the tracks in their hometown of San Francisco, but no recording studios in the area had modernized equipment at the time. The group picked David Hassinger to produce because he had worked as an engineer on the Rolling Stones' " (I Can't Get No) Satisfaction" and Jefferson Airplane's '' Surrealistic Pillow'' album (on the latter of which Jerry Garcia had guested and suggested the album title). Due to demands by the band's label, Warner Brothers, four of the tracks were edited for length. Phil Lesh comments in his autobiography, "to my ear, the only track that sounds at all like we did at the ...
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Walter Jacobs
Marion Walter Jacobs (May 1, 1930 – February 15, 1968), known as Little Walter, was an American blues musician, singer, and songwriter, whose revolutionary approach to the harmonica had a strong impact on succeeding generations, earning him comparisons to such seminal artists as Django Reinhardt, Charlie Parker and Jimi Hendrix.Glover, Tony; Dirks, Scott; and Gaines, Ward (2002). ''Blues with a Feeling: The Little Walter Story''. Routledge Press. His virtuosity and musical innovations fundamentally altered many listeners' expectations of what was possible on blues harmonica.Dahl, BilLittle Walter: Biography Allmusic.com. He was inducted into The Rock and Roll Hall of Fame in 2008, the first and, to date, only artist to be inducted specifically as a harmonica player. Biography Early years Jacobs' date of birth is usually given as May 1, 1930, in Marksville, Louisiana. He was born without a birth certificate and when he applied for a Social Security card in 1940, his birthdate ...
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Sonny Boy Williamson I
John Lee Curtis "Sonny Boy" Williamson (March 30, 1914 – June 1, 1948) was an American blues harmonica player, singer and songwriter. He is often regarded as the pioneer of the blues harp as a solo instrument. He played on hundreds of recordings by many pre–World War II blues artists. Under his own name, he was one of the most recorded blues musicians of the 1930s and 1940s and is closely associated with Chicago producer Lester Melrose and Bluebird Records. His popular songs, original or adapted, include "Good Morning, School Girl", " Sugar Mama", " Early in the Morning", and " Stop Breaking Down". Williamson's harmonica style was a great influence on postwar performers. Later in his career, he was a mentor to many up-and-coming blues musicians who moved to Chicago, including Muddy Waters. In an attempt to capitalize on Williamson's fame, Aleck "Rice" Miller began recording and performing as Sonny Boy Williamson in the early 1940s, and later, to distinguish the two, Joh ...
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Good Morning, School Girl
"Good Morning, School Girl" is a blues standard that has been identified as an influential part of the blues canon. Pre-war Chicago blues vocalist and harmonica pioneer John Lee "Sonny Boy" Williamson first recorded it in 1937. Subsequently, a variety of artists have recorded versions of the song, usually calling it "Good Morning Little Schoolgirl". Original song Sonny Boy Williamson I recorded "Good Morning, School Girl" in 1937 during his first recording session for Bluebird Records. The song is an uptempo blues with an irregular number of bars. Although identified with Chicago blues, a write-up in the Blues Hall of Fame notes "it was a product of Sonny Boy’s west Tennessee roots and his pre-Chicago ensemble work". The melody has been traced to “Back and Side Blues”, a 1934 blues song recorded by Son Bonds. "Good Morning, School Girl" features Williamson's vocal and harmonica with accompaniment by Big Joe Williams and Robert Lee McCoy (also known as Robert Nighthawk ...
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Jesse Fuller
Jesse Fuller (March 12, 1896 – January 29, 1976) was an American one-man band musician, best known for his song "San Francisco Bay Blues". Early life Fuller was born in Jonesboro, Georgia, near Atlanta. He was sent by his mother to live with foster parents when he was a young child, in a rural setting where he was badly mistreated. Growing up, he worked at numerous jobs: grazing cows for ten cents a day; working in a barrel factory, a broom factory, and a rock quarry; working on a railroad and for a streetcar company; shining shoes; and even peddling hand-carved wooden snakes.Koenig, Lester (1963). Liner notes to ''Jesse Fuller: San Francisco Bay Blues''. Good Time Jazz S10051. By the age of 10, he was playing the guitar in two techniques, which he described as "frailing" and "picking". In the 1920s he lived in southern California, where he operated a hot-dog stand and was befriended by Douglas Fairbanks. He worked briefly as a film extra in '' The Thief of Bagdad'' (1924) an ...
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In The Pines
"In the Pines", also known as "Where Did You Sleep Last Night?", "My Girl" and "Black Girl", is a traditional American folk song originating from two songs, "In the Pines" and "The Longest Train", both of whose authorship is unknown and date back to at least the 1870s. The songs originated in the Southern Appalachian area of the United States in the contiguous areas of Eastern Tennessee and Kentucky, Western North Carolina and Northern Georgia.Cohen, Norm (2000), Long Steel Rail: The Railroad in American Folk Song'. ChicagoUniversity of Illinois Press pp. 491–496. . Accessed September 30, 2017.In the Pines
,
Second Hand Songs
'. Accessed September 30, 2017.
Versions of the song have been recorded by many artists in numerous ...
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History Of The Grateful Dead, Volume One (Bear's Choice)
''History of the Grateful Dead, Volume One (Bear's Choice)'' is a live album by the Grateful Dead. It is their fourth live album and their ninth album overall. Released in July 1973 on Warner Bros. Records, it offers concert highlights recorded February 13 and 14, 1970 at the Fillmore East in New York City. Often known simply as ''Bear's Choice'', the title references band soundman Owsley "Bear" Stanley. It was originally intended to be the first volume of a series. The album peaked at number 60 on the ''Billboard'' 200. Recording The album was recorded during a period when the Grateful Dead were playing concerts consisting of electric sets, plus an acoustic set, revisiting their roots as a folk/jug band. Reflecting this approach (though it was ultimately released three years later), the album has an acoustic side and an electric side. As per policy at the time at promoter Bill Graham's Fillmore East, the band played both an early show and a late show. The recordings were ...
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Europe '72
''Europe '72'' is a live triple album by the Grateful Dead, released in November 1972. It covers the band's tour of Western Europe in April and May that year, and showcases live favourites, extended improvisations and several new songs including "Jack Straw" and "Brown Eyed Women". The album was the first to include pianist Keith Godchaux and his wife, vocalist Donna Jean Godchaux, and the last to feature founding member Ron "Pigpen" McKernan, who died shortly after its release. The European tour was expensive and logistically complicated, and the band's record company hoped that a live album would recoup its costs. Consequently, the entire tour was recorded, with highlights making it onto the final release. ''Europe '72'' is one of the most commercially successful and critically acclaimed albums by the Dead. It was one of the first triple-record rock albums to be certified gold by RIAA; the album has since been certified double platinum. A second volume was released in 2011, in ...
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Grateful Dead (album)
''Grateful Dead'' is an album by rock band the Grateful Dead. Released on September 24, 1971 on Warner Bros. Records, it is their second live double album. Although published without a title, it is generally known by the names ''Skull and Roses'' (due to its iconic cover art) and ''Skull Fuck'' (the name the band originally wanted to give to the album, which was rejected by the record company). It was the group's first album to be certified gold by the RIAA and remained their best seller until surpassed by '' Skeletons from the Closet''. Recording and release Unlike ''Live/Dead'', the album contained several lead and background vocal overdubs. For the three new original compositions ("Bertha", "Playing in the Band", and "Wharf Rat"), the band invited Jerry Garcia associate Merl Saunders to overdub organ parts. This made the organ playing of Saunders more prominent than that of Pigpen, whose contributions tend to be buried in the mix. "Playing in the Band" received a good amount ...
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American Beauty (album)
''American Beauty'' is the fifth studio album by rock band the Grateful Dead. Released November 1, 1970, by Warner Bros. Records, the album continued the folk rock and country music style of their previous album ''Workingman's Dead'', issued earlier in the year. Upon release, ''American Beauty'' entered the ''Billboard'' 200 chart, ultimately peaking at number 30 during a nineteen-week stay in January 1971. On July 11, 1974, the album was certified Gold by the Recording Industry Association of America, and it later reached Platinum and Double Platinum certification in 1986 and 2001, respectively. In 2003, the album was ranked number 258 on ''Rolling Stone'' magazine's list of the 500 greatest albums of all time, 261 in a 2012 revised list, and 215 in a 2020 revised list. Recording ''American Beauty'' was the result of a prolific period of the songwriting partnership of Jerry Garcia and Robert Hunter – one that yielded two studio albums in one year for the Grateful ...
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Workingman's Dead
''Workingman's Dead'' is the fourth studio album by American rock band Grateful Dead. It was recorded in February 1970 and originally released on June 14, 1970. The album and its studio follow-up, '' American Beauty'', were recorded back-to-back using a similar style, eschewing the psychedelic experimentation of previous albums in favor of Jerry Garcia and Robert Hunter's Americana-styled songcraft. In 2003, the album was ranked number 262 on ''Rolling Stone'' magazine's list of the 500 greatest albums of all time, 264 in a 2012 revised list, and 409 in the 2020 list. It was voted number 371 in Colin Larkin's ''All Time Top 1000 Albums''. Recording The band again recorded at Pacific High Recording Studio in San Francisco, spending just nine days there. After the protracted sessions required for the previous two studio albums, Garcia suggested "Let's do it all in three weeks and get it the hell out of the way". Besides trying to avoid the debt that had accumulated while recordi ...
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