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The Golden Hour Of The Future
''The Golden Hour of the Future'' is a compilation album of recordings made by the electronic band The Future and early recordings by the original line-up of The Human League. Material by The Future features Martyn Ware, Ian Craig Marsh and Adi Newton, who recorded around ten songs in the home studio of a recording engineer in 1977. The band compiled a demo tape from those recordings, which they played to record companies on an ill-fated trip to London. The band did not find a recording deal and Newton left the band to form Clock DVA. Ware and Marsh continued as The Future for a short while before deciding to recruit Ware's friend Philip Oakey as lead vocalist. Now renamed The Human League, the trio recorded in an abandoned Sheffield factory, where they put together their first two singles for the Fast Product label (" Being Boiled" and "The Dignity Of Labour") as well as a number of other recordings before signing to Virgin Records. Most of those other recordings are included o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Human League
The Human League are an English synth-pop band formed in Sheffield in 1977. Initially an experimental electronic outfit, the group signed to Virgin Records in 1979 and later attained widespread commercial success with their third album ''Dare'' in 1981 after restructuring their lineup. The album contained four hit singles, including the UK/US number one hit " Don't You Want Me". The band received the Brit Award for Best British Breakthrough Act in 1982. Further hits followed throughout the 1980s and into the 1990s, including " Mirror Man", "(Keep Feeling) Fascination", " The Lebanon", "Human" (a second US No. 1) and "Tell Me When". The only constant band member since 1977 has been lead singer and songwriter Philip Oakey. Keyboard players Martyn Ware and Ian Craig Marsh both left the band in 1980 to form Heaven 17. Under Oakey's leadership, the Human League then evolved into a commercially successful new pop band,Harvel, Jess"Now That's What I Call New Pop!".Pitchfork ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard X
Richard Philips, better known by his stage name Richard X, is a British songwriter and music producer. Gaining attention as a pioneer of the bootleg craze, Richard X has earned success as a producer and remixer. He has helmed hit singles for artists including Annie, Kelis, Liberty X, Rachel Stevens and Sugababes. According to an early issue of the now defunct ''Popworld'' magazine, Philips' alias comes from a postcard which was sealed with a kiss misinterpreted for the letter X. Richard X is known for his "synthesised, grungy pop music", which was inspired by bands such as The Human League and Kraftwerk. His original intention was to "reinvent" pop music by making records that are "deliberately unplayable". Referring to his 'Girls on Top' bootlegs, Richard X says, "At the time it was inspired by anti the po-facedness of the electronica scene as much as anything. The production side, how it sounded – rough and spiky, electronic and modern – was what did it for me. Taking pop an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Split Albums
A split album (or split) is a music album that includes tracks by two or more separate artists. There are also singles and EPs of the same variety, which are often called "split singles" and "split EPs" respectively. Split albums differ from "various artists" compilation albums in that they generally include several tracks of each artist, or few artists with one or two tracks each, instead of multiple artists with only one or two tracks each. History Split albums were initially done on vinyl records, with music from one artist on one side of the record and music from a second artist on the opposite side. As vinyl albums declined as a mass medium, CD issues have followed the practice. Although a CD is not turned over the same way as a vinyl, the term "sides" is still applied figuratively. Since the early 1980s, the format has been used widely by independent record labels, and artists in punk rock, hardcore, grindcore, black metal, noise and indie rock Indie rock is a Music sub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miklós Rózsa
Miklós Rózsa (; April 18, 1907 – July 27, 1995) was a Hungarian-American composer trained in Germany (1925–1931) and active in France (1931–1935), the United Kingdom (1935–1940), and the United States (1940–1995), with extensive sojourns in Italy from 1953 onward. Best known for his nearly one hundred film scores, he nevertheless maintained a steadfast allegiance to absolute concert music throughout what he called his "double life". Rózsa achieved early success in Europe with his orchestral ''Theme, Variations, and Finale'' (Op. 13) of 1933, and became prominent in the film industry from such early scores as ''The Four Feathers'' (1939) and '' The Thief of Bagdad'' (1940). The latter project brought him to Hollywood when production was transferred from wartime Britain, and Rózsa remained in the United States, becoming an American citizen in 1946. During his Hollywood career, he received 17 Academy Award nominations including three Oscars for '' Spellbound'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ennio Morricone
Ennio Morricone (; 10 November 19286 July 2020) was an Italian composer, orchestrator, conductor, and trumpeter who wrote music in a wide range of styles. With more than 400 scores for cinema and television, as well as more than 100 classical works, Morricone is widely considered one of the most prolific and greatest film composers of all time. His filmography includes more than 70 award-winning films, all Sergio Leone's films since ''A Fistful of Dollars'', all Giuseppe Tornatore's films since '' Cinema Paradiso'', ''The Battle of Algiers'', Dario Argento's ''Animal Trilogy'', ''1900'', '' Exorcist II'', ''Days of Heaven'', several major films in French cinema, in particular the comedy trilogy '' La Cage aux Folles I'', '' II'', '' III'' and ''Le Professionnel'', as well as '' The Thing'', ''Once Upon a Time in America'', '' The Mission'', ''The Untouchables'', ''Mission to Mars'', '' Bugsy'', ''Disclosure'', ''In the Line of Fire'', ''Bulworth'', ''Ripley's Game'', and ''Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Holland–Dozier–Holland
Holland–Dozier–Holland was a songwriting and production team consisting of Lamont Dozier and brothers Brian and Eddie Holland. The trio wrote, arranged and produced many songs that helped define the Motown sound in the 1960s. During their tenure at Motown Records from 1962 to 1967, Dozier and Brian Holland were the composers and producers for each song, and Eddie Holland wrote the lyrics and arranged the vocals. Their most celebrated productions were singles for the Four Tops and the Supremes, including 10 of the Supremes' 12 US No. 1 singles, including "Baby Love", "Stop! In the Name of Love", and "You Keep Me Hangin' On". From 1969 to 1972, due to a legal dispute with Motown, they did not write material under their own names, but instead used the collective pseudonym "Edythe Wayne". When the trio left Motown, they continued to work as a production team (with Eddie Holland being added to the producer credits), and as a songwriting team, until about 1974. The trio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reach Out I'll Be There
"Reach Out I'll Be There" (also formatted as "Reach Out (I'll Be There)") is a song recorded by the Four Tops from their fourth studio album '' Reach Out'' (1967). Written and produced by Motown's main production team, Holland–Dozier–Holland, the song is one of the most widely-known Motown hits of the 1960s and is today considered the Four Tops' signature song. It was the number one song on the Rhythm & Blues chart for two weeks and on the ''Billboard'' Hot 100 for two weeks, in October 15–22, 1966. The track also reached number one in the UK Singles Chart, becoming Motown's second UK chart-topper after The Supremes' 1964 release "Baby Love". It reached number one on October 27, 1966, and stayed there for three weeks. ''Rolling Stone'' later ranked “Reach Out” number 206 on its list of "The 500 Greatest Songs of All Time". ''Billboard'' ranked the record as the number four song for 1966. In 2022, the single was selected by the Library of Congress for preservation in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adi Newton
Clock DVA are a musical group from Sheffield, England, whose style has touched on industrial music, industrial, post-punk, and Electronic body music, EBM. They formed in 1978 by Adolphus "Adi" Newton and Steven "Judd" Turner. Along with contemporaries Heaven 17, Clock DVA's name was inspired by the Russian-influenced Nadsat language of Anthony Burgess's novel ''A Clockwork Orange (novel), A Clockwork Orange''. ''Dva'' is Russian for "2 (number), two". History 1978–1981: ''White Souls in Black Suits'' and ''Thirst'' Newton had previously worked with members of Cabaret Voltaire (band), Cabaret Voltaire in a collective called The Studs and with Ian Craig Marsh and Martyn Ware in a band called The Human League#1970s: Early years, The Future. He formed the first lineup of Clock DVA in 1978 with Judd Turner (bass), David J. Hammond (guitar), Roger Quail (drums) and Charlie Collins (saxophone, clarinet) (born 26 September 1958, Sheffield). Clock DVA was originally known for making ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance Like A Star
''Dance Like a Star'' is an EP released in the UK in September 2002. It was released by Black Melody records on behalf of the original lineup of the British synthpop band The Human League and contains very early tracks recorded in 1977 when the Human League were known briefly as The Future. All tracks are previously unreleased. The record is a limited edition 12-inch vinyl EP released as a companion to ''The Golden Hour of the Future ''The Golden Hour of the Future'' is a compilation album of recordings made by the electronic band The Future and early recordings by the original line-up of The Human League. Material by The Future features Martyn Ware, Ian Craig Marsh and Adi ...'', CD released in October 2002. Only 2000 copies of the 12-inch were ever pressed. Track listing #"Dance Like a Star" (V.1) (Oakey/Marsh/Ware) #"C’est Grave" (Trad arr Marsh/Ware) #"Titled U.N." (Marsh/Ware) #"Dance Like a Star" (V.2) (Oakey/Marsh/Ware) #"Treatment" (Marsh/Ware) #"The Last Man on Ea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Extended Play
An extended play record, usually referred to as an EP, is a musical recording that contains more tracks than a single but fewer than an album or LP record.Official Charts Company , access-date=March 21, 2017 Contemporary EPs generally contain four or five tracks, and are considered "less expensive and time-consuming" for an artist to produce than an album. An EP originally referred to specific types of other than 78 [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Virgin Records
Virgin Records is a record label owned by Universal Music Group. It originally founded as a British independent record label in 1972 by entrepreneurs Richard Branson, Simon Draper, Nik Powell, and musician Tom Newman. It grew to be a worldwide success over time, with the success of platinum performers Paula Abdul, Janet Jackson, Devo, Tangerine Dream, Genesis, Phil Collins, OMD, the Human League, Culture Club, Simple Minds, Lenny Kravitz, the Sex Pistols, and Mike Oldfield among others, meaning that by the time it was sold, it was regarded as a major label, alongside other large international independents such as A&M and Island Records. Virgin Records was sold to EMI in 1992. EMI was in turn taken over by Universal Music Group (UMG) in 2012 with UMG creating the Virgin EMI Records division. The Virgin Records name continues to be used by UMG in certain markets such as Germany and Japan. Virgin Records America Virgin Records America, Inc. was the company's North American ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Music
Electronic music is a genre of music that employs electronic musical instruments, digital instruments, or circuitry-based music technology in its creation. It includes both music made using electronic and electromechanical means ( electroacoustic music). Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer. Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including magnetic pickups, power amplifiers and loudspeakers. Such electromechanical devices include the telharmonium, Hammond organ, electric piano and the electric guitar."The stuff of electronic music is electrically produced or modified sounds. ... two basic definitions will help put some of the historical discussion in its place: purely electronic music versus electroacoustic music" ()Electroacoustic music may also use electronic effect units to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
