The Girl In The Taxi (play)
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The Girl In The Taxi (play)
''The Girl in the Taxi'' is a three-act musical comedy written by Stanislaus Stange, with music by Benjamin Hapgood Burt. Set in New York City, it is one of several adaptations of ''Le Fils à papa'', a French comedy by Antony Mars and Maurice Desvallières. The 1910 Broadway production was produced by Albert H. Woods and directed by Carter DeHaven; the latter of whom also performed the role of Bertie Stewart. Cast and characters The characters and cast from the Broadway production are given below: History Antony Mars and Maurice Desvallières wrote ''Le Fils à papa'', a three-act French comedy, in 1906. In early 1910, English-American author Stanislaus Stange adapted the play into an English-language musical comedy with songs by composer Benjamin Hapgood Burt Benjamin ( he, ''Bīnyāmīn''; "Son of (the) right") blue letter bible: https://www.blueletterbible.org/lexicon/h3225/kjv/wlc/0-1/ H3225 - yāmîn - Strong's Hebrew Lexicon (kjv) was the last of the two sons of ...
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Stanislaus Stange
Stanislaus Stange (1862–1917) was a playwright, librettist and lyricist who created many Broadway shows in the '' fin-de-siecle'' era and early 20th century. After minor success as an actor, Stange made his career as a writer in the musical theatre, moving towards more varied theatrical work before his death. Early career He was born in Liverpool, England. He emigrated to America in 1881 and attempted to establish himself as an actor and elocution teacher, teaching the Delsarte technique of acting. One of his pupils was Alice Nielsen, for whom he later wrote shows. He worked with a drama club in Kansas City, where he acted in and directed '' The Bells'' and ''Richard III''. He later toured with George C. Milne, Stuart Robson and William H. Crane. Musical theatre He finally moved to New York, where he had more success as a writer.Gerald Bordman, "Stange, Stanislaus", The Oxford companion to American theatre, Oxford University Press, 1984. He teamed up with composer Julian Edward ...
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Die Keusche Susanne
''Die keusche Susanne'' (''Chaste Susanne'') is an operetta in three acts by Jean Gilbert. The German libretto was by Georg Okonkowski, based on the 1906 play ''Le fils à papa'' by Antony Mars and Maurice Desvallières. Jean Gilbert's son, Robert Gilbert prepared a revised version in 1953. The title alludes to the biblical story of Susanna and the Elders. Performance history It was first performed at the Wilhelm-Theater in Magdeburg on 26 February 1910. It was the composer's greatest success, enabling him to move to Berlin to become conductor of the Thalia-Theater. Adapted into English, by Frederick Fenn and Arthur Wimperis, it was produced in London in 1912 as ''The Girl in the Taxi''. Adapted back into French by Mars and Desvallières, it was produced in Paris and then Lyon in 1913 as ''La chaste Suzanne''. It was also successful in South America in Italian (''La casta Susana'') and in Spanish (''La chasta Suzanna''). Gilbert conducted the work there two decades later when h ...
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Musicals Set In New York City
Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals. Although music has been a part of dramatic presentations since ancient times, modern Western musical theatre emerged during the 19th century, with many structural elements established by the works of Gilbert and Sullivan in Britain and those of Harrigan and Hart in America. These were followed by the numerous Edwardian musical comedies and the musical theatre work ...
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Musical Comedy Plays
Musical is the adjective of music. Musical may also refer to: * Musical theatre, a performance art that combines songs, spoken dialogue, acting and dance * Musical film and television, a genre of film and television that incorporates into the narrative songs sung by the characters * MusicAL, an Albanian television channel * Musical isomorphism, the canonical isomorphism between the tangent and cotangent bundles See also * Lists of musicals * Music (other) * Musica (other) * Musicality Musicality (''music -al -ity'') is "sensitivity to, knowledge of, or talent for music" or "the quality or state of being musical", and is used to refer to specific if vaguely defined qualities in pieces and/or genres of music, such as melodiousnes ...
, the ability to perceive music or to create music * {{Music disambiguation ...
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Broadway Musicals
Broadway theatre,Although ''theater'' is generally the spelling for this common noun in the United States (see American and British English spelling differences), 130 of the 144 extant and extinct Broadway venues use (used) the spelling ''Theatre'' as the proper noun in their names (12 others used neither), with many performers and trade groups for live dramatic presentations also using the spelling ''theatre''. or Broadway, are the theatrical performances presented in the 41 professional theatres, each with 500 or more seats, located in the Theater District and the Lincoln Center along Broadway, in Midtown Manhattan, New York City. Broadway and London's West End theatre, West End together represent the highest commercial level of live theater in the English-speaking world. While the thoroughfare is eponymous with the district and its collection of 41 theaters, and it is also closely identified with Times Square, only three of the theaters are located on Broadway itself (nam ...
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1910 Musicals
Year 191 ( CXCI) was a common year starting on Friday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Apronianus and Bradua (or, less frequently, year 944 '' Ab urbe condita''). The denomination 191 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Parthia * King Vologases IV of Parthia dies after a 44-year reign, and is succeeded by his son Vologases V. China * A coalition of Chinese warlords from the east of Hangu Pass launches a punitive campaign against the warlord Dong Zhuo, who seized control of the central government in 189, and held the figurehead Emperor Xian hostage. After suffering some defeats against the coalition forces, Dong Zhuo forcefully relocates the imperial capital from Luoyang to Chang'an. Before leaving, Dong Zhuo orders his troops to loot the tombs of the H ...
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Astor Theatre (New York City)
The Astor Theatre was located at 1537 Broadway, at West 45th Street in Times Square in New York City. It opened September 21, 1906, with Shakespeare's ''A Midsummer Night's Dream'' and continued to operate as a Broadway theatre until 1925. From 1925 until it closed in 1972, it was a first-run movie theater. History The Astor was first managed by Lincoln A. Wagenhals and Collin Kemper, then by George M. Cohan and Sam Harris, and later by the Shubert Organization. The theater was designed by architect George W. Keister. Among the plays that debuted at the Astor were Cohan's ''Seven Keys to Baldpate'' (1913) and '' Why Marry?'' (1917) by Jesse Lynch Williams, the first winner of the Pulitzer Prize for Drama. In 1925, Loew's Theatres bought the Astor and converted it into a movie house in order to have a Times Square " road show" showcase for first-run films from the MGM film studio. ''The Big Parade'' (1925) was the first film shown at the Astor where it ran for a continuous ...
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The Girl In The Taxi
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ...
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Arthur Wimperis
Arthur is a common male given name of Brittonic languages, Brythonic origin. Its popularity derives from it being the name of the legendary hero King Arthur. The etymology is disputed. It may derive from the Celtic ''Artos'' meaning “Bear”. Another theory, more widely believed, is that the name is derived from the Roman clan ''Artoria gens, Artorius'' who lived in Roman Britain for centuries. A common spelling variant used in many Slavic, Romance, and Germanic languages is Artur. In Spanish and Italian it is Arturo. Etymology The earliest datable attestation of the name Arthur is in the early 9th century Welsh-Latin text ''Historia Brittonum'', where it refers to a circa 5th to 6th-century Celtic Britons, Briton general who fought against the invading Saxons, and who later gave rise to the famous King Arthur of medieval legend and literature. A possible earlier mention of the same man is to be found in the epic Welsh poem ''Y Gododdin'' by Aneirin, which some scholars assign t ...
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Operetta
Operetta is a form of theatre and a genre of light opera. It includes spoken dialogue, songs, and dances. It is lighter than opera in terms of its music, orchestral size, length of the work, and at face value, subject matter. Apart from its shorter length, the operetta is usually of a light and amusing character. It sometimes also includes satirical commentaries. "Operetta" is the Italian diminutive of "opera" and was used originally to describe a shorter, perhaps less ambitious work than an opera. Operetta provides an alternative to operatic performances in an accessible form targeting a different audience. Operetta became a recognizable form in the mid-19th century in France, and its popularity led to the development of many national styles of operetta. Distinctive styles emerged across countries including Austria-Hungary, Germany, England, Spain, the Philippines, Mexico, Cuba, and the United States. Through the transfer of operetta among different countries, cultural cosmop ...
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Musical Comedy
Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals. Although music has been a part of dramatic presentations since ancient times, modern Western musical theatre emerged during the 19th century, with many structural elements established by the works of Gilbert and Sullivan in Britain and those of Harrigan and Hart in America. These were followed by the numerous Edwardian musical comedies and the musical theatre w ...
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Jean Gilbert
Jean Gilbert (11 February 1879 – 20 December 1942), born Max Winterfeld, was a German operetta composer and conductor. Life and career Gilbert was born in Hamburg into a family of musicians; his ancestors were cantors of the Jewish community, his cousin Paul Dessau became a famous composer and conductor. He attended composition lessons held by Philipp Scharwenka in Berlin and studied at the conservatories in Sondershausen and Weimar. After first public appearances as a pianist, the 18-year-old obtained an appointment as ''Kapellmeister'' in Bremerhaven. Soon after he moved to the Carl Schultze Theater in Hamburg and, at the age of 20, succeeded Leo Fall as musical director of the Centralhalle theatre. He adopted the name of Jean Gilbert for the production of his first operetta ''Das Jungfernstift'' in 1901. He continued to work as a ''Kapellmeister'' at the Berlin Apollo-Theater on Friedrichstraße, where he enacted operettas by Paul Lincke. In 1908, Gilbert moved to Düs ...
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