|
The Girl From Piccadilly
''The Girl from Piccadilly'' (german: Das Mädel von Picadilly) is a 1921 German silent film directed by Frederic Zelnik and starring Lya Mara, Erich Kaiser-Titz, and Fritz Schulz. It was released in two separate parts. Cast *Lya Mara *Erich Kaiser-Titz * Fritz Schulz *Albert Patry *Charles Puffy *Wilhelm Diegelmann *Paul Passarge *Ressel Orla *Gertrud Arnold *Josef Peterhans *Josef Commer * *Max Ruhbeck *Ida Perry *Hermann Picha Hermann Picha (20 March 1865 – 7 June 1936) was a German stage and film actor. Picha was extremely prolific, appearing in over 300 short and feature films during the silent and early sound eras. Picha played a mixture of lead and supporting r ... References External links * * Films of the Weimar Republic Films directed by Frederic Zelnik German silent feature films German black-and-white films {{Germany-silent-film-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederic Zelnik
Frederic Zelnik (born Friedrich Zelnik, 17 May 1885 – 29 November 1950) was an Austrian producer, director, and actor. He was one of the most important producers-directors of the German silent cinema. Zelnik achieved success through period operetta films in the 1920s and 1930s. Biography Friedrich Zelnik was born into a Jews, Jewish family in Czernowitz, today in Ukraine, at the time the capital of the Duchy of Bukovina in the Austrian part of the Austro-Hungarian Monarchy. After studying in Vienna, Friedrich Zelnik worked as an actor in theaters in Nürnberg, Theater Aachen, Aachen, Worms, Germany, Worms, Prague and finally Berlin - in the theaters Theater an der Königsgrätzer Straße, Berliner Theater, and Komödienhaus. In 1914 Friedrich Zelnik began acting in films, and after 1915 producing and directing movies while still appearing in roles as an actor in other director'films. In 1918 he married a young Polish ballet dancer turned film actress named Lya Mara and promoted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Puffy
Charles Puffy (born Károly Hochstadt; 3 November 1884 – 1942 or 1943) was a Hungarian film actor. Biography Hochstadt appeared in more than 130 films between 1914 and 1938. He was the only slapstick star in Hungary's silent film era, appearing under the name "Pufi" (meaning "Fatty" in Hungarian, referring to his weight) and Carlie Puffy in the United States for Universal Studios. His other stage names were Károly Huszár or Pufi Huszár. Besides his work on films, he frequently appeared on stage, mostly in comical roles. Later, he worked in films in both Germany and the United States, including such classics as Fritz Lang's '' Dr. Mabuse, der Spieler'' (''Dr. Mabuse, the Gambler'') (1922) and Josef von Sternberg's '' Der blaue Engel'' (''The Blue Angel'') (1930). He used the names "Karl Huszar", "Karl Huszar-Puffy" or "Charles Puffy". In the sound era, he returned to his native Hungary, where he was featured in smaller roles in a number of films. Puffy was Jewish, and dec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Films Directed By Frederic Zelnik
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Films Of The Weimar Republic
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitize ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hermann Picha
Hermann Picha (20 March 1865 – 7 June 1936) was a German stage and film actor. Picha was extremely prolific, appearing in over 300 short and feature films during the silent and early sound eras. Picha played a mixture of lead and supporting roles during his career. He played the title role in the 1920 film '' Wibbel the Tailor'', directed by Manfred Noa. He appeared in Fritz Lang's ''Destiny''.Kreimeier p.73 Selected filmography * '' The Armoured Vault'' (1914) * ''Hilde Warren und der Tod'' (1917) * '' The Princess of Neutralia'' (1917) * '' Wedding in the Eccentric Club'' (1917) * '' The Beggar Countess'' (1918) * ''Five Minutes Too Late'' (1918) * '' The Rat'' (1918) * ''Your Big Secret'' (1918) * ''The Commandment of Love'' (1919) * '' Veritas Vincit'' (1919) * '' The Derby'' (1919) * '' State Attorney Jordan'' (1919) * ''The Golden Lie'' (1919) * '' The Woman at the Crossroads'' (1919) * '' Irrlicht'' (1919) * '' The Platonic Marriage'' (1919) * ''The Bodega of Los Cuerr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Ruhbeck
Max Ruhbeck (1 September 1858 – 2 November 1945) was a German actor. He appeared in more than ninety films from 1915 to 1923. Selected filmography References External links * 1858 births 1945 deaths German male stage actors German male film actors 20th-century German male actors {{Germany-actor-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josef Peterhans
Josef Thomas Peterhans (4 December 1882 – 3 February 1960) was a German stage and film actor. Biography Peterhans began his stage career in 1902, aged twenty. He began his film acting career with the film ' in 1916. Before acting in films he played at theaters in the province and in Berlin. He served in the military from 1914 to 1917. He continued his career by playing supporting roles in films like ' (1917), ' (1918), ' (1919). In ' he had starred alongside the famous actress Fern Andra. In 1920 he starred in 9 films including ', ', ' and '' The Women House of Brescia''. The last one was rejected by the British Board of Film Classification on grounds of prostitution depicted in the film. Peterhans played a supporting character in the 1925 -directed '' Chronicles of the Gray House''. From 1926 to 1931 he appeared in only two films '' Night of Mystery'' (1927) and ''Panic'' (1928). After the advent of talkies he again became active in the film industry and starred in several f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ressel Orla
Ressel Orla (born Theres Anna Ochs; 18 May 1889 – 23 July 1931) was an Austrian stage and film actress. She appeared in some of Fritz Lang's earliest films. Selected filmography * '' The Firm Gets Married'' (1914) * '' The Queen's Secretary'' (1916) * '' Halbblut'' (1919) * '' Die Spinnen'' (1919/1920) * '' Respectable Women'' (1920) * '' The Clan'' (1920) * '' The Eyes of the World'' (1920) * ''Monte Carlo'' (1921) * '' Hazard'' (1921) * ''The House of Torment'' (1921) * '' Parisian Women'' (1921) * '' The Red Masquerade Ball'' (1921) * '' The Devil's Chains'' (1921) * '' The Prey of the Furies'' (1922) * '' Lust for Life'' (1922) * '' Inge Larsen'' (1923) * ''The Chain Clinks'' (1923) * ''The Third Squadron'' (1926) * ''The Red Mouse ''The Red Mouse'' (german: Die rote Maus) is a 1926 German silent film directed by Rudolf Meinert and starring Aud Egede-Nissen, Paul Richter, and Charles Willy Kayser. It premiered at the Marmorhaus in Berlin Berlin ( , ) is the capita ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilhelm Diegelmann
Wilhelm Diegelmann (28 September 1861 – 1 March 1934) was a German actor. Career Diegelmann's first stage appearance was in 1878 in the chorus for the Frankfurt Opera. In 1881 he debuted at the Frankfurt City Theater, playing King Lear, William Tell, and other title characters. Sometime around 1900, Diegelmann relocated to Berlin. Here, he appeared at a variety of theaters, including the Deutsches Theater, the Großes Schauspielhaus, and the Deutsches Künstlertheater. Diegelmann was introduced to film in 1913 by Max Reinhardt. he became a prolific actor of supporting roles, often as a father figure. He performed in the well-known film '' Der Blaue Engel'' (The Blue Angel), where he played a ship captain who flirts with the lead actress (Marlene Dietrich). The final film he starred in was the Theodor Storm adaptation of ''Der Schimmelreiter'' (The Rider on the White Horse). He continued to make stage appearances after this, with his last role being in ''Rembrandt vor Gericht ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berghahn Books
Berghahn Books is a New York and Oxford-based publisher Publishing is the activity of making information, literature, music, software and other content available to the public for sale or for free. Traditionally, the term refers to the creation and distribution of printed works, such as books, newsp ... of scholarly books and academic journals in the humanities and social sciences, with a special focus on Social anthropology, social & cultural anthropology, European history, politics, and Film studies, film & media studies. It was founded in 1994 by Marion Berghahn. Books division Berghahn Books publishes ca 140 new titles and some 80 paperback editions each year and has a backlist of nearly 2,500 titles in print. New titles are published in both print and online, with the select digitization of the backlist currently being undertaken as part of the Berghahn Books Online platform. Many Berghahn titles have been reviewed on ''Choice: Current Reviews for Academic Libraries, C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fanny Carlsen
Fanny Carlsen was a German screenwriter of the silent era. As she was Jewish she was likely forced to emigrate with the Nazi Party's coming to power in 1933, although her exact fate is unknown.Nelmes & Selbo Selected filmography * ''The Yellow Diplomat'' (1920) * '' The Law of the Desert'' (1920) * ''Kri-Kri, the Duchess of Tarabac'' (1920) * ''Fanny Elssler'' (1920) * ''Count Varenne's Lover'' (1921) * ''The Convict of Cayenne'' (1921) * ''Miss Beryll'' (1921) * ''Memoirs of a Film Actress'' (1921) * ''Trix, the Romance of a Millionairess'' (1921) * '' The Buried Self'' (1921) * ''The Mistress of the King'' (1922) * ''Insulted and Humiliated'' (1922) * '' The Marriage of Princess Demidoff'' (1922) * ''Tania, the Woman in Chains'' (1922) * ''Lyda Ssanin'' (1923) * ''The Men of Sybill'' (1923) * ''Resurrection'' (1923) * ''Irene of Gold'' (1923) * ''The Girl from Hell'' (1923) * '' Daisy'' (1923) * '' The Other Woman'' (1924) * '' The Mistress of Monbijou'' (1924) * '' The Sailor Pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silent Film
A silent film is a film with no synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of title cards. The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era that existed from the mid-1890s to the late 1920s, a pianist, theater organist—or even, in large cities, a small orchestra—would often play music to accompany the films. Pianists and organists would play either from sheet music, or improvisation. Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experience. "Silent film" is typically used as a historical term to describe an era of cinema pri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
