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The Gilded Hawk
''The Gilded Hawk'' is an album by saxophonist Coleman Hawkins with an orchestra arranged and conducted by Glenn Osser which was recorded in late 1956 and early 1957 and released on the Capitol Records, Capitol label.Evensmo, JThe Tenor Sax of Coleman Hawkins Part 3: 1950 - 1959 Retrieved July 10, 2017 Reception Scott Yanow of AllMusic states, "this LP finds the great tenor being weighed down by Glenn Osser's muzaky arrangements for the strings. Since Hawkins does little other than caress the melodies, nothing significant happens, making this one of the most dispensable Coleman Hawkins ever". Track listing # "Out of the Night" (Harry Sosnik, Walter Hirsch) – 2:53 # "Autumn Leaves (1945 song), Autumn Leaves" (Joseph Kosma, Jacques Prévert, Johnny Mercer) – 2:43 # "Stranger in Paradise (song), Stranger in Paradise" (Robert Wright (writer), Robert Wright, George Forrest (author), George Forrest) – 2:25 # "My Mother's Eyes" (Abel Baer, L. Wolfe Gilbert) – 3:50 # "Everyth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coleman Hawkins
Coleman Randolph Hawkins (November 21, 1904 – May 19, 1969), nicknamed "Hawk" and sometimes "Bean", was an American jazz tenor saxophonist.Yanow, Scot"Coleman Hawkins: Artist Biography" AllMusic. Retrieved December 27, 2013. One of the first prominent jazz musicians on his instrument, as Joachim E. Berendt explained: "there were some tenor players before him, but the instrument was not an acknowledged jazz horn". Hawkins biographer John Chilton described the prevalent styles of tenor saxophone solos prior to Hawkins as "mooing" and "rubbery belches." Hawkins cited as influences Happy Caldwell, Stump Evans, and Prince Robinson, although he was the first to tailor his method of improvisation to the saxophone rather than imitate the techniques of the clarinet. Hawkins' virtuosic, arpeggiated approach to improvisation, with his characteristic rich, emotional, and vibrato-laden tonal style, was the main influence on a generation of tenor players that included Chu Berry, Charlie Bar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tom Adair
Thomas Montgomery Adair (June 15, 1913 – May 24, 1988) was an American songwriter, composer, and screenwriter. Biography Adair was born on 15 June 1913, in Newton, Kansas, where his father owned a clothing store: he was the only child of William Adair and Madge Cochran. Around 1923 the family moved to Los Angeles, where Tom Adair attended Los Angeles Junior College (now Los Angeles City College). In his early career he worked as a complaints clerk at the local power company, while writing poetry and song lyrics in his spare time. In 1941, Adair met Matt Dennis in a club and the duo began writing songs together. Adair's song-writing career took him to New York during the 1940s where he penned several Broadway hits, and worked with Tommy Dorsey and Frank Sinatra. He later returned to Los Angeles and worked with writer James B. Allardice on scripts for sit-coms. In 1949, Adair married Frances Adelle Jeffords; in later life, they worked together on songs and teleplays for Disney. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harry Warren
Harry Warren (born Salvatore Antonio Guaragna; December 24, 1893 – September 22, 1981) was an American composer and the first major American songwriter to write primarily for film. He was nominated for the Academy Award for Best Original Song eleven times and won three Oscars for composing " Lullaby of Broadway", "You'll Never Know" and "On the Atchison, Topeka and the Santa Fe". He wrote the music for the first blockbuster film musical, '' 42nd Street'', choreographed by Busby Berkeley, with whom he would collaborate on many musical films. Over a career spanning six decades, Warren wrote more than 800 songs. Other well known Warren hits included "I Only Have Eyes for You", "You Must Have Been a Beautiful Baby", " Jeepers Creepers", "The Gold Diggers' Song (We're in the Money)", "That's Amore", "There Will Never Be Another You", "The More I See You", "At Last" and "Chattanooga Choo Choo" (the last of which was the first gold record in history). Warren was one of America's most ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boulevard Of Broken Dreams (Al Dubin Song)
"Boulevard of Broken Dreams" is a 1933 hit song with lyrics by Al Dubin and music by Harry Warren. Deane Janis with Hal Kemp's Orchestra recorded the original version on October 31, 1933, in Chicago, which was issued by Brunswick Records. In 1934, a rendition sung by Constance Bennett appeared in the film ''Moulin Rouge'', but was unreleased on record. Set in Paris, the lyrics include "I walk along the street of sorrow/The Boulevard of Broken Dreams/Where gigolo and gigolette/Can take a kiss without regret/So they forget their broken dreams." ''Boulevard of Broken Dreams'' served as the title tune for a stage musical which played February 11March 9, 2003 at the Coconut Grove Playhouse: featuring a libretto by Joel Kimmel, the play was based on the life of composer Al Dubinplayed by Jordan Bennettand featured a number of Dubin compositions as its score. The song "Boulevard of Broken Dreams" has been added to the score of the stage musical '' 42nd Street'' for its 2017 West End r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baubles, Bangles & Beads
"Baubles, Bangles & Beads" is a popular song from the 1953 musical '' Kismet'', credited to Robert Wright and George Forrest. Background Like almost all the music in that show, the melody was based on works by Alexander Borodin, in this case the second theme of the second movement of his '' String Quartet in D.'' The "Kismet" setting maintains the original's 3/4 waltz rhythm; pop music settings change the rhythm to a moderate four-beat accompaniment. Jazz musicians are especially drawn to the song's beguiling melody and advanced harmonic structure. The familiar AA'BA+Coda structure of the song is energized by a key change up a major third interval for every section; the transition is marked by a harmonic progression from the central major key of one section to the tritone minor key of the following section. 1953 recordings The best-selling version of the song was recorded by Peggy Lee on September 16, 1953 and charted briefly that year. Other versions were recorded that yea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenz Hart
Lorenz Milton Hart (May 2, 1895 – November 22, 1943) was an American lyricist and half of the Broadway songwriting team Rodgers and Hart. Some of his more famous lyrics include " Blue Moon", " The Lady Is a Tramp", "Manhattan", "Bewitched, Bothered and Bewildered", and "My Funny Valentine". Life and career Hart was born in Harlem, New York City, the elder of two sons, to Jewish immigrant parents, Max M. and Frieda (Isenberg) Hart, of German background. Through his mother, he was a great-grandnephew of the German poet Heinrich Heine. His father, a business promoter, sent Hart and his brother to private schools. (His brother, Teddy Hart, also went into theatre and became a musical comedy star. Teddy Hart's wife, Dorothy Hart, wrote a biography of Lorenz Hart.) Hart received his early education from Columbia Grammar School and entered Columbia College in 1913, before switching to Columbia University School of Journalism, where he attended for two years. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Rodgers
Richard Charles Rodgers (June 28, 1902 – December 30, 1979) was an American Musical composition, composer who worked primarily in musical theater. With 43 Broadway musicals and over 900 songs to his credit, Rodgers was one of the most well-known American composers of the 20th century, and his compositions had a significant influence on popular music. Rodgers is known for his songwriting partnerships, first with lyricist Lorenz Hart and then with Oscar Hammerstein II. With Hart he wrote musicals throughout the 1920s and 1930s, including ''Pal Joey (musical), Pal Joey'', ''A Connecticut Yankee (musical), A Connecticut Yankee'', ''On Your Toes'' and ''Babes in Arms.'' With Hammerstein he wrote musicals through the 1940s and 1950s, such as ''Oklahoma!'', ''Flower Drum Song'', ''Carousel (musical), Carousel'', ''South Pacific (musical), South Pacific'', ''The King and I'', and ''The Sound of Music''. His collaborations with Hammerstein, in particular, are celebrated for brin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Didn't Know What Time It Was
"I Didn't Know What Time It Was" is a popular song composed by Richard Rodgers with lyrics by Lorenz Hart for the 1939 musical '' Too Many Girls''. Introduced by Richard Kollmar and Marcy Westcott in the stage musical, early hit versions were recorded by Benny Goodman (vocal by Louise Tobin) and by Jimmy Dorsey (vocal by Bob Eberly). It was then performed by Trudy Erwin (dubbing for Lucille Ball) and Richard Carlson in the 1940 film adaptation produced by RKO. The song was later interpolated into the score of the 1957 film '' Pal Joey,'' sung by Frank Sinatra. Recordings * Artie Shaw - Shadows / I Didn't Know What Time It Was (1939) * Charlie Parker – ''Charlie Parker with Strings'' (1949) * Peggy Lee – '' Black Coffee'' (1953) * Louis Jordan (1954) * Ella Fitzgerald - ''Ella Fitzgerald Sings the Rodgers and Hart Songbook'' (1956) * Stan Getz and Gerry Mulligan – ''Gerry Mulligan Meets Stan Getz'' (1957) * Billie Holiday – ''Songs for Distingué Lovers'' (1957) * Benny G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yip Harburg
Edgar Yipsel Harburg (born Isidore Hochberg; April 8, 1896 – March 5, 1981) was an American popular song lyricist and librettist who worked with many well-known composers. He wrote the lyrics to the standards "Brother, Can You Spare a Dime?" (with Jay Gorney), " April in Paris", and "It's Only a Paper Moon", as well as all of the songs for the film '' The Wizard of Oz'', including " Over the Rainbow". He was known for the social commentary of his lyrics, as well as his leftist leanings. He championed racial and gender equality and union politics. He also was an ardent critic of religion. Early life and career Harburg, the youngest of four surviving children (out of ten), was born Isidore Hochberg on the Lower East Side of New York City on April 8, 1896.Yip Harburg: Biography from Answers.com Retrieved January 2, 2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Green
John Waldo Green (October 10, 1908 – May 15, 1989) was an American songwriter, composer, musical arranger, conductor and pianist. He was given the nickname "Beulah" by colleague Conrad Salinger. His most famous song was one of his earliest, " Body and Soul" from the revue ''Three's a Crowd''. Green won four Academy Awards for his film scores and a fifth for producing a short musical film, and he was inducted into the Songwriters Hall of Fame in 1972. He was also honored with a star on the Hollywood Walk of Fame. Early years John Waldo Green was born in New York City, the son of musical parents Vivian Isidor Green (June 29, 1885 – January 3, 1940) and Irina Etelka Jellenik (April 12, 1885 – November 15, 1947), a.k.a. Irma (or Erma) Etelka Jellenik. Vivian and Irina wed on December 16, 1907 in Manhattan. John attended Horace Mann School and the New York Military Academy, and was accepted by Harvard at the age of 15, entering the university in 1924. His musical tuto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leo Robin
Leo Robin (April 6, 1900 – December 29, 1984) was an American composer, lyricist and songwriter. He is probably best known for collaborating with Ralph Rainger on the 1938 Oscar-winning song "Thanks for the Memory," sung by Bob Hope and Shirley Ross in the film ''The Big Broadcast of 1938'', and with Jule Styne on "Diamonds Are a Girl's Best Friend," a song whose witty, Cole Porter style of lyric came to be identified with its famous interpreter Marilyn Monroe. Biography Robin was born in Pittsburgh, Pennsylvania, United States. His father was Max Robin, a salesman. Leo's mother was Fannie Finkelpearl Robin. He studied at the University of Pittsburgh School of Law and at Carnegie Tech's drama school. He later worked as a reporter and as a publicist. Robin's first hits came in 1926 with the Broadway production ''By the Way'', with hits in several other musicals immediately following, such as ''Bubbling Over'' (1926), ''Hit the Deck, Judy'' (1927), and ''Hello Yourself'' (1928 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ralph Rainger
Ralph Rainger ( Reichenthal; October 7, 1901 – October 23, 1942) was an American composer of popular music principally for films. Biography Born Ralph Reichenthal in New York City, United States, Rainger initially embarked on a legal career, having obtained his law degree at Brown University in 1926. He had, however, studied piano from a young age and attended the Institute of Musical Art in New York. Public performances include radio broadcasts from New York and WOR (New Jersey) as early as 1922. These were as soloist, accompanist to singers, and as duo-pianist with Adam Carroll or "Edgar Fairchild" (the name Milton Suskind used for commercial work).“Round the Radio Circuit.” New York Telegram and Evening Mail, 2 July 1924. He also prepared piano rolls between 1922 and 1928 for Ampico, Standard, and DeLuxe. Some of these used the "Reichenthal" surname, others the "Rainger" name he was gradually adopting commercially. Other early musical activities include arranging for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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