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The Gartan Mother's Lullaby
"Gartan Mother's Lullaby" is an old Irish song and poem written by Herbert Hughes and Seosamh Mac Cathmhaoil, first published in ''Songs of Uladh lster' in 1904. Hughes collected the traditional melody in Donegal the previous year and Campbell wrote the lyrics. The song is a lullaby by a mother, from the parish of Gartan in County Donegal. The song refers to a number of figures in Irish mythology, places in Ireland and words in the Irish language. Pronunciation *''Aoibheall'', (pronounced "''ee-val''") commonly known as Aoibhinn the Beautiful, is the queen of the Northern Fairies. *''The Green Man'', (or ''Fear Glas'' in Irish) it is said if you see him in the morning, "no ill follows"; but if at night, death or some other terrible misfortune will surely overtake you. He is sometimes called ''Fear Liath'', or the Grey Man. *''Siabhra'', is a generic term for an Irish fairy of any kind. In ancient writings the Tuatha de Danann, or little magicians of the Pagan Irish, were call ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herbert Hughes (musicologist)
Herbert Hughes (16 May 1882 – 1 May 1937) was an Irish composer, music critic and a collector and arranger of Irish folksongs. He was the father of Spike Hughes. Biography Hughes was born and brought up in Belfast, Ireland, but completed his formal music education at the Royal College of Music, London, where he studied with Charles Villiers Stanford and Charles Wood, graduating in 1901. Subsequently, he worked as a music critic, notably for ''The Daily Telegraph'' from 1911 to 1932. Described as having an "ardent and self-confident manner", Hughes is first heard of in an Irish musical capacity (beyond being honorary organist at St Peter's Church on Antrim Road at the age of fourteen) collecting traditional airs and transcribing folksongs in North Donegal in August 1903 with his brother Fred, F.J. Bigger, and John Campbell. Dedicated to seeking out and recording such ancient melodies as were yet to be found in the more remote glens and valleys of Ulster, he produced ''Songs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Water Is Wide (Órla Fallon Album)
"The Water Is Wide" might refer to: * ''The Water Is Wide'' (book) (1972), by Pat Conroy *''The Water Is Wide'' (2006 film), a ''Hallmark Hall of Fame ''Hallmark Hall of Fame'', originally called ''Hallmark Television Playhouse'', is an anthology program on American television, sponsored by Hallmark Cards, a Kansas City-based greeting card company. The longest-running prime-time series in t ...'' TV movie based on Pat Conroy's book * "The Water Is Wide" (song), an English folk song of Scottish origin * ''The Water Is Wide'' (Charles Lloyd album) by jazz musician Charles Lloyd * ''The Water is Wide'' (Órla Fallon album) by Irish singer Órla Fallon * "The Water is Wide" (The Unit), an episode of the television series ''The Unit'' {{DEFAULTSORT:Water Is Wide, The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lullabies
A lullaby (), or cradle song, is a soothing song or piece of music that is usually played for (or sung to) children (for adults see music and sleep). The purposes of lullabies vary. In some societies they are used to pass down cultural knowledge or tradition. In addition, lullabies are often used for the developing of communication skills, indication of emotional intent, maintenance of infants' undivided attention, modulation of infants' arousal, and regulation of behavior. Perhaps one of the most important uses of lullabies is as a sleep aid for infants. As a result, the music is often simple and repetitive. Lullabies can be found in many countries, and have existed since ancient times. Etymology The term 'lullaby' derives from the Middle English ''lullen'' ("to lull") and ''by'' 'e''(in the sense of "near"); it was first recorded circa 1560. A folk etymology derives ''lullaby'' from "Lilith-Abi" (Hebrew for "Lilith, begone"). In the Jewish tradition, Lilith was a demon who ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary O'Hara
Mary O'Hara (born 12 May 1935) is an Irish soprano and harpist from County Sligo. She gained attention on both sides of the Atlantic in the late 1950s and early 1960s. Her recordings of that period influenced a generation of Irish female singers who credit O'Hara with influencing their style, among them Carmel Quinn, Mary Black, and Moya Brennan. In his autobiography ''Memoirs of an Irish Troubadour'' (2002), Liam Clancy wrote how her music inspired and influenced him and others of the Folk Revival period. Early life and career Mary O'Hara is the daughter of Major John Charles O'Hara, an officer in the British Corps of Royal Engineers, and his wife, Mai (née Kirwan). One of her sisters was actress Joan O'Hara, and her nephew is playwright Sebastian Barry. O'Hara won her first competition, Sligo's annual Music and Drama singing competition, at the age of eight, and made her first radio broadcast on Radio Éireann before she left school at the age of 16. She went on to pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deirdre O'Callaghan
Deirdre ( , Irish: ; sga, Derdriu ) is the foremost tragic heroine in Irish legend and probably its best-known figure in modern times. She is known by the epithet "Deirdre of the Sorrows" (). Her story is part of the Ulster Cycle, the best-known stories of pre-Christian Ireland. In legend Deirdre was the daughter of the royal storyteller Fedlimid mac Daill. Before she was born, Cathbad the chief druid at the court of Conchobar mac Nessa, king of Ulster, prophesied that Fedlimid's daughter would grow up to be very beautiful, but that kings and lords would go to war over her, much blood would be shed because of her, and Ulster's three greatest warriors would be forced into exile for her sake. Hearing this, many urged Fedlimid to kill the baby at birth, but Conchobar, aroused by the description of her future beauty, decided to keep the child for himself. He took Deirdre away from her family and had her brought up in seclusion by Leabharcham, a poet and wise woman, and planned to m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Ian Campbell Folk Group
The Ian Campbell Folk Group were one of the most popular and respected folk groups of the British folk revival of the 1960s. The group made many appearances on radio, television, and at national and international venues and festivals. They performed a mixture of British traditional folk music and new material, including compositions by Campbell. Much of their popularity flowed from the variety of their performance which included a mixture of solos, group vocals and instrumentals. History The group formed in 1956 in Birmingham, as the Clarion Skiffle Group. The band was renamed the Ian Campbell Folk Group in 1958 and became one of the most respected, popular and influential folk groups of the British folk scene of the 1960s. The group's first recordings included the EP, ''Ceilidh at the Crown'', which was released in 1962 and was the first live folk club recording to be released on vinyl.Larkin C 'Virgin Encyclopedia of Sixties Music' (Muze UK Ltd, 1997) p91 During this period ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Corries
The Corries were a Scottish folk group that emerged from the Scottish folk revival of the early 1960s. The group was a trio from their formation until 1966 when founder Bill Smith left the band but Roy Williamson and Ronnie Browne continued as a duo until Williamson's death in 1990. They are particularly known for the song "Flower of Scotland", written by Williamson, which has become an unofficial national anthem of Scotland. History Early years In the early 1960s, Bill Smith (born in 1936 in Edinburgh), Ron Cruikshank and Andy Turner had formed a trio called The Corrie Voices. The trio was named after Smith's daughter, Corrie Smith, but because a corrie is a deep bowl in a mountain, the name was particularly appropriate as it evokes imagery of the Scottish landscape. After Turner dropped out in 1962, Roy Williamson teamed up with Smith and Cruikshank to form the Corrie Folk Trio. Their first performance was in the Waverley Bar in St Mary's Street, Edinburgh. After a few we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Dubliners
''Double Dubliners'' is The Dubliners' ninth studio album. It is also known as ''Alive and Well'', the title it was released under on the Polydor labeIt's the Dubliners site for the album A standout track here is a recitation by Ronnie Drew of Pádraig Pearse's poem "The Rebel". This album features the original members. Other notable tracks here are "The Sun Is Burning" and "The Night Visiting Song", both sung by Luke Kelly. In December 1983, "The Night Visiting Song" would become the final song to be performed by Luke Kelly with The Dubliners on Irish television. Track listing Side one # " Free the People" # "The Louse House of Kilkenny" # "The Springhill Disaster" # "The Musical Priest/The Blackthorn Stick" # "Champion at Keeping Them Rolling" # "The Sun Is Burning" Side two # "Gentleman Soldier" # "The Rebel" # " The Gartan Mother's Lullaby" # "Drops of Brandy/Lady Carberry" # "Smith of Bristol" # "The Night Visiting Song" Personnel * Ciarán Bourke – tin whist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Dubliners
The Dubliners were an Folk music of Ireland, Irish folk band founded in Dublin in 1962 as The Ronnie Drew Ballad Group, named after its founding member; they subsequently renamed themselves The Dubliners. The line-up saw many changes in personnel over their fifty-year career, but the group's success was centred on lead singers Luke Kelly and Ronnie Drew. The band garnered international success with their lively Irish folk songs, traditional street ballads and instrumentals. The band were regulars on the folk scenes in both Dublin and London in the early 1960s, and were signed to the Major Minor Records, Major Minor label in 1965 after backing from Dominic Behan who was paid by Major-Minor to work with the Dubliners and help them to build a better act fit for larger concert hall venues. The Dubliners worked with Behan regularly between 1965 and 1966; Behan wrote numerous songs for this act including the song McAlpine's Fusiliers created specifically to showcase Ronnie Drew's grave ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alba
''Alba'' ( , ) is the Scottish Gaelic name for Scotland. It is also, in English language historiography, used to refer to the polity of Picts and Scottish people, Scots united in the ninth century as the Kingdom of Alba, until it developed into the Scotland in the Late Middle Ages, Kingdom of Scotland of the late Middle Ages following the absorption of Kingdom of Strathclyde, Strathclyde and English-speaking Lothian in the 12th century. It is cognate with the Irish term ' (gen. ', dat. ') and the Manx language, Manx term ', the two other Goidelic languages, Goidelic Insular Celtic languages, as well as contemporary words used in Cornish language, Cornish (') and Welsh language, Welsh ('), both of which are Brythonic languages, Brythonic Insular Celtic languages. The third surviving Brythonic language, Breton language, Breton, instead uses ', meaning 'country of the Scots'. In the past, these terms were names for Great Britain as a whole, related to the Brythonic name Albion. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paddy Reilly
Patrick "Paddy" Reilly (born 18 October 1939) is an Irish folk singer and guitarist. Born in Rathcoole, County Dublin, he is one of Ireland's most famous balladeers and is best known for his renditions of "The Fields of Athenry", "Rose of Allendale" and "The Town I Loved So Well". Reilly released his version of "The Fields of Athenry" as a single in 1983; it was the most successful version of this song, remaining in the Irish charts for 72 weeks. He achieved number 1 in Ireland with the Liam Reilly (no relation) written song "Flight of Earls" in 1988. For years a solo performer, he joined The Dubliners in 1996 as a replacement for long-time member Ronnie Drew. He left the group after nine years to move to New York City (where he owns a number of pubs) in 2005 and was replaced by Patsy Watchorn.http://cgi.ebay.ie/The-Paddy-Reilly-Songbook-Fields-of-Athenry-sheet-music_W0QQitemZ380145940850QQcmdZViewItemQQptZLH_DefaultDomain_0?hash=item588276b972&_trksid=p3286.c0.m14 After living ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kim Robertson (musician)
Kim Robertson is an American Celtic harp player. She was born in the U.S. state of Wisconsin Wisconsin () is a state in the upper Midwestern United States. Wisconsin is the 25th-largest state by total area and the 20th-most populous. It is bordered by Minnesota to the west, Iowa to the southwest, Illinois to the south, Lake M ... and classically trained on piano and orchestral harp. Her work encompasses over 20 album projects, several volumes of harp arrangements, instructional videos, and an international itinerary of concerts and retreats. She has recorded for several labels, including Gourd Music, Narada, Sugo, Invincible, and for the ''Crimson Series'' of Gurmukhi meditation music in collaboration with vocalist Singh Kaur. She has also collaborated with cellist Virginia Kron, with flutists Steve Kujala, Bettine Clemen, Brett Lipshutz, and in the Celtic trio ''Ferintosh'' with cellist Abby Newton and fiddler David Greenberg. Discography *''Forget Not The Ange ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
