The Game Of Chess (Sofonisba Anguissola)
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The Game Of Chess (Sofonisba Anguissola)
''The Game of Chess'' (or ''Portrait of the artist's sisters playing chess'') is an oil-on-canvas painting executed ca. 1555 by Italian Renaissance artist Sofonisba Anguissola. Anguissola was 23 years old when she painted it. The painting is signed and dated on the edge of the chessboard, where Anguissola left this Latin inscription: – "Sofonisba Angussola virgin daughter of Amilcare painted from life her three sisters and a maid 1555." History Giorgio Vasari, visiting Cremona, was a guest in the house of Amilcare Anguissola and there admired paintings by Amilcare's daughters. About ''The Game of Chess'' he wrote, "I have seen this year in Cremona, in the house of her father a painting made with much diligence, the depiction of his three daughters, in the act of playing chess, and with them an old housemaid, done with such diligence and facility, that they appear alive, and the only thing missing is speech." This is the oldest document that mentions this painting, which rem ...
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Sofonisba Anguissola
Sofonisba Anguissola ( – 16 November 1625), also known as Sophonisba Angussola or Sophonisba Anguisciola, was an Italian Renaissance painting, Italian Renaissance painter born in Cremona to a relatively poor noble family. She received a well-rounded education that included the fine arts, and her apprenticeship with local painters set a precedent for women to be accepted as students of art. As a young woman, Anguissola traveled to Rome where she was introduced to Michelangelo, who immediately recognized her talent, and to Milan, where she painted the Duke of Alba. The Spanish queen, Elizabeth of Valois, was a keen amateur painter and in 1559 Anguissola was recruited to go to Madrid as her tutor, with the rank of lady-in-waiting. She later became an official court painter to the king, Philip II of Spain, Philip II, and adapted her style to the more formal requirements of official portraits for the Spanish court. After the queen's death, Philip helped arrange an aristocratic ...
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The Chess Game (Campi Painting)
''The Chess Game'' is a painting of by Giulio Campi, a Renaissance painter from Cremona. Since 1970, it has been in the Museo Civico d'Arte Antica in Turin. It was first published in 1963 by Roberto Longhi whilst still in the Nigro collection in Genoa. He attributed it to Sofonisba Anguissola but mentioned similarities to Campi's ''Allegory'' in the Museo Poldi Pezzoli in Milan. Mina Gregori attributed the work to Campi by comparison with a portrait by Giulio of his father Galeazzo in the Uffizi. Bibliography * Giovanni Godi and Giuseppe Cirillo, ''Studi su Giulio Campi'', Milan, Arte Lombarda, 1978, SBN IT\ICCU\NAP\0095755. * ''I Campi: cultura artistica cremonese del Cinquecento'', Milan, Electa, 1985, pp. 133–134, SBN IT\ICCU\PAL\0002579. Edited by Mina Gregori. * Various authors, ''Sofonisba Anguissola e le sue sorelle'', Milan, Leonardo arte, 1994, SBN IT\ICCU\VEA\0063954. Catalogue of an exhibition held in Cremona in 1994 and in Vienna and Washington in 19 ...
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16th Century In Chess
16 (sixteen) is the natural number following 15 and preceding 17. 16 is a composite number, and a square number, being 42 = 4 × 4. It is the smallest number with exactly five divisors, its proper divisors being , , and . In English speech, the numbers 16 and 60 are sometimes confused, as they sound very similar. Sixteen is the fourth power of two. For this reason, 16 was used in weighing light objects in several cultures. The British have 16 ounces in one pound; the Chinese used to have 16 ''liangs'' in one ''jin''. In old days, weighing was done with a beam balance to make equal splits. It would be easier to split a heap of grains into sixteen equal parts through successive divisions than to split into ten parts. Chinese Taoists did finger computation on the trigrams and hexagrams by counting the finger tips and joints of the fingers with the tip of the thumb. Each hand can count up to 16 in such manner. The Chinese abacus uses two upper beads to represent the 5s and 5 low ...
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Chess Paintings
Chess is a board game for two players, called White and Black, each controlling an army of chess pieces in their color, with the objective to checkmate the opponent's king. It is sometimes called international chess or Western chess to distinguish it from related games, such as xiangqi (Chinese chess) and shogi (Japanese chess). The recorded history of chess goes back at least to the emergence of a similar game, chaturanga, in seventh-century India. The rules of chess as we know them today emerged in Europe at the end of the 15th century, with standardization and universal acceptance by the end of the 19th century. Today, chess is one of the world's most popular games, played by millions of people worldwide. Chess is an abstract strategy game that involves no hidden information and no use of dice or cards. It is played on a chessboard with 64 squares arranged in an eight-by-eight grid. At the start, each player controls sixteen pieces: one king, one queen, two rooks, two bis ...
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1550s Paintings
Year 155 ( CLV) was a common year starting on Tuesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Severus and Rufinus (or, less frequently, year 908 ''Ab urbe condita''). The denomination 155 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Births * Cao Cao, Chinese statesman and warlord (d. 220) * Dio Cassius, Roman historian (d. c. 235) * Tertullian, Roman Christian theologian (d. c. 240) * Sun Jian, Chinese general and warlord (d. 191) Deaths * Pius I, Roman bishop * Polycarp, bishop of Smyrna (b. AD 65 AD 65 ( LXV) was a common year starting on Tuesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Nerva and Vestinus (or, less frequently, year 818 ''Ab urbe condita''). ...) References {{DEFAULTSORT:155 ...
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Portraits By Sofonisba Anguissola
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical p ...
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Paintings In The National Museum, Poznań
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract ...
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Portraits Of Women
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical portraitur ...
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Women In Chess
This article is about the participation of women in chess and its culture. Women's chess competitions The majority of chess tournaments are open to all participants regardless of gender. Very few, if any, international tournaments are restricted to men, but a few are restricted to women, most prominently the Women's World Chess Championship and the Women's Chess Olympiad. The World Junior Chess Championship and World Youth Chess Championship also include concurrent girls' championships in various age divisions. Some countries hold, in addition to the national championship, a separate women's national championship. The first Women's World Chess Championship was held in 1927 and won by Vera Menchik. The current champion is Ju Wenjun; the higher rated Hou Yifan, after winning the championship three times, has declined to participate since 2016. Women in chess coaching In 2010, as the head coach for the Texas Tech Knight Raiders chess team, Susan Polgar became the first woman to l ...
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Antonio Bulifon
Antonio Bulifon (1649-1707) was a French printer working in Naples. As a publisher Bulifon was "fundamentally important for the diffusion of women's poetry" in Italy. Life Antonio Bulifon was born in Chaponay in Dauphiné in southeastern France, the son of Laurent Bulifon, a notary, and his wife Jeanne Pros. In 1668 he set out on travels across France, visiting shrines in Marseilles, Toulon and Aix, and continuing to Rome on hearing of the death of Pope Clement IX. In 1670 he moved to Naples, where he established a printing firm. For his printer's device he chose a Siren, perhaps a symbol for his adopted city, and the motto “non sempre nuoce” (“she does not always harm”). As a printer Bulifon specialized in travel books, histories of the city, and sixteenth-century lyric poetry. He republished the fairy tales of Giambattista Basile. Bulifon's wealth of contacts, coupled with his virtual monopoly on the sale of foreign journals and books in Naples, transformed his bookshop i ...
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Marco Girolamo Vida
Marco Girolamo Vida or Marcus Hieronymus Vida (1485? – September 27, 1566) was an Italian humanist, bishop and poet. Life Marco was born at Cremona, the son of the consular (patrician) Guglielmo Vida, and Leona Oscasale. He had two brothers: Giorgio, a captain in the service of Venice, and Girolamo, a canon of the cathedral chapter of Cremona. He also had three sisters: Lucia, Elena, and a third whose name is unknown. He began his studies in Cremona, under the local grammarian, Nicolò Lucari. He was then sent to Mantua, and then Bologna and Padua. It is conjectured that it was in Mantua, where the Canons Regular had a school, that Marco took the habit, perhaps around 1505. By about 1510 he had been granted several benefices: in the diocese of Cremona at Ticengo, then at Monticelli (diocese of Parma), then at Solarolo Monestirolo, where he held the office of provost, and finally at Paderno, where he held the title of archpriest. Vida joined the court of Pope Leo X and was ...
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Lucas Van Leyden
Lucas van Leyden (1494 – 8 August 1533), also named either Lucas Hugensz or Lucas Jacobsz, was a Dutch painter and printmaker in engraving and woodcut. Lucas van Leyden was among the first Dutch exponents of genre painting and was a very accomplished engraver. Lucas was the son of the painter Huygh Jacobsz. He was born, died, and was mainly active in Leiden. Carel van Mander characterizes Lucas as a tireless artist, who as a child annoyed his mother by working long hours after nightfall, which she forbade not only for the cost of candlelight, but also because she felt that too much study was bad for his sensibilities. According to Van Mander, as a boy he only consorted with other young artists, such as painters, glass-etchers and goldsmiths, and was paid by the ''Heer van Lochorst'' (Johan van Lockhorst of Leiden, who died in 1510) a golden florin for each of his years at age 12 for a watercolor of St. Hubert. [Baidu]