The Funeral Of Phocion
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The Funeral Of Phocion
''The Funeral of Phocion'' is a 1648 landscape painting, also known as ''The Burial of Phocion'', ''Landscape with the Funeral of Phocion'' and ''Landscape with the Body of Phocion Carried out of Athens'', by the French artist Nicolas Poussin. Phocion was an Athenian statesman from the 4th century BC. Three versions of the painting are known. These are now housed in The Louvre, Paris; National Museum Cardiff and the collections of the Glass House in New Canaan, Connecticut, United States. File:Nicolas Poussin - The Burial of Phocion - PJGH GlassHouse04.jpg, Glass House version File:Nicolas Poussin - The Burial of Phocion.jpg, Louvre version In the same year Poussin painted a companion piece to ''The Funeral of Phocion'', '' Landscape with the Ashes of Phocion''. References Further reading Paul Jamot, "Poussin's Two Pictures of the Story of Phocion" in ''The Burlington Magazine for Connoisseurs ''The Burlington Magazine'' is a monthly publication that covers the fine and de ...
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Nicolas Poussin
Nicolas Poussin (, , ; June 1594 – 19 November 1665) was the leading painter of the classical French Baroque style, although he spent most of his working life in Rome. Most of his works were on religious and mythological subjects painted for a small group of Italian and French collectors. He returned to Paris for a brief period to serve as First Painter to the King under Louis XIII and Cardinal Richelieu, but soon returned to Rome and resumed his more traditional themes. In his later years he gave growing prominence to the landscape in his paintings. His work is characterized by clarity, logic, and order, and favors line over color. Until the 20th century he remained a major inspiration for such classically-oriented artists as Jacques-Louis David, Jean-Auguste-Dominique Ingres and Paul Cézanne. Details of Poussin's artistic training are somewhat obscure. Around 1612 he traveled to Paris, where he studied under minor masters and completed his earliest surviving works. Hi ...
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Paul Jamot
Paul Jamot (22 December 1863 – 13 December 1939) was a French painter, art critic and museum curator. Biography An École normale supérieure alumni, Paul Jamot was a member of the French School at Athens (1887). He explored Argos and the valley of the Spercheios. He led the excavations in the valley of the Muses in Thespies between 1888 and 1891. He collected many inscriptions including that of the so-called stele of Hesiod. He published a travelogue: ''En Grèce avec Charalambos Eugénidis''. He became curator of national museums, a member of the Institute of France, commandeur of the Legion of Honour, honorary curator of the Louvre, Reims museum director from 1927 to 1939. He bequeathed to the city a rich collection of paintings, represented by Corot, Carpeaux, Courbet, Delacroix, Maurice Denis, Forain, Ingres, Picasso, Renoir, etc. and of valuable objects, as well as to the musée du Louvre, the musée du Luxembourg and the Carnavalet Museum. A room of the musée d†...
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Paintings About Death
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, s ...
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Landscape Paintings
Landscape painting, also known as landscape art, is the depiction of natural scenery such as mountains, valleys, trees, rivers, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composition. In other works, landscape backgrounds for figures can still form an important part of the work. Sky is almost always included in the view, and weather is often an element of the composition. Detailed landscapes as a distinct subject are not found in all artistic traditions, and develop when there is already a sophisticated tradition of representing other subjects. Two main traditions spring from Western painting and Chinese art, going back well over a thousand years in both cases. The recognition of a spiritual element in landscape art is present from its beginnings in East Asian art, drawing on Daoism and other philosophical traditions, but in the West only becomes explicit with Romanticism. Landscape views in art may be entirely i ...
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Paintings In The Collection Of The Glass House
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, sy ...
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