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The Funeral (Grosz)
''The Funeral'' (often ''The Funeral (Dedicated to Oskar Panizza)'') is a painting by the German Expressionist artist George Grosz, completed between 1917 and 1918. The work combines elements of Futurism and CubismWolf & Grosenick, 42 to show a funeral procession in a modern urban city, as an infernal abyss populated by twisted and grotesque attendants.Friedrich-Wilhelms, Rheinische.Widmung an Oskar Panizza (1917/18). Universität Bonn. Retrieved on 21 May 2009. The painting is dedicated to the German psychiatrist and avant-garde writer Oskar Panizza, noted for his play '' Liebeskonzil'', which draws on the first historically documented outbreak of syphilis and depicts God the Father as a senile old man. Although Panizza's works, in which he rejected all militarism and religious authority, were deemed blasphemous by both the Church and the government of Emperor Wilhelm II, they were later admired by Grosz and other idealists of his generation. The painting seeks to emulate medie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Grosz
George Grosz (; born Georg Ehrenfried Groß; July 26, 1893 – July 6, 1959) was a German artist known especially for his caricatural drawings and paintings of Berlin life in the 1920s. He was a prominent member of the Berlin Dada and New Objectivity groups during the Weimar Republic. He immigrated to the United States in 1933, and became a naturalized citizen in 1938. Abandoning the style and subject matter of his earlier work, he exhibited regularly and taught for many years at the Art Students League of New York. In 1959 he returned to Berlin, where he died shortly afterwards. Early life Grosz was born Georg Ehrenfried Groß in Berlin, Germany, the third child of a pub owner. His parents were devoutly Lutheran. Grosz grew up in the Pomeranian town of Stolp (now Słupsk, Poland). After his father's death in 1900, he moved to the Wedding district of Berlin with his mother and sisters. At the urging of his cousin, the young Grosz began attending a weekly drawing class taugh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilhelm II, German Emperor
Wilhelm II (Friedrich Wilhelm Viktor Albert; 27 January 18594 June 1941) was the last German Emperor (german: Kaiser) and King of Prussia, reigning from 15 June 1888 until his abdication on 9 November 1918. Despite strengthening the German Empire's position as a great power by building a powerful navy, his tactless public statements and erratic foreign policy greatly antagonized the international community and are considered by many to be one of the underlying causes of World War I. When the German war effort collapsed after a series of crushing defeats on the Western Front in 1918, he was forced to abdicate, thereby marking the end of the German Empire and the House of Hohenzollern's 300-year reign in Prussia and 500-year reign in Brandenburg. Wilhelm II was the son of Prince Frederick William of Prussia and Victoria, German Empress Consort. His father was the son of Wilhelm I, German Emperor, and his mother was the eldest daughter of Queen Victoria of the United Kingdom and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings By George Grosz
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
McCarthy (band)
McCarthy were a British indie pop band, formed in Barking, Greater London, England in 1984 by schoolmates Malcolm Eden (voice and guitar) and Tim Gane (lead guitar) with John Williamson (bass guitar) and Gary Baker (drums). Lætitia Sadier later joined the band on vocals for their final studio album.Sutton, Michael, "McCarthy Biography" Allmusic, retrieved 27 March 2008 They mixed a melodic style, dominated by Gane's 12-string guitar playing, with Eden's overtly political lyrics, often satirical in tone, which reflected the band's far-left leanings. History Malcolm Eden, Tim Gane and John Williamson met at Barking Abbey Comprehensive School. Gane was originally a drummer, but was initially taught to play guitar by Eden, who also taught Williamson to play bass. Eden and Gane were fans of punk groups such as the Sex Pistols, The Clash, and Buzzcocks, and they covered their songs in small gigs as teenagers. Baker joined in 1984, and with the new line-up deciding on the name McCa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Am A Wallet
''I Am a Wallet'' is the debut studio album by English indie pop band McCarthy. It was first released in November 1987. After recording three singles, "In Purgatory", " Red Sleeping Beauty" and " Frans Hals", ''I Am a Wallet'' demonstrates jangly guitar pop reminiscent of The Byrds. While this form of indie pop was widespread in '80s underground Britain, McCarthy brought left-wing politics to the genre. Religion is attacked in "God Made the Virus", while the return of Victorian values espoused by Margaret Thatcher is compared to medieval oppression in "In the Dark Times". Johnny Dee of ''Underground'' magazine gave the album a 3/3 review, naming it as his favourite record of the year. ''I Am a Wallet'' has since been described by Nicky Wire as "the most perfect record, a Communist manifesto with tunes". On the album cover of the 2007 re-release he writes that McCarthy "are partly to blame for the realisation of the Manic Street Preachers". James Dean Bradfield rated ''I Am a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dehumanization
Dehumanization is the denial of full humanness in others and the cruelty and suffering that accompanies it. A practical definition refers to it as the viewing and treatment of other persons as though they lack the mental capacities that are commonly attributed to human beings. In this definition, every act or thought that regards a person as "less than" human is dehumanization. Dehumanization is one technique in incitement to genocide. It has also been used to justify war, judicial and extrajudicial killing, slavery, the confiscation of property, denial of suffrage and other rights, and to attack enemies or political opponents. Conceptualizations Behaviorally, dehumanization describes a disposition towards others that debases the others' individuality as either an "individual" species or an "individual" object (e.g., someone who acts inhumanely towards humans). As a process, dehumanization may be understood as the opposite of personification, a figure of speech in which i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Danse Macabre
The ''Danse Macabre'' (; ) (from the French language), also called the Dance of Death, is an artistic genre of allegory of the Late Middle Ages on the universality of death. The ''Danse Macabre'' consists of the dead, or a personification of death, summoning representatives from all walks of life to dance along to the grave, typically with a pope, emperor, king, child, and laborer. The effect was both frivolous, and terrifying; beseeching its audience to react emotionally. It was produced as ''memento mori'', to remind people of the fragility of their lives, and how vain were the glories of earthly life. Its origins are postulated from illustrated sermon texts; the earliest recorded visual scheme was a now-lost mural at Holy Innocents' Cemetery in Paris dating from 1424 to 1425. Background Historian Francis Rapp (1926–2020) writes that "''Christians were moved by the sight of the Infant Jesus playing on his mother's knee; their hearts were touched by the Pietà; and patro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schnapps
Schnapps ( or ) or schnaps is a type of alcoholic beverage that may take several forms, including distilled fruit brandies, herbal liqueurs, infusions, and "flavored liqueurs" made by adding fruit syrups, spices, or artificial flavorings to neutral grain spirits. The English loanword "schnapps" is derived from the colloquial German word ''Schnaps'' (plural: ''Schnäpse''), which is used in reference to spirit drinks. The word ''Schnaps'' stems from Low German and is related to the German term "''schnappen''", meaning "snap", which refers to the spirit usually being consumed in a quick slug from a small glass (i.e., a shot glass). European The German term ''Schnaps'' refers to "any kind of strong, dry spirit", similar to how ''eau de vie'' (water of life) is used in French, ''aguardiente'' (burning water) in Spanish, or ''aguardente'' Portuguese. ''Obstler'' ''Obstler'', or ''Obstbrand'' (from the German ''Obst'', fruit), are a traditional type of schnaps made by fermentin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Death (personification)
Death is frequently imagined as a personified force. In some mythologies, a character known as the Grim Reaper (usually depicted as a berobed skeleton wielding a scythe) causes the victim's death by coming to collect that person's soul. Other beliefs hold that the Spectre of Death is only a psychopomp, serving to sever the last ties between the soul and the body, and to guide the deceased to the afterlife, without having any control over when or how the victim dies. Death is most often personified in male form, although in certain cultures Death is perceived as female (for instance, Marzanna in Slavic mythology, or Santa Muerte in Mexico). By region Americas Latin America As is the case in many Romance languages (including French, Portuguese, Italian, and Romanian), the Spanish word for death, ''muerte,'' is a feminine noun. As such, it is common in Spanish-speaking cultures to personify death as a female figure. In Aztec mythology, Mictecacihuatl is the "Queen of Mictl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pieter Bruegel The Elder
Pieter Bruegel (also Brueghel or Breughel) the Elder (, ; ; – 9 September 1569) was the most significant artist of Dutch and Flemish Renaissance painting, a painter and printmaker, known for his landscapes and peasant scenes (so-called genre painting); he was a pioneer in making both types of subject the focus in large paintings. He was a formative influence on Dutch Golden Age painting and later painting in general in his innovative choices of subject matter, as one of the first generation of artists to grow up when religious subjects had ceased to be the natural subject matter of painting. He also painted no portraits, the other mainstay of Netherlandish art. After his training and travels to Italy, he returned in 1555 to settle in Antwerp, where he worked mainly as a prolific designer of prints for the leading publisher of the day. Only towards the end of the decade did he switch to make painting his main medium, and all his famous paintings come from the following perio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hellscape
A hellscape is a harsh environment, an unpleasant place, or a scene thought to resemble hell. A depiction of hell in a work of art is called a hellscape."hellscape, n.". OED Online. December 2020. Oxford University Press. The earliest known use of the term in print was in 1894. In real life Writers have sometimes described wartime environments as hellscapes, and after the atomic bombings of Hiroshima and Nagasaki, the cities were defined as such by its survivors. Writers have also used ''hellscape'' to describe the scene of a natural disaster such as a drought, plague, flood, or wildfire. Projections of the consequences of global warming have been described by journalists as hellscapes. The usage of recreational drugs such as heroin has been described by its users as creating hellscapes. In the tech press, journalists have defined Internet disinformation as a hellscape. Some have specluated the replacing of human labor with intelligent robots could lead to a future hellscape, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nuremberg Chronicles - Dance Of Death (CCLXIIIIv)
Nuremberg ( ; german: link=no, Nürnberg ; in the local East Franconian dialect: ''Nämberch'' ) is the second-largest city of the German state of Bavaria after its capital Munich, and its 518,370 (2019) inhabitants make it the 14th-largest city in Germany. On the Pegnitz River (from its confluence with the Rednitz in Fürth onwards: Regnitz, a tributary of the River Main) and the Rhine–Main–Danube Canal, it lies in the Bavarian administrative region of Middle Franconia, and is the largest city and the unofficial capital of Franconia. Nuremberg forms with the neighbouring cities of Fürth, Erlangen and Schwabach a continuous conurbation with a total population of 800,376 (2019), which is the heart of the urban area region with around 1.4 million inhabitants, while the larger Nuremberg Metropolitan Region has approximately 3.6 million inhabitants. The city lies about north of Munich. It is the largest city in the East Franconian dialect area (colloquially: "Franconian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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