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The Fun Sessions
''The Fun Sessions'' is the 8th studio album by Dread Zeppelin, and the first made with Imago Records. It is described as “Tortelvis sings the classics”, where “classics” are songs from the late-1960s and early-1970s particularly loved by the band. The album title is a wordplay on Elvis's The Sun Sessions. This album brings the band away from Led Zeppelin covers, like they did with ''It's Not Unusual'', which was criticized by many fans because of its disco style and Tortelvis was not singing on it. At the time of release, Dread Zeppelin had covered most of Led Zeppelin's successful songs; they have now produced more albums than the band they mostly cover. Only two of the original band members, Tortelvis and Butt Boy, are still in the band for this album. Unlike all previous albums, this album was not produced by Jah Paul Jo. Most of the original band members do make "special guest appearance" (Carl Jah on guitar, Rasta-mon and Ed Zeppelin on vocal). Track listing #" Ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dread Zeppelin
Dread Zeppelin is an American reggae rock band. Formed in 1989 in Sierra Madre, California, the band combines hard rock and reggae styles with humor. They are best known for performing the songs of Led Zeppelin in a reggae style as sung by a Las Vegas Elvis impersonator. Over the years they have also performed songs originally by Elvis Presley, Bob Marley and The Yardbirds. The group toured extensively around the world during their tenure with I.R.S. Records. Career 1986-1989: The Prime Movers The nucleus of Dread Zeppelin, bassist Put-Mon (Gary Putman), drummer Cheese (Curt Lichter) and guitarist Jah Paul Jo (Joseph "Severs" Ramsey), were from a Pasadena, California group called The Prime Movers. Signed to Island Records in 1986, The Prime Movers had some success in the UK with singles "On The Trail" and "Dark Western Night". The late Stuart Adamson of Big Country contributed his trademark E-Bow guitar to "Dark Western Night" and another Prime Mover song, "Strong As I Am", w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Born On The Bayou
"Born on the Bayou" (1969) is the first track on Creedence Clearwater Revival's second album, ''Bayou Country'', released in 1969. It was released as the B-side of the single "Proud Mary" that reached No. 2 on the ''Billboard'' charts. The song was covered by Little Richard. Background Songwriter John Fogerty set the song in the South, despite neither having lived nor widely traveled there. He commented: "Born on the Bayou" is an example of "swamp rock", a genre associated with Fogerty, Little Feat/Lowell George, the Band, J.J. Cale and Tony Joe White. The guitar setting for the intro is over-driven with amp tremolo on a slow setting; Fogerty uses a Gibson ES-175 (which was stolen from his car soon after recording this track). Creedence Clearwater Revival drummer Doug Clifford has said of the song in 1998: According to Clifford, "Born on the Bayou" was originally supposed to be released as the A-side of the single with "Proud Mary." Clifford said of the song "I didn’ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The End (The Beatles Song)
"The End" is a song by the English rock band the Beatles from their 1969 album ''Abbey Road''. It was composed by Paul McCartney and credited to Lennon–McCartney. It was the last song recorded collectively by all four Beatles, and is the final song of the medley that constitutes the majority of side two of the album. The song features one of the few drum solos recorded by Ringo Starr. Composition and recording McCartney said, "I wanted he medleyto end with a little meaningful couplet, so I followed the Bard and wrote a couplet." In his 1980 interview with ''Playboy'', John Lennon acknowledged McCartney's authorship by saying, "That's Paul again ... He had a line in it, 'And in the end, the love you get is equal to the love you give,' which is a very cosmic, philosophical line. Which again proves that if he wants to, he can think." Lennon misquoted the line; the actual words are, "And in the end, the love you take, is equal to the love you make..." Recording began on 23 July 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carry That Weight
"Carry That Weight" is a song by the English rock band the Beatles from their 1969 album ''Abbey Road''. Written by Paul McCartney and credited to Lennon–McCartney, it is the seventh and penultimate song in the album's climactic side-two medley. It features unison vocals in the chorus from all four Beatles, a rarity in their songs. It is preceded by "Golden Slumbers" and segues into "The End". The middle bridge—featuring brass instruments, electric guitar, and vocals—reprises the beginning of "You Never Give Me Your Money", but with different lyrics. The ending also reprises the arpeggiated guitar motif from the end of that track, which is itself reminiscent of the figure featured prominently in the George Harrison–written track "Here Comes the Sun", which opens side two of ''Abbey Road''. Interpretation Music critic Ian MacDonald interpreted the lyrics as an acknowledgement by the group that nothing they would do as individual artists would equal what they had achieve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Golden Slumbers
"Golden Slumbers" is a song by the English rock band the Beatles from their 1969 album ''Abbey Road''. Written by Paul McCartney and credited to Lennon–McCartney, it is the sixth song of the album's climactic B-side medley. The song is followed by "Carry That Weight" and begins the progression that leads to the end of the album. The two songs were recorded together as a single piece, and both contain strings and brass arranged and scored by producer George Martin. Background "Golden Slumbers" is based on the poem "Cradle Song" from the play ''Patient Grissel'', a lullaby by the dramatist Thomas Dekker. McCartney saw sheet music for "Cradle Song" at his father's home in Liverpool, left on a piano by his stepsister Ruth. Unable to read music, he created his own music. McCartney uses the first stanza of the original poem, with minor word changes, adding to it a single lyric line repeated with minor variation. In the 1885 collection "St Nicholas Songs", p. 177, is W J Hender ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Judy Blue Eyes
"Suite: Judy Blue Eyes" is a song written by Stephen Stills and performed by Crosby, Stills & Nash (CSN). It appeared on the group's self-titled debut album in 1969 and was released as a single, reaching number 21 on the ''Billboard'' Hot 100 pop singles chart. In Canada, "Suite: Judy Blue Eyes" peaked at number 11. The song imitates the form of a classical music suite as an ordered set of musical pieces. Background The title "Suite: Judy Blue Eyes" (a play on words for "Sweet Judy Blue Eyes") refers to Stephen Stills' former girlfriend, singer/songwriter Judy Collins, and the lyrics to most of the suite's sections consist of his thoughts about her and their imminent breakup. During a July 15, 2007 interview for the National Public Radio program ''All Things Considered'', Stills revealed that Collins was present in the studio when the demo tapes were recorded and had advised him, "Don't stay in here n the studioall night now." Stills also commented that the breakup with Collins ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Feel Like Makin' Love (Bad Company Song)
"Feel Like Makin' Love" is a song by English supergroup Bad Company. The power ballad originally appeared on the LP '' Straight Shooter'' in April 1975 and was released as a single in August of the same year. It was named the 78th best hard rock song of all time by VH1. The song, along with other Bad Company music, was featured in the 2001 film ''Scotland, PA''. Origin Paul Rodgers started to come up with the lyrics at a camp in California while touring the US with Free. He was 19 years old. After several years, Rodgers played it to Bad Company guitarist Mick Ralphs who threw in that big chord in the chorus - the muted 'duh-duh' that marks the shift from country ballad to chest-beating rocker. Reception ''Cash Box'' said that the "strong two-pronged attack from Ralphs' guitar and Rodgers' vocals make the track an excellent choice to follow 'Good Lovin'.'" ''Ultimate Classic Rock'' critic Matt Wardlaw rated it as Bad Company's 2nd best song, saying that "a muscular guitar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Free Bird
"Free Bird", also spelled "Freebird", is a song written by Allen Collins and Ronnie Van Zant and performed by American rock band Lynyrd Skynyrd. The song featured on the band's debut album in 1973. Released as a single in November 1974, "Free Bird" entered the ''Billboard'' Hot 100 on November 23 at No. 87 and became the band's second Top 40 hit in early 1975, peaking at No. 19 on January 25. A live version of the song reentered the charts in late 1976, eventually peaking at No. 38 in January 1977. "Free Bird" achieved the No. 8 spot on '' Guitar World''s 100 Greatest Guitar Solos. It is Lynyrd Skynyrd's signature song, the finale during live performances, and their longest song, often going well over 14 minutes when played live. Origins According to guitarist Gary Rossington, for two years after Allen Collins wrote the initial chords, vocalist Ronnie Van Zant insisted that there were too many for him to create a melody in the belief that the melod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Smoke On The Water
"Smoke on the Water" is a song by English rock band Deep Purple, first released from the band's sixth studio album ''Machine Head'' (1972), which chronicles the 1971 fire at Montreux Casino. In a 2004 publication by ''Rolling Stone'' magazine "Smoke on the Water" was ranked number 434 on its list of the "500 Greatest Songs of All Time", '' Total Guitar'' magazine's ranked "Smoke on the Water" number 4 on its "Greatest Guitar Riffs Ever", and in March 2005, ''Q'' magazine placed "Smoke on the Water" at number 12 in its list of the 100 greatest guitar tracks. Composition "Smoke on the Water" is easily identified by its central theme, developed by guitarist Ritchie Blackmore. It is a four-note blues scale melody in G minor, harmonised in parallel fourths. The riff, played on a Fender Stratocaster electric guitar by Blackmore, is later joined by hi-hat and distorted organ, then the rest of the drums, then electric bass parts before the start of Ian Gillan's vocal. Blackmo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Light My Fire
"Light My Fire" is a song by the American rock band the Doors. It was recorded in August 1966 and released in January 1967 on their eponymous debut album. Released as an edited single on April 24, 1967, it spent three weeks at number one on the ''Billboard'' Hot 100 chart (in July 29, August 5 and August 12, 1967), and one week on the ''Cash Box'' Top 100, nearly a year after its recording. Due to its erotic lyrics and innovative structure, the song has come to be regarded a synonymous with the 60s psychedelic and sexual revolutions. A year later, it re-entered the ''Billboard'' Hot 100 in 1968 following the success of José Feliciano's cover version of the song (which peaked at number three on the ''Billboard'' chart), peaking at number 87. The song was principally written by the band's guitarist, Robby Krieger, but was credited to the entire band. History "Light My Fire" originated in early 1966 as a composition by Robby Krieger, who said that he was inspired by the mel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sunshine Of Your Love
"Sunshine of Your Love" is a 1967 song by the British rock band Cream. With elements of hard rock, psychedelia, and pop, it is one of Cream's best known and most popular songs. Cream bassist and vocalist Jack Bruce based it on a distinctive bass riff he developed after attending a Jimi Hendrix concert. Guitarist Eric Clapton and lyricist Pete Brown later contributed to the song and drummer Ginger Baker plays a distinctive tom-tom drum rhythm. The song was included on Cream's best-selling second album ''Disraeli Gears'' in November 1967. Atco Records, the group's American label, was initially unsure of the song's potential. After recommendations by other label-affiliated artists, it released an edited single version in December 1967. The song became Cream's first and highest charting American single and one of the most popular singles of 1968. In September 1968, it became a modest chart hit after being released in the UK. Cream performed "Sunshine of Your Love" regularly in c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The First No-Elvis
''The'' () is a grammatical Article (grammar), article in English language, English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the Most common words in English, most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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