The Fragile (Nine Inch Nails Album)
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The Fragile (Nine Inch Nails Album)
''The Fragile'' is the third studio album by American industrial rock band Nine Inch Nails, released as a double album by Nothing Records and Interscope Records on September 21, 1999. It was produced by Nine Inch Nails frontman Trent Reznor and English producer Alan Moulder, a longtime Reznor collaborator. It was recorded throughout 1997 to 1999 in New Orleans. Looking to depart from the distorted production of their previous album, ''The Downward Spiral'' (1994), the album features elements of ambient and electronic music alongside the band's signature industrial rock sound. The album continues some of the lyrical themes from ''The Downward Spiral'', including depression and drug abuse. The album notably contains more instrumental sections than their previous work, with some entire tracks being instrumentals. ''The Fragile'' is also one of the band's longest studio releases, clocking in at nearly 1 hour and 45 minutes long. The record was promoted with three singles: " The Day ...
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Nine Inch Nails
Nine Inch Nails, commonly abbreviated as NIN and stylized as NIИ, is an American industrial rock band formed in Cleveland in 1988. Singer, songwriter, multi-instrumentalist, and producer Trent Reznor was the only permanent member of the band until his frequent collaborator, Atticus Ross, joined in 2016. The band's debut album, ''Pretty Hate Machine'' (1989), was released via TVT Records. After disagreeing with TVT about how to promote the album, the band signed with Interscope Records and released the EP ''Broken'' (1992). The following albums, ''The Downward Spiral'' (1994) and ''The Fragile'' (1999), were released to critical acclaim and commercial success. Following a hiatus, Nine Inch Nails resumed touring in 2005 and released the album ''With Teeth'' (2005). Following the release of the album ''Year Zero'' (2007), the band left Interscope after a feud. Nine Inch Nails continued touring and independently released ''Ghosts I–IV'' (2008) and ''The Slip'' (2008) before a ...
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Into The Void (Nine Inch Nails Song)
"Into the Void" is a song by American industrial rock band Nine Inch Nails from their third studio album, ''The Fragile'', released in 1999. It is the album's third single and saw release early 2000. A music video was directed by Walter Stern and Jeff Richter. Release and reception "Into the Void" was released as a single only in Australia on 10 January 2000. It peaked at #72 on the ARIA singles chart. This Australian release lacks a halo number, making it the only commercial Nine Inch Nails release with that distinction. (The Capital G single was released to Europe as a non-halo'ed 9" vinyl in June 2007.) However, a two-track promotional CD for "Into the Void", released only in the United States, was incorrectly identified as ''Halo Sixteen.'' As it was not an international release and was only sold in Australia, it is considered a rare release for NIN memorabilia collectors. The version of "The Perfect Drug" included on this single is slightly longer than the one released ...
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Jerome Dillon
Jerome Dillon is a professional musician, best known for his tenure as drummer with industrial rock group Nine Inch Nails from 1999–2005. After his departure, his own project, Nearly, released its debut album ''reminder'' in December 2005, along with a cd maxi-single for the song "Straight to Nowhere". "All is Lost", a song from ''reminder'' that Dillon co-wrote with 12 Rounds singer, Claudia Sarne, was featured in the 2008 film, Diary of a Nymphomaniac. In addition, an authorized limited release live bootleg EP/DVD entitled ''reminder Live 2006'', was released in August 2006. Dillon has worked as a composer for feature films since 2001. He was born July 16, 1969, in Columbus, Ohio and attended St. Francis DeSales and Northland High School until 1987. In 1994, Dillon joined pop-rock band Howlin' Maggie. In July 1998, Dillon parted ways with the band and moved to Los Angeles. Later that year, while visiting family in Columbus, Dillon was advised by Howlin' Maggie's then ...
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Bill Rieflin
William Frederick Rieflin (September 30, 1960 – March 24, 2020) was an American musician. Rieflin came to prominence in the 1990s mainly for his work as a drummer with groups (particularly in the industrial rock and industrial metal scenes) such as Ministry, the Revolting Cocks, Lard, KMFDM, Pigface, Swans, Chris Connelly, and Nine Inch Nails. He worked regularly with R.E.M. following the retirement of Bill Berry in 1997. He was a member of King Crimson from 2013 until his death in 2020. Career Rieflin was born on September 30, 1960 (some sources say September 29) and began his professional career in his hometown of Seattle. In 1975, he was in The Telepaths, a band which played backup for a couple of live gigs by the pre-The Screamers band The Tupperwares. He played drums for The Blackouts starting in 1979. His bandmates included Mike Davidson, Paul Barker, Roland Barker and Erich Werner. Eventually that band dissolved and Paul Barker joined the nascent Ministry. His e ...
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Chris Vrenna
Chris Vrenna (born February 23, 1967 in Erie, Pennsylvania) is an American musician, producer, engineer, remixer, songwriter, programmer, and founder of the electronic band Tweaker. Vrenna played drums for the industrial rock band Nine Inch Nails from 1989 until 1997, and was the keyboardist and drummer of the American rock band Marilyn Manson from 2004 until late 2011. As a member of Nine Inch Nails, Vrenna was inducted into the Rock & Roll Hall of Fame in 2020. Career Vrenna is a native of Erie, Pennsylvania. He graduated from McDowell High School in Erie, Pennsylvania in 1985 and marched in the Erie Thunderbirds Drum and Bugle Corps. Vrenna then moved to Chicago, quickly becoming a part of the Chicago industrial music scene and was briefly a member of Die Warzau and Stabbing Westward. He later reconnected with Trent Reznor, whom he met during high school in Pennsylvania, when they both were in local Cleveland, Ohio band the Exotic Birds. He also toured as a live drummer for ...
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Recording Industry Association Of America
The Recording Industry Association of America (RIAA) is a trade organization that represents the music recording industry in the United States. Its members consist of record labels and distributors that the RIAA says "create, manufacture, and/or distribute approximately 85% of all legally sold recorded music in the United States". RIAA is headquartered in Washington, D.C. RIAA was formed in 1952. Its original mission was to administer recording copyright fees and problems, work with trade unions, and do research relating to the record industry and government regulations. Early RIAA standards included the RIAA equalization curve, the format of the stereophonic record groove and the dimensions of 33 1/3, 45, and 78 rpm records. RIAA says its current mission includes: #to protect intellectual property rights and the First Amendment rights of artists #to perform research about the music industry #to monitor and review relevant laws, regulations, and policies Between 2001 and 202 ...
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Double Platinum
Music recording certification is a system of certifying that a music recording has shipped, sold, or streamed a certain number of units. The threshold quantity varies by type (such as album, single, music video) and by nation or territory (see List of music recording certifications). Almost all countries follow variations of the RIAA certification categories, which are named after precious materials (gold, platinum and diamond). The threshold required for these awards depends upon the population of the territory where the recording is released. Typically, they are awarded only to international releases and are awarded individually for each country where the album is sold. Different sales levels, some perhaps 10 times greater than others, may exist for different music media (for example: videos versus albums, singles, or music download). History The original gold and silver record awards were presented to artists by their own record companies to publicize their sales achi ...
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Fragility Tour
The Fragility Tour was a concert tour in support of industrial rock band Nine Inch Nails' ''The Fragile'' album, which took place in late 1999, running until mid-2000, and was broken into two major legs, Fragility v1.0 and Fragility v2.0 respectively. Destinations included Europe, Japan, New Zealand, Australia, and North America. The tour featured increasingly large production values, including a triptych video display created by contemporary video artist Bill Viola. The images displayed on the triptych focused on storm and water imagery. "I don't want to do the standard 'rock band in a hockey arena' show", said Trent Reznor. "I want to up the par a little bit. I think our stage show has had a lot of thought put into it. It's not like a Korn or Rob Zombie show where they just go into the prop cupboard and pull out as much shit as they can. I hope, when people see our shows, they go, 'Fuck, that was smarter than that Korn tour I saw, but not in a pretentious way – it kicked ass.' ...
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Starfuckers, Inc
"Starfuckers, Inc." (known as "Starsuckers, Inc." in its censored form) is a song by American industrial rock band Nine Inch Nails from their third studio album '' The Fragile''. Although the song does not have an official halo (the numbering system used by Nine Inch Nails for each release), an edited single was distributed with exclusive radio edits and a video for the song was produced. Background Written by Trent Reznor and Charlie Clouser, "Starfuckers, Inc." is one of the heaviest songs on '' The Fragile''. The chorus is built on heavy metal guitars and choruses shouted by a crowd. The verses feature breakbeats, deep bass hits, and glitchy vocals. The outro introduces more synthesizers, distortion, and sound effects. "Starfuckers, Inc." deals with the self-involved vanity and shallow commercialization of fame. The song directly references "You're So Vain", Carly Simon's ode to a self-absorbed lover, by quoting the chorus: These lyrics were changed for the video version ...
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Electronic Music
Electronic music is a genre of music that employs electronic musical instruments, digital instruments, or circuitry-based music technology in its creation. It includes both music made using electronic and electromechanical means ( electroacoustic music). Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer. Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including magnetic pickups, power amplifiers and loudspeakers. Such electromechanical devices include the telharmonium, Hammond organ, electric piano and the electric guitar."The stuff of electronic music is electrically produced or modified sounds. ... two basic definitions will help put some of the historical discussion in its place: purely electronic music versus electroacoustic music" ()Electroacoustic music may also use electronic effect units to ...
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Ambient Music
Ambient music is a genre of music that emphasizes tone and atmosphere over traditional musical structure or rhythm. It may lack net composition, beat, or structured melody.The Ambient Century by Mark Prendergast, Bloomsbury, London, 2003. It uses textural layers of sound that can reward both passive and active listening and encourage a sense of calm or contemplation. The genre is said to evoke an "atmospheric", "visual",Prendergast, M. ''The Ambient Century''. 2001. Bloomsbury, USA or "unobtrusive" quality. Nature soundscapes may be included, and the sounds of acoustic instruments such as the piano, strings and flute may be emulated through a synthesizer. The genre originated in the 1960s and 1970s, when new musical instruments were being introduced to a wider market, such as the synthesizer. It was presaged by Erik Satie's furniture music and styles such as musique concrète, minimal music, and German electronic music, but was prominently named and popularized by British mu ...
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