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The Fourth Dimension In Sound
''The Fourth Dimension in Sound'' (subtitled ''A Musical Experiment in the Adaptation of Instruments to Modern Electronics'') is an album by bandleader and arranger Shorty Rogers recorded in late 1961 and released on the Warner Bros. Records, Warner Bros. label.Warner Brothers Album Discography Part 2: XS-1400 to W/WS-1599 (1960-1965) accessed October 3, 2016 accessed October 2, 2016 The album was produced principally as a stereo test and demonstration record to be used by hi-fi enthusiasts to test the performa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shorty Rogers
Milton "Shorty" Rogers (born Milton Rajonsky; April 14, 1924 – November 7, 1994) was an American jazz musician, one of the principal creators of West Coast jazz. He played trumpet and flugelhorn and was in demand for his skills as an arranger. Biography Rogers was born in Great Barrington, Massachusetts, United States. He worked first as a professional musician with Will Bradley and Red Norvo. From 1947 to 1949, he worked extensively with Woody Herman and in 1950 and 1951 he played with Stan Kenton. On June 7, 1953, Rogers and his orchestra, including Johnny "Guitar" Watson, performed for the famed ninth Cavalcade of Jazz concert at Wrigley Field in Los Angeles, produced by Leon Hefflin, Sr. Also featured that day were Roy Brown and his Orchestra, Don Tosti and His Mexican Jazzmen, Earl Bostic, Nat "King" Cole, and Louis Armstrong and his All Stars with Velma Middleton. From 1953 through 1962, Rogers recorded a series of albums for RCA Victor (later reissued on RCA's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tonight (1956 Song)
"Tonight" is a song from the 1957 musical ''West Side Story'' with music written by Leonard Bernstein and lyrics by Stephen Sondheim. It was published in 1956. Description The song is a love duet between the protagonists Tony and Maria, sung while Tony visits Maria on the fire escape outside her apartment. ''West Side Story'' is a modernized adaptation of Shakespeare's '' Romeo and Juliet'' set in 20th-century New York; the scene in which "Tonight" appears is the adaptation of ''Romeo and Juliets famous "balcony scene". History Originally the song for the balcony scene was to have been " One Hand, One Heart". It was felt that this song was too innocent for two teenagers in love, and so it was decided to take this tune, which hitherto only existed as the overarching phrase from the " Tonight Quintet" and use it as the tune for the balcony scene. In the original 1957 Broadway production of ''West Side Story'', "Tonight" was performed by Larry Kert and Carol Lawrence in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edgar Sampson
Edgar is a commonly used English given name, from an Anglo-Saxon name ''Eadgar'' (composed of '' ead'' "rich, prosperous" and ''gar'' "spear"). Like most Anglo-Saxon names, it fell out of use by the later medieval period; it was, however, revived in the 18th century, and was popularised by its use for a character in Sir Walter Scott's ''The Bride of Lammermoor'' (1819). People with the given name * Edgar the Peaceful (942–975), king of England * Edgar the Ætheling (c. 1051 – c. 1126), last member of the Anglo-Saxon royal house of England * Edgar of Scotland (1074–1107), king of Scotland * Edgar Angara, Filipino lawyer * Edgar Barrier, American actor * Edgar Baumann, Paraguayan javelin thrower * Edgar Bergen, American actor, radio performer, ventriloquist * Edgar Berlanga, American boxer * Edgar H. Brown, American mathematician * Edgar Buchanan, American actor * Edgar Rice Burroughs, American author, creator of ''Tarzan'' * Edgar Cantero, Spanish author in Catalan, Sp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stompin' At The Savoy
"Stompin' at the Savoy" is a 1933 jazz standard composed by Edgar Sampson. It is named after the famed Harlem nightspot the Savoy Ballroom in New York City. History and composition Although the song is credited to Benny Goodman, Chick Webb, Edgar Sampson, and Andy Razaf, it was written and arranged by Sampson, Rex Stewart's alto saxophonist. Sampson wrote the song when he was with Stewart's orchestra at the Empire Ballroom in 1933. It was used as the band's theme song until the band broke up, after which Sampson joined Webb's band, taking the song with him. Both Webb and Goodman recorded it as an instrumental, Goodman's being the bigger hit. Lyrics were added by lyricist Andy Razaf. Goodman's 1936 version is written in 32-bar song form with four 8-bar phrases arranged AABA. The A sections use a Db6, Ab9, Db6, Ddim, Ebm7, Ab7, Db, Db chord sequence. The B section phrases use a Gb9/G9, Gb9, B13/F#m6, B13, E9/F9, E9, A13, Ab13 chord sequence. The tempo is medium fast. Chick Webb’ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ned Washington
Ned Washington (born Edward Michael Washington, August 15, 1901 – December 20, 1976) was an American lyricist born in Scranton, Pennsylvania. Life and career Washington was nominated for eleven Academy Awards from 1940 to 1962. He won the Best Original Song award twice: in 1940 for " When You Wish Upon a Star" in ''Pinocchio'' and in 1952 for " High Noon (Do Not Forsake Me, Oh My Darlin')" in '' High Noon''. Washington had his roots in vaudeville as a master of ceremonies. Having started his songwriting career with ''Earl Carroll's Vanities'' on Broadway in the late 1920s, he joined the ASCAP in 1930. In 1934, he was signed by MGM and relocated to Hollywood, eventually writing full scores for feature films. During the 1940s, he worked for a number of studios, including Paramount, Warner Brothers, Disney, and Republic. During these tenures, he collaborated with many of the great composers of the era, including Hoagy Carmichael, Victor Young, Max Steiner, and Dimitri Tiomkin. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Bassman
George Bassman (February 7, 1914 – June 26, 1997) was an American composer and arranger. Biography Born in New York City to a Ukrainian- and Lithuanian-Jewish émigré couple, Bassman was later raised in Boston and began studying music at the Boston Conservatory while still a boy. He studied orchestration and composition formally, but in his teens he left home against his father's wishes to play piano in an itinerant jazz group, and subsequently worked as an arranger for Fletcher Henderson in New York. Through that gig, he became part of the burgeoning swing/big band scene and was soon writing songs as well. Bassman peaked in that career when he and Ned Washington wrote "I'm Getting Sentimental Over You" for the bandleader Tommy Dorsey. Bassman also worked in radio as an arranger for Andre Kostelanetz, and made the move to Hollywood in the mid 1930s. Among his earliest film jobs was orchestrating the Gershwin songs in the Fred Astaire movie '' A Damsel in Distress'' at RKO ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I'm Getting Sentimental Over You
"I'm Getting Sentimental Over You" is a song recorded by Tommy Dorsey and His Orchestra. The words were written by Ned Washington and the music was written by George Bassman. It was first performed in 1932. The original copyright is dated 1933 and issued to Lawrence Music Publishers, Inc. The copyright was assigned to Mills Music, Inc. in 1934. Noni Bernardi, a saxophonist with the Dorsey orchestra arranged this song. Dorsey was the featured trombone soloist when his orchestra played it. It was first recorded in September 1935. A second recording on October 18, 1935 is the exact arrangement that Tommy would henceforth feature. Cliff Weston was the vocalist and trumpet player. It was released as a single in 1936. After Tommy Dorsey's death in 1956 Frank Sinatra sang it in the Dorsey Orchestra and also featured it in an album, ''I Remember Tommy''. This song was featured in an episode of ''The Twilight Zone'' called "Static", and in the films ''Carnal Knowledge'', ''Bart G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
You're Just In Love
"You're Just in Love" is a popular song by Irving Berlin. It was published in 1950 and was first performed by Ethel Merman and Russell Nype in ''Call Me Madam'', a musical comedy that made its debut at the Imperial Theatre in New York City on October 12 that year. The show ran for 644 performances. Ethel Merman also later starred in the 1953 film version. Theatre lore has it that Berlin wrote the song one night after ''Call Me Madam'' was not doing well in tryouts. The second act of the show was lacking. "What I'd like to do is a song with the kid (Russell Nype)," Merman said. So, Berlin went to his room and later produced the counterpoint song. When Berlin played the song for Merman, she said, "We'll never get off the stage." Reportedly, Berlin played the song for Russell Nype first, but admonished him not to admit he did so because it would infuriate Merman. Several recorded versions made the charts in 1950-51: Perry Como and The Fontane Sisters with Mitchell Ayres' and His Or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Cucaracha
La Cucaracha ("The Cockroach") is a popular Mexican folk song about a cockroach who cannot walk. The song's origins are unclear, but it dates back at least to the 1910s during the Mexican Revolution. The song belongs to the Mexican genre. The song's melody is widely known and there are many alternative stanzas. Structure The song consists of verse-and-refrain (strophe-antistrophe) pairs, with each half of each pair consisting of four lines featuring an ABCB rhyme scheme. Refrain The song's earliest lyrics, from which its name is derived, concern a cockroach that has lost one of its six legs and struggles to walk with the remaining five. The cockroach's uneven, five-legged gait is imitated by the song's original, 5/4 meter, formed by removing one upbeat (corresponding to the missing sixth leg) from the second half of a 6/4 measure: :''La ''cu''-ca- , ''ra''-''cha'', la ''cu''-ca-''ra''-''cha :, ya ''no ''pue''-de ''ca''-mi-''nar :''por-''que'' no , ''tie''-''ne'', por-''qu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irving Berlin
Irving Berlin (born Israel Beilin; yi, ישראל ביילין; May 11, 1888 – September 22, 1989) was a Russian-American composer, songwriter and lyricist. His music forms a large part of the Great American Songbook. Born in Imperial Russia, Berlin arrived in the United States at the age of five. He published his first song, "Marie from Sunny Italy", in 1907, receiving 33 cents for the publishing rights,Starr, Larry and Waterman, Christopher, American Popular Music: From Minstrelsy to MP3, Oxford University Press, 2009, pg. 64 and had his first major international hit, "Alexander's Ragtime Band", in 1911. He also was an owner of the Music Box Theatre on Broadway. For much of his career Berlin could not read sheet music, and was such a limited piano player that he could only play in the key of F-sharp; he used his custom piano equipped with a transposing lever when he needed to play in keys other than F-sharp. "Alexander's Ragtime Band" sparked an international dance craze ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenz Hart
Lorenz Milton Hart (May 2, 1895 – November 22, 1943) was an American lyricist and half of the Broadway songwriting team Rodgers and Hart. Some of his more famous lyrics include " Blue Moon", " The Lady Is a Tramp", "Manhattan", "Bewitched, Bothered and Bewildered", and "My Funny Valentine". Life and career Hart was born in Harlem, New York City, the elder of two sons, to Jewish immigrant parents, Max M. and Frieda (Isenberg) Hart, of German background. Through his mother, he was a great-grandnephew of the German poet Heinrich Heine. His father, a business promoter, sent Hart and his brother to private schools. (His brother, Teddy Hart, also went into theatre and became a musical comedy star. Teddy Hart's wife, Dorothy Hart, wrote a biography of Lorenz Hart.) Hart received his early education from Columbia Grammar School and entered Columbia College in 1913, before switching to Columbia University School of Journalism, where he attended for two years. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Rodgers
Richard Charles Rodgers (June 28, 1902 – December 30, 1979) was an American Musical composition, composer who worked primarily in musical theater. With 43 Broadway musicals and over 900 songs to his credit, Rodgers was one of the most well-known American composers of the 20th century, and his compositions had a significant influence on popular music. Rodgers is known for his songwriting partnerships, first with lyricist Lorenz Hart and then with Oscar Hammerstein II. With Hart he wrote musicals throughout the 1920s and 1930s, including ''Pal Joey (musical), Pal Joey'', ''A Connecticut Yankee (musical), A Connecticut Yankee'', ''On Your Toes'' and ''Babes in Arms.'' With Hammerstein he wrote musicals through the 1940s and 1950s, such as ''Oklahoma!'', ''Flower Drum Song'', ''Carousel (musical), Carousel'', ''South Pacific (musical), South Pacific'', ''The King and I'', and ''The Sound of Music''. His collaborations with Hammerstein, in particular, are celebrated for brin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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