The Fortune Teller (de La Tour Painting)
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The Fortune Teller (de La Tour Painting)
''The Fortune Teller'' is an oil painting of circa 1630 by the French artist Georges de La Tour. The work was uncovered in about 1960 and purchased that year by the Metropolitan Museum of Art in New York. François Georges Pariset described the painting in ''The Metropolitan Museum of Art Bulletin'', attributing it to La Tour—a likely choice given the calligraphic signature at top right: "G. de La Tour Fecit Luneuilla Lothar" ("Gorgesde La Tour made this, Lunéville, Lorraine"). Its authenticity has been questioned in the intervening years, notably by the English art historian Christopher Wright, but ''The Fortune Teller'' is generally accepted as La Tour's work. The artist is better known for his chiaroscuro religious compositions, in which the figures are illuminated by a single light source and lack the elaborate costume detail of ''The Fortune Teller's'' characters. The painting catches a moment in which a young man of some wealth is having his fortune told by the old woman ...
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Georges De La Tour
Georges de La Tour (13 March 1593 – 30 January 1652) was a French Baroque painter, who spent most of his working life in the Duchy of Lorraine, which was temporarily absorbed into France between 1641 and 1648. He painted mostly religious chiaroscuro scenes lit by candlelight. Personal life Georges de La Tour was born in the town of Vic-sur-Seille in the Diocese of Metz, which was technically part of the Holy Roman Empire, but had been ruled by France since 1552. Baptism documentation revealed that he was the son of Jean de La Tour, a baker, and Sybille de La Tour, née Molian. It has been suggested that Sybille came from a partly noble family. His parents had seven children in all, with Georges being the second-born. La Tour's educational background remains somewhat unclear, but it is assumed that he traveled either to Italy or the Netherlands early in his career. He may possibly have trained under Jacques Bellange in Nancy, the capital of Lorraine, although their styles a ...
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Old Master
In art history, "Old Master" (or "old master")Old Masters Department
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refers to any of skill who worked in Europe before about 1800, or a painting by such an artist. An "" is an original print (for example an or



QAGOMA
The Queensland Art Gallery and Gallery of Modern Art, colloquially known as QAGOMA, is an art museum in Brisbane, Queensland, Australia. It consists of the Queensland Art Gallery (QAG), which is the main building, and a second gallery, the Gallery of Modern Art (GOMA), situated away. Both are located within the Queensland Cultural Centre in South Bank. QAGOMA has a large collection of Australian art and is a leading institution in the Asia-Pacific. History The museum was established in 1895 as the Queensland National Art Gallery, and throughout its early history was housed in a series of temporary premises. In 1982, the gallery moved to a permanent location in the Queensland Art Gallery, designed by architect Robin Gibson. In 2006 the museum's second building, the Gallery of Modern Art, was opened, and was awarded the 2007 RAIA National Award for Public Architecture. Description The art museum is colloquially known as QAGOMA. It consists of the Queensland Art Gallery (Q ...
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COVID-19 Pandemic
The COVID-19 pandemic, also known as the coronavirus pandemic, is an ongoing global pandemic of coronavirus disease 2019 (COVID-19) caused by severe acute respiratory syndrome coronavirus 2 (SARS-CoV-2). The novel virus was first identified in an outbreak in the Chinese city of Wuhan in December 2019. Attempts to contain it there failed, allowing the virus to spread to other areas of Asia and later worldwide. The World Health Organization (WHO) declared the outbreak a public health emergency of international concern on 30 January 2020, and a pandemic on 11 March 2020. As of , the pandemic had caused more than cases and confirmed deaths, making it one of the deadliest in history. COVID-19 symptoms range from undetectable to deadly, but most commonly include fever, dry cough, and fatigue. Severe illness is more likely in elderly patients and those with certain underlying medical conditions. COVID-19 transmits when people breathe in air contaminated by droplets and ...
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Brian Sewell
Brian Alfred Christopher Bushell Sewell (; 15 July 1931 – 19 September 2015) was an English art critic. He wrote for the ''Evening Standard'' and had an acerbic view of conceptual art and the Turner Prize. ''The Guardian'' described him as "Britain's most famous and controversial art critic", while the ''Standard'' called him the "nation’s best art critic". Early life Sewell was born on 15 July 1931, in Hammersmith, London, taking his mother's surname, Perkins. The man who in later life he claimed was his father, composer Philip Heseltine, better known as Peter Warlock, died of coal gas poisoning seven months before Sewell was born. Brian was brought up in Kensington, west London, and elsewhere by his mother, Mary Jessica Perkins, who married Robert Sewell in 1936. He was educated at the independent Haberdashers' Aske's Boys' School in Hampstead, northwest London. Offered a place to read history at Oxford, Sewell instead chose to enter the Courtauld Institute of Art, Univ ...
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Benedict Nicolson
Lionel Benedict Nicolson (6 August 1914 – 22 May 1978) was a British art historian and author. Nicolson was the elder son of authors Harold Nicolson and Vita Sackville-West and the brother of writer and politician Nigel Nicolson, Nigel. His godmothers were Violet Trefusis, Olive Custance and Rosamund Grosvenor. The boys grew up at Sissinghurst Castle, in the rural depths of Kent, surrounded by the renowned gardens that are now run by the National Trust for Places of Historic Interest or Natural Beauty, National Trust. Nicolson was educated at Eton College and Balliol College, Oxford, studying modern history. In 1939, he was appointed Deputy Surveyor of the King's Pictures under Kenneth Clark, but soon after, war was declared and he joined the Intelligence Corps (United Kingdom), Intelligence Corps, rising to the rank of captain. In 1945 he resumed his Royal post as Deputy Surveyor, then under Anthony Blunt. He was married on 8 August 1955 to Luisa Vertova, the elder da ...
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The Burlington Magazine
''The Burlington Magazine'' is a monthly publication that covers the fine and decorative arts of all periods. Established in 1903, it is the longest running art journal in the English language. It has been published by a charitable organisation since 1986. History The magazine was established in 1903 by a group of art historians and connoisseurs which included Roger Fry, Herbert Horne, Bernard Berenson, and Charles Holmes. Its most esteemed editors have been Roger Fry (1909–1919), Herbert Read (1933–1939), and Benedict Nicolson (1948–1978). The journal's structure was loosely based on its contemporary British publication '' The Connoisseur'', which was mainly aimed at collectors and had firm connections with the art trade. ''The Burlington Magazine'', however, added to this late Victorian tradition of market-based criticism new elements of historical research inspired by the leading academic German periodicals and thus created a formula that has remained almost intact to ...
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Anthony Blunt
Anthony Frederick Blunt (26 September 1907 – 26 March 1983), styled Sir Anthony Blunt KCVO from 1956 to November 1979, was a leading British art historian and Soviet spy. Blunt was professor of art history at the University of London, director of the Courtauld Institute of Art, and Surveyor of the Queen's Pictures. His 1967 monograph on the French Baroque painter Nicolas Poussin is still widely regarded as a watershed book in art history.Shone, Richard and Stonard, John-Paul, eds. ''The Books that Shaped Art History'', Introduction. London: Thames & Hudson, 2013. His teaching text and reference work ''Art and Architecture in France 1500–1700'', first published in 1953, reached its fifth edition in a slightly revised version by Richard Beresford in 1999, when it was still considered the best account of the subject. In 1964, after being offered immunity from prosecution, Blunt confessed to having been a spy for the Soviet Union. He was considered to be the "fourth man" of ...
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Fort Worth, Texas
Fort Worth is the fifth-largest city in the U.S. state of Texas and the 13th-largest city in the United States. It is the county seat of Tarrant County, covering nearly into four other counties: Denton, Johnson, Parker, and Wise. According to a 2022 United States census estimate, Fort Worth's population was 958,692. Fort Worth is the city in the Dallas–Fort Worth–Arlington metropolitan area, which is the fourth most populous metropolitan area in the United States. The city of Fort Worth was established in 1849 as an army outpost on a bluff overlooking the Trinity River. Fort Worth has historically been a center of the Texas Longhorn cattle trade. It still embraces its Western heritage and traditional architecture and design. is the first ship of the United States Navy named after the city. Nearby Dallas has held a population majority as long as records have been kept, yet Fort Worth has become one of the fastest-growing cities in the United States at the beginning ...
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Kimbell Art Museum
The Kimbell Art Museum in Fort Worth, Texas, hosts an art collection as well as traveling art exhibitions, educational programs and an extensive research library. Its initial artwork came from the private collection of Kay and Velma Kimbell, who also provided funds for a new building to house it. The building was designed by architect Louis I. Kahn and is widely recognized as one of the most significant works of architecture of recent times. It is especially noted for the wash of silvery natural light across its vaulted gallery ceilings. History Kay Kimbell was a wealthy Fort Worth businessman who built an empire of over 70 companies in a variety of industries. He married Velma Fuller, who kindled his interest in art collecting by taking him to an art show in Fort Worth in 1931, where he bought a British painting. They set up the Kimbell Art Foundation in 1935 to establish an art institute, and by the time of his death in 1964, the couple had amassed what was considered to ...
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The Card Sharp With The Ace Of Diamonds
''The Card Sharp with the Ace of Diamonds'' is an oil-on-canvas painting produced ca.1636–1638 by the French artist Georges de La Tour. It is now in the Louvre, which bought it in 1972. Though its commissioner is unknown, it is signed ''Georgius De La Tour fecit'' under the card sharp's elbow and in the shadow of the tablecloth. The work depicts a card game in which the well-to-do young man on the right is being fleeced of his money by the other players, who both appear to be complicit in the scheme. The card sharp on the left is actually in the process of retrieving the ace of diamonds from behind his back. The painting is one of two versions of the composition by de la Tour. The other version, known as ''The Cheat with the Ace of Clubs'', with "abundant variations in details of color, clothing, and accessories" was purchased in 1981 by the Kimbell Art Foundation and is in the Kimbell Art Museum in Fort Worth, Texas. [Baidu]  


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Art Forgery
Art forgery is the creating and selling of works of art which are falsely credited to other, usually more famous artists. Art forgery can be extremely lucrative, but modern dating and analysis techniques have made the identification of forged artwork much simpler. This type of fraud is meant to mislead by creating a false provenance, or origin, of the object in order to enhance its value or prestige at the expense of the buyer. As a legal offense, it is not just the act of imitating a famous artists key characteristics in a piece of art, but the deliberate financial intent by the forger.Lenain, Theirry (2003) "Forgery". Grove Art Online. When caught, some of these forgers attempt to pass off the fakes as jokes or hoaxes on the art experts and dealers they were selling to, or on the art world as a whole. To excel in this type of forgery, the forger must pass themselves off as incredibly trustworthy and charismatic in order to recruit the necessary middlemen such as art dealers, s ...
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