The Flip Phillips Buddy Rich Trio
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The Flip Phillips Buddy Rich Trio
''The Flip Phillips Buddy Rich Trio'' is a 1953 Clef Records release of several small jazz combo tracks recorded in 1951 and 1952. Track listing LP side AAt least one sourceJapanese link indicates the album's track listing as written on the rear cover (of at least one pressing) is mis-labeled and the contents of side 'A' are actually the six tracks from a different recording: ''Flip Phillips Quartet'' (1950, Mercury MG 25023 / Clef MGC105) = "Feelin' the Blues," "Sleepy Head," " Lover," "Don't Take Your Love from Me," " Lover Come Back to Me" and " Blue Room" with Phillips, Rich, Jones and Ray Brown on bass. *"Funky Blues" (Flip Phillips) *"Indiana" (Ballard MacDonald, James F. Hanley) *" Stardust" (Hoagy Carmichael, Mitchell Parish) *"Goodbye" (Gordon Jenkins) *"Salute to Pres" (Phillips) *"Swedish Pastry" (Phillips) LP side B *"Carioca" (Vincent Youmans, Edward Eliscu, Gus Kahn) *"Take the 'A' Train" ( Billy Strayhorn) *"Bugle Call Rag" (Jack Pettis, Billy Meyers, Elmer Schoe ...
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Studio Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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James F
James is a common English language surname and given name: *James (name), the typically masculine first name James * James (surname), various people with the last name James James or James City may also refer to: People * King James (other), various kings named James * Saint James (other) * James (musician) * James, brother of Jesus Places Canada * James Bay, a large body of water * James, Ontario United Kingdom * James College, a college of the University of York United States * James, Georgia, an unincorporated community * James, Iowa, an unincorporated community * James City, North Carolina * James City County, Virginia ** James City (Virginia Company) ** James City Shire * James City, Pennsylvania * St. James City, Florida Arts, entertainment, and media * ''James'' (2005 film), a Bollywood film * ''James'' (2008 film), an Irish short film * ''James'' (2022 film), an Indian Kannada-language film * James the Red Engine, a character in ''Thomas the Tank En ...
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Elmer Schoebel
Elmer Schoebel (September 8, 1896 – December 14, 1970) was an American jazz pianist, composer, and arranger. Early life He was born in East St. Louis, Illinois, United States. Career Schoebel played along to silent films in Champaign, Illinois early in his career. After moving on to vaudeville late in the 1910s, he played with the 20th Century Jazz Band in Chicago in 1920. In 1922-23 he was a member of the New Orleans Rhythm Kings, then led his own band, known variously as the Midway Gardens Orchestra, the Original Memphis Melody Boys and the Chicago Blues Dance Orchestra, before joining Isham Jones in 1925. After returning to Chicago he played with Louis Panico and Art Kassel, and arranged for the Melrose Publishing House. In the 1930s, Schoebel wrote and arranged, working as the chief arranger for the Warner Brothers publishing division. From the 1940s onward he did some performing with Conrad Janis, Blue Steele's Rhythm Rebels (1958), and with his own ensembles in St. P ...
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Bugle Call Rag
"Bugle Call Rag", also known as "Bugle Call Blues", is a jazz standard written by Jack Pettis, Billy Meyers and Elmer Schoebel. It was first recorded by the New Orleans Rhythm Kings in 1922 as "Bugle Call Blues", although later renditions as well as the published sheet music and the song's copyright all used the title "Bugle Call Rag".Bugle Call Rag
at ''jazzstandards.com'' - retrieved on 18 May 2009


Background

The New Orleans Rhythm Kings recorded "Bugle Call Rag" on August 29, 1922 in Richmond, Indiana for Gennett Records. The recording was released as a 78 single as Gennett 4967-B with "Discontented Blu ...
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Billy Strayhorn
William Thomas Strayhorn (November 29, 1915 – May 31, 1967) was an American jazz composer, pianist, lyricist, and arranger, who collaborated with bandleader and composer Duke Ellington for nearly three decades. His compositions include "Take the 'A' Train", "Chelsea Bridge", "A Flower Is a Lovesome Thing", and " Lush Life". Early life Strayhorn was born in Dayton, Ohio, United States. His family soon moved to the Homewood section of Pittsburgh, Pennsylvania. However, his mother's family came from Hillsborough, North Carolina, and she sent him there to protect him from his father's drunken sprees. Strayhorn spent many months of his childhood at his grandparents' house in Hillsborough. In an interview, Strayhorn said that his grandmother was his primary influence during the first ten years of his life. He became interested in music while living with her, playing hymns on her piano, and playing records on her Victrola record player. Return to Pittsburgh and meeting Ellington S ...
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Take The "A" Train
"Take the 'A' Train" is a jazz standard by Billy Strayhorn that was the signature tune of the Duke Ellington orchestra. History The use of the Strayhorn composition as the signature tune was made necessary by a ruling in 1940 by the American Society of Composers, Authors and Publishers (ASCAP). When ASCAP raised its licensing fees for broadcast use, many ASCAP members, including Ellington, could no longer play their compositions over radio, as most music was played live on radio at the time. Ellington turned to Billy Strayhorn and son Mercer Ellington, who were registered with ASCAP's competitor BMI, to "write a whole new book for the band," Mercer recalled. "'A' Train" was one of many tunes written by Strayhorn, and was picked to replace "Sepia Panorama" as the band's signature song. Mercer recalled that he found the composition in a trash can after Strayhorn discarded a draft of it because it sounded too much like a Fletcher Henderson arrangement. The song was first recorded ...
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Gus Kahn
Gustav Gerson Kahn (November 6, 1886October 8, 1941) was an American lyricist who contributed a number of songs to the Great American Songbook, including "Pretty Baby", "Ain't We Got Fun?", "Carolina in the Morning", "Toot, Toot, Tootsie (Goo' Bye!)", " My Buddy" " I'll See You in My Dreams", " It Had to Be You", " Yes Sir, That's My Baby", " Love Me or Leave Me", "Makin' Whoopee", " My Baby Just Cares for Me", "I'm Through with Love", "Dream a Little Dream of Me" and "You Stepped Out of a Dream". Life and career Kahn was born in 1886 in Bruschied, in the Rhine Province of the Kingdom of Prussia, the son of Theresa (Mayer) and Isaac Kahn, a cattle farmer. The Jewish family emigrated to the United States and moved to Chicago in 1890. After graduating from high school, he worked as a clerk in a mail order business before launching one of the most successful and prolific careers from Tin Pan Alley. Kahn married Grace LeBoy in 1916 and they had two children, Donald and Irene. In hi ...
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Edward Eliscu
Edward Eliscu (April 2, 1902 – June 18, 1998) was an American lyricist, playwright, producer and actor, and a successful writer of songs for films. Life Eliscu was born in Manhattan, New York City. He attended DeWitt Clinton High School in Manhattan as a classmate of director George Cukor. He then attended City College of New York and graduated with a Bachelor of Science degree. He then began acting in Broadway plays. Eliscu's first film score was with Vincent Youmans and Billy Rose for the film '' Great Day''. Two well-known songs from that show include "More Than You Know," and "Without a Song." He married the dancer and journalist Stella Bloch in 1931. They both worked in the film industry until the House Committee on Un-American Activities named her husband in the 1950s. This ended his career in the film and later in the television industry.St ...
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Vincent Youmans
Vincent Millie Youmans (September 27, 1898 – April 5, 1946) was an American Broadway composer and producer. A leading Broadway composer of his day, Youmans collaborated with virtually all the greatest lyricists on Broadway: Ira Gershwin, Otto Harbach, Oscar Hammerstein II, Irving Caesar, Anne Caldwell, Leo Robin, Howard Dietz, Clifford Grey, Billy Rose, Edward Eliscu, Edward Heyman, Harold Adamson, Buddy DeSylva and Gus Kahn. Youmans' early songs are remarkable for their economy of melodic material: two-, three- or four-note phrases are constantly repeated and varied by subtle harmonic or rhythmic changes. In later years, however, he turned to longer musical sentences and more rhapsodic melodic lines. Youmans published fewer than 100 songs, but 18 of these were considered standards by ASCAP, a remarkably high percentage. Biography Youmans was born in New York City, United States, into a prosperous family of hat makers. When he was two, his father moved the family to upp ...
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Carioca
Carioca ( or ) is a demonym used to refer to anything related to the City of Rio de Janeiro, in Brazil. The original meaning of the term is controversial, maybe from Tupi language "''kari' oka''", meaning "white house" as the whitewashed stone houses of European settlers or even the colonists themselves, by merging "''kara'iwa''" (white man) and "''oka''" (house). Currently, the more accepted origin in academia is the meaning derived from "''kariîó oka''", which comes from the indigenous tupi "house of carijó", which was Guaraní, a native tribe of Rio de Janeiro who lived in the vicinity of the Carioca River, between the neighborhoods of ''Glória'' and ''Flamengo''. Like other Brazilians, ''cariocas'' speak Portuguese. The ''carioca'' accent and sociolect (also simply called "''carioca''", see below) are one of the most widely recognized in Brazil, in part because TV Globo, the second-largest television network in the world, is headquartered in Rio de Janeiro. Thus, many ...
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Gordon Jenkins
Gordon Hill Jenkins (May 12, 1910 – May 1, 1984) was an American arranger, composer, and pianist who was influential in popular music in the 1940s and 1950s. Jenkins worked with The Andrews Sisters, Johnny Cash, The Weavers, Frank Sinatra, Louis Armstrong, Judy Garland, Nat King Cole, Billie Holiday, Harry Nilsson, Peggy Lee and Ella Fitzgerald. Biography Career Gordon Jenkins was born in Webster Groves, Missouri. He began his career writing arrangements for a radio Station in St. Louis. He was hired by Isham Jones, the director of a dance band known for its ensemble playing, which gave Jenkins the opportunity to develop his skills in melodic scoring. He also conducted ''The Show Is On'' on Broadway. After the Jones band broke up in 1936, Jenkins worked as a freelance arranger and songwriter, contributing to sessions by Isham Jones, Paul Whiteman, Benny Goodman, Andre Kostelanetz, Lennie Hayton, and others. In 1938, Jenkins moved to Hollywood and worked for Paramount Picture ...
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Goodbye (Gordon Jenkins Song)
"Goodbye" (sometimes written "Good-Bye") is a song by American composer and arranger Gordon Jenkins, published in 1935. It became well known as the closing theme song of the Benny Goodman orchestra. Jenkins had written the song when working with the Isham Jones orchestra, and Jones allegedly rejected it as it was "too sad". Music critic Alec Wilder described "Goodbye" as "as sad a song I know" and Leonard Feather called it among his "top ten songs it would be hardest to tire of hearing". Origin Jenkins' son, the sportswriter Bruce Jenkins, wrote a biography of his father entitled ''Goodbye: In Search of Gordon Jenkins''. While researching the biography, Jenkins interviewed the singer Martha Tilton, who had performed with the Benny Goodman orchestra. Tilton revealed that the song was written by Jenkins after the death of his first wife in childbirth. Recordings The song was used as the closing theme for radio broadcasts by the Benny Goodman orchestra. They recorded it on Septemb ...
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