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The First Ten Years (Joan Baez Album)
''The First Ten Years'' is the second compilation album by Joan Baez, released in October 1970. It rounds up highlights of her first decade with the Vanguard label.Colin Larkin The Encyclopedia of Popular Music 2011- Page 2006 "COMPILATIONS: The First Ten Years (Vanguard 1970), The Ballad Book (Vanguard 1972), The Contemporary ... Hits Greatest And Others (Vanguard 1976), The Best Of Joan Baez (A&M 1977), Spotlight On Joan Baez (Spotlight 1980), " It was her first "official" compilation, and includes material ranging from her early 1960s traditional folk, through her Bob Dylan and Phil Ochs covers, to her later experiments with classical orchestration and country music. Originally released on vinyl as a two-record set, the 1987 CD reissue consolidated the album onto a single disc, omitting five songs. The cover photo was taken by rock photographer Jim Marshall. Inside the original gatefold album on the original vinyl release was a photo montage of images from Baez' career. Tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joan Baez
Joan Chandos Baez (; born January 9, 1941) is an American singer, songwriter, musician, and activist. Her contemporary folk music often includes songs of protest and social justice. Baez has performed publicly for over 60 years, releasing more than 30 albums. Fluent in Spanish and English, she has also recorded songs in at least six other languages. Baez is generally regarded as a folk singer, but her music has diversified since the counterculture era of the 1960s and encompasses genres such as folk rock, pop, country, and gospel music. She began her recording career in 1960 and achieved immediate success. Her first three albums, ''Joan Baez'', ''Joan Baez, Vol. 2'' and ''Joan Baez in Concert'', all achieved gold record status. Although a songwriter herself, Baez generally interprets other composers' work, having recorded songs by the Allman Brothers Band, the Beatles, Jackson Browne, Leonard Cohen, Woody Guthrie, Violeta Parra, the Rolling Stones, Pete Seeger, Paul Simon, Ste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tim Hardin
James Timothy Hardin (December 23, 1941 – December 29, 1980) was an American folk and blues musician and composer. As well as releasing his own material, several of his songs, including " If I Were a Carpenter" and "Reason to Believe", became hits for other artists. Hardin grew up in Oregon and joined the Marine Corps. He started his music career in Greenwich Village which led to recording several albums in the mid- to late 1960s, and a performance at the Woodstock Festival. Hardin struggled with drug abuse throughout most of his adult life, and live performances were sometimes erratic. He was planning a comeback when he died in late 1980 from a heroin overdose. Early life and career Hardin was born in Eugene, Oregon to parents who both had musical training. His mother, Molly Small Hardin, was an accomplished violinist who performed with the Portland Symphony Orchestra and his father played in jazz bands. He attended South Eugene High School but dropped out at age 18 to jo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Green, Green Grass Of Home
"Green, Green Grass of Home", written by Claude "Curly" Putman Jr., and first recorded by singer Johnny Darrell in 1965, is a country song made popular by Porter Wagoner the same year, when it reached No. 4 on the Country chart. It was also recorded by Bobby Bare and by Jerry Lee Lewis, who included it in his album ''Country Songs for City Folks'' (later re-issued as ''All Country''). Tom Jones learned the song from Lewis' version and, in 1966, he had a worldwide No. 1 hit with it. Lyrics A man returns to his childhood home for what seems to be his first visit there since leaving in his youth. When he steps down from the train, his parents are there to greet him, and his beloved, Mary, comes running to join them. They meet him with "arms reaching, smiling sweetly". With Mary, the man strolls at ease among the monuments of his childhood, including "the old oak tree that I used to play on", feeling that "it's good to touch the green, green grass of home". Abruptly, the man sw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don't Think Twice, It's All Right
"Don't Think Twice, It's All Right" is a song written by Bob Dylan in 1962, recorded on November 14 that year, and released on the 1963 album ''The Freewheelin' Bob Dylan'' and as the b-side of the ''Blowin' in the Wind'' single. The song was covered by several other artists, including Peter, Paul and Mary who released it as a single which reached the Top 10 of the ''Billboard'' Hot 100. Composition In the liner notes to the original release, Nat Hentoff calls the song "a statement that maybe you can say to make yourself feel better ... as if you were talking to yourself." It was written around the time that Suze Rotolo indefinitely prolonged her stay in Italy. The melody is based on the public domain traditional song "Who's Gonna Buy Your Chickens When I'm Gone", which was taught to Dylan by folksinger Paul Clayton, who had used it in his song "Who's Gonna Buy You Ribbons When I'm Gone?" As well as the melody, a couple of lines were taken from Clayton's "Who's Gonna Buy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
With God On Our Side (song)
"With God on Our Side" is a song by Bob Dylan, released as the third track on his 1964 album '' The Times They Are A-Changin'''. Dylan first performed the song during his debut at The Town Hall in New York City on April 12, 1963. Lyrics The lyrics address the tendency of Americans to believe that God will invariably side with them and oppose those with whom they disagree, thus leaving unquestioned the morality of wars fought and atrocities committed by their country. Dylan mentions several historical events, including the slaughter of Native Americans in the nineteenth century, the Spanish–American War, the American Civil War, World Wars I and II, The Holocaust, the Cold War and the betrayal of Jesus Christ by Judas Iscariot. Dylan added an additional verse about the Vietnam War for live versions in the 1980s (one which was recorded by The Neville Brothers) that ran thus: The words from the song "whether Judas Iscariot had God on his side" inspired Tim Rice to write the l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luiz Bonfá
Luiz Floriano Bonfá (17 October 1922 – 12 January 2001) was a Brazilian guitarist and composer. He was best known for the music he composed for the film ''Black Orpheus''. Biography Luiz Floriano Bonfá was born on October 17, 1922, in Rio de Janeiro. He began studying with Uruguayan classical guitarist Isaías Sávio at the age of 11. These weekly lessons entailed a long, harsh commute (on foot, plus two and half hours on train) from his family home in Santa Cruz, in the western rural outskirts of Rio de Janeiro, to the teacher's home in the hills of Santa Teresa. Given Bonfá's extraordinary dedication and talent for the guitar, Sávio excused the youngster's inability to pay for his lessons. Bonfá first gained widespread exposure in Brazil in 1947 when he was featured on Rio's Rádio Nacional, then an important showcase for up-and-coming talent. He was a member of the vocal group Quitandinha Serenaders in the late 1940s. Some of his first compositions such as "Ranchi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manhã De Carnaval
"Manhã de Carnaval" ("Carnival Morning") is a song by Brazilian composer Luiz Bonfá and lyricist Antônio Maria. "Manhã de Carnaval" appeared as a principal theme in the 1959 Portuguese-language film ''Orfeu Negro'' by French director Marcel Camus. The film's soundtrack also included songs by Antônio Carlos Jobim and Vinícius de Moraes, as well as the composition by Bonfá "Samba de Orfeu". "Manhã de Carnaval" appears in the film, including versions sung or hummed by both the principal characters (Orfeu and Euridice), as well as an instrumental version, so that the song has been described as the main musical theme of the film. In the portion of the film in which the song is sung by the character Orfeu, portrayed by Breno Mello, the song was dubbed by Agostinho dos Santos. The song was initially rejected for inclusion in the film by Camus, but Bonfá was able to convince the director that the music for ''Manhã de Carnaval'' was superior to the song Bonfá composed as a replace ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gil Turner
Gil Turner (born Gilbert Strunk; May 6, 1933 – September 23, 1974) was an American folk singer-songwriter, magazine editor, Shakespearean actor, political activist, and for a time, a lay Baptist preacher. Turner was a prominent figure in the Greenwich Village scene of the early 1960s, where he was master of ceremonies at New York City's leading folk music venue, Gerde's Folk City, as well as co-editor of the protest song magazine '' Broadside''. He also wrote for ''Sing Out!'', the quarterly folk music journal. Turner was a founding member of The New World Singers in 1962 with Happy Traum and Bob Cohen. His most notable musical credit, however, was his association with Bob Dylan's "Blowin' in the Wind". He was both the first person to perform the song – at Gerde's on April 16, 1962, the night Dylan completed it – and with The New World Singers, the first to record it. Turner wrote more than 100 songs. His best known include " Benny 'Kid' Paret", a protest song about a b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary Hamilton
"Mary Hamilton", or "The Fower Maries" ("The Four Marys"), is a common name for a well-known sixteenth-century ballad from Scotland based on an apparently fictional incident about a lady-in-waiting to a Queen of Scotland. It is Child Ballad 173 and Roud 79. In all versions of the song, Mary Hamilton is a personal attendant to the Queen of Scots, but precisely which queen is not specified. She becomes pregnant by the Queen's husband, the King of Scots, which results in the birth of a baby. Mary kills the infant – in some versions by casting it out to sea or drowning, and in others by exposure. The crime is seen and she is convicted. The ballad recounts Mary's thoughts about her life and her impending death in a first-person narrative. Versions of the ballad have been recorded by a number of artists, including Joan Baez, The Corries, and Angelo Branduardi. Sources of the ballad Most versions of the song are set in Edinburgh (Scotland's traditional capital), but Joan Baez ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
You Ain't Goin' Nowhere
"You Ain't Goin' Nowhere" is a song written by American musician Bob Dylan in 1967 in Woodstock, New York, during the self-imposed exile from public appearances that followed his July 29, 1966 motorcycle accident. A recording of Dylan performing the song in September 1971 was released on the ''Bob Dylan's Greatest Hits Vol. II'' album in November of that year, marking the first official release of the song by its author. Earlier 1967 recordings of the song, performed by Dylan and the Band, were issued on the 1975 album ''The Basement Tapes'' and the 2014 album ''The Bootleg Series Vol. 11: The Basement Tapes Complete''. The Byrds recorded a version of the song in 1968 and issued it as a Single (music), single. This was the first commercial release of the song, predating Dylan's own release by three years. A later cover by ex-Byrds members Roger McGuinn and Chris Hillman reached the top 10 of the Hot Country Songs charts in 1989. "You Ain't Goin' Nowhere" has also been covered ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Riley (song)
"John Riley" is a traditional English folk song (Roud #264, Laws N42). It is also known as "Johnny Riley", "The Broken Token" and "A Fair Young Maid All in Her Garden", among other titles. Background The song is derived from Homer's ''Odyssey'', interpreted through the 17th century English folk ballad tradition, and tells the story of a prospective suitor who asks a woman if she will marry him. She replies that she cannot because she is betrothed to John Riley, who has gone away over the seas. The man persists, asking her whether Riley is worth waiting for and suggesting that he may have drowned, been killed in war, or married another woman. She steadfastly maintains that she will continue to wait for Riley, regardless of his possible fate. In the last stanza, the suitor reveals that he is in fact John Riley, returned from the seas, and has been testing his beloved. The song's theme, that of the "disguised true lover", has long been a theme in traditional folk ballads and sev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Will The Circle Be Unbroken?
"Will the Circle Be Unbroken?" is a popular Christian hymn written in 1907 by Ada R. Habershon with music by Charles H. Gabriel. The song is often recorded unattributed and, because of its age, has lapsed into the public domain. Most of the chorus appears in the later songs " Can the Circle Be Unbroken" and "Daddy Sang Bass". Lyrics :There are loved ones in the gloryHabershon, Ada R., and Gabriel, Charles H. (1907) nd. Pub. 1910 "Will the Circle Be Unbroken". In Alexander, Charles M. comp. ''Alexander's Gospel Songs No. 2''. Fleming H. Revell Company, New Yorkp. 33, song 28./ref> :Whose dear forms you often miss. :When you close your earthly story, :Will you join them in their bliss? : :Will the circle be unbroken :By and by, by and by? :Is a better home awaiting :In the sky, in the sky? :In the joyous days of childhood :Oft they told of wondrous love :Pointed to the dying Saviour; :Now they dwell with Him above. :You remember songs of heaven :Which you sang with childish vo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
