The First Death
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The First Death
''The First Death'' is a book by Dimitris Lyacos. It is part of the ''Poena Damni'' trilogy. The book tells the story of a marooned man on a desert island in a sequence of fourteen poem sections, recounting his relentless struggle for survival as well as his physical and mental disintegration. The work alludes simultaneously to a modern Philoctetes, an inverted version of Crusoe as well as the myth of the dismemberment of Dionysus. The dense and nightmarish imagery of the poem, replete with sensations of hallucination, delirium, synesthesia, and putrefaction has drawn comparisons to Lautreamont, Trakl and Beckett. Despite being first in the publication history of the Poena Damni trilogy, ''The First Death'' is chronologically last in the narrative sequence. Title The title of the book refers to the contradistiction between ''first'' and second death in the Apocalypse of St. John the Divine, the ''first death'' referring to the natural end of life (death of the body) as oppos ...
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Dimitris Lyacos
Dimitris Lyacos ( el, Δημήτρης Λυάκος; born 19 October 1966) is a contemporary Greek poet and playwright. He is the author of the ''Poena Damni'' trilogy. Lyacos's work is characterised by its genre-defying form and the avant-garde combination of themes from literary tradition with elements from ritual, religion, philosophy and anthropology. The trilogy interchanges prose, drama and poetry in a fractured narrative that reflects some of the principal motifs of the Western Canon. Despite its length - the overall text counts no more than two hundred pages - the work took over a period of thirty years to complete, with the individual books revised and republished in different editions during this period and arranged around a cluster of concepts including the scapegoat, the quest, the return of the dead, redemption, physical suffering, mental illness. Lyacos's characters are always at a distance from society as such, fugitives, like the narrator of Z213: Exit, outcast ...
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Second Death
The second death is an eschatological concept in Judaism, Christianity, and Mandaeism related to punishment after a first/initial death on Earth. Judaism Although the term is not found in the Hebrew Bible (the Canonical collection of Hebrew scriptures), Harry Sysling, in his study (1996) of (Hebrew; " the resurrection of the dead") in the Palestinian Targums, identifies a consistent usage of the term "second death" in texts of the Second Temple period and early rabbinical writings. In most cases, the "second death" is identical with the judgment, following the resurrection, in Gehinnom at the Last Day. Targum Deuteronomy In Targum Neofiti (Neof.) and the fragments (FTP and FTV), on the verse Deutoronomy 33:6, the "second death" is "the death that the wicked die." Targum Isaiah Targum Isaiah has three occurrences. The first is 22:14, where the Aramaic paraphrases the Hebrew as "This sin will not be forgiven you until you die the second death." The final two examples are from T ...
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Gulf Coast (magazine)
''Gulf Coast: A Journal of Literature and Fine Arts'' is a literary magazine from Houston, Texas. Founded in 1986 by Donald Barthelme and Phillip Lopate, ''Gulf Coast'' was envisioned as an intersection between the literary and visual arts communities. As a result, ''Gulf Coast'' has partnered with the University of Houston's Creative Writing Program, the Museum of Fine Arts, Houston, and the Menil Collection to showcase some of the most important literary and artistic talents in the United States. Faculty editors past and present include Mark Doty (1999–2005), Claudia Rankine, (2006) and Nick Flynn (2007–present). The magazine publishes poetry, fiction, and creative nonfiction. In 2007, Heather McHugh chose David Shumate's ''Drawing Jesus'', which first appeared in'' Gulf Coast'', for ''The Best American Poetry 2007'', and Stephen King listed Peter Bognanni's ''The Body Eternal'' and Sandra Novack's ''Memphis'', again premiering in ''Gulf Coast'', among the 100 Distinguishe ...
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Expressionistic
Expressionism is a modernist movement, initially in poetry and painting, originating in Northern Europe around the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, distorting it radically for emotional effect in order to evoke moods or ideas. Expressionist artists have sought to express the meaningVictorino Tejera, 1966, pages 85,140, Art and Human Intelligence, Vision Press Limited, London of emotional experience rather than physical reality. Expressionism developed as an avant-garde style before the First World War. It remained popular during the Weimar Republic,Bruce Thompson, University of California, Santa Cruzlecture on Weimar culture/Kafka'a Prague particularly in Berlin. The style extended to a wide range of the arts, including expressionist architecture, painting, literature, theatre, dance, film and music. The term is sometimes suggestive of angst. In a historical sense, much older painters such as Matthia ...
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Homeric
Homer (; grc, Ὅμηρος , ''Hómēros'') (born ) was a Greek poet who is credited as the author of the ''Iliad'' and the ''Odyssey'', two epic poems that are foundational works of ancient Greek literature. Homer is considered one of the most revered and influential authors in history. Homer's ''Iliad'' centers on a quarrel between King Agamemnon and the warrior Achilles during the last year of the Trojan War. The ''Odyssey'' chronicles the ten-year journey of Odysseus, king of Ithaca, back to his home after the fall of Troy. The poems are in Homeric Greek, also known as Epic Greek, a literary language which shows a mixture of features of the Ionic and Aeolic dialects from different centuries; the predominant influence is Eastern Ionic. Most researchers believe that the poems were originally transmitted orally. Homer's epic poems shaped aspects of ancient Greek culture and education, fostering ideals of heroism, glory, and honor. To Plato, Homer was simply the one who ...
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With The People From The Bridge
''With the People from the Bridge'' (Greek: ''Με τους ανθρώπους από τη γέφυρα'') is the second part of the ''Poena Damni'' trilogy by Greek author Dimitris Lyacos. The book deals with the theme of loss and the return of the dead in the context of Christian teleology. The text is encased in a post-theatrical ritual drama form, drawing on various philosophical and literary sources as well as ancient and modern Greek folklore. The plot-line centers around an Orpheus-like journey of the protagonist LG who joins his deceased companion in the grave and is subsequently led by her to a liminal realm ahead of the imminent Resurrection Day. The work has been categorized by critics to belong to both the Modernist and the Post-Modernist tradition, while at the same time bearing strong affinities to a variety of canonical texts, among others Homer, Dante, Kafka, Joyce and Beckett. Synopsis ''With the People from the Bridge'' follows the main line of narrative of ' ...
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Orpheus
Orpheus (; Ancient Greek: Ὀρφεύς, classical pronunciation: ; french: Orphée) is a Thracian bard, legendary musician and prophet in ancient Greek religion. He was also a renowned poet and, according to the legend, travelled with Jason and the Argonauts in search of the Golden Fleece, and even descended into the Underworld of Hades, to recover his lost wife Eurydice. Ancient Greek authors as Strabo and Plutarch note Orpheus's Thracian origins. The major stories about him are centered on his ability to charm all living things and even stones with his music (the usual scene in Orpheus mosaics), his attempt to retrieve his wife Eurydice from the underworld, and his death at the hands of the maenads of Dionysus, who tired of his mourning for his late wife Eurydice. As an archetype of the inspired singer, Orpheus is one of the most significant figures in the reception of classical mythology in Western culture, portrayed or alluded to in countless forms of art and popular ...
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Sparagmos
''Sparagmos'' ( grc, σπαραγμός, from σπαράσσω ''sparasso'', "tear, rend, pull to pieces") is an act of rending, tearing apart, or mangling, usually in a Dionysian context. In Dionysian rite as represented in myth and literature, a living animal, or sometimes even a human being, is sacrificed by being dismembered. ''Sparagmos'' was frequently followed by omophagia (the eating of the raw flesh of the one dismembered). It is associated with the Maenads or Bacchantes, followers of Dionysus, and the Dionysian Mysteries. Examples of ''sparagmos'' appear in Euripides's play ''The Bacchae''. In one scene guards sent to control the Maenads witness them pulling a live bull to pieces with their hands. Later, after King Pentheus has banned the worship of Dionysus, the god lures him into a forest, to be torn limb from limb by Maenads, including his own mother Agave. According to some myths, Orpheus, regarded as a prophet of Orphic or Bacchic religion, died when he was disme ...
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Titan (mythology)
In Greek mythology, the Titans ( grc, οἱ Τῑτᾶνες, ''hoi Tītânes'', , ''ho Tītân'') were the pre-Olympian gods. According to the ''Theogony'' of Hesiod, they were the twelve children of the primordial parents Uranus (Sky) and Gaia (Earth), with six male Titans— Oceanus, Coeus, Crius, Hyperion, Iapetus, and Cronus—and six female Titans, called the Titanides or "Titanesses" (, ''hai Tītānídes'')—Theia, Rhea, Themis, Mnemosyne, Phoebe, and Tethys. Cronus mated with his older sister Rhea, who then bore the first generation of Olympians: the six siblings Zeus, Hades, Poseidon, Hestia, Demeter, and Hera. Certain descendants of the Titans, such as Prometheus, Helios, and Leto, are sometimes also called Titans. The Titans were the former gods: the generation of gods preceding the Olympians. They were overthrown as part of the Greek succession myth, which tells how Cronus seized power from his father Uranus and ruled the cosmos with his fellow Titans b ...
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Rituals
A ritual is a sequence of activities involving gestures, words, actions, or objects, performed according to a set sequence. Rituals may be prescribed by the traditions of a community, including a religious community. Rituals are characterized, but not defined, by formalism, traditionalism, invariance, rule-governance, sacral symbolism, and performance. Rituals are a feature of all known human societies. They include not only the worship rites and sacraments of organized religions and cults, but also rites of passage, atonement and purification rites, oaths of allegiance, dedication ceremonies, coronations and presidential inaugurations, marriages, funerals and more. Even common actions like hand-shaking and saying "hello" may be termed as ''rituals''. The field of ritual studies has seen a number of conflicting definitions of the term. One given by Kyriakidis is that a ritual is an outsider's or " etic" category for a set activity (or set of actions) that, to the outsider, se ...
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Sacrifices
Sacrifice is the offering of material possessions or the lives of animals or humans to a deity as an act of propitiation or worship. Evidence of ritual animal sacrifice has been seen at least since ancient Hebrews and Greeks, and possibly existed before that. Evidence of ritual human sacrifice can also be found back to at least pre-Columbian civilizations of Mesoamerica as well as in European civilizations. Varieties of ritual non-human sacrifices are practiced by numerous religions today. Terminology The Latin term ''sacrificium'' (a sacrifice) derived from Latin ''sacrificus'' (performing priestly functions or sacrifices), which combined the concepts ''sacra'' (sacred things) and ''facere'' (to do or perform). The Latin word ''sacrificium'' came to apply to the Christian eucharist in particular, sometimes named a "bloodless sacrifice" to distinguish it from blood sacrifices. In individual non-Christian ethnic religions, terms translated as "sacrifice" include the Indic ''y ...
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Greek Tragedy
Greek tragedy is a form of theatre from Ancient Greece and Greek inhabited Anatolia. It reached its most significant form in Athens in the 5th century BC, the works of which are sometimes called Attic tragedy. Greek tragedy is widely believed to be an extension of the ancient rites carried out in honor of Dionysus, and it heavily influenced the theatre of Ancient Rome and the Renaissance. Tragic plots were most often based upon myths from the oral traditions of archaic epics. In tragic theatre, however, these narratives were presented by actors. The most acclaimed Greek tragedians are Aeschylus, Sophocles, and Euripides. These tragedians often explored many themes around human nature, mainly as a way of connecting with the audience but also as way of bringing the audience into the play. Etymology Aristotelian hypothesis The origin of the word ''tragedy'' has been a matter of discussion from ancient times. The primary source of knowledge on the question is the ''Poetics'' of ...
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