The Fireflies
The Fireflies were an American doo-wop group from Long Island, New York, from the late 1950s to early 1960s. They were one of the first groups in which all band members both sang and played instruments. In addition, they were the first all-white vocal harmonizing group to appear at The Apollo Theater. The group was formed by producer Gerry Granahan in Long Island in 1957, and underwent several line-up changes. Their debut single for Roulette Records was "The Crawl", followed by the Ribbon Records 1959 release "You Were Mine", which was their biggest hit. It was written by 19-year-old Paul Giacalone about a girl he met while he was touring. It spent 16 weeks on the ''Billboard'' Hot 100, and peaked at #21 on October 26, 1959, while reaching #15 on Canada's CHUM Hit Parade. The members involved in the song "You Were Mine" in 1959 were Paul Giacalone (bass singer and drummer; September 28, 1939 – June 27, 2013), Ritchie Adams (lead singer; real name Richard Adam Ziegler), Lee R ...
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Doo-wop
Doo-wop (also spelled doowop and doo wop) is a genre of rhythm and blues music that originated in African-American communities during the 1940s, mainly in the large cities of the United States, including New York, Philadelphia, Pittsburgh, Chicago, Baltimore, Newark, Detroit, Washington, DC, and Los Angeles. It features vocal group harmony that carries an engaging melodic line to a simple beat with little or no instrumentation. Lyrics are simple, usually about love, sung by a lead vocal over background vocals, and often featuring, in the bridge, a melodramatically heartfelt recitative addressed to the beloved. Harmonic singing of nonsense syllables (such as "doo-wop") is a common characteristic of these songs. Gaining popularity in the 1950s, doo-wop was "artistically and commercially viable" until the early 1960s, but continued to influence performers in other genres.Hoffmann, FRoots of Rock: Doo-Wop In ''Survey of American Popular Music'', modified for the web by Robert Birklin ...
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The Paulette Sisters
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pr ...
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Musical Groups Disestablished In 1967
Musical is the adjective of music. Musical may also refer to: * Musical theatre, a performance art that combines songs, spoken dialogue, acting and dance * Musical film and television, a genre of film and television that incorporates into the narrative songs sung by the characters * MusicAL, an Albanian television channel * Musical isomorphism, the canonical isomorphism between the tangent and cotangent bundles See also * Lists of musicals * Music (other) * Musica (other) * Musicality Musicality (''music-al -ity'') is "sensitivity to, knowledge of, or talent for music" or "the quality or state of being musical", and is used to refer to specific if vaguely defined qualities in pieces and/or genres of music, such as melodiousness ...

Musical Groups Established In 1957
Musical is the adjective of music. Musical may also refer to: * Musical theatre, a performance art that combines songs, spoken dialogue, acting and dance * Musical film and television, a genre of film and television that incorporates into the narrative songs sung by the characters * MusicAL, an Albanian television channel * Musical isomorphism, the canonical isomorphism between the tangent and cotangent bundles See also * Lists of musicals * Music (other) * Musica (other) * Musicality Musicality (''music-al -ity'') is "sensitivity to, knowledge of, or talent for music" or "the quality or state of being musical", and is used to refer to specific if vaguely defined qualities in pieces and/or genres of music, such as melodiousness ...

Musical Groups From New York City
Musical is the adjective of music. Musical may also refer to: * Musical theatre, a performance art that combines songs, spoken dialogue, acting and dance * Musical film and television, a genre of film and television that incorporates into the narrative songs sung by the characters * MusicAL, an Albanian television channel * Musical isomorphism, the canonical isomorphism between the tangent and cotangent bundles See also * Lists of musicals * Music (other) * Musica (other) * Musicality Musicality (''music-al -ity'') is "sensitivity to, knowledge of, or talent for music" or "the quality or state of being musical", and is used to refer to specific if vaguely defined qualities in pieces and/or genres of music, such as melodiousness ...

Doo-wop Groups
Doo-wop (also spelled doowop and doo wop) is a genre of rhythm and blues music that originated in African-American communities during the 1940s, mainly in the large cities of the United States, including New York, Philadelphia, Pittsburgh, Chicago, Baltimore, Newark, Detroit, Washington, DC, and Los Angeles. It features vocal group harmony that carries an engaging melodic line to a simple beat with little or no instrumentation. Lyrics are simple, usually about love, sung by a lead vocal over background vocals, and often featuring, in the bridge, a melodramatically heartfelt recitative addressed to the beloved. Harmonic singing of nonsense syllables (such as "doo-wop") is a common characteristic of these songs. Gaining popularity in the 1950s, doo-wop was "artistically and commercially viable" until the early 1960s, but continued to influence performers in other genres.Hoffmann, FRoots of Rock: Doo-Wop In ''Survey of American Popular Music'', modified for the web by Robert Birklin ...
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After The Lovin'
"After the Lovin'" is a single performed by Engelbert Humperdinck, produced by Joel Diamond and Charlie Calello, and composed by Ritchie Adams with lyrics by Alan Bernstein. The single was a U.S. top-ten hit in late 1976/early 1977, reaching number eight on the ''Billboard'' Hot 100 and number five on the ''Cash Box'' Top 100. It became a RIAA gold record. It is ranked as the 61st biggest U.S. hit of 1977. The song also reached number 40 on the country singles chart (which, despite spending much of his early career recording country songs, was his first appearance in the country top 40 charts) and spent two weeks atop the easy listening chart. It was Humperdinck's final Top 40 Billboard hit. "After the Lovin'" reached number seven on the Canadian chart ranking 80th for the year 1977. It hit number one on Canada's Adult Contemporary list. In New Zealand, the song spent two weeks at number one, ranking 10th for the year 1977 in that country. The song failed, however, to cha ...
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Tossin' And Turnin'
"Tossin' and Turnin'" is a song written by Ritchie Adams and Malou René, and originally recorded by Bobby Lewis in the fall of 1960. The record was released on the Beltone label in December 1960. It reached number one on both the ''Billboard'' Hot 100 on July 10, 1961, and R&B chart and has since become a standard on oldies compilations. It was named the number one single on the ''Billboard'' chart for 1961, after spending seven consecutive weeks at the top. It was also featured on the soundtrack for the 1978 film ''Animal House''. On the original hit single version, the track begins with Lewis singing "I couldn't sleep at all last night", and it appears this way on most oldies compilations. However, on some releases the song has a prelude, where Lewis sings "Baby...Baby...you did something to me", followed by a musical cue into the first verse. Lewis usually included this prelude when he performed the song live. According to several sources, the personnel on the original ...
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Hamilton Records
Hamilton Records was an American record label started in 1958 as a subsidiary label of Dot Records. Performing artists included the Lennon Sisters. Its catalog is now owned by Universal Music Group and managed by Geffen Records. See also * List of record labels File:Alvinoreyguitarboogie.jpg File:AmMusicBunk78.jpg File:Bingola1011b.jpg Lists of record labels cover record labels, brands or trademarks associated with marketing of music recordings and music videos. The lists are organized alphabetically, b ... American record labels Record labels established in 1958 1958 establishments in the United States {{US-record-label-stub ...
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Blacksmith Blues
"The Blacksmith Blues" is a song which was written for Ella Mae Morse by Jack Holmes. The recording reached #3 on the '' Billboard'' chart when it was released in 1952, and sold over a million copies. Recordings were later made by Bing Crosby, the John Barry Seven, and others. Harry James released a recording on Columbia 39671 with Toni Harper on vocals. Original recording Morse recorded the song on December 12, 1951, in the Capitol Records studio on Melrose Avenue in Hollywood. The arrangement was created by Billy May and Nelson Riddle, and the recording was produced by Lee Gillette. Bob Bain played a muffled ashtray with a triangle beater to create the hammer and anvil sound effect. The recording was originally issued as the B-side of " Love Me or Leave Me". Origins of the song The tune had first been copyrighted by Holmes in 1950, when it was recorded, with completely different lyrics, as "Happy Pay-Off Day". Its first recording was by Mickey Katz, and it was also ...
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Taurus Records
The following is a summary of the Taurus Records albums. Taurus is a Norwegian record label with records published by the parent label Gemini Records Gemini Records (initiated 1984 in Oslo, Norway) is a Norwegian record label founded and run by Bjørn Petersen (b. 1939). Background The primary goal of Gemini Records was to release albums by saxophonist Bjarne Nerem. Gradually this aim broade .... References {{DEFAULTSORT:Taurus Records Discographies of Norwegian record labels ...
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Answer Record
An answer song, response song or answer record, is a song (usually a recorded track) made in answer to a previous song, normally by another artist. The concept became widespread in blues and R&B recorded music in the 1930s to the 1950s. Answer songs were also extremely popular in country music in the 1950s, 1960s, and 1970s, sometimes as female responses to an original hit by a male artist or male responses to a hit by a female artist. The original " Hound Dog" song sung by Big Mama Thornton reached number 1 in 1953, and there were six answer songs in response; the most successful of these was "Bear Cat", by Rufus Thomas which reached number 3. That led to a successful copyright lawsuit for $35,000, which is said to have led Sam Phillips of Sun Records to sell Elvis Presley's recording contract to RCA. In ''Rock Eras: Interpretations of Music and Society'', Jim Curtis says that "the series of answer songs which were hits in 1960... indicates the dissociation of the singer from the ...
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