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The Firebird
russian: Жар-птица, Zhar-ptitsa, link=no , alt=Colorful sketch of a women wearing elaborate red clothing decorated with feathers ''The Firebird'' (french: L'Oiseau de feu, link=no; russian: Жар-птица, Zhar-ptitsa, link=no) is a ballet and orchestral concert work by the Russian composer Igor Stravinsky. It was written for the 1910 Paris season of Sergei Diaghilev's Ballets Russes company; the original choreography was by Michel Fokine, who collaborated with Alexandre Benois and others on a scenario based on the Russian fairy tales of the Firebird and the blessing and curse it possesses for its owner. ''The Firebird'' was first performed at the Opéra de Paris on 25 June 1910 and was an immediate success, catapulting Stravinsky to international fame and leading to future Diaghilev-Stravinsky collaborations like '' Petrushka'' (1911) and ''The Rite of Spring'' (1913). The ballet opens in Koschei's garden with Prince Ivan chasing the Firebird, whom he captures a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Firebird (Slavic Folklore)
In Slavic mythology and folklore, the Firebird (russian: жар-пти́ца, zhar-ptitsa; uk, жар-пти́ця, ''zhar-ptytsia''; sh-Latn-Cyrl, žar-ptica, жар-птица; bg, Жар-птица, Zhar-ptitsa; mk, Жар-птица, Žar-ptica; pl, Żar-ptak; cs, Pták Ohnivák; sk, Vták Ohnivák; sl, Rajska/zlata-ptica) is a magical and prophetic glowing or burning bird from a faraway land which is both a blessing and a harbinger of doom to its captor. Description The Firebird is described as a large bird with majestic plumage that glows brightly emitting red, orange, and yellow light, like a bonfire that is just past the turbulent flame. The feathers do not cease glowing if removed, and one feather can light a large room if not concealed. In later iconography, the form of the Firebird is usually that of a smallish fire-colored falcon, complete with a crest on its head and tail feathers with glowing "eyes". It is beautiful but dangerous, showing no sign of friendli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flautando
String instruments, stringed instruments, or chordophones are musical instruments that produce sound from vibrating strings when a performer plays or sounds the strings in some manner. Musicians play some string instruments by plucking the String (music), strings with their fingers or a plectrum—and others by hitting the strings with a light wooden hammer or by rubbing the strings with a bow (music), bow. In some keyboard (music), keyboard instruments, such as the harpsichord, the musician presses a key that plucks the string. Other musical instruments generate sound by striking the string. With bowed instruments, the player pulls a rosined horsehair bow across the strings, causing them to vibrate. With a hurdy-gurdy, the musician cranks a wheel whose rosined edge touches the strings. Bowed instruments include the string section instruments of the orchestra in Western classical music (violin, viola, cello and double bass) and a number of other instruments (e.g., viols and V ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boris Godunov (opera)
''Boris Godunov'' ( rus, Борис Годунов, links=no, Borís Godunóv ) is an opera by Modest Mussorgsky (1839–1881). The work was composed between 1868 and 1873 in Saint Petersburg, Russia. It is Mussorgsky's only completed opera and is considered his masterpiece. Its subjects are the Russian ruler Boris Godunov, who reigned as Tsar (1598 to 1605) during the Time of Troubles, and his nemesis, the False Dmitriy (reigned 1605 to 1606). The Russian-language libretto was written by the composer, and is based on the 1825 drama '' Boris Godunov'' by Aleksandr Pushkin, and, in the Revised Version of 1872, on Nikolay Karamzin's ''History of the Russian State''. Among major operas, ''Boris Godunov'' shares with Giuseppe Verdi's ''Don Carlos'' (1867) the distinction of having an extremely complex creative history, as well as a great wealth of alternative material. The composer created two versions—the Original Version of 1869, which was rejected for production by the Imper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris Opera
The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be known more simply as the . Classical ballet as it is known today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the , it mainly produces operas at its modern 2,723-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1,979-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille. The company's annual budget is in the order of 200 million euros, of which €100M come from the French state and €70M from box office receipts. With this money, the company runs the two houses and supports a large permanent staff, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mir Iskusstva
''Mir iskusstva'' ( rus, «Мир искусства», p=ˈmʲir ɪˈskustvə, ''World of Art'') was a Russian magazine and the artistic movement it inspired and embodied, which was a major influence on the Russians who helped revolutionize European art during the first decade of the 20th century. The magazine had limited circulation outside Russia. From 1909, several of the ''miriskusniki'' (i.e., members of the movement) also participated in productions of Sergei Diaghilev's Ballets Russes company based in Paris. Foundation The artistic group was founded in November 1898 by a group of students that included Alexandre Benois, Konstantin Somov, Dmitry Filosofov, Léon Bakst, and Eugene Lansere. The starting moments for the new artistic group was organization of the ''Exhibition of Russian and Finnish Artists'' in the Stieglitz Museum of Applied Arts in Saint-Petersburg. The magazine was co-founded in 1899 in St. Petersburg by Alexandre Benois, Léon Bakst, and Sergei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Feu D'artifice
''Feu d'artifice'', Op. 4 (''Fireworks'', russian: Фейерверк, ) is a composition by Igor Stravinsky, written in 1908 and described by the composer as a "short orchestral fantasy." It usually takes less than four minutes to perform. Composition Stravinsky composed ''Feu d'artifice'' as a wedding present for Nikolai Rimsky-Korsakov's daughter Nadezhda and Maximilian Steinberg, who had married a few days before her father's death. ''Feu d'artifice'' helped develop Stravinsky's reputation as a composer, although it is not considered representative of his mature work. The work has some hints of bi-tonality but is for the most part similar in style to that of Rimsky-Korsakov who, at the time, was his teacher and mentor. It has the form of a scherzo but is still labeled "orchestral fantasy" because of its short length. Alexander Siloti conducted the premiere on 6 February 1909. The accepted story is that Stravinsky got the commission from Sergei Diaghilev to write ''The Fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scherzo Fantastique
''Scherzo fantastique'', op. 3, composed in 1908, is the second purely orchestral work by Igor Stravinsky (preceded by the Symphony in E-flat (Stravinsky), Symphony in E-flat op.1). Despite the composer's later description of the work as "a piece of 'pure', symphonic music", the work was inspired by Maurice Maeterlinck's 1901 essay "La Vie des Abeilles" (The Life of Bees), as is made clear in a letter of 18 June 1907 from the composer to his teacher Rimsky-Korsakov.Richard Taruskin, 'Stravinsky and the Russian Traditions', Vol.1, p.7. Ten years later, Léo Staats adapted it as a ballet for the Opéra Garnier, with the title ''Les Abeilles'', which was objected to by Maeterlinck. History In July 1907, Stravinsky wrote to Nikolai Rimsky-Korsakov that he planned a "fantastic scherzo", to be called ''Bees''. He started work on it in the same month and completed it on 30 March 1908. Rimsky-Korsakov saw the score and liked it, but he died in 1908 and never heard the work performed. Str ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opus Number
In musicology, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's production. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800–01), paired in same opus number, with both being subtitled ''Sonata quasi una Fantasia'', the only two of the kind in all of Beethoven's 32 piano sonatas. Furthermore, the ''Piano Sonata, Op. 27 No. 2, in C-sharp minor'' is also catalogued as "Sonata No. 14", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony In E-flat (Stravinsky)
The Symphony in E-flat, Op. 1, is the first published work composed by Igor Stravinsky during his apprenticeship with Nikolai Rimsky-Korsakov. It is also his first composition for orchestra. Of classical structure, it is broadly influenced by Rimsky-Korsakov, Glazunov, Tchaikovsky and Wagner. It was composed in 1905–1907 and revised in 1913. It lasts for about forty minutes. History The score bears the dedication "To my dear teacher N. A. Rimsky-Korsakov". A private performance was given on 27 April 1907 by the St. Petersburg Court Orchestra conducted by H. Wahrlich, in a concert that also included the first performance of ''Faun and Shepherdess''. Stravinsky later recalled that both Rimsky-Korsakov and Glazunov considered the orchestration "too heavy". The first public performance was conducted by Felix Blumenfeld on 22 January 1908. A revised version was conducted by Ernest Ansermet on 2 April 1914, and the composer conducted this version in his later performances. Instrument ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pastorale (Stravinsky)
Pastorale (russian: Пастораль) is a song without words written by Igor Stravinsky in 1907. Stravinsky composed the piece at his family's estate in Ustilug, Ukraine, while under the supervision of Nikolai Rimsky-Korsakov, and dedicated it to Rimsky-Korsakov's daughter Nadia. The piece was originally scored for soprano and piano, but Stravinsky transcribed it several times over the years for various ensembles: * soprano, oboe, English horn, clarinet, and bassoon (1923) * violin and piano (1933) * violin, oboe, English horn, clarinet, and bassoon (1933) The two versions from 1933 are not strict transcriptions but lengthened versions lasting about two minutes longer than the original. _Overview_))).html" ;"title="allmusic ((( Pastorale, song without words for violin & piano (transcribed with Samuel Dushkin) > Overview )))">allmusic ((( Pastorale, song without words for violin & piano (transcribed with Samuel Dushkin) > Overview )))/ref> The 1933 version for violin and pia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nikolai Rimsky-Korsakov
Nikolai Andreyevich Rimsky-Korsakov . At the time, his name was spelled Николай Андреевичъ Римскій-Корсаковъ. la, Nicolaus Andreae filius Rimskij-Korsakov. The composer romanized his name as ''Nicolas Rimsky-Korsakow''.The BGN/PCGN transliteration of Russian is used for his name here. ALA-LC system: Nikolaĭ Andrevich Rimskiĭ-Korsakov, ISO 9 system: Nikolaj Andreevič Rimskij-Korsakov. (18 March 1844 – 21 June 1908) was a Russian composer, a member of the group of composers known as The Five. He was a master of orchestration. His best-known orchestral compositions—'' Capriccio Espagnol'', the ''Russian Easter Festival Overture'', and the symphonic suite ''Scheherazade''—are staples of the classical music repertoire, along with suites and excerpts from some of his 15 operas. ''Scheherazade'' is an example of his frequent use of fairy-tale and folk subjects. Rimsky-Korsakov believed in developing a nationalistic style of classical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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