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The Fatal Jealousy
''The Fatal Jealousy'' (also written as ''The Fatal Jealousie'') is a 1672 tragedy by the English writer Henry Nevil Payne. It was staged by the Duke's Company at the Dorset Garden Theatre with a cast that included William Smith as Don Antonio, Matthew Medbourne as Don Gerardo, John Crosby as Don Sebastian, Samuel Sandford as Jasper, John Young as Don Francisco, Henry Norris as Servant, James Nokes as Nurse, Anne Shadwell as Caelia, Mary Betterton Mary Saunderson (1637–1712), later known as Mary Saunderson Betterton after her marriage to Thomas Betterton, was an actress and singer in England during the 1660s and 1690s. She is considered one of the first English actresses. Stage career ... as Eugenia, Margaret Osborne as Flora.Van Lennep p.196 References Bibliography * Van Lennep, W. ''The London Stage, 1660-1800: Volume One, 1660-1700''. Southern Illinois University Press, 1960. 1672 plays West End plays Tragedy plays Plays by Henry Nevil Payne {{17thC-pl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Nevil Payne
Henry Nevil Payne (died 1710?) was a dramatist and agitator for the Roman Catholic cause in Scotland and England. He wrote ''The Fatal Jealousy'' (1672), ''The Morning Ramble'' (1672), and ''The Siege of Constantinople'' (1675). After he finished writing plays, he was heavily involved in the Montgomery Plot in 1689, and was captured and put to torture on 10 December 1690. He was finally released in February 1701, and commenced further plotting. His fate is unknown; Montague Summers Augustus Montague Summers (10 April 1880 – 10 August 1948) was an English author, clergyman, and teacher. He initially prepared for a career in the Church of England at Oxford and Lichfield, and was ordained as an Anglican deacon in 1908. He ...'s ''The Works of Aphra Behn'' suggests 1710 for his death date, but offers no cite. References *Paul Hopkins‘Payne, Henry (d. 1705?)’ ''Oxford Dictionary of National Biography'', Oxford University Press, September 2004; online edn, January 2007 *''The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Norris (actor)
{{hndis, Norris, Henry ...
Henry Norris may refer to: *Sir Henry Norris (courtier) (c. 1482–1536), Groom of the Stool to Henry VIII, alleged lover of Anne Boleyn *Sir Henry Norris, 1st Baron Norreys (1525–1601), Elizabethan courtier *Henry Norreys (colonel-general) (1554–1599), English soldier and son of Henry Norris, 1st Baron Norreys *Henry Handley Norris (1771–1850), English High Church clergyman *Sir Henry Norris (businessman) (1865–1934), British businessman, football chairman and politician *Henry Norris (engineer) (1816–1878), British civil engineer See also *Henry Norris Russell (1877–1957), US astronomer *Norris (other) *Norreys Norreys (also spelt Norris) may refer to various members of, or estates belonging to, a landed family chiefly seated in the English counties of Berkshire and Lancashire and the Irish county of Cork. Famous family members * Baron Norreys of Rycote ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
West End Plays
West or Occident is one of the four cardinal directions or points of the compass. It is the opposite direction from east and is the direction in which the Sun sets on the Earth. Etymology The word "west" is a Germanic word passed into some Romance languages (''ouest'' in French, ''oest'' in Catalan, ''ovest'' in Italian, ''oeste'' in Spanish and Portuguese). As in other languages, the word formation stems from the fact that west is the direction of the setting sun in the evening: 'west' derives from the Indo-European root ''*wes'' reduced from ''*wes-pero'' 'evening, night', cognate with Ancient Greek ἕσπερος hesperos 'evening; evening star; western' and Latin vesper 'evening; west'. Examples of the same formation in other languages include Latin occidens 'west' from occidō 'to go down, to set' and Hebrew מַעֲרָב maarav 'west' from עֶרֶב erev 'evening'. Navigation To go west using a compass for navigation (in a place where magnetic north is the same dire ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1672 Plays
Year 167 ( CLXVII) was a common year starting on Wednesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Aurelius and Quadratus (or, less frequently, year 920 ''Ab urbe condita''). The denomination 167 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Lucius Aurelius Verus Augustus and Marcus Ummidius Quadratus Annianus become Roman Consuls. * The Marcomanni tribe wages war against the Romans at Aquileia. They destroy aqueducts and irrigation conduits. Marcus Aurelius Marcus Aurelius Antoninus (Latin: áːɾkus̠ auɾέːli.us̠ antɔ́ːni.us̠ English: ; 26 April 121 – 17 March 180) was Roman emperor from 161 to 180 AD and a Stoic philosopher. He was the last of the rulers known as the Five Good ... repels the invaders, ending the Pax Romana (Roman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Margaret Osborne (actress)
Margaret Osborne or Osborn was an English stage actress of the seventeenth centuryLanier p.98 She was a long-standing member of the Duke's Company from 1671, acting at Lincoln's Inn Fields and the Dorset Garden Theatre. She went to Dublin to work at the Smock Alley Theatre in 1677, but returned to the Duke's Company around two years later She subsequently joined the merged United Company in 1682 and was still acting in the 1690s. Selected roles * Alexandra in ''Herod and Mariamne'' by Samuel Pordage (1671) * Cornelia in ''Charles VIII of France'' by John Crowne (1671) * Lady Turnup in ''The Morning Ramble'' by Henry Nevil Payne (1672) * Flora in ''The Fatal Jealousy'' by Henry Nevil Payne (1672) * Old Lady in ''The Duchess of Malfi'' by John Webster (1672) * Mrs Clappam in ''The Careless Lovers'' by Edward Ravenscroft (1673) * Lelia in ''The Reformation'' by Joseph Arrowsmith (1673) * Fredigond in '' Love and Revenge'' by Elkanah Settle (1674) * Elvira in ''Abdelazer'' by Aphra Beh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary Betterton
Mary Saunderson (1637–1712), later known as Mary Saunderson Betterton after her marriage to Thomas Betterton, was an actress and singer in England during the 1660s and 1690s. She is considered one of the first English actresses. Stage career Her most notable accomplishments are her being the first female actress to portray several of Shakespeare's woman characters on the professional stage. She was the first to portray Juliet in ''Romeo and Juliet'', Lady Macbeth in ''Macbeth'', and other female roles in '' The Tempest'', ''Hamlet'' (as Ophelia), ''Measure for Measure'', ''Much Ado About Nothing'', ''Twelfth Night'', ''King Lear''. In Shakespeare's day, female roles were played by teenage boys, as women and young girls were not allowed on the stage. By the 1660s, however, the laws in England had changed, allowing females to act professionally. Mary's connections through her husband, Thomas, who was also a famous actor, allowed her to play several significant roles. Saunderso ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anne Shadwell
Anne Shadwell was an English stage actor of the seventeenth century. She was one of the first English actresses to appear on stage following the Restoration She was one of six actors recruited in 1660 by William Davenant for the new Duke's Company, acting under her maiden name Anne Gibbs. Sometime between 1663 and 1667 she married the playwright Thomas Shadwell with whom she had four children. While some sources have her acting late into the century, it may be she effectively retired with the formation of the United Company in 1682. Her appearances had decreased since 1672. Following her husband's death in 1692 she was left the bulk of his estate. She had an investment in the Drury Lane Theatre in 1709, when she joined a petition to Queen Anne by the manager Christopher Rich, but nothing is known about her after this point.Highfill, Burnim & Langhans p.275-277 Selected roles * Lucia in ''The Cutter of Coleman Street'' by Abraham Cowley (1661) * Decio in '' The Slighted Maid'' by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Nokes
James Nokes (Noke, Noak, Noakes) (died c.1692) was an English actor, whose laughter-arousing genius was attested by Cibber and other contemporaries. Life Nokes was one of the male actors who played female roles in the newly reopened playhouses shortly after the Restoration of Charles II. This practice didn't last long, as Thomas Killigrew's King's Company put the first English actress on the stage on December 1660, and from then on they appeared more and more frequently, until in 1662 Charles II ordered that only women should play female roles. There was a brief period in late 1660 and early 1661 when both men and women were playing female roles. On 29 January 1661, the diarist Samuel Pepys went to the Duke’s playhouse, where "after great patience and little expectation, from so poor beginning, I saw three acts of ‘The Mayd in ye Mill’ acted to my great content." It was Nokes who was playing the title female role of the Mayd. Sir Martin Mar-all, Sir Davy Dunce and Sir Cre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Young (stage Actor)
John Young was an English stage actor of the seventeenth century. He was active as a member of the Duke's Company during the Restoration Era, appearing at Lincoln's Inn Fields and then at the Dorset Garden Theatre when the company relocated. While not much is known about his background, he was repeatedly in debt during his acting career. In 1667 he stood in for Thomas Betterton after he fell ill during the run of '' Macbeth'' appearing as the title role. Samuel Pepys described him as "a bad actor at best".Roberts p.99 Selected roles * Cardinal in ''The Duchess of Malfi'' by John Webster (1662) * Bontefeu in '' The Villain'' by Thomas Porter (1663) * Octavio in ''The Adventures of Five Hours'' by Samuel Tuke (1663) * Corbulo in '' The Slighted Maid'' by Robert Stapylton (1663) * Adolph in '' The Stepmother'' by Robert Stapylton (1663) * Arcon in ''The Rivals'' by William Davenant (1664) * Cardinal of Veradium in '' Mustapha'' by Roger Boyle (1665) * Lord Dartmouth in '' Sir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dorset Garden Theatre
The Dorset Garden Theatre in London, built in 1671, was in its early years also known as the Duke of York's Theatre, or the Duke's Theatre. In 1685, King Charles II died and his brother, the Duke of York, was crowned as James II. When the Duke became King, the theatre became the Queen's Theatre in 1685, referring to James' second wife, Mary of Modena. The name remained when William III and Mary II came to the throne in 1689. It was the fourth home of the Duke's Company, one of the two patent theatre companies in Restoration London, and after 1682 continued to be used by the company's successor, the United Company. It was demolished in 1709. Background After years of being banned during the Interregnum, theatre performances were again permitted on the Restoration of Charles II with the grant of Letters Patent to two companies to perform "legitimate drama" in London. The Duke's Company was patronised by the Duke of York (later James II); the other patent theatre company, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samuel Sandford
Samuel Sandford ( fl. 1661–1699) was an English character actor, known for his roles as villains. Career He joined William D'Avenant's company at Lincoln's Inn Fields about a year after its formation, and was, on 16 December 1661, the original Worm in Abraham Cowley's ''Cutter of Coleman Street''. On 1 March 1662 he was Sampson in ''Romeo and Juliet'', and on 20 October Maligni (the villain) in Thomas Porter's ''The Villain''. Early in January 1663 he was Ernesto in Samuel Tuke's ''Adventures of Five Hours'', and on 28 May Vindex in Robert Stapylton's ''Slighted Maid''. During the same season he was Sylvanus in the ''Stepmother'', also by Stapleton, and in 1664 was Wheadle in George Etherege's ''Comical Revenge, or Love in a Tub'', and Provost in ''The Rivals'', D'Avenant's alteration of ''The Two Noble Kinsmen''. After the break of performances on account of the Great Plague, Sandford on 26 March 1668, sang with Harris, as two ballad singers, the epilogue to D'Avenant's ''Man ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Crosby (actor)
John Crosby (died 1724) was an English stage actor of the Restoration Period. He first recorded performance is in 1662 when he appeared in '' Ignoramus'' at Whitehall Palace, likely as a child actor. It was further eight years before he was solidly established in the Duke's Company in 1670 beginning with '' The Forc'd Marriage'' by Aphra Behn. He became a regular with the company over the following decade, often playing young lover roles. He retired from the stage in 1679 and later became a justice of the peace for Middlesex. He died on 8 April 1724 and was buried in St Sepulchre.Highfill, Burnim & Langhans p.54-55 Selected roles * Cleontius in '' The Forc'd Marriage'' by Aphra Behn (1670) * Andrages in ''The Women's Conquest'' by Edward Howard (1670) * Louis in '' Charles VIII of France'' by John Crowne (1671) * Pheroras in ''Herod and Mariamne'' by Samuel Pordage (1671) * Featlin in ''The Six Days' Adventure'' by Edward Howard (1671) * Otanes in ''Cambyses, King Of Persi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
